The Brief

The Los Feliz 3, a vintage triplex movie theater in the heart of the L.A. neighborhood, feels like a time machine. Just below Griffith Park, tucked away near the indie bookstore Skylight Books, the old Hollywood bar The Dresden, and the classic diner House of Pies, it’s an almost idyllic conception of a classic moviegoing experience.

As Sarah Winshall, independent film producer and co-founder of the L.A. Festival of Movies puts it: “This is nice. This is L.A.”

It’s the kind of outing that feels rare in a time when movie theaters of all sizes are struggling nationwide. And the theater itself is an experience. Of the three darling screens inside — one a red velvet shoebox, one with a groovy '70s pastel mural of shooting stars —it's Cinema 1, modern black with green lighting that holds the regular, popular screenings of the American Cinematheque.

The Los Feliz 3 was once an art house theater run by the Laemmle family (yes, that Laemmle) and now it's owned by Vintage Cinemas. It, like all theaters, struggled during the pandemic, but it was able to bounce back with some outside help.

Three theaters, 1,500 screenings

In 2021, the Los Feliz 3 marquee lit back up on Vermont Avenue, featuring the black and yellow logo of the American Cinematheque.

The marquee of the Los Feliz 3 in 2021 after the American Cinematheque began screening there.

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Jared Cowan

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The American Cinematheque, or AC, is a nonprofit organization founded in the 1980s by filmmaker Sydney Pollack alongside Gart Essert and Gary Abrams as a “year round film festival.” With a monumental 1,500 screenings a year and programming ranging from director retrospectives, Y2K favorites and art-house classics alongside special guests and Q&As, the AC has certainly lived up to that promise over the last 40 years. (Yes, this year is the 40th anniversary of the AC’s founding.)

In addition to the Los Feliz 3, the AC also screens films in two other iconic venues that are crucial parts of L.A.’s history: The Aero in Santa Monica and The Egyptian Theatre in Hollywood.

As artistic director Grant Moninger puts it: “We like to think of all of our theaters as different auditoriums and the roads and streets and freeways are lobbies.” He says, “You can go to each auditorium and experience the American Cinematheque rather than it happening all in one building.”

The Egyptian

For years, the AC didn’t have a permanent home, screening films in various theaters and studios around town, until damage from the Northridge earthquake left a historic venue empty and created an opportunity.

The Egyptian Theatre Hollywood post-renovation.

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Kevin Estrada

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Netflix

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In 1996, “the city of Los Angeles sold the Egyptian Theatre to the American Cinematheque for $1,” says Moninger, ushering in the next era of the AC. While Netflix currently owns the Egyptian, the AC has a 100-year lease to screen in the building on weekends.

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#281: Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque. Celebrating their 40th anniversary this year, screening 1,500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. Check out our deep dive into the Egyptian Theatre's history and reopening here.

Revival House: American Cinematheque's Year-Round Film Fest

#281: Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque. Celebrating their 40th anniversary this year, screening 1,500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. Check out our deep dive into the Egyptian Theatre's history and reopening here.

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The Aero

Over in Santa Monica, the AC has leased the Aero Theatre since the early 2000s. The Aero, so named for its aircraft industry ties, has been operating as a movie theater since WWII.

Initially opened as part of the development from the Douglas Aircraft Company in Santa Monica, The Aero ran films late into the night for factory workers, according to professor and historian Ross Melnick. “When you would come off of your shift at 4 a.m. and you were too wired to go to sleep, you could go to the movies."

As the aircraft industry faded, the business of movies picked up, and Santa Monica’s demographics started shifting. It wasn’t a surprise that by the early 2000s, people wanted a movie theater that “mimicked some of the love the Egyptian was getting on the other side of town,” says Melnick.

The Aero’s become a great space on the west side for events and director Q&As without having to “drive all the way from Santa Monica to Hollywood at 6 o'clock at night,” because according to Melnick, “it’d be easier if you go to the moon.”

The Criterion Closet takes discs of the distributor's classic film collection to fans.

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Screenshot, The Criterion Collection

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After a million-dollar renovation by the AC, the Aero reopened in 2005 and often sells out special events and Q&As in “about 14 seconds,” Melnick says. Now with three great venues under their belt, Moninger says the AC is “looking for more.”

The programmers

Like other theaters and programming groups, the AC shut down during the pandemic. Having just sold the Egyptian to Netflix and with the new revenue and time to build out the brand, Moninger says “we decided we were going to come out of the pandemic really hard.”

That meant setting goals like screening 1,000 movies a year and convincing the board to lease the Los Feliz 3 screen. And achieving those goals meant working with a crack team of film programmers.

Moninger says the key was asking, “What if we had a lot of great young programmers with tons of interests that are super dynamic, that can bring in new films, but that know and have a passion about all kinds of films?”

The American Cinematheque hired Imani Davis and Cindy Flores, who joined senior film programmer Chris Lemaire. Together, their work across all three theaters — running new film series alongside regular programming and events like Beyond Fest — has blown the AC's initial 1,000 screenings a year goal out of the water.

Grant Moninger and Michael Giacchino speak onstage at the Beyond Fest Special Screening of Marvel Studios' "Werewolf by Night" on Oct. 5, 2022 in Santa Monica.

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Charley Gallay

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Getty Images

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In addition to loving early 2000s films, Davis says she finds herself focusing on up and coming filmmakers. “I keep an eye out for directorial debuts, and then short filmmakers and local filmmakers,” she says.

It was a focus she knew she wanted to bring to the AC and, last year, she launched PROOF, a proof of concept short film festival that’s coming back for its second year.

“There was a want to do more with short films and emerging talent," she says, "so that’s been special, to have this place where we can uplift and give a platform to people who are up and coming."

Cindy Flores’ love of nonfiction brought a nine-day documentary takeover of all three theaters to the AC. This Is Not A Fiction meant that, as Flores says, “you are gonna go see a documentary and you’re gonna look at this lineup and there is gonna be something in there for you.”

Imani Davis describes the three theaters as each having their own distinct vibe — “there’s something classic” about a film at the Aero, and The Egyptian lets people see a film on “the biggest screen possible” — and that also leads to opportunities for subversion, like screening Jackass in a 100-year-old movie palace during a documentary film fest.

Lemaire heads up the annual festival Bleak Week (that’s a week of films chock-full of despair and bleak storylines, chased with Paddington and Paddington 2), which this year is expanding to the East Coast with showings at the Paris in New York City. Lemaire says the three L.A. venues really allow for an “eclectic idea about what film programming can be.”

But at the end of the day, AC screenings are about an audience and an experience.

“It's cinema. It's the big screen. It's a communal experience that should be shared,” Moninger says. “Art films and commercial films should all succeed next to each other and people should go to the movies and have a great time.”

Check out Bleak Week at the American Cinematheque starting on June 1. You can find the American Cinematheque's whole programming calendar here.

Long-term eviction defense funding for Los Angeles renters could soon begin to flow now that city officials have announced a break in an impasse dating back to May 2025.

L.A. City Attorney Hydee Feldstein Soto said Thursday she intends to sign a new $107 million contract with the Legal Aid Foundation of L.A. She said the contract — which was approved by the City Council and the mayor in April, but still awaits her approval — was “nearly finalized.”

“I am fully committed to supporting these crucial eviction defense services for our vulnerable neighbors in need,” Feldstein Soto said in a statement.

Feldstein Soto — who will not secure a second term after placing third in last month’s primary election — pledged to continue investigating the legal aid group. She has frequently criticized the nonprofit for what she sees as a lack of transparency, though L.A. Housing Department officials say the group has consistently provided accounting and caseload data to the city.

“Taxpayers deserve transparency and accountability and to know that their money is being used as intended,” Feldstein Soto said.

Barbara Schultz, a Legal Aid Foundation attorney overseeing the city-funded Stay Housed L.A. program, said both parties have been negotiating final contract details for more than a week. She said the city attorney’s announcement was encouraging.

“[Feldstein Soto] said she was going to approve the contract, so I'm very excited to hear that,” Schultz said. “Moving forward… we can continue to grow, fully implement the ‘Right to Counsel,’ and tenants in Los Angeles will be much better off as a result.”

In response to Feldstein Soto’s claims that more than $58 million in eviction defense grants remain “unaccounted for” in the foundation’s financial audits and IRS forms, Schultz said taxpayer dollars have not been misspent and that no findings have been made to that effect.

“[The Legal Aid Foundation] is a very large nonprofit law firm that has over 40 federal, state and local government contracts,” Schultz said. “We are very used to being audited. Any audit the city wants to do to satisfy itself is absolutely fine with us.”

Feldstein Soto denied a five-year contract to the legal aid group last year, arguing it should have gone through a competitive bidding process. After the city solicited applications and selected the group for new long-term funding, she later told city councilmembers in a confidential memo that they should consider withholding support for “a frequent litigant against the city.”

While she announced the contract should be ready for her signature by July 7, Feldstein Soto said her office would move forward with plans to assign forensic accountants to study how the legal aid group has spent more than $90 million in city funds since 2021.

At the Bristol Swap Mall in Santa Ana, people are flocking to buy their Mexico soccer team jerseys and paraphernalia.

“The color is green and that says Mexico right here,” said Catherine Hernandez, who’s entering third grade, as she pointed to the replica Mexico soccer jersey her mother had bought her at a nearby stall.

She asked her mother to get her one the day after Mexico’s win against Ecuador and is already thinking about how she’ll feel wearing it Sunday during Mexico’s knockout game against England in the Round of 16.

“Excited, very excited because I’m Mexican and I love this shirt,” she said.

Hernandez was born in the U.S. and her mother was born in Mexico. Both say their Mexico jerseys symbolize those similar but different prides in their Mexican backgrounds.

They're among fans rooting for Mexico’s men’s national soccer team to advance further than ever before into the World Cup tournament. A win against England would move the team to the Round of 8, the quarterfinals, for the third time. Along the way, this Mexico team has captured the imagination of many in the U.S. who have, or are close to, those of Mexican heritage.

Proudly wearing the green jersey

The market vendor at the stall said only one adult-size 2026 jersey remained. So many had been sold they'd had to place an order for more.

A replica of Mexico's 2026 FIFA World Cup soccer jersey.

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Adolfo Guzman-Lopez

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LAist

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Many Mexico fans have been wearing their jerseys on the days leading up to the team's World Cup matches.

“On Monday, I looked around to see a sea of green, white and red, and it nearly brought me to tears in line at Costco,” said Alex Alcantar, who lives in Norwalk.

He was born and raised in the U.S. and he says his Mexico soccer jersey symbolizes that experience.

“Why I wear my Mexico jersey is because I want to visibly represent this community when our contributions to society are so heavily discounted,” he said.

The team’s growing prominence has also coaxed some others in Mexican communities in the U.S. to feel more confident in their identity.

“I've never used [a Mexico jersey] before,” said Xochi Flores, who was born in Oxnard and whose great-grandparents were Mexican.

“I didn't feel like I could go around representing Mexico when I'm a Chicana, third generation, not the best Spanish speaker,” she said.

Xochi Flores (left), with her husband Cesar Castro, has become more comfortable wearing the soccer jersey recently.

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Courtesy Xochi Flores

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In the past year, she said she’s felt closer to her Mexican roots as she’s seen reports of farmworkers and other people of Mexican descent arrested by ICE agents.

So to her, wearing her Mexico soccer jersey means leaving behind insecurities she used to have about not being “Mexican enough,” as well as “not being American enough.”

“I want my kids to see me embracing all of the parts of me. … They don't have those insecurities, and that makes me happy,” Flores said.

Wearing the jersey when you're Mexican-ish

The stalls are attracting all types of customers. “I'm just looking for a Mexican soccer jersey,” said Son Lam, who lives in nearby Orange and identifies as Vietnamese.

Lam says he’s become devoted to soccer since the World Cup started June 11. Buying and wearing a Mexican soccer team jersey means showing off his newfound sports fandom already embraced by his extended family

“My wife is Mexican and to me, [wearing the Mexico jersey] means I can fit in with the family more," he said as he laughed.

However they identify, all these shoppers will likely be wearing their jerseys as they watch Mexico compete against England on Sunday, July 5. Joining millions of fans rooting for their team to advance to the next round, and keeping dreams of a 2026 FIFA World Cup championship alive.

Santa Ana voters could be asked in November to maintain the city’s 1.5% sales tax, which was set to decrease in 2029 and eventually expire.

Voters approved the citywide sales tax in 2018 on the condition that it sunset in 20 years. Now, the Santa Ana City Council will vote Tuesday on whether to ask voters in November to make the tax permanent.

The big picture

Only about one-third of cities in Orange County have a local sales tax on top of the county-imposed sales tax of 7.75%. Sales taxes in most of Los Angeles County are much higher — L.A.’s countywide sales tax is 9.75% and the highest total sales taxes for cities in L.A. County are in Lancaster and Palmdale, at 11.25% each, according to the California Department of Tax and Fee Administration.

Other potential tax hikes in OC

Voters in Orange will be considering a sales tax hike on their November ballot, after failing to get voters’ approval in 2024. San Clemente voters will also consider a local sales tax in November to pay for more sand to shore up local beaches.