The Brief

A lucky few got a glimpse of the interior of the revamped Vista Theater on Sunset Boulevard last week, one of the last remaining single-screen movie theaters in the Southland, when owner Quentin Tarantino held a special screening of the 1993 cult classic True Romance.

The Vista — with a new 70 mm projection system, sound system, and 21-seat screening room and café named “Coffy,” after the 1973 Pam Grier film — opens officially on Friday at 4473 Sunset Dr., with horror maestro Eli Roth’s Thanksgiving.

The rebirth is the latest chapter in the century-long saga of one of L.A.’s most famous historic theaters. “The history of the Vista is quite surprising, and full of ups and down, and I for one find its resilience to be the most exciting part,” says Celine Vacher, of the Los Feliz Neighborhood Council.

To tell its story, you need to go all the way back to the birth of Hollywood.

Sunset Boulevard

Filmmaking came to the East Hollywood/Los Feliz area in 1912, when producers L.L. Burns and Harry Revier leased a fig orchard on Sunset Boulevard. On this farmland they built a rustic studio, which was soon renamed Reliance Film Company. Reliance quickly hired pioneering director D. W. Griffith, who brought along his silent film stars Lillian and Dorothy Gish.

Griffith eventually gained control of the studio, which he renamed Fine Arts Studio. In 1914, Griffith built a sprawling replica of a southern antebellum town around the junction of Sunset and Hollywood Boulevards. This set was used for his revolutionary, highly controversial 1915 racist epic The Birth of a Nation, which many historians point to as the first blockbuster full-length feature.

The next movie Griffith set at Sunset Junction would become part of Los Angeles lore. In this quiet rural neighborhood, still dotted with farmhouses and ranches, Griffith constructed a towering plaster set for his 1916 epic Intolerance. Meant to portray the ancient palace of Belshazzar, King of Babylon, the set covered an astounding three city blocks.

“Belshazzar’s Feast beneath Egyptian blue skies,” writer Kenneth Anger wrote in his infamous 1959 expose Hollywood Babylon, “spread out under the blazing California sun: more than four thousand extras recruited from L.A. paid an unheard-of two dollars a day plus box lunch, plus carfare.”

A large crowd congregates outside of Bard's Hollywood Theatre to celebrate its grand opening

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Los Angeles Public Library

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After filming, the set remained up in some form until 1922, becoming a playground for local children. By then, the area was becoming a hub for silent productions, crew bungalows, and stars’ mansions. “Los Feliz was home to Walt Disney’s very first studios, Cecil B. DeMille’s estate where Charlie Chaplin once resided, and even the Vitagraph studios where parts of The Jazz Singer (the first movie with sound) were filmed,” says Vacher.

Egyptian revival style

So it was fitting that the theatrical impresario Lou Bard chose to build the latest in his string of theaters at the fabled intersection of Hollywood and Sunset Boulevards, known as “the great crossroads of Los Angeles.” On Oct. 9, 1923, the 838-seat single screen theater, said to have been called Lou Bard Playhouse or Bard’s Hollywood, opened with a special vaudeville show and the short Tips, starring child star Baby Peggy — who also appeared on stage.

The theater design was as trendy as it could be. Designed by architect Lewis A. Smith, the exterior was constructed in the popular Spanish Mission Revival style. But it was the interior that was truly a feast for the imagination. Designed in the peculiarly western “Egyptian revival” style (popularized by the discovery of King Tut’s tomb in 1922), the interior was a brightly colored riot of golden pharaohs, goddesses, and lamps shaped like pyramids.

According to the Los Angeles Times, the theater was the site for all important industry previews during the golden age of silent film. But Bard was not as successful as he would have liked, and he reportedly sold the theater in 1927. It was renamed the Vista.

Over the decades, the Vista went through many owners. But it was reliably a popular neighborhood theater, even as larger, showier movie palaces sprang up all over Los Angeles.

A crowd of movie-goers attend a showing of Mildred Pierce, starring Joan Crawford, at the Vista Theater.

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Los Angeles Public Library

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Controversies over the years

Yet the small but mighty theater would find itself the center of controversies which cemented its place in history. In 1948, the theater capitalized on its historic location by announcing a revival of the problematic The Birth of a Nation, only days after D.W. Griffith's death on July 23, 1948. The Hollywood Reporter noted the choice, in a short article headlined “Opportunism!” It read:

Disturbed Angelenos immediately took action. Allen M. Metcalf, a local candidate from the Progressive Party, went to the theater to confront the management. “The manager of the theater,” the Los Angeles Times reported, “pointed out that the movie showed the skeleton in the closet of the nation and denied that the cinema was incitement for a riot.”

Progressives were unconvinced. Around 20 Black and white civil rights activists formed a picket line in an attempt to block customers from seeing the film. However, the revival continued.

Charges of un-American values

Controversy came again in the 1950s, when the theater reopened as the Vista Continental. Capitalizing on the growing popularity of foreign films, the theater boasted that it was the only SoCal theater showing first-run films from the Soviet Union. This led locals to complain that the theater was promoting un-American, Communist values at the height of the Cold War. But the theater soldiered on.

The biggest test for the Vista came in the 1960s. During that era, the theater began showing pornographic films, including same-sex films. Irate, the city revoked its operating permit. The Vista fought back, and in 1968 the case was heard in the California Supreme Court.

The Vista won the case, in a decisive blow against anti-gay governance. “The court ruled, in a 5-2 decision, that the law is ‘overly broad’ and threatens to deny theater operators their rights of free speech and press,” the Los Angeles Times reported in June 1968.

“The Court ruled that Stewart Burton, manager of the Vista Theater, should be granted a writ of prohibition against the Los Angeles Board of police commissioners, which did not renew his license.”

Over the next three decades, the theater changed hands several times before it was purchased by Landmark Theatres in 1982. It became known for reviving classic films like Harold and Maude and Gone with the Wind, but business was slow, as VHS decimated art houses nationwide.

A neighborhood gathering place

In 1997, the Vista was purchased by Lance Alspaugh’s Vintage Theater Group. Alspaugh made community outreach a priority. It became known for its very own Walk of Fame, featuring handprints and footprints from stars like John Landis, Elvira, Tatum and Ryan O’Neal, and Baby Peggy herself.

“It’s been an integral part of Los Feliz because it’s intentionally embedded itself in the community,” Vacher says. “Take the longtime manager [Victor Martinez], for example, every big opening night he greets moviegoers in full costume. It’s become a tradition and locals all have their own sets of memories with him as he makes everyone feel like a welcomed friend.”

The Vista became an important gathering place in the area, known for its welcoming atmosphere, epitomized by Martinez (who is reportedly currently on the board of the theater). The theater was rented out for weddings, late night screenings, and was the home of Thomas Starr King Middle School’s annual animation and film festival. There was a Secret Movie Club, and local filmmakers were thrilled when they had premieres at their neighborhood theater.

“I had my first movie premiere at the Vista, which we sold out,” says filmmaker Kestrin Pantera, whose film Let’s Ruin it with Babies premiered in 2013. “It was an…amazing all-night karaoke party and a dream come true to be on the marquee.”

The pandemic shuttered the Vista, which closed in 2020. The marquee, which read “To Be Continued…” became a hopeful sight for weary travelers driving down Sunset Boulevard during the shutdown.

What Tarantino says is next for the theater

But the Vista had not taken its final bow. In 2021, it was announced that director Quentin Tarantino, who saved the historic New Beverly Cinema when he purchased it in 2007, had bought the movie house. “I would not have handed the keys to the Vista over to just anybody,” Alspaugh told the Los Angeles Times.

“It’s no secret that Tarantino often pays homage to Hollywood history in his films, so it feels all the more appropriate that someone with such reverence for the art of filmmaking would be the new custodian of this iconic theater in its iconic location,” Vacher says.

Tarantino vowed to show only movies on film at the new Vista, instead of digital projection. He also clearly valued the communal aspects Alspaugh had fostered over the years. “I do think boutique cinemas will actually thrive at this time,” Tarantino told the Los Angeles Times. “I got a living room. I want to go to a movie theater.”

Over the last two years the Vista has undergone a dramatic makeover. “Quentin basically retained the auditorium — it’s intact, it’s been rehabbed and it’s still new and beautiful, but the overall auditorium is in intact condition,” said Alspaugh, who has remained as chief operating officer.

“The intention is to run mostly first-run and occasional classics or repertory film,” Alspaugh told Variety’s Pat Saperstein. “There will be sections of time where you might see classic repertory titles on film for brief interludes. In the future, you’ll see some late shows of classic films and I think you’ll see morning shows of classic films.”

Whatever happens, cinephiles are just happy that their favorite historic theater is again part of the community where it has thrived for a century.

“The entire neighborhood has been anxiously awaiting the Vista’s comeback,” Vacher says. “It’s been on everyone’s lips. We’re all so eager to see that corner revived and active, no doubt we’ll all be flocking to it trying to make up for lost time.”

For most Californians, the milestone of buying a “starter home” is increasingly happening long after the start of adult life.

A new analysis of U.S. Census Bureau data by the Public Policy Institute of California finds that the age at which a majority of Californians turn from renters to homeowners is 47. In the rest of the country, a majority of people are homeowners by 36.

“It's quite staggering,” said Chris Duff, president of the Greater Los Angeles Association of Realtors. “The age does seem to be climbing every year, especially here in California.”

The numbers that explain why so many Californians are locked out 

High home prices, unyielding mortgage interest rates, sluggish construction of new homes and lackluster wage growth are all conspiring to keep many younger adults locked out of homeownership, real estate experts said.

Those factors exist across the country, but they’re especially acute in Southern California. According to recent data from the California Association of Realtors:

• The median home price in L.A. County was $879,900 in the second quarter of 2026. That was more than double the national median home price of $434,900.

• Only about 17% of L.A. households earn the $219,200 minimum income needed to afford a typical $5,480 monthly payment.

Younger buyers need to get creative — or get help from mom and dad

Larissa Rubijevsky, a realtor focused on L.A.’s South Bay neighborhoods, told LAist that when she began working in Southern California in the early 2000s, her first-time buyer clients tended to be in their early 30s.

Homes were already expensive back then, but Census data shows that first-time buyers were indeed younger. In 2009, a majority of Californians had become homeowners by age 41, according to the Public Policy Institute analysis.

These days, Rubijevsky said she sees millennial and Gen Z buyers making sacrifices just to try to enter the market.

“Sometimes they have to move in with their parents for a certain amount of time and save money,” she said. “Some of them are trying to buy property with their peers, with their friends, and then share the title 50-50.”

Others are hitting up their parents for down payment gifts, Rubijevsky said.

She said she saw her clients get noticeably older after the buying frenzy of the early phase of the COVID-19 pandemic. In those days, homes cost less and interest rates were low. Today’s prices and monthly payments are simply out of reach for most younger buyers, she said.

“People would like to have the American Dream,” Rubijevsky said. “When people can't do that, they're forced to leave the state… That's not a happy decision for them, but they just don't have any choice anymore.”

Why the trend toward older homebuyers matters for California

Between 2015 and 2025, California’s net migration included a loss of 884,000 people who cited high housing costs as their primary reason for leaving the state.

Marisol Cuellar Mejia — a senior fellow at the Public Policy Institute of California who co-authored the recent homebuying analysis — said home ownership continues to be the main way for most families to build the kind of wealth they can pass on to the next generation.

“Younger adults in California are missing out on long-term wealth building,” Cuellar Mejia said.

She said the trend will have “a cascade effect that has a lot of implications” for lawmakers and individual families. Californians who need to wait until their 40s to buy a home could decide to delay marriage, have fewer children and keep working beyond a traditional retirement age.

Across Southern California, typical homebuying ages vary widely by location, education level, immigration status and ethnicity. In L.A. County, where most residents are renters, homeowners only begin to outnumber renters at age 59. In Riverside County, where homes are cheaper, that age is 39.

White and Asian Californians tend to become homeowners younger than Black Californians, according to the analysis. So do college graduates when compared with those without a college degree. California’s Latino immigrants are more likely to rent than own a home in every age bracket.

Vivian Chen, a mortgage lender with Southern California-based Exceed Lending, said some buyers are still able to secure their first home in their 20s and 30s by participating in government-funded down payment assistance programs, such as the California Dream For All Shared Appreciation Loan and various other county and city-funded programs.

“We are doing quite a few every month,” Chen said. “Those programs are actually helping a lot of first-time buyers.”

Is more government help on the way? 

California voters will be asked to approve new homebuying assistance funds in the upcoming November general election. Proposition 37 seeks to create a “middle class” down payment assistance program funded by revenue bonds of up to $25 billion.

Under the proposed program, homebuyers earning up to 200% of their area’s median income could apply for state funding to cover down payments of up to 17% for newly-built homes. That assistance would come in the form of a loan, not a grant, with recipients likely needing to pay back the money in monthly installments.

Republican California State Assemblymember Carl DeMaio has opposed Prop. 37, saying it would turn the state into one of the nation’s largest mortgage lenders and leave taxpayers on the hook for potential financial losses.

Supporters — including the California Association of Realtors — argue the measure would incentivize developers to build new for-sale housing rather than rental units, something that has been increasingly rare in Southern California.

“We've really closed the revolving door when it comes to that first-time homebuyer getting a small one-bedroom or two-bedroom condo and then moving up as their life circumstances change,” said Duff, the Greater L.A. Association of Realtors president. “Since we're not building that construction, we don't have that inventory.”

This story first appeared on The LA Local.

More than 100 Boyle Heights and East L.A. residents packed a boardroom Wednesday in Diamond Bar to tell air regulators how air pollution and lingering odors from the Lineage warehouse fire have affected their health, homes and daily lives.

Some boarded buses before 8 a.m. to travel the 25 miles to the South Coast Air Quality Management District hearing, where the agency is considering whether to order stricter cleanup requirements and penalties against Lineage Logistics.

The hearing board is considering whether to issue an order of abatement, which would require Lineage to take specific steps to address air pollution from the warehouse fire and meet stricter cleanup standards at the site.

The hearing comes after AQMD said it received more than 4,000 odor complaints since early July and issued 19 notices of violation to Lineage, alleging the odors created a public nuisance.

Lineage said it had removed about 80% of the food waste from the facility and expects to spend between $80 million and $100 million on cleanup.

The air district hearing board is expected to continue its review Thursday as it considers issuing an order and possibly charging fines for the air quality violations. Board and Lineage representatives are scheduled to give presentations tomorrow on the cleanup and related pollution.

Here are five takeaways from the testimony.

1. Residents made the trip to make sure their voices were heard

Several speakers said it was frustrating that residents had to leave their communities, miss work and travel to Diamond Bar just to be heard. They called on AQMD to hold future hearings in Boyle Heights, closer to the people most affected by the fire.

On the bus ride to the hearing, residents told Boyle Heights Beat that they were coming to speak for their children, for neighbors who feared reprisal and because they had lived through environmental crises, like the Exide battery recycling plant, which contaminated neighborhoods in Southeast Los Angeles for years.

2. Weeks later, people say they still don’t feel safe

Speakers told the hearing board they are still dealing with foul odors from rotting food and health issues, including nausea, headaches, bloody noses, rashes, sinus and eye infections, asthma flare-ups and breathing problems. Many said they worry about the long-term effects of exposure and whether the air will be safe when kids return to school.

Amanda Diaz carried her newborn son with her to the microphone. She told the board her son was about two weeks old when the fire broke out . Her voice shaking with emotion, Diaz said she had to take her child to a hospital after he broke out in rashes, and she is worried that the exposure has caused harm that isn’t yet apparent.

“The fire has robbed me of these chances to recover from childbirth in peace and enjoy these precious first weeks with my son,” she said.

Several people said the impacts extend beyond the streets closest to the warehouse and that more people across Boyle Heights and East L.A. have been affected.

“Does the air have a ZIP code?” resident Margarita Gonzalez asked the board and Lineage’s representatives, inviting them to spend time in her home to better understand the extent of the odor problem.

“Our community deserves fresh air,” Erika Jimenez, who lives near Mariachi Plaza, added.

3. Elected leaders call lingering odors a public health crisis

Los Angeles Mayor Karen Bass addresses the board and residents via remote video at a hearing held in the William A. Burke Auditorium of the South Coast Air Quality Management District (South Coast AQMD) in Diamond Bar.

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Gary Coronado

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The LA Local

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Los Angeles Mayor Karen Bass, District 14 City Councilmember Ysabel Jurado and State Sen. María Elena Durazo urged the board to require stricter cleanup standards and impose financial penalties against Lineage.

Bass called on the board to use its enforcement authority to require a stronger cleanup plan, including financial support for impacted residents.

“What the residents of Boyle Heights are facing is not just a nuisance, but it is a public health crisis that requires urgent and actionable measures,” Bass told the board.

Bass said Lineage should be required to establish a fund dedicated to the ongoing support of impacted residents, including relocating them until the issue is completely resolved. She added that the company has made some effort to provide help but only after pressure from residents and elected leaders.

Jurado said the sheer volume of complaints and notices of violations is evidence enough that Lineage’s management of the crisis has been inadequate.

“Residents should not have to file complaint after complaint to force a multi-billion-dollar corporation to contain the harm that it created,” Jurado told the board.

She added that any order against Lineage should include firm deadlines, aggressive odor control, public reporting and meaningful consequences if it is violated.

Durazo echoed outrage that residents are expected to endure unsafe conditions while the cleanup unfolds at the “company’s pace.” She said the rotting material should be removed before students are expected to return to school on Aug. 12.

Durazo said Lineage should pay for the full cost of housing and home remediation for residents, and the board should enforce the maximum financial penalty against the company. She also asked that another hearing be held in Boyle Heights rather than miles away during the workday.

“Residents deserve to be heard,” Durazo said.

Concerned residents of Boyle Heights and East Los Angeles at a hearing held in Diamond Bar. The South Coast AQMD Hearing Board held a hearing listening to proposed conditions to reduce odors impacting the nearby community from the Lineage Warehouse fire cleanup in Boyle Heights.

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Gary Coronado

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The LA Local

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4. Residents say they don’t want history to repeat itself

For many speakers, the Lineage fire was not an isolated incident. They said it was another example of Boyle Heights and East L.A. communities being forced to live with the impacts of policies and businesses that create health hazards for the community.

Several people compared the situation to Exide. Others questioned why communities near industrial facilities are often asked to endure pollution and health risks while waiting for action.

“We are witnessing environmental racism,” Eve Sanchez said.

Alma Martinez, of Monterey Park, weeps during public comments at a hearing held in the William A. Burke Auditorium of the South Coast Air Quality Management District in Diamond Bar.

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Gary Coronado

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The LA Local

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Some called for the warehouse and other industrial facilities to move away from residential neighborhoods.

“I need you to pay attention to what’s happening in our community and for these factories to move from their location please,” said Cristina Fernandez, an East L.A. resident, with help from an interpreter.

She also invited Lineage representatives to visit her home and experience the poor air quality.

5. Students and parents describe a disrupted summer and back-to-school concerns

Leonardo Gutierrez, 8, and mother Maria Patiño Gutierrez, of East Los Angeles, address the board at a hearing held in the William A. Burke Auditorium of the South Coast Air Quality Management District (South Coast AQMD) in Diamond Bar.

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Gary Coronado

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The LA Local

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Several youth who are members of East Yard Communities for Environmental Justice spoke on behalf of their families and their neighbors and highlighted the uncertainty of going back to school in the aftermath of Lineage.

“Am I expected to go into my senior year in these conditions? It’s ridiculous,” said Isabella Hernandez, a Boyle Heights resident.

“Lineage is banking on the fact that we’re poor,” Hernandez said. “They think we’re stupid and uneducated and that we’re just going to lie down and take this.

“We’re not. We deserve clean air and a safe place to live,” she continued.

Another Boyle Heights youth spoke about a lack of purifiers being distributed.

“I come from a multigenerational home and we only have one air purifier … How does this make sense?” she said.

Maria Patiño Gutierrez said she’s not comfortable with her son going back to school, which is less than two miles away from Lineage.

“Our summer plans were ruined because of this fire,” she said.

Her son also addressed officials during the hearing.

“It was my birthday when the fire started," he said. "My baseball game was canceled. Everything was canceled because of the fire.”

An effort to put a rent control measure on the November ballot in Anaheim has fizzled. That means Santa Ana is likely to remain the only Orange County city with rent control, at least for now.

The group Tenants United Anaheim launched an effort in January to put rent control on the November ballot. The initiative proposed to cap rent increases in the city at 3% annually. It also would have required landlords to pay relocation assistance to tenants forced to move through no fault of their own, such as when an owner takes a rental unit off the market.

Why did it fizzle?

Tenants United Anaheim has yet to release an official statement, but an organizer with the group told LAist the group had decided to suspend signature-gathering in order to improve and strengthen the text of the ballot measure.

This week is the deadline to submit ballot initiatives for the November election in Orange County. The group expects to resume the effort for a future election.

The context

Tenant advocates in Anaheim had hoped to follow in the footsteps of neighboring Santa Ana, which became Orange County’s first city to adopt rent control in 2021. It was upheld by voters in 2024. The efforts in both cities have faced strong opposition from the California Apartment Association, which represents landlords.

What's next

Some cities have had to pare down their protections for renters after negative court rulings. Los Angeles and Pasadena have stopped enforcing mandatory relocation assistance following legal victories by landlord groups.

Tenants United Anaheim's members hope their revised rent control proposal will make it on the ballot in 2028.