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The Brief

The most important stories for you to know today
  • No plans to reopen to the public
    two people pulling suitcases walk on the sidewalk by a chain-link fence with a lot of green trees around
    Pedestrians walk along Wilshire Boulevard adjacent to RFK Community Park in Koreatown that is currently fenced in April 22 in Los Angeles

    Topline:

    The Los Angeles Unified School District fenced off RFK Inspiration Park, located on Wilshire Boulevard. Nearly a year later, the district is considering reopening the space, but only to students at the adjacent RFK Community Schools.

    Why now? Enrique Legaspi, assistant principal at RFK Community Schools, said the school and the district are discussing using the park again, including for classes and student activities. LAUSD confirmed that school leaders have expressed strong interest in using the space for outdoor learning, art programs and student wellness activities.

    Background: For years, the city’s Department of Recreation and Parks operated and maintained the park under an agreement with the school district dating back to 2010. At the time, the public was allowed to use the space. Last March, the department stepped away. By then, it had already been taking on costs outside what the 2010 agreement required.

    Read on ... for more on the battle over the park.

    For nearly a year, people walking down Wilshire Boulevard in Koreatown have passed a small patch of what used to be one of the few public park spaces in the neighborhood. It’s now locked behind a tall chain link fence.

    Inside, the grass is overgrown and trash is piled up along the edges. The memorial to Sen. Robert F. Kennedy — built at the site where he was assassinated in 1968 at the Ambassador Hotel — has fallen into disrepair.

    The Los Angeles Unified School District fenced off RFK Inspiration Park, located on Wilshire Boulevard. Nearly a year later, the district is considering reopening the space. But it’s unclear if the space will reopen to the public, or only to students at the adjacent RFK Community Schools.

    The district has not finalized their plans for the park’s future, according to a district spokesperson.

    That’s frustrating for some neighbors, who say the park used to belong to everyone.

    “I remember the park being open and suddenly a few months after, it was gated,” said Vanessa Aikens, who lives a few blocks away. “I was just wondering why they gated the area because there seemed to be a lot of people interacting with it.”

    There has been little information relayed to the community about why.

    “We have a number of our members who live right around there and so there’s an angle of access to green space, the access to a safe space for our homeless neighbors,” said Yuval Yossefy, treasurer of Ktown for All, an all-volunteer grassroots organization serving Koreatown’s unhoused community. “This went basically unnoticed.”

    Enrique Legaspi, assistant principal at RFK Community Schools, said the district is in early discussions to reopen the park space, but only to students for classes and student activities.

    A district spokesperson said those plans have not been finalized and it would be premature to say who will have access to the space if it is reopened. LAUSD confirmed that school leaders have expressed strong interest in using the space for outdoor learning, art programs and student wellness activities.

    Officials plan to involve the school community and nearby residents as plans take shape, but they have not given a timeline or said whether the park will reopen to the public.

    Koreatown lacks parks

    For years, the city’s Department of Recreation and Parks operated and maintained the park under an agreement with the school district dating back to 2010. At the time, the public was allowed to use the space.

    Last March, the department stepped away. By then, it had already been taking on costs outside what the 2010 agreement required.

    “RAP communicated uncertainty about its ability to sustain long-term maintenance due to staffing and funding constraints,” said Deirdra Boykin, a department spokesperson.

    For people who live nearby, the loss of the park has been simple and immediate: there’s nowhere else like it.

    “There are no parks around where I live,” Aikens said. “Now I just walk straight down the street.”

    In a neighborhood with such limited park space, the memorial park went relatively unnoticed.

    “There definitely isn’t enough green space here,” said Emere Alademir, 23, who lives nearby. “I’m originally from Toronto and everywhere they have green space.”

    People who never used the park say they would visit if it reopened.

    “I’ve never actually gone in but I would be open to coming here if it reopens,” said Wendy Kim, 70, who has lived in the neighborhood for 40 years. “Why not? It’s good for everyone.”

    Kim, who splits her time between LA and Seoul, said the parks in Seoul are much better maintained than the ones in LA, and that when she craves nature, she travels out of the city for a hike.

    “But every place is different and here, the homeless issue is out of hand. That’s just the reality,” she said.

    The fence goes up

    Public records obtained by Yossefy and reviewed by The LA Local show that city and LAUSD officials coordinated the park’s handoff around a May 22 encampment removal and cleanup, after which LAUSD took control of the site and moved forward with fencing it off. The emails do not explicitly state that the park was fenced because unhoused people were there, but they show encampment removal was a central part of the transition plan.

    Volunteers with Ktown For All, who do weekly outreach to the unhoused community in the area, said they were used to seeing people at the park every Saturday.

    “It’s just like all of a sudden the fence was there,” said Nicolas Emmons, who has been doing outreach near RFK since around 2021.

    Emmons and others said that while some unhoused residents stayed in the park, the majority of the park was open and available.

    “At its peak, it was only a small percentage of the park that was being used by people to live in,” he said. “Some of the people that lived there even took it upon themselves to clean the area around their setup.”

    Eunice Jeon, another volunteer with the organization, said they had built relationships with people there over several years.

    “We regularly saw people there and had built relationships with people there,” she said. “They respected and treated the park well.”

    Jeon added that despite restricting access, the closure has not visibly improved the space.

    “If anything I would say the park is in worse state ever since the fence has gone up despite nobody being in there,” she said.

    Jeon said many individuals she encountered were navigating complex barriers to housing and services, often caught in bureaucratic loops that made it difficult to access help.

    “A lot of the time they’re limited by transportation. Some services don’t allow certain things. They need an address, but in order to get something mailed, they need their driver’s license, which they don’t have because they don’t have an address,” she said.

    In email chains included in the public records, officials also discussed installing permanent wrought iron fencing at the site. When asked if that remains the plan, LAUSD said the project is still in the “planning phase” and that details, including potential site features, have not been finalized.

    “If the park is fenced off, nobody can access it. It doesn’t provide you any use,” Yossefy said. “There are a number of people that can’t access this park, whether they were sleeping in this park, or they used the park to exercise, if they liked to sit and read — none of those things can happen there anymore because it’s completely closed off.”

    Public records show little evidence of public notice. One email mentions posting notices at the park ahead of the cleanup, but there was no formal announcement made to residents that the park — which had been open to the public for years — would be closed and no longer accessible.

    “I think that a public space is meant to be used by the public, including the unhoused,” Jeon said. “That’s something they need to address instead of locking up the parks. That’s a failure of the city. Kicking them out won’t keep anyone safer if they have fewer and fewer places to go.”

    LA Local reporter Marina Peña contributed to this report.

  • Our very own Jackie and Shadow
    A bald eagle is seen perching on a pine tree branch in Los Angeles County. Another bald eagle is seen next to it, but it is obscured by a branch. The sky behind them is clear and blue. The branches are grey and there are green pine needles growing out of them with pine cones nearby as well.
    A bald eagle couple has been spotted in Los Angeles County this past week.

    Topline:

    A pair of nesting bald eagles was spotted in Los Angeles County this past week, according to a social media post from the Department of Parks and Recreation.

    Why it matters: Nesting bald eagles are a fairly rare sight in Southern California, since they typically nest along the California-Oregon border.

    Why now: The birds mate between January and July or August, according to the U.S. Department of Fish and Wildlife.

    The backstory: The Department of Parks and Recreation did not disclose the location of the birds, and reminded L.A. residents in their post that bald eagles are a federally protected species and disturbing their nests could “disrupt breeding and impact their success.”

    What's next: It takes about 35 days for bald eagle eggs to incubate. If the new visitors lay eggs, Los Angeles could have our very own eaglets as early as next month.

    Go deeper: Bald eagles have returned to SoCal’s coastal habitat. How are the Channel Islands birds doing now?

    A pair of nesting bald eagles was spotted in Los Angeles County this past week, according to a social media post from the Department of Parks and Recreation. (You can check out the full post and video on Instagram.)

    The Department of Parks and Recreation did not disclose the exact location of the birds.

    Nesting bald eagles are a fairly rare sight in Southern California, since they're more commonly found close to the California-Oregon border.

    Map of California shows green dots where bald eagles are known to next most of them in the northern third of the state.
    A look at where bald eagles typically nest.
    (
    Courtesy California Department of Fish and Wildlife
    )

    Of course, there are notable exceptions, including Southern California's most famous bald eagles: Big Bear's Jackie and Shadow, whose yearly attempts at parenthood have become big national news on occasion.

    Typically, bald eagles' mating season is from January through July or August, according to the California Department of Fish and Wildlife.

    What to do if you're lucky enough to see them IRL

    Park officials are reminding everyone that bald eagles are a federally protected species and disturbing their nests could “disrupt breeding and impact their success.”

    The history

    Bald eagles were once close to extinction in the lower 48 U.S. states. By the early 1970s, there were fewer than 30 pairs in California, all in the northern part of the state. The species has rebounded since being protected under federal and state laws.

    What's next

    It takes about 35 days for bald eagle eggs to incubate. If the L.A.'s new eagle residents lay eggs, Los Angeles could have our very own eaglets as early as next month.

  • Sponsored message
  • Event celebrates West Coast small publishers
    Several dozen people walk across a courtyard buying books. A woman in the foreground wears a blue hat, blue sweatshirt, a white skirt, and carries a brown bag. She is putting something into the bag. People can be seen walking and in conversation behind her.
    People walk through a courtyard full of small publishers during LITLIT.

    Topline:

    The free book festival LITLIT celebrates small independent publishers on the West Coast from Seattle to Santa Monica. It’s returning to L.A. the weekend of June 6 and 7.

    Why it matters: The “Big Five” major publishers dominate publishing in the country. The literary fair highlights works from small presses on the West Coast.

    The backstory: The Los Angeles Review of Books started LITLIT in 2019, to introduce LARB publishing workshop students to the industry; it has since grown into a festival celebrating independent publishers and other local literary arts practices.

    Read on... for details on the event.

    Held by the Los Angeles Review of Books since 2019, LITLIT, or The Little Literary Fair, started out as a way to introduce students from workshops to the publishing industry.

    It has since grown into a gathering of independent West Coast publishers from Seattle to Santa Monica. This year’s iteration on June 6 and 7 is the biggest yet, with more than 50 publishers participating in the event at Sci-Arc in Downtown L.A.

    People in a room look through a small library on an exhibition table in a room full of other book exhibitors. One woman wears a brown and black jacket. To her right a man wears a blue jacket and a white shirt and takes a picture of a book. People can be seen in the background wandering from table to table.
    People look through a small library of used books from "A Good Used Book," a Los Angeles based book pop-up, during LITLIT 2024.
    (
    Los Angeles Review of Books
    )

    It’s ‘small’ lit

    The fair aims to get the public in front of books that don’t originate from the so-called “Big Five” publishers — behemoths like Penguin Random House and HarperCollins.

    The Little Literary Fair
    Southern California Institute of Architecture (SCI-Arc)
    960 E. Third St., Los Angeles
    Preview day: Friday, June 5, 6 p.m.
    Full fair: Saturday, June 6, to Sunday, June 7, from 10 a.m. - 5 p.m.
    Free admission
    Info and RSVP

    “They really get to control what people get to see, and so we hope LITLIT lets people see more of what is out there and what they can support directly,” said Emily VanKoughnett, public programs and engagement director for LARB.

    One of VanKoughnett’s favorite independent publishers will be there. Two Lines Press, the publishing arm of San Francisco’s Center for the Art of Translation, deals specifically in translated works.

    Two people stop at a table filled with books under a white EZ-up. One of them wears a black dress and sunglasses. The other is obscured but can be seen wearing a light pink hat and a white t shirt. The seller is wearing a black polo shirt and is extending his arm to showcase the books on sale. There are people behind him and to his side. More people can be seen behind the people in front of the table of books.
    Two Lines Press, which specializes in translated works, show off their books to attendees of LITLIT.
    (
    Los Angeles Review of Books
    )

    They’ve published authors from across the world, translating books from more than 100 different languages into English.

    “ We do our work in quiet rooms, so it's really nice to be able to meet readers and talk to them about what's interesting them. These festivals are really valuable to us in that way,” said CJ Evans, publisher and editor-in-chief of Two Lines.

    Pressed locally

    Local favorite Angel City Press, which operates under the auspices of L.A. Public Library, will also be there with one of their newly published titles, Los Angeles Central Library POPS, that celebrates 100 years of the Central Library.

    A crowd of people stand in a room with different tables. Books are displayed on the tables. The ground is concrete and grey. A person in the foreground carries a tote bag that says "LITLIT"
    People at LITLIT 2024 look through different small presses.
    (
    Los Angeles Review of Books
    )

    You’ll also find LA-based Errant Press, which specializes in books that break the traditional form — like a poem printed on measuring tape or a matchbox sized poetry collection.

    “It’s really cool to see the kinds of risks that people are able to take, the kinds of communities they’re able to serve and really highlight here on the West Coast,” said Irene Yoon, executive director of LARB.

    Panels, printing presses, and workshops

    The two-day fair also hosts various panels and workshops, including one on the art of comedic writing and another on how to tell the stories of Los Angeles through archival materials.

    “This is, I think, the most panels we've ever done,” VanKoughnett said.

    Dozens of people sit in rows of chairs and line the white walls of a room for a panel discussion at a Literary Fair. The walls are white. A transparent glass door to an outside street can be seen on the far right side of the picture.
    People sit down for a panel discussion at LITLIT 2024.
    (
    Los Angeles Review of Books
    )

    Workshops on how to navigate the literary world with a completed manuscript and making your own comics and zines are also on the itinerary.

    And Carson’s International Printing Museum will demonstrate how to screen print your own bookmark.

    “It's not until we're all in the same room with all our best books literally out on the table that you get to see kind of what a phenomenal publishing culture Los Angeles truly has,” said Terri Accomazzo, editorial director of Angel City Press.

  • An online plea sparks support
    A long-haired woman in magenta scrubs crouches on the floor stroking a basset hound while another woman in the background holds a chihuahua.
    Stephanie Trujillo and her mother Linda Alashti have co-owned Wet Paws since 2023.

    Topline:

    After the Eaton Fire displaced most of its customers, Altadena pet groomer Wet Paws faced a June 1 deadline to decide whether to renew its lease. A social media plea sparked an outpouring of community support.

    The backstory: Wet Paws estimates its lost up to 90% of its customer base after the fire, leaving it struggling to stay afloat.

    What's next: The business has decided to renew its lease banking on Altadena's recovery and more customers returning to the area.

    Running a small business is tough under normal circumstances. Running one in a wildfire burn scar can feel nearly impossible.

    That's the reality many Altadena business owners are still navigating nearly a year and a half after the Eaton Fire destroyed the community and the local economy. Businesses are grappling with how do you stay open when so many of your customers are gone?

    At Wet Paws, a pet grooming business along Lake Avenue, that question recently came to a head.

    The shop reopened in January but business remained slow. Wet Paws co-owner Stephanie Trujillo estimates the fire had displaced up to 90% of their customers.

    A Cane Corso dog faces the camera while sitting on a black and white diamond floor.
    Marley, a Cane Corso from Pasadena, went for her first grooming session at Wet Paws in more than a year.
    (
    Josie Huang
    /
    LAist
    )

    Then came a conversation with their landlord several months ago that forced a decision.

    "He reached out and said, 'Are you going to re-sign your lease?'" Trujillo recalled.

    The answer wasn't obvious.

    Marketing Lab+
    Los Angeles County has launched a program offering free marketing assistance and storefront improvements to eligible Altadena businesses. The deadline to apply is June 8.

    "I said, unfortunately, we're not even making it. We're paying out of our own pocket," she said. "So he said, 'I'll give you until June 1.'"

    The deadline meant Trujillo and her mother, Linda Alashti, who have owned the business together since 2023, had only a few months to figure out whether Wet Paws had a future in Altadena.

    Wet Paws is hardly alone. As businesses struggle, Los Angeles County recently launched a program offering free marketing assistance and storefront improvements to fire-affected businesses. The deadline to apply is June 8.

    A sandwich board advertising dental cleaning for dogs sits on a sidewalk.
    A flag banner and sandwich board on the sidewalk outside Wet Paws advertises its services.
    (
    Josie Huang
    /
    LAist
    )

    The county also operates a gift card program to encourage residents to spend money at fire-impacted businesses.

    But relief has not arrived quickly enough for many businesses.

    One particularly slow April Sunday at Wet Paws drove home how dire the situation had become, when they had only one customer.

    As she drove home to Fontana, Trujillo began composing a social media post.

    "So this isn't easy for us to share," the post began, "but I wanted to reach out with an open heart and hope."

    In the message, Trujillo asked the community to book appointments and spread the word to help their business survive.

    Before posting it, Trujillo showed it to her mother.

    A woman in her 20s points a spray nozzle at a basset hound.
    Wet Paws groomer Elizabeth Ranes takes care of a basset hound client.
    (
    Josie Huang
    /
    LAist
    )

    "We're very prideful, and it's very hard to ask people for help," she said. "I felt embarrassed that we had to ask the community for help."

    Her mother's advice was simple. "Just post it," she told her. "The worst that's going to happen is nobody sees it or nobody cares."

    Instead, the opposite happened. By the next day, the post had been viewed and shared hundreds of times across Instagram and Facebook.

    The phone started ringing, said Wet Paws groomer Elizabeth Ranes.

    "I got well over 50 calls," Ranes said. "We booked out for the last three weeks of the month when we made that post.”

    Customers told Alashti that they “didn't know you were back, because they don't come this way anymore.”

    A framed sign reads "dog kisses fix any bad day"
    Decor inside Wet Paws embraces a playful canine motif.
    (
    Josie Huang
    /
    LAist
    )

    Among those who returned was Penny Dahlstrom, a Pasadena resident whose 113-pound Cane Corso Marley had been a Wet Paws regular before the fire.

    Dahlstrom had tried taking Marley to a large pet store chain while Wet Paws was closed.

    "My husband went in to pick her up, and he hears crying, and it was her," Dahlstrom said. "That's not just her nature."

    The social media appeal didn't just bring back former customers. It also introduced the business to new ones, Trujillo said.

    But recovery remains uneven.

    Some days are still slow. And the shop continues to deal with lingering fire-related electrical damage in the back of the building.

    Wet Paws is operating on a temporary electrical system, limiting how much power it can use at any given time.

    "If we run our AC, and the neighbors run their AC, we lose power," Trujillo said.

    As the June 1 lease deadline approached, Trujillo and her mother weighed their options. They could walk away and cut their losses. Or they could commit to rebuilding alongside a community they had come to love.

    Ultimately, they thought about the response to their post and the customers who had shown up when the business needed them most. And they had faith that Altadena would rebuild to its full strength.

    They chose to renew the lease for another three years.

    "I can't imagine what the community is going through, losing their homes and losing everything that they had," Trujillo said. "Yet they're still coming back."

    And as long as they do, she said Wet Paws will be there for them and their fur babies.

  • Artists transform public schools
    Mural on brick wall depicting two people looking around a handball court wall.
    Mural by Geoff McFetridge.

    Topline:

    A collective of artists has painted more than 70 murals across seven elementary schools in and around Los Angeles to bring art to students in under-resourced communities.

    Why now: The collective just wrapped up their latest murals at Breed Street Elementary in Boyle Heights.

    The backstory: The idea to paint murals at schools came from Erik Caruso, a fifth grade teacher in Paramount, after he found out that many of his students had never been to an art museum.

    On a recent Monday, students at Breed Street Elementary in Boyle Heights started their day like no other — with a tour of the murals hand-painted over the weekend across the playground.

    It’s the latest of seven elementary schools in and around L.A. to get the treatment. Over 70 murals in the last 13 years, brought by a collective of artists to students in under-resourced neighborhoods with little access to art education.

    “The kids were so excited,” said Stefanie Barbee, a math teacher at Breed. “Just pure joy.”

    The students snaked through the paintings on handball courts and school walls: cartoon animals, bright orange flowers, a circle of meticulously painted lines. The works span genres and sensibilities.

    Red and yellow striped circle on light blue wall with windows above
    Mural by artist hi-dutch.
    (
    Operation Creative Freedom
    /
    Operation Creative Freedom
    )

    “It's grassroots. We're not getting money from anyone,” said Erik Caruso, the fifth grade teacher in Paramount who's the group glue. To them, they are just an assembly of like-minded friends — and friends of friends — who spend one weekend out of the year hanging out and painting murals for school kids.

    But the collective is anything but typical. It includes artists like the late Rich Jacobs, who died from leukemia this year; Tim Kerr; pro skater Ray Barbee; and Japanese artists Yusuke Hanai and hi-dutch. The vibe's always low-key, and somehow they've managed to stay under the radar.

    “The kids have no idea that they show in huge galleries or have pieces hanging in museums,” said writer Martin Wong, co-founder of the pioneering Asian pop culture magazine Giant Robot. "Or they're famous in the skateboarding scene or surf or music."

    Their reward is the Monday morning after, seeing the happiness on the kids’ faces.

    “The artists are waiting all weekend — it’s that moment,” Caruso said.

    A person on a ladder is painting a mural on a wall.
    Mural by artists Sandy Yang and James Hamblin.
    (
    Operation Creative Freedom
    /
    Operation Creative Freedom
    )

    James Hamblin was at Breed for the meet-and-greet earlier this month. He painted a mural designed by his partner Sandy Yang on one of the handball walls.

    “Sandy's design is pretty abstract, so it was interesting because the kids were [asking], you know, ‘ What is it?’” Hamblin said. “It was great because I could tell them I had no idea and like, ‘What do you guys think it is?’"

    Bring the art museum to the school

    A man in glasses smiling and holding up a victory sign.
    Erik Caruso.
    (
    Operation Creative Freedom
    /
    Operation Creative Freedom
    )

    The idea came to Caruso in 2011, after he took about two dozen students from his Paramount school to MOCA and discovered that only four had ever been to an art museum.

    I wonder if there's a way we can bring the art museum to the school,” he said.

    Caruso, a 24-year veteran, was no stranger to bringing art — and artists — directly to his students. In 2009, he launched a monthly art project for fifth graders that culminated in a year-end show where they met and shared work with living contemporary artists.

    A classroom wall filled with drawings.
    Caruso's 5th grade art project, featuring works by artist Tim Kerr.
    (
    Operation Creative Freedom
    /
    Operation Creative Freedom
    )

    The murals were next.

    They painted their first ones at his school in 2012. Soon, the project expanded to the rest of Los Angeles.

    Crew at work

    The painting takes place between Friday and Sunday, but planning takes months.

    At Breed, the connection was made through math teacher Barbee — wife of Ray — who is on a two-year stint at the Boyle Heights school to help students catch up on the subject.

    “I had sort of planted that seed that at some point I would love for a school I was working at to be the recipient of the beautiful work,” she said.

    Gray school building with multiple windows and chain-link fence in front.
    Breed Street Elementary in Boyle Heights.
    (
    Sandy Yang / James Hamblin
    )

    She brought Caruso out for a site visit last September.

    “He has a really amazing kind of vision about where to place the artists … based on just their artwork and where it is in relation to the street view,” Barbee said.

    Next came an introduction to the principal and the approval process.

    “One of the biggest challenges with what we are doing is, you know, they want flipping dolphins and stuff like that,” Caruso said. “But we want to cross over into fine art pieces.”

    Paying it forward

    Caruso estimated that as many as 40 artists and musicians have joined the effort.

    The core group now, he said, is about 11 people, and friends and families often tag along to help out, given they have just 16 hours over three days to finish the job.

    Among the regulars: Wong and his wife, Wendy Lau, who once organized DIY punk shows to fund music education at their daughter's Chinatown school. In Caruso, they saw a kindred spirit.

    Caruso later brought the collective to paint at that school and eventually invited their daughter, Linda Lindas bassist Eloise Wong, to join his fifth grade art and music project.

    “All of these kids on the blacktop were all just screaming their hearts out,” Eloise said. “It's cool how Erik — Mr. Caruso to them — shows them, like, raw ways to express themselves through cool art.”