Monica Bushman
produces arts and culture coverage for LAist's on-demand team. She’s also part of the Imperfect Paradise podcast team.
Published December 18, 2023 10:07 AM
A view of the Hopeless Records exhibit at the Valley Relics Museum in Van Nuys.
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Ariel Goldberg
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Topline:
Hopeless Records started as a mom-and pop-operation in the early '90s and now has its own museum exhibition. It’s heading to the Rock & Roll Hall of Fame and the new Punk Rock Museum in 2024, but you can see it here in L.A. first.
Why it matters: Hopeless Records, founded by Louis Posen when he was a film student at Cal State Northridge, started out representing punk, ska, metal bands — and later, alternative musicians more broadly. Some of its most well-known acts include Thrice, New Found Glory, Avenged Sevenfold and Yellowcard. Since then, the Van Nuys-based label has represented more than 200 artists and sold more than 15 million albums — plus donated millions to charity.
Check it out: The exhibit honoring Hopeless Records' 30-year history is on display at the Valley Relics Museum now through Jan. 7.
In most cases, calling someone a “hopeless artist” or “hopeless employee” would be considered an insult, but it's a badge of honor at the Valley Relics Museum in Van Nuys.
That’s where an exhibit celebrating the 30-year anniversary of the independent record label Hopeless Records just opened.
A 'Hopeless' label is born
The label, founded by Louis Posen when he was a film student at Cal State Northridge, started out representing punk, ska, metal bands — and later, alternative musicians more broadly. Some of its most well-known acts include Thrice, New Found Glory, Avenged Sevenfold and Yellowcard.
The name “Hopeless Records” comes from the Orange County punk band Guttermouth’s 1993 album. Posen met them after he made a music video for the punk band NOFX, the group Guttermouth was opening for at the time.
As Posen explains it: “Guttermouth asked me to put out a record for them. And I said, ‘Why would I put out a record? I know how to do music videos, not records.’ They said, ‘Well you seem organized, and we don't know anyone else that can do it.’ So I went and bought a book called How to Run an Independent Record Label. I put that first 7-inch [record] out, and the first song was called ‘Hopeless,’ and that was why it was the name of the label.”
Since then, the company has represented more than 200 artists and sold more than 15 million albums.
The exhibition
At a recent preview event at the Valley Relics Museum, located within a couple of airplane hangars at the Van Nuys Airport, Hopeless employees, musicians and their friends and families were in high spirits as they perused the memorabilia on display.
Memorabilia from the Hopeless Records exhibit at the Valley Relics Museum, including a handwritten note from Nina Bernstein, the daughter of composer Leonard Bernstein, commending Hopeless Records for the punk version of the "West Side Story" soundtrack.
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Monica Bushman
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LAist
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The Hopeless exhibit includes set lists for bands like Taking Back Sunday, drum sticks broken by drummer Paul Koehler from the Canadian rock band Silverstein, and even a letter from the late Sen. Dianne Feinstein, praising the label for giving more than a million dollars to charity through its nonprofit arm. (They’ve since donated about 2 million dollars more.)
Loyola Marymount student Carissa Leong was one of the attendees not affiliated with the label. She got an invitation through an online publication she writes for, and is also a fan.
“This label has had so many bands that I just think have been really cool and I kind of like grew up on,” Leong says. “All Time Low I grew up liking, I used to listen to Waterparks a lot … They have a really solid lineup currently and they've had a really, really sick history.”
Singer/rapper DE’WAYNE, who describes his style of music as “just sexy rock and roll,” was also there. He was formerly signed to Hopeless and credits the label with giving him a chance when he needed it — right before the pandemic, when he was still new to L.A.
“They saved my life, [by] just giving me an opportunity to release music. [It] was all I needed, honestly,” he says. “And I think that's the best thing about Hopeless, because they see people when they're young and understand the talent that's there. And then they just give you an avenue to create and make beautiful things.”
A source for good
As for how the label has weathered all the drastic changes the music industry has gone through over the last 30 years, Posen points to the company’s ability to adapt.
“Everything is an opportunity and a challenge — that's the way that I look at life. “I started losing my eyesight when I was 19 years old … so everything is about adapting," Posen says. “It's about problem solving and facing things …not crawling up in a hole, but trying to figure out what's the best way to deal with this.”
Hopeless Records founder Louis Posen addresses the crowd at a reception for an exhibit dedicated to the label's 30-year history at the Valley Relics Museum.
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Ariel Goldberg
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Another key to the company’s survival, Posen says, is a strong sense of community.
“People don’t get into this style of music to make money, they get into it because they’re passionate about it. It’s who their friends are, it’s what clubs they go to, it’s what things they read.”
Whether through the label’s philanthropic efforts — like donating to charity, advocating on Capitol Hill for better mental health resources, or starting a music academy for kids (set to launch in the new year) — or through the music itself, Posen sees the potential for the alternative music scene to be a source for good.
“In some ways we’re changing the world in our own little way,” Posen says. “Musically, we’re affecting people. You hear about it all the time where fans say ‘This artist changed my life, or saved my life.’”
A new generation of fans and alternative musicians
Today, Hopeless Records defines itself less by a genre (though “alternative music” or “alternative rock” are labels they do use) and more by their audience.
“Young, alternative, inquisitive … passionate” is how Posen describes it. That’s also led to a more diverse roster of artists in more recent years — one that’s currently over 50% female or non-binary.
As longtime employee and vice president of marketing Erin Choi puts it: “[That’s] pretty awesome for the rock scene because when I was growing up it wasn't like that at all.”
“We're always trying to build the scene that we want to see and not just looking back at the past and what it was. And so that's been really important to us in our growth.”
The Hopeless Records exhibition is up at The Valley Relics Museum through Jan. 7.
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A (Not So) 'Hopeless' Alternative Rock Label Celebrates Its LA History
First artifacts installed in LA museum's expansion
Makenna Sievertson
has been covering space shuttle Endeavour's journey at the California Science Center since December 2023.
Published November 18, 2025 4:08 PM
The first of many artifacts have been installed in the Kent Kresa Space Gallery, including a space shuttle main engine (right) and a solid rocket booster segment.
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Makenna Sievertson
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LAist
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Topline:
The California Science Center unveiled Tuesday the first of many launch vehicles, engines and other artifacts set to be installed in the museum’s 200,000-square-foot expansion coming to Exposition Park.
Why it matters: Jeff Rudolph, president and CEO of the California Science Center, said the $450 million expansion is California’s biggest “endeavor” yet that will inspire the next generation of scientists, engineers and explorers.
Why now: The first artifacts in the expanded museum were placed in the Kenta Kresa Space Gallery, including a three-story-tall Electron launch vehicle from Rocket Lab in Long Beach.
The backstory: It’ll be the only place in the world where visitors can see an authentic space shuttle in its “Go for Stack” position, which is what museum officials called the process of moving each of the space shuttle components into place.
What's next: Officials expect to announce next year an opening date for the expansion.
Read on ... for a peak inside the expansion coming to Exposition Park.
The California Science Center unveiled Tuesday the first of many launch vehicles, engines and other artifacts set to be installed in the museum’s 200,000-square-foot expansion coming to Exposition Park.
Once complete, the new Samuel Oschin Air and Space Center will include multi-level galleries built around a towering centerpiece — the space shuttle Endeavour — displayed in its 20-story vertical launch position.
It’ll be the only place in the world where visitors can see an authentic space shuttle in its “Go for Stack” position, which is what museum officials called the process of moving each of the space shuttle components into place.
Museum admission will be free.
Jeff Rudolph, president and CEO of the California Science Center, said the $450 million expansion is California’s biggest “endeavor” yet to inspire the next generation of scientists, engineers and explorers.
“The enthusiasm that people have when they come in and see this stuff and get excited about it will hopefully lead to many more people, young and old, but particularly young people wanting to pursue more education in science,” Rudolph told LAist.
Museum officials expect to announce next year an opening date, according to Rudolph.
A look inside the center
The Samuel Oschin Air and Space Center will feature three main galleries: the Samuel Oschin Shuttle Gallery, the Korean Air Aviation Gallery and the Kent Kresa Space Gallery.
Guests will be guided through hundreds of exhibits and authentic artifacts focused on the exploration of the universe — including rocket ships that carried humans into space and telescopes used to view stars and galaxies beyond our reach.
A real Electron launch vehicle from Rocket Lab in Long Beach spans several stories tall in the Kent Kresa Space Gallery.
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Makenna Sievertson
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LAist
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The first artifacts in the expanded museum were placed in the Kenta Kresa Space Gallery, including a three-story-tall Electron launch vehicle from Rocket Lab in Long Beach.
Adam Spice, chief financial officer of Rocket Lab, told LAist the Electron helped lower the cost of getting to space by sending satellites in smaller, cheaper rockets. The new center is an opportunity to get up close and personal with an Electron for the first time outside of a factory.
Spice said he hopes it’ll show visitors their dreams can become a reality.
“They can be part of something much bigger than probably they ever thought they could,” he said.
The first artifacts installed in the Samuel Oschin Air and Space Center include a solid rocket booster segment. Kenneth Phillips, aerospace curator, shows the scale of the piece, which has flown into space several times.
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Makenna Sievertson
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LAist
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The solid rocket booster segment will become a walk-through interactive experience in the Kent Kresa Space Gallery.
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Makenna Sievertson
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LAist
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A segment of a solid rocket booster that flew into space several times is laid on its side on the second floor of the gallery.
Kenneth Phillips, the California Science Center’s aerospace curator, told LAist it’ll be turned into an interactive exhibit with audio, video and educational graphics.
“It's 12 feet in diameter, so people can actually walk through it and learn about the function of it from the inside out literally,” Phillips said.
Visitors will be able to get up close and personal with a space shuttle main engine.
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Makenna Sievertson
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LAist
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A detailed model of a space shuttle main engine is set up next to the solid rocket booster. Three of those main engines helped boost space shuttles into orbit by providing about 20% of their power, Phillips said.
What's next
Construction of the Samuel Oschin Air and Space Center started more than three years ago and is on track to be completed in the coming weeks, according to museum officials.
With construction of the Samuel Oschin Air and Space Center weeks away from completion, crews have started to put in landscaping around the outside of the expansion.
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Makenna Sievertson
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LAist
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The exterior of the Samuel Oschin Air and Space Center as of Tuesday.
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Makenna Sievertson
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LAist
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The remaining exhibits and artifacts will then be installed over "many months," Rudolph said. Officials expect to announce next year an opening date for the expansion.
The California Science Center also is looking to raise about $70 million more for the $450 million project before it opens. You can learn more about its “EndeavourLA” fundraising campaign here.
Matt Dangelantonio
directs production of LAist's daily newscasts, shaping the radio stories that connect you to SoCal.
Published November 18, 2025 3:58 PM
The Westwood Village Theater will be operated and programmed by American Cinematheque when it opens
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George Rose
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Getty Images
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Topline:
The group of directors restoring the Village Theater in Westwood are tapping film nonprofit American Cinematheque to program and run the venue when it opens.
Why it matters: American Cinematheque also programs the Aero Theatre in Santa Monica, the Egyptian Theatre in Hollywood and the Los Feliz Theater, making it a visible and active film arts nonprofit in the industry.
The backstory: The nearly century-old movie palace went up for sale in 2024 before Village Directors Circle bought it in February. The group is comprised of more than 30 notable filmmakers. They're led by director Jason Reitman (Thank You For Smoking, Juno) and their ranks include Guillermo del Toro, Alfonso Cuarón, Lulu Wang, Chloé Zhao, Christopher Nolan and Ryan Coogler.
What's next: VDC says it's eyeing a 2027 opening for the Village Theater, and is currently in the quiet phase of a capital campaign to raise $25 million to restore and remodel the Village Theater into a more than 1,000-seat venue.
For January fire survivors looking for fresh start
Gillian Morán Pérez
is an associate producer for LAist’s early All Things Considered show.
Published November 18, 2025 3:46 PM
Residents embrace in front of a fire-ravaged property after the Palisades Fire swept through in the Pacific Palisades neighborhood of Los Angeles on Jan. 8.
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Etienne Laurent
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AP
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Topline:
The city of Long Beach has launched a new jobs program to help people affected by January’s fires.
Who is it for? The initiative will provide paid career opportunities and financial assistance to people looking for a fresh start in Long Beach.
To start, 10 people will get up to 300 hours of paid work experience with local employers. Another five people also will get training scholarships of up to $7,500 in high-demand fields like health care and information technology.
Who's paying for it? The initiative is funded by a $130,000 federal act called the Workforce Innovation and Opportunity Act.
How to apply: Anyone interested in applying can contact Nakawa Shepherd, Career Center manager, Economic Development and Opportunity, at Nakawa.Shepherd@longbeach.gov or visit the LBWIN Adult Career Services Center.
How to participate: Long Beach’s Economic Development and Opportunity office also is looking for local employers to provide on-the-job training for applicants.
Jacob Margolis
covers science, with a focus on environmental stories and disasters.
Published November 18, 2025 2:51 PM
This undated photo provided by the U.S. Attorney's Office shows Jonathan Rinderknecht, who has been accused of setting a fire that led to the Palisades Fire.
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U.S. Attorney's Office
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Topline:
The man accused of igniting a fire that led to the deadly and destructive Palisades Fire in January will remain in custody without bond, U.S. Judge Rozella Oliver decided Tuesday in Los Angeles. Jonathan Rinderknecht has been in custody since his arrest in Florida on Oct. 7.
Where things stand: Rinderknecht was indicted by a federal grand jury in October and is charged with one count of arson, one count of timber set afire and one count of destruction of property by means of fire. Rinderknecht pleaded not guilty in mid-October and faces anywhere from five to 45 years in federal prison if convicted. His trial is set to begin April 21, 2026. His lawyers recently asked the court to allow him out of custody as he awaits trial.
Argument against release: In a filing on Monday, prosecutors said Rinderknecht is a flight risk because of his familial ties to France, as well as a danger to the community. The filing states that Rinderknecht threatened to burn down his sister’s home and that he purchased a gun and threatened to kill his brother-in-law. Prosecutors also raised the fact that a judge determined in October that the suspect’s mental health had declined.
The allegations: Authorities allege Rinderknecht set fire to brush near the Skull Rock Trailhead in the Santa Monica Mountains at around midnight Jan. 1, starting the Lachman Fire. Though the fire was held to just 8 acres and was believed to have been extinguished, authorities say it flared up once again amid strong, dry winds a week later. That fire grew into the Palisades Fire, which killed 12 people and destroyed more than 6,800 structures.
