One of the last single-screen movie theaters in the Southland, the Vista theater has been lovingly restored by new owner Quentin Tarantino and is now open. We explore its fascinating history.
Why it matters: From the filming of controversial D. W. Griffith’s The Birth of a Nation to a precedent-making free speech court case, the Vista has spanned much of Hollywood’s evolution.
Why now: The pandemic shuttered the Vista, with its marquee, which read “To Be Continued…” became a hopeful sight for weary travelers driving down Sunset Boulevard. It’s taken two years, but its reopening is drawing excitement from the local community — and cinema lovers across the region.
A lucky few got a glimpse of the interior of the revamped Vista Theater on Sunset Boulevard last week, one of the last remaining single-screen movie theaters in the Southland, when owner Quentin Tarantino held a special screening of the 1993 cult classic True Romance.
The Vista — with a new 70 mm projection system, sound system, and 21-seat screening room and café named “Coffy,” after the 1973 Pam Grier film — opens officially on Friday at 4473 Sunset Dr., with horror maestro Eli Roth’s Thanksgiving.
The rebirth is the latest chapter in the century-long saga of one of L.A.’s most famous historic theaters. “The history of the Vista is quite surprising, and full of ups and down, and I for one find its resilience to be the most exciting part,” says Celine Vacher, of the Los Feliz Neighborhood Council.
To tell its story, you need to go all the way back to the birth of Hollywood.
Sunset Boulevard
Filmmaking came to the East Hollywood/Los Feliz area in 1912, when producers L.L. Burns and Harry Revier leased a fig orchard on Sunset Boulevard. On this farmland they built a rustic studio, which was soon renamed Reliance Film Company. Reliance quickly hired pioneering director D. W. Griffith, who brought along his silent film stars Lillian and Dorothy Gish.
Griffith eventually gained control of the studio, which he renamed Fine Arts Studio. In 1914, Griffith built a sprawling replica of a southern antebellum town around the junction of Sunset and Hollywood Boulevards. This set was used for his revolutionary, highly controversial 1915 racist epic The Birth of a Nation, which many historians point to as the first blockbuster full-length feature.
The next movie Griffith set at Sunset Junction would become part of Los Angeles lore. In this quiet rural neighborhood, still dotted with farmhouses and ranches, Griffith constructed a towering plaster set for his 1916 epic Intolerance. Meant to portray the ancient palace of Belshazzar, King of Babylon, the set covered an astounding three city blocks.
“Belshazzar’s Feast beneath Egyptian blue skies,” writer Kenneth Anger wrote in his infamous 1959 exposeHollywood Babylon, “spread out under the blazing California sun: more than four thousand extras recruited from L.A. paid an unheard-of two dollars a day plus box lunch, plus carfare.”
A large crowd congregates outside of Bard's Hollywood Theatre to celebrate its grand opening
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Los Angeles Public Library
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After filming, the set remained up in some form until 1922, becoming a playground for local children. By then, the area was becoming a hub for silent productions, crew bungalows, and stars’ mansions. “Los Feliz was home to Walt Disney’s very first studios, Cecil B. DeMille’s estate where Charlie Chaplin once resided, and even the Vitagraph studios where parts of The Jazz Singer (the first movie with sound) were filmed,” says Vacher.
Egyptian revival style
So it was fitting that the theatrical impresario Lou Bard chose to build the latest in his string of theaters at the fabled intersection of Hollywood and Sunset Boulevards, known as “the great crossroads of Los Angeles.” On Oct. 9, 1923, the 838-seat single screen theater, said to have been called Lou Bard Playhouse or Bard’s Hollywood, opened with a special vaudeville show and the short Tips, starring child star Baby Peggy — who also appeared on stage.
The theater design was as trendy as it could be. Designed by architect Lewis A. Smith, the exterior was constructed in the popular Spanish Mission Revival style. But it was the interior that was truly a feast for the imagination. Designed in the peculiarly western “Egyptian revival” style (popularized by the discovery of King Tut’s tomb in 1922), the interior was a brightly colored riot of golden pharaohs, goddesses, and lamps shaped like pyramids.
According to the Los Angeles Times, the theater was the site for all important industry previews during the golden age of silent film. But Bard was not as successful as he would have liked, and he reportedly sold the theater in 1927. It was renamed the Vista.
Over the decades, the Vista went through many owners. But it was reliably a popular neighborhood theater, even as larger, showier movie palaces sprang up all over Los Angeles.
A crowd of movie-goers attend a showing of Mildred Pierce, starring Joan Crawford, at the Vista Theater.
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Los Angeles Public Library
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Controversies over the years
Yet the small but mighty theater would find itself the center of controversies which cemented its place in history. In 1948, the theater capitalized on its historic location by announcing a revival of the problematic TheBirth of a Nation, only days after D.W. Griffith's death on July 23, 1948. The Hollywood Reporter noted the choice, in a short article headlined “Opportunism!” It read:
Coming — D.W. Griffith’s “The Birth of a Nation” starting July 28, so the Vista Sunset and Hollywood announces. The theater is across the street from the old Griffith Studio and the site of many location shots for the picture. Filmdom last night predicted the departed showman’s hits would enjoy a national revival.
Disturbed Angelenos immediately took action. Allen M. Metcalf, a local candidate from the Progressive Party, went to the theater to confront the management. “The manager of the theater,” the Los Angeles Times reported, “pointed out that the movie showed the skeleton in the closet of the nation and denied that the cinema was incitement for a riot.”
Progressives were unconvinced. Around 20 Black and white civil rights activists formed a picket line in an attempt to block customers from seeing the film. However, the revival continued.
Charges of un-American values
Controversy came again in the 1950s, when the theater reopened as the Vista Continental. Capitalizing on the growing popularity of foreign films, the theater boasted that it was the only SoCal theater showing first-run films from the Soviet Union. This led locals to complain that the theater was promoting un-American, Communist values at the height of the Cold War. But the theater soldiered on.
The biggest test for the Vista came in the 1960s. During that era, the theater began showing pornographic films, including same-sex films. Irate, the city revoked its operating permit. The Vista fought back, and in 1968 the case was heard in the California Supreme Court.
The Vista won the case, in a decisive blow against anti-gay governance. “The court ruled, in a 5-2 decision, that the law is ‘overly broad’ and threatens to deny theater operators their rights of free speech and press,” the Los Angeles Times reported in June 1968.
“The Court ruled that Stewart Burton, manager of the Vista Theater, should be granted a writ of prohibition against the Los Angeles Board of police commissioners, which did not renew his license.”
Over the next three decades, the theater changed hands several times before it was purchased by Landmark Theatres in 1982. It became known for reviving classic films like Harold and Maude and Gone with the Wind, but business was slow, as VHS decimated art houses nationwide.
A neighborhood gathering place
In 1997, the Vista was purchased by Lance Alspaugh’s Vintage Theater Group. Alspaugh made community outreach a priority. It became known for its very own Walk of Fame, featuring handprints and footprints from stars like John Landis, Elvira, Tatum and Ryan O’Neal, and Baby Peggy herself.
It’s been an integral part of Los Feliz because it’s intentionally embedded itself in the community.
— Celine Vacher, Los Feliz Neighborhood Council
“It’s been an integral part of Los Feliz because it’s intentionally embedded itself in the community,” Vacher says. “Take the longtime manager [Victor Martinez], for example, every big opening night he greets moviegoers in full costume. It’s become a tradition and locals all have their own sets of memories with him as he makes everyone feel like a welcomed friend.”
The Vista became an important gathering place in the area, known for its welcoming atmosphere, epitomized by Martinez (who is reportedly currently on the board of the theater). The theater was rented out for weddings, late night screenings, and was the home of Thomas Starr King Middle School’s annual animation and film festival. There was a Secret Movie Club, and local filmmakers were thrilled when they had premieres at their neighborhood theater.
“I had my first movie premiere at the Vista, which we sold out,” says filmmaker Kestrin Pantera, whose film Let’s Ruin it with Babies premiered in 2013. “It was an…amazing all-night karaoke party and a dream come true to be on the marquee.”
The pandemic shuttered the Vista, which closed in 2020. The marquee, which read “To Be Continued…” became a hopeful sight for weary travelers driving down Sunset Boulevard during the shutdown.
What Tarantino says is next for the theater
But the Vista had not taken its final bow. In 2021, it was announced that director Quentin Tarantino, who saved the historic New Beverly Cinema when he purchased it in 2007, had bought the movie house. “I would not have handed the keys to the Vista over to just anybody,” Alspaugh toldthe Los Angeles Times.
“It’s no secret that Tarantino often pays homage to Hollywood history in his films, so it feels all the more appropriate that someone with such reverence for the art of filmmaking would be the new custodian of this iconic theater in its iconic location,” Vacher says.
Tarantino vowed to show only movies on film at the new Vista, instead of digital projection. He also clearly valued the communal aspects Alspaugh had fostered over the years. “I do think boutique cinemas will actually thrive at this time,” Tarantino told the Los Angeles Times. “I got a living room. I want to go to a movie theater.”
Over the last two years the Vista has undergone a dramatic makeover. “Quentin basically retained the auditorium — it’s intact, it’s been rehabbed and it’s still new and beautiful, but the overall auditorium is in intact condition,” said Alspaugh, who has remained as chief operating officer.
“The intention is to run mostly first-run and occasional classics or repertory film,” Alspaugh told Variety’s Pat Saperstein. “There will be sections of time where you might see classic repertory titles on film for brief interludes. In the future, you’ll see some late shows of classic films and I think you’ll see morning shows of classic films.”
Whatever happens, cinephiles are just happy that their favorite historic theater is again part of the community where it has thrived for a century.
“The entire neighborhood has been anxiously awaiting the Vista’s comeback,” Vacher says. “It’s been on everyone’s lips. We’re all so eager to see that corner revived and active, no doubt we’ll all be flocking to it trying to make up for lost time.”
Yusra Farzan
has been covering the Rancho Palos Verdes landslide since 2023.
Published February 4, 2026 3:33 PM
Land movement made a section of Narcissa Drive impassable in September 2024.
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Brian Feinzimer
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Topline:
Rancho Palos Verdes city officials announced Tuesday that five more homes ravaged by land movement could be eligible for a buyout. That’s because the city is set to receive around $10 million from a FEMA grant.
How we got here: Land movement in the Portuguese Bend area has increased in Rancho Palos Verdes in recent years, triggered by above-average rainfall since 2022. Those landslides have left around 20 homes uninhabitable and forced dozens of people off the grid after being stripped of power, gas and internet services.
About the grant: Any time a state of emergency is declared in a state, that state, in this case California, can apply for the Hazard Mitigation Grant from FEMA. Those funds are then allocated to cities, tribal agencies and other communities for projects that will help reduce the impact of disasters. The city has a buyout program underway for around 22 homes, also funded through a FEMA grant.
What’s next: Rancho Palos Verdes has applied for additional federal funds to buy out homes in the area, with the goal of demolishing the structures and turning the lots into open space.
The University of Southern California board of trustees has appointed interim president Beong-Soo Kim to be its 13th president.
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Courtesy USC Photo/Gus Ruelas
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Topline:
The University of Southern California board of trustees has appointed interim president Beong-Soo Kim to be its 13th full president. Kim was named as the interim leader in February 2025 and began the role this summer.
Who is he? Kim most recently served as USC’s senior vice president and general counsel and as a lecturer at the law school. Prior to joining USC, he worked at Kaiser Permanente and was a federal prosecutor for the Central District of California.
What’s happened under Kim’s interim presidency: USC faced a $200 million dollar deficit last fiscal year; Kim oversaw the layoffs of hundreds of employees since July.
This is a developing story and will be updated.
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Jill Replogle
covers public corruption, debates over our voting system, culture war battles — and more.
Published February 4, 2026 2:43 PM
Voters wait to cast their ballots inside the Huntington Beach Central Library on Nov. 4, 2025.
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Allen J. Schaben
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Getty Images
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Topline:
Huntington Beach will ask the U.S. Supreme Court to review a decision striking down the city’s controversial voter ID law.
What’s the backstory? Huntington Beach voters approved a measure in 2024 allowing the city to require people to show ID when casting a ballot. The state and a Huntington Beach resident promptly sued to block it. But the fight isn't over. The City Council voted unanimously this week to ask the U.S. Supreme Court to weigh in.
Does the city have a shot? The Supreme Court gets 7,000 to 8,000 requests to review cases each year. The Court grants about 80 of these requests, so the city’s chances of getting the court’s attention are statistically slim.
Read on ... for more about the legal battle.
Huntington Beach will ask the U.S. Supreme Court to review a decision striking down the city’s controversial voter ID law.
What’s the backstory?
Huntington Beach voters approved a measure in 2024 allowing the city to require people to show ID when casting a ballot. That contradicts state law — voters in California are asked to provide ID when they register to vote but generally not at polling places.
The ensuing court battle
The state and a Huntington Beach resident promptly sued the city over the voter ID law and won an appeals court ruling striking down the law. The California Supreme Court declined to review the decision earlier this month. The state also passed a law prohibiting cities from implementing their own voter ID laws.
Then, the City Council voted unanimously this week to ask the U.S. Supreme Court to weigh in.
Does the city have a shot?
The Supreme Court gets 7,000 to 8,000 requests to review cases each year. The Court grants about 80 of these requests, so the city’s chances of getting the court’s attention are statistically slim.
There’s also a question of whether or not the city’s voter ID case meets the Court’s criteria for review — SCOTUS addresses questions of federal law. Mayor Casey McKeon said it does, in a news release, noting a 2008 Supreme Court decision that upheld a state’s voter ID law — in Indiana. But Huntington Beach is a city, and the question in its voter ID case is whether or not a city can implement its own requirements for voting, even if it clashes with state law.
The Trump Administration wants your confidential voter data. What’s behind their battle with CA and other states?
How to keep tabs on Huntington Beach
Huntington Beach holds City Council meetings on the first and third Tuesday of each month at 6 p.m. at City Hall, 2000 Main St.
You can also watch City Council meetings remotely on HBTV via Channel 3 or online, or via the city’s website. (You can also find videos of previous council meetings there.)
The public comment period happens toward the beginning of meetings.
The city generally posts agendas for City Council meetings on the previous Friday. You can find the agenda on the city’s calendar or sign up there to have agendas sent to your inbox.
Post-fire donations include items made 'with love'
Makenna Sievertson
covers the daily drumbeat of Southern California — events, processes and nuances making it a unique place to call home.
Published February 4, 2026 2:17 PM
Cantor Ruth Berman Harris said she's planning on keeping the challah cover for communal celebrations and holidays.
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Makenna Sievertson
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The Pasadena Jewish Temple and Center burned down in last year's Eaton Fire, taking with it nearly all of the special and ceremonial items housed inside. Since then, many supporters have donated items large and small, including prayer books, clothes and candlesticks.
Among the donations is a hand-woven challah cover that serves not only as a symbol of faith, but — in this case — evidence of recovery.
Why it matters: Cantor Ruth Berman Harris told LAist the challah cover, made and donated by Karen Fink of Van Nuys, will be used for communal celebrations and holidays to give it an extra layer of “kavod” — of holiness. Challah covers are a traditional sight on a table prepared for a Shabbat meal, where both the bread and a cup of wine are blessed before eating.
The gift: Fink said her weaving guild was already making items for survivors of the L.A.-area fires. When someone suggested she make a challah cover, she got to work.
“I just always like to think about who it's going towards, what it's going to be used for, that it should be used well and loved,” she said.
Despite best efforts, the campus and nearly everything in it was destroyed.
“I had a colleague calling me and asking me what I needed, and I wasn't able to say,” Berman Harris, one of the spiritual leaders of the synagogue, told LAist. “I don't think I was able to say what I needed for about a year.”
In the months that followed the fire, people from around the world stepped up to replace what was lost, including prayer books, clothes and candlesticks. Several donated challah covers, a decorative cloth that’s placed over the braided bread before being blessed and eaten on Shabbat.
A parking sign at the Pasadena Jewish Temple and Center after the Eaton Fire.
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And while much of the community’s focus is directed toward larger items that need to be replaced — the buildings included — smaller, ceremonial items can make a big difference, too.
Karen Fink, a Van Nuys resident, donated a hand-woven challah cover that she made for the temple. Her weaving guild was already making dish towels for L.A. fire survivors.
“You've got so many things that need to be done and replaced,” Fink said.
“I just always like to think about who it's going towards, what it's going to be used for, that it should be used well and loved,” she continued.
‘Love through the threads’
On Jan. 7, 2025, as the flames closed in on the Pasadena Jewish Temple and Center, Berman Harris rushed through smoke and falling embers to rescue all 13 sacred Torah scrolls, pieces of parchment with Hebrew text used at services, including weekly on Shabbat.
Berman Harris now works out of an office building in Pasadena, a few miles away from where the center stood.
More than 400 families gathered to worship at the temple before the fire. About 30 families lost their homes, and 40 others were displaced, she said. The congregation has been gathering at the First United Methodist Church in Pasadena.
The Pasadena Jewish Temple and Center, which burned during the Eaton Fire, in January 2025 (top) and in January 2026 (bottom).
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“The silver lining of when you go through a traumatic loss is that you don't realize A, how strong you are and B, how not alone you are,” said Berman Harris, who has been a part of the congregation for 14 years.
She said the temple has received many gifts to help them rebuild, but Fink’s challah cover will be used for communal celebrations and holidays to give it an extra layer of “kavod” — of holiness.
Challah covers, usually embroidered with Hebrew words and symbols, are a traditional sight on a table prepared for a Shabbat meal, where both the bread and a cup of wine are blessed before eating. The decorative cover is a symbolic way of honoring the bread, while the wine is being blessed first.
“Because you say the blessing over the bread last,” Fink told LAist. “It gets to have this lovely cover so it doesn't get embarrassed.”
Fink said she used one of her more intricate patterns, featuring white and blue threads in a repeating pattern of the Star of David.
The challah cover woven by Karen Fink when it was fresh off the loom.
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She said it took a couple of hours to wind the thread, about a day to get the project set up on her small loom and another three days to get through the top six rows of stars.
Once the challah cover was complete, it took a few months to get it to Berman Harris, but Fink said she wanted to help in a way that felt more personal than mailing a check.
“They were able to get their Torah scrolls out,” Fink said. “But all the other things that maybe aren't required, but are helpful in enhancing the spirit of Shabbat, the spirit of a synagogue, you know, that was all lost.”
Starting to settle
Berman Harris said the donations have not only helped rebuild their ritual spaces, they were gifted “with love.”
“They're not things you buy on Amazon,” she said. “These are things that you cherish because you can feel the love through the threads.”
Cantor Ruth Berman Harris showing off the handmade challah cover Karen Fink weaved for the congregation.
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Makenna Sievertson
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The synagogue has received other challah covers that they’ve distributed to families in the congregation.
On the anniversary of the fire, Josh Ratner, senior rabbi at the temple, told LAist’s AirTalk program that Jewish people have overcome “so much” throughout history.
People embrace inside a tent on the grounds of the Pasadena Jewish Temple and Center during a commemoration of the one-year anniversary of the Eaton Fire on Jan. 6.
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“I think that that gives us some firm foundation to know that we can recover from this as well,” he said. “And not just recover, but really our [history] … is one of rebuilding even stronger than before.
“Each time there's been a crisis, we've been able to reinvent different aspects of Judaism and to evolve."
Students carry lanterns they created as symbols of hope as they enter the grounds of the Pasadena Jewish Temple and Center during a commemoration of the one-year anniversary of the Eaton Fire.
