The Brief

A lucky few got a glimpse of the interior of the revamped Vista Theater on Sunset Boulevard last week, one of the last remaining single-screen movie theaters in the Southland, when owner Quentin Tarantino held a special screening of the 1993 cult classic True Romance.

The Vista — with a new 70 mm projection system, sound system, and 21-seat screening room and café named “Coffy,” after the 1973 Pam Grier film — opens officially on Friday at 4473 Sunset Dr., with horror maestro Eli Roth’s Thanksgiving.

The rebirth is the latest chapter in the century-long saga of one of L.A.’s most famous historic theaters. “The history of the Vista is quite surprising, and full of ups and down, and I for one find its resilience to be the most exciting part,” says Celine Vacher, of the Los Feliz Neighborhood Council.

To tell its story, you need to go all the way back to the birth of Hollywood.

Sunset Boulevard

Filmmaking came to the East Hollywood/Los Feliz area in 1912, when producers L.L. Burns and Harry Revier leased a fig orchard on Sunset Boulevard. On this farmland they built a rustic studio, which was soon renamed Reliance Film Company. Reliance quickly hired pioneering director D. W. Griffith, who brought along his silent film stars Lillian and Dorothy Gish.

Griffith eventually gained control of the studio, which he renamed Fine Arts Studio. In 1914, Griffith built a sprawling replica of a southern antebellum town around the junction of Sunset and Hollywood Boulevards. This set was used for his revolutionary, highly controversial 1915 racist epic The Birth of a Nation, which many historians point to as the first blockbuster full-length feature.

The next movie Griffith set at Sunset Junction would become part of Los Angeles lore. In this quiet rural neighborhood, still dotted with farmhouses and ranches, Griffith constructed a towering plaster set for his 1916 epic Intolerance. Meant to portray the ancient palace of Belshazzar, King of Babylon, the set covered an astounding three city blocks.

“Belshazzar’s Feast beneath Egyptian blue skies,” writer Kenneth Anger wrote in his infamous 1959 expose Hollywood Babylon, “spread out under the blazing California sun: more than four thousand extras recruited from L.A. paid an unheard-of two dollars a day plus box lunch, plus carfare.”

A large crowd congregates outside of Bard's Hollywood Theatre to celebrate its grand opening

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Los Angeles Public Library

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After filming, the set remained up in some form until 1922, becoming a playground for local children. By then, the area was becoming a hub for silent productions, crew bungalows, and stars’ mansions. “Los Feliz was home to Walt Disney’s very first studios, Cecil B. DeMille’s estate where Charlie Chaplin once resided, and even the Vitagraph studios where parts of The Jazz Singer (the first movie with sound) were filmed,” says Vacher.

Egyptian revival style

So it was fitting that the theatrical impresario Lou Bard chose to build the latest in his string of theaters at the fabled intersection of Hollywood and Sunset Boulevards, known as “the great crossroads of Los Angeles.” On Oct. 9, 1923, the 838-seat single screen theater, said to have been called Lou Bard Playhouse or Bard’s Hollywood, opened with a special vaudeville show and the short Tips, starring child star Baby Peggy — who also appeared on stage.

The theater design was as trendy as it could be. Designed by architect Lewis A. Smith, the exterior was constructed in the popular Spanish Mission Revival style. But it was the interior that was truly a feast for the imagination. Designed in the peculiarly western “Egyptian revival” style (popularized by the discovery of King Tut’s tomb in 1922), the interior was a brightly colored riot of golden pharaohs, goddesses, and lamps shaped like pyramids.

According to the Los Angeles Times, the theater was the site for all important industry previews during the golden age of silent film. But Bard was not as successful as he would have liked, and he reportedly sold the theater in 1927. It was renamed the Vista.

Over the decades, the Vista went through many owners. But it was reliably a popular neighborhood theater, even as larger, showier movie palaces sprang up all over Los Angeles.

A crowd of movie-goers attend a showing of Mildred Pierce, starring Joan Crawford, at the Vista Theater.

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Los Angeles Public Library

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Controversies over the years

Yet the small but mighty theater would find itself the center of controversies which cemented its place in history. In 1948, the theater capitalized on its historic location by announcing a revival of the problematic The Birth of a Nation, only days after D.W. Griffith's death on July 23, 1948. The Hollywood Reporter noted the choice, in a short article headlined “Opportunism!” It read:

Disturbed Angelenos immediately took action. Allen M. Metcalf, a local candidate from the Progressive Party, went to the theater to confront the management. “The manager of the theater,” the Los Angeles Times reported, “pointed out that the movie showed the skeleton in the closet of the nation and denied that the cinema was incitement for a riot.”

Progressives were unconvinced. Around 20 Black and white civil rights activists formed a picket line in an attempt to block customers from seeing the film. However, the revival continued.

Charges of un-American values

Controversy came again in the 1950s, when the theater reopened as the Vista Continental. Capitalizing on the growing popularity of foreign films, the theater boasted that it was the only SoCal theater showing first-run films from the Soviet Union. This led locals to complain that the theater was promoting un-American, Communist values at the height of the Cold War. But the theater soldiered on.

The biggest test for the Vista came in the 1960s. During that era, the theater began showing pornographic films, including same-sex films. Irate, the city revoked its operating permit. The Vista fought back, and in 1968 the case was heard in the California Supreme Court.

The Vista won the case, in a decisive blow against anti-gay governance. “The court ruled, in a 5-2 decision, that the law is ‘overly broad’ and threatens to deny theater operators their rights of free speech and press,” the Los Angeles Times reported in June 1968.

“The Court ruled that Stewart Burton, manager of the Vista Theater, should be granted a writ of prohibition against the Los Angeles Board of police commissioners, which did not renew his license.”

Over the next three decades, the theater changed hands several times before it was purchased by Landmark Theatres in 1982. It became known for reviving classic films like Harold and Maude and Gone with the Wind, but business was slow, as VHS decimated art houses nationwide.

A neighborhood gathering place

In 1997, the Vista was purchased by Lance Alspaugh’s Vintage Theater Group. Alspaugh made community outreach a priority. It became known for its very own Walk of Fame, featuring handprints and footprints from stars like John Landis, Elvira, Tatum and Ryan O’Neal, and Baby Peggy herself.

“It’s been an integral part of Los Feliz because it’s intentionally embedded itself in the community,” Vacher says. “Take the longtime manager [Victor Martinez], for example, every big opening night he greets moviegoers in full costume. It’s become a tradition and locals all have their own sets of memories with him as he makes everyone feel like a welcomed friend.”

The Vista became an important gathering place in the area, known for its welcoming atmosphere, epitomized by Martinez (who is reportedly currently on the board of the theater). The theater was rented out for weddings, late night screenings, and was the home of Thomas Starr King Middle School’s annual animation and film festival. There was a Secret Movie Club, and local filmmakers were thrilled when they had premieres at their neighborhood theater.

“I had my first movie premiere at the Vista, which we sold out,” says filmmaker Kestrin Pantera, whose film Let’s Ruin it with Babies premiered in 2013. “It was an…amazing all-night karaoke party and a dream come true to be on the marquee.”

The pandemic shuttered the Vista, which closed in 2020. The marquee, which read “To Be Continued…” became a hopeful sight for weary travelers driving down Sunset Boulevard during the shutdown.

What Tarantino says is next for the theater

But the Vista had not taken its final bow. In 2021, it was announced that director Quentin Tarantino, who saved the historic New Beverly Cinema when he purchased it in 2007, had bought the movie house. “I would not have handed the keys to the Vista over to just anybody,” Alspaugh told the Los Angeles Times.

“It’s no secret that Tarantino often pays homage to Hollywood history in his films, so it feels all the more appropriate that someone with such reverence for the art of filmmaking would be the new custodian of this iconic theater in its iconic location,” Vacher says.

Tarantino vowed to show only movies on film at the new Vista, instead of digital projection. He also clearly valued the communal aspects Alspaugh had fostered over the years. “I do think boutique cinemas will actually thrive at this time,” Tarantino told the Los Angeles Times. “I got a living room. I want to go to a movie theater.”

Over the last two years the Vista has undergone a dramatic makeover. “Quentin basically retained the auditorium — it’s intact, it’s been rehabbed and it’s still new and beautiful, but the overall auditorium is in intact condition,” said Alspaugh, who has remained as chief operating officer.

“The intention is to run mostly first-run and occasional classics or repertory film,” Alspaugh told Variety’s Pat Saperstein. “There will be sections of time where you might see classic repertory titles on film for brief interludes. In the future, you’ll see some late shows of classic films and I think you’ll see morning shows of classic films.”

Whatever happens, cinephiles are just happy that their favorite historic theater is again part of the community where it has thrived for a century.

“The entire neighborhood has been anxiously awaiting the Vista’s comeback,” Vacher says. “It’s been on everyone’s lips. We’re all so eager to see that corner revived and active, no doubt we’ll all be flocking to it trying to make up for lost time.”

It’s been four years since James Oreste started Ubefest, a festival meant to highlight the purple yam that’s become beloved not just in the Filipino diaspora but across the country. In that time, the food festival has grown in the number of vendors and become a broader appreciation of Filipino cuisine.

The restaurant:

This year's event is happening Saturday April 11 and Sunday April 12 in Cerritos. One of the festival’s vendors, Emerson Baja, owner of Long Beach Lumpia, has been involved with the event for years, and he came into the studio to talk to host Austin Cross.

The food:

Baja’s pop-up menu was inspired by a variety of things, with the traditional aspects of his menu coming from his family and other aspects by food he experimented with while attending Long Beach State. He became a probation officer after he graduated college, but his heart was always with food, specifically lumpia, which he served at a potluck.

“People were like ‘you’re in the wrong business,’” Baja said.

For the segment, Baja brought in a variety of lumpias: traditional Shanghai; pork chile verde; veggie pancit pizza; and ube cheesecake turon.

The verdict: 

When Emerson mentioned the Shanghai lumpia being a homemade recipe, Cross added, “Home is delicious! You have a home like this?”

“It’s finger-licking good over here,” Cross said after his first bite of the ube cheesecake turon lumpia. He added: “It’s really special because it has an aftertaste of a very heartwarming pastry…feels very homey.”

Listen to the full conversation here:

President Donald Trump has endorsed Steve Hilton for California governor, a move that could possibly consolidate Republican voters ahead of the still wide-open primary election in June.

Hilton, a former Fox News host based in the Bay Area who previously served as a political adviser to British Prime Minister David Cameron, has campaigned on the goal of improving California’s hostile relationship with the federal administration. He and Riverside County Sheriff Chad Bianco are the only two Republicans among the 10 notable candidates in the primary field.

“I have known and respected Steve Hilton, who is running for Governor of California, for many years. He is a truly fine man, one who has watched as this once great State has gone to Hell,” Trump wrote early Monday on his social media site, Truth Social. “Steve Hilton has my COMPLETE & TOTAL ENDORSEMENT. He will be a GREAT Governor and, importantly, WILL NEVER LET YOU DOWN!!!”

With Democratic voters split, Hilton and Bianco have risen to the top of public polling in the race, threatening to leave the majority party in the state without a candidate in the top-two general election. Now, Trump’s endorsement could boost Hilton and allow a Democrat to overtake Bianco.

“It certainly increases the chances that a Democrat is going to make it into the top two,” said Tim Rosales, a Republican strategist. “The Bianco campaign has to reassess and reposition themselves in the wake of this, but the Democrats still don’t have a clear front-runner.”

In the most recent public polling, Hilton and Bianco have occupied a crowded top five alongside three Democrats: Rep. Eric Swalwell, investor Tom Steyer and former Rep. Katie Porter.

Hilton and Bianco often split the Republican Party’s support about evenly in polling, and a March primary election simulator created by Paul Mitchell, vice president of Political Data Inc., put the odds of a Republican-only general election at about 25%.

If that were the case, the state would have a Republican governor for the first time in more than two decades.

In an interview with KQED’s Political Breakdown, Hilton touted his relationship with U.S. Secretary of the Interior Doug Burgum and vowed to work collaboratively with the Trump administration to boost California’s timber industry and manage forests.

“There’s a whole set of positive things we can do if we work more closely with the federal government on that issue,” he said.

While he told Politico that as of last week, he hadn’t spoken to Trump about the gubernatorial race, he’s repeatedly invoked the president’s own campaign slogan, saying that as governor, he would “Make California Great Again.”

Trump remains deeply unpopular in California, with just 30% of likely voters approving of the job he is doing as president, per a February poll from the Public Policy Institute of California. But that same survey found Trump’s support remains strong among California Republicans, with 76% approval.

“Republican voters still hold the president in pretty high regard,” Rosales said. “It certainly does make Hilton the front-runner amongst Republicans, and in a top-two primary like this, where you’ve got a crowded field, anything that a candidate can do that really solidifies a base of voters is critically important.”

The loyalty of the GOP base has allowed Trump to play kingmaker in past California primary elections. In 2018, he endorsed businessman John Cox, boosting Cox into the general election and dashing the prospects of an all-Democrat general election between Gavin Newsom and former Los Angeles Mayor Antonio Villaraigosa.

Before Trump’s overnight endorsement, Bianco also seemed to have been courting the president’s support, launching a high-profile recount of ballots cast in last November’s special election, when California voters overwhelmingly passed Proposition 50 to redraw congressional maps to favor Democrats. Last month, Bianco seized more than 650,000 ballots, calling the unprecedented investigation a “fact-finding mission” into potential voter fraud, which Trump has often called rampant despite a lack of evidence.

Many Republican strategists, however, believed that the party’s best chance to win both spots in the primary relied on Trump’s staying out of it. The state’s GOP also hasn’t weighed in, though it’s expected to decide whether to make an endorsement at its upcoming convention next weekend.

Now that celebrity bald eagles Jackie and Shadow have welcomed two new chicks, tens of thousands of fans are regularly tuning into the livestream of the nest overlooking Big Bear Lake for a peak at the fuzzy eaglets.

The chicks, which hatched Saturday night and Easter Sunday morning, will be referred to as Chick 1 and Chick 2 for now, according to Friends of Big Bear Valley, the nonprofit that runs the popular YouTube livestream.

The eaglets are still gaining strength in their first few days of life — learning to move neck muscles and pick up pieces of meat from mama Jackie and papa Shadow’s beaks. Those early feedings can be challenging or awkward, and the organization often refers to the chicks as “bobbleheads” at this stage.

Some fans worried about the second chick struggling to hold its head and getting enough food, but both eaglets are doing “great,” according to Jenny Voisard, Friends of Big Bear Valley’s media manager.

“Trust the process, trust the eagles, and settle in and enjoy these cute little fur balls because they change every day,” Voisard said. “And you don't want to miss this time, because they're just so precious.”

Sibling 'bonking'

The eaglets are tiny — each weighs about a few ounces — in a nest that’s estimated to be 6-feet deep. The nest sits near the top of a Jeffrey pine tree on the north side of Big Bear Lake.

Chicks multiply in size over the first weeks and months of life, establishing a pecking order along the way, according to the nonprofit.

Viewers may notice Chick 1 and Chick 2 headbutting each other, a sibling rivalry behavior that the organization calls “bonking.” Voisard said it’s “totally normal” in the nest, especially since the chicks can’t see very well at this stage.

“It won't last too long,” she said. “There is plenty of food for them to eat, and so they shouldn't be in competition with each other.”

Last season’s trio of chicks participated in bonking for a while.

Voisard said Sunny and Gizmo went on to be “best friends” before they flew away from the nest last June. One of last season’s chicks, which the nonprofit named “Misty,” didn’t survive a winter storm within weeks of hatching.

For Jackie and Shadow, everything now revolves around stocking up food and making sure the chicks are safe, warm and dry in the nest, Voisard said.

“They do a very good job, and we've been seeing fish deliveries and other prey the last couple of days and the chicks are hungrily gobbling it up,” she said.

Upcoming naming contest

Now that the chicks have hatched, many people are wondering what their names will be — and offering suggestions. The nonprofit said it’s seen hundreds of requests to name one of the chicks “Sandy” in honor of Sandy Steers.

Steers was an environmental advocate who helped launch the eagle livestream and the late executive director of Friends of Big Bear Valley. She died in February, a few weeks before the pair of eggs were laid.

But the organization said that’s not what Steers would have wanted. Voisard said Steers loved having Big Bear third-grade students select the eaglets’ names, and Friends of Big Bear Valley plans to keep the tradition going.

“We are working on a way to honor, memorialize Sandy in something that’s more permanent,” Voisard said.

The naming privileges are usually given to the third-graders because they study bald eagles in school, but last year was a bit of an exception. The fourth- and fifth -grade classes were invited to help select names because Jackie and Shadow didn’t have chicks in 2023 and 2024, when the students would've been in third-grade.

"We want to make sure we're doing it the way that [Steers] wanted to do it, and those kids live for being able to do this,” Voisard said. “It's a right of passage.”

Friends of Big Bear Valley is expected to launch a naming contest where the public can submit ideas for this season’s eaglets, and the details will be announced online. A random list of names will be pulled from the submissions and shared with Big Bear third-grade students for the final vote.

Chick 1 and Chick 2 will then be officially named based on the results of the students’ ballots.