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The Brief

The most important stories for you to know today
  • Four months after fires, has there been progress?
    A woman with glasses and a red scarf speaks into a microphone and holds a clipboard with a paper attached to it.
    Chelsea Kirk, founding member of the Rent Brigade, speaks at a community action night in February at Bernie's Coffee Shop near LACMA.

    Topline:

    After January's fires, a quickly assembled collective of investigators found thousands of online rental listings that appeared to have broken California’s law against post-disaster price gouging. But four months later, the number of criminal cases filed over illegal rent hikes can be counted on one hand.

    The details: The group, calling itself the Rent Brigade, joined forces after tenant advocate Chelsea Kirk started an online spreadsheet to track Zillow listings that appeared to be raising rents above legal limits. In the latest episode of the LAist podcast Imperfect Paradise, Kirk describes the team’s formation and the “sense of defeat” she has felt over seeing prosecutors file four criminal cases so far.

    Read on … to learn how families who lost their homes managed to find their next move, despite all the chaos in L.A.'s rental housing market.

    Four months ago, the Palisades and Eaton fires delivered twin jolts to Los Angeles County’s already fragile housing landscape. The region’s supply of housing fell sharply as entire neighborhoods turned to ash.

    And demand surged when thousands of families were forced into a rental housing market with few affordable options.

    The result was as predictable as it was disturbing. Rents quickly spiked on home listings, often above the 10% limit established by California’s law against post-disaster price gouging.

    Chelsea Kirk, a policy director with Strategic Actions for a Just Economy, started tracking these listings in an online spreadsheet that soon went viral, attracting national and global attention from onlookers who were outraged at how L.A. landlords were responding to the tragedy.

    “I just got fired up,” Kirk told LAist in the latest episode of our Imperfect Paradise podcast.

    The episode traces the growth of the Rent Brigade, a collective of like-minded rent hike investigators who assembled around Kirk with the goal of fighting post-fire price gouging.

    You can listen to the full episode here:

    Imperfect Paradise Main Tile
    Listen 39:27
    In the days after LA’s early-January wildfires, tenant advocate Chelsea Kirk noticed a trend: rent gouging. Rents were shooting up past their legal limit. In the wake of the fires, as natural disaster collided with LA’s severe housing shortage, we trace how a collective of volunteers organized themselves to bring rent gouging to light in LA County. What did they find? And where do we stand on rent gouged listings and charges, four months later?

    How the Rent Brigade took on LA’s landlords
    In the days after LA’s early-January wildfires, tenant advocate Chelsea Kirk noticed a trend: rent gouging. Rents were shooting up past their legal limit. In the wake of the fires, as natural disaster collided with LA’s severe housing shortage, we trace how a collective of volunteers organized themselves to bring rent gouging to light in LA County. What did they find? And where do we stand on rent gouged listings and charges, four months later?

    Before January was over, the Rent Brigade released a study that found more than 1,340 Zillow listings in apparent violation of the state’s price gouging law less than two weeks after the fires started. As of this week, the tally had grown to more than 8,000 listings.

    Thousands of questionable listings; four criminal cases

    A group of people work at desks in a cafe.
    Rent Brigade volunteers gather at Bernie's Coffee Shop near LACMA.
    (
    Courtesy of the Rent Brigade
    )

    For months, the group continued to document thousands more listings that appeared to have broken the law. But, so far, the number of criminal cases filed can be counted on one hand.

    Prosecutors have filed misdemeanor charges over alleged price gouging in four cases:

    • California Attorney General Rob Bonta filed charges against La Cañada Flintridge real estate agent Mike Kobeissi for allegedly raising rent on a listing by 38%. Kobeissi told LAist he had not broken the law.
    • Bonta’s office later filed charges against real estate agent Lar Sevan Chouljian for allegedly attempting to rent a Glendale home for more than 50% above the listed rent. Chouljian said in a text message to LAist, “There was absolutely no price gouging involved.”
    • In a third case, Bonta’s office charged landlord Edward Kushins and real estate agent Willie Baronet-Israel for allegedly increasing rent on a Hermosa Beach home by 36%. Baronet-Israel and Kushins’ attorney both told LAist they did not intend to price gouge.
    • L.A. City Attorney Hydee Feldstein Soto filed charges against homeowner Noelle Cooke and real estate agent Roger Perry for allegedly illegally raising rent by 38%. Perry’s attorney told LAist that Perry “de-listed the property in less than a day and a half on his own accord once his company advised that the listed rent exceeded the newly enacted mandate… there was no financial harm to anyone.” LAist also reached out to Cooke for comment, but has not heard back.

    In a separate case involving a short-term rental operation, prosecutors in Feldstein Soto’s office said they uncovered evidence of post-fire rent hikes of up to 56% in Zillow listings posted by Blueground US, Inc. The city attorney filed civil charges in that case, not criminal.

    Some prosecutors have yet to file any charges

    About a week after the fires broke out, L.A. County District Attorney Nathan Hochman joined LAist’s Airtalk and said his office had received dozens of rent gouging complaints. He said people breaking the law were “engaging in completely disgraceful and shameful conduct,” and justice would be “swift and the penalties will be severe.”

    Hochman has yet to file any price gouging charges.

    “The district attorney’s office cannot file charges unless law enforcement presents a case to our office for charge evaluation and case filing consideration,” a district attorney spokesperson said in an email to LAist.

    “To date, while there are many pending investigations, law enforcement has not presented a case to our office to charge under California’s price gouging law,” the spokesperson said.

    All the cases brought forward so far are in early stages. Arraignment dates in two of the cases filed by Bonta’s office are set for later this month. If found guilty, the defendants face up to one year in jail and up to $10,000 in fines.

    For those fighting rent gouging, ‘a sense of defeat’

    A person looks down at a stack of papers on a table.
    Rent Brigade volunteers at an event in Pasadena on May 4.
    (
    Courtesy of the Rent Brigade
    )

    The Rent Brigade says they’ve now found more than 8,000 listings that appear to have broken the law. Kirk said it’s been disappointing to see charges filed in connection with less than 1% of the listings documented in the spreadsheet she started.

    “There was so much outrage publicly and by political actors that I thought maybe people will see justice for once,” Kirk said.

    Months later, she acknowledged: “There is a sense of defeat.”

    State and local prosecutors say they’ve sent hundreds of warning letters to property owners suspected of price gouging. They say these admonitions have succeeded at getting many landlords, who are sometimes unaware of the law, to lower their rents to within legal limits.

    Prosecutors also say they need to see more than a fishy Zillow listing before filing charges. In order to confidently bring forward a criminal case, they want to find renters who were actually harmed. They’ve encouraged people to submit complaints that include screenshots, texts and emails showing landlords and real estate agents engaging in price gouging.

    Kirk said she brought one example with a clear victim — including screenshots of text messages between a landlord and prospective tenant — to the  L.A. County Department of Consumer and Business Affairs and to the L.A. city attorney’s office.

    She said there’s been no movement on that case. Prosecutors have said they won’t comment on ongoing investigations.

    Two people sit at a table, while looking at each other. The person on the left is wearing a black face mask.
    Chelsea Kirk and a Rent Brigade volunteer at a community action night in February.
    (
    Courtesy of the Rent Brigade
    )

    Giving up on L.A.’s rental market

    Tenant advocates say they believe some landlords have felt emboldened by the limited enforcement, raising rents above legal maximums with little fear of repercussions.

    Meanwhile, some families who lost their homes to the fires became so discouraged by stratospheric rent hikes that they gave up looking at publicly listed properties.

    Tina Poppy said she saw lots of price gouging in L.A.’s rental market after her family’s home in Altadena was destroyed. She said hunting for a longer-term living situation was maddening.

    “I saw my old house in Silver Lake, and it was $7,000 a month,” Poppy said. “I had rented it up until 2019 for $2,000 a month. When I saw that, I just closed my laptop.”

    Instead, she started working her social circle. She went down her list of friends and acquaintances to ask if any homes were available for her, her husband, two children and three dogs.

    Eventually Poppy’s family landed in the home of a friend who planned to move to Pennsylvania. That friend is charging them the equivalent of her monthly homeownership costs.

    Poppy said since the fires, her family has seen the best and the worst of L.A.

    “People trying to profit off of your pain, and then on the flip side, people that are like, ‘Here, you can live in my home and I'll move out and I'll find another place to live,’” Poppy said. “Really, you see both sides of it — the human generosity and then, just human greed.”

  • New plume rises two days after first fire ignited
    A large plume of smoke spreads across an urban street.
    The smoke from a fire that appeared to have reignited in Boyle Heights.

    Topline:

    A large plume of white smoke billowed out of a cold storage facility on Friday afternoon, two days after the fire first ignited at the Boyle Heights warehouse.

    What materials were burned in the fire?: The fire first broke out Wednesday at Lineage, a logistics company that offers cold storage services, according to the company’s website. The fire spread across the building’s rooftop solar panels. The fire also reached an ammonia line, causing it to off-gas the chemical, and adjacent structures were evacuated to keep people from breathing it in. The ammonia is not toxic to individuals unless they have respiratory issues or come into direct contact with it, fire officials said. 

    Air quality after the fire: A particle pollution advisory was in effect until at least Saturday afternoon for an area including Boyle Heights, central LA and parts of Northeast LA. At a press conference Thursday morning, LAFD officials said air quality was being monitored in the area. However, residents in Boyle Heights reported concerns over smoke, ash and the lingering smell; the air remained acrid and smelled like plastic on Thursday morning.

    A large plume of white smoke billowed out of a cold storage facility on Friday afternoon, two days after the fire first ignited at the Boyle Heights warehouse.

    "Due to an expected change in wind conditions, there was a flare-up inside the structure, which was anticipated by crews on scene," the Los Angeles Fire Department said in a statement. "More smoke is currently visible in the area of this incident; however, there is no additional hazard. Crews will continue to flow large amounts of water into the building for an extended period of time."

    LAFD Chief Nick Ferrari later told reporters that the fire had burned through the roof, letting up gases and smoke. That cleared some of the interior of the building, allowing firefighters more visibility into conditions inside.

    “This is going to be an extended event,” he said. “We have made great progress, just today alone.”

    What residents are experiencing

    Residents near the facility on South Los Palos Street reported a strong smell as they watched the smoke rise up, and vehicles driving in that direction turned around as it appeared that the fire flared up shortly before 5 p.m.

    Gabriela Dueñas lives less than a mile from the warehouse and put on a mask while she sheltered indoors at her home.

    “It smells horrible outside. More ashes are falling now. Seems like the fire is inside the structure now,” Dueñas said just before 5 p.m. on Friday.

    Firefighters were at the scene dousing the building. The smoke shifted from black to white before turning black again within an hour. LAFD spokesperson Lyndsey Lantz said that the white smoke was a sign that firefighters were getting water on the flames, and brown smoke likely meant that materials were burning.

    “We want to assure people that we expected that change due to the wind,” Lantz said. “Our crews were prepared for that.”

    A man stands in the middle of a street filled with haze and smoke.
    A thick cloud of smoke descends over a street near a cold storage warehouse after a reported flare-up.
    (
    Jessica Perez
    /
    Boyle Heights Beat
    )

    Dueñas said it was frustrating to learn that firefighters anticipated those changes, saying residents were not adequately informed ahead of time.

    “Why isn’t LAFD using their social media platforms to provide updates to residents?” she asked. “Instead, we begin to panic when we see the sun covered with a black cloud of smoke.”

    Will residents need to shelter in place?

    LAFD does not expect a shelter-in-place will be put into effect, Lantz said.

    A previous shelter-in-place order was triggered as fire reached an ammonia line. Since then, Ferrari said, the building operator was able to pull ammonia out of the facility’s tanks and transport the chemical off-site. The operator also filled a generator, allowing the building’s interior sprinkler system to keep running, he said.

    Ferrari stressed the unusual nature of the fire, and the aggressive tactics that firefighters were using. Helicopter water drops — almost unheard of for a structure fire — continued on Friday. Firefighters were also able to retrieve a number of forklifts with lithium-ion batteries from inside the building, lessening the hazard that the batteries posed. Some remained inside, Ferrari added, but they were in a portion of the building uninvolved in the fire.

    The fire broke out Wednesday, prompting an hours-long shelter-in-place order due to hazardous materials, including ammonia.

    The South Coast Air Quality Management District on Friday extended a particle pollution advisory to 12:30 p.m. Saturday, and a smoke advisory remains in effect in a zone near the fire.

    Early monitoring showed particles were generally present at background levels, AQMD said, but for several seconds at a time, they found increased levels of bromine and chlorine.

    “Bromine and chlorine are typically found at trace levels during structural fires and the levels seen were below short-term health-based exposure thresholds,” AQMD said. “Concentrations below this level are not expected to cause adverse health effects. No significant levels of air toxic metals were seen.”

    What the city's leaders say

    Mayor Karen Bass spoke outside the building Friday evening, praising firefighters’ efforts. She added that people in the area could expect to continue to see smoke, and she urged people and their pets to stay inside as much as possible. She asked people to wear masks when they needed to go outside.

    “We know that this is concerning. This is inconvenient, but we are doing everything we can to end this as soon as possible,” she said. “And we want everyone to be safe in the meantime.”

    The city’s Department of Recreation and Parks opened the Pecan Recreation Center, 145 S. Pecan St., as a smoke relief center on Friday, and it will stay open overnight and as long as it is needed. Community groups, including Proyecto Pastoral, Running Mamis and Centro CSO, went door to door distributing masks, Councilmember Ysabel Jurado said.

    Jurado thanked the community for stepping up, allowing fire officials to focus their efforts on extinguishing the fire. She added the Eastside deserved great fire service just as much as Westside neighborhoods.

    “This has been a resilient community that has faced history of environmental pollution, and with no recourse,” she said. “This city needed to show decisive action.”

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  • Men's team advances to World Cup knockout stage

    Topline:

    The U.S. men's national soccer team advanced to the knockout round at the World Cup despite the absence of injured forward Christian Pulisic, beating Australia 2-0 today.

    The context: A deep U.S. roster overcame Pulisic’s absence to clinch a knockout berth after only two matches for the first time.

    Where was Pulisic? Pulisic, who plays for AC Milan and has 33 goals in 87 international appearances, missed today’s match because of a calf injury.

    How'd they win? Alex Freeman, the youngest player on the team at 21 and son of Super Bowl champion Antonio Freeman, gave the Americans a 2-0 lead in the 43rd minute off a set piece.

    SEATTLE — For days, questions about the health of star winger Christian Pulisic's left calf had loomed large over the U.S. men's national soccer team: After being kicked in the leg during last week's Paraguay game, would he be available in the pivotal second U.S. game of the FIFA World Cup?

    In the end, it didn't matter.

    The U.S. dominated Friday's match against Australia, winning 2-0 even as Pulisic, who was ultimately deemed unavailable before kickoff, watched his teammates from the sidelines.

    The scoring started early when American striker Folarin Balogun streaked down the left side of the field and powered a pass into the penalty area, where Australian defender Cameron Burgess booted it into his net for an own goal in the 11th minute.

    "I want to be dangerous. I want to create opportunities. And it might not always be myself that scores, but if I can force an error that gives us the lead, for me that's like a goal as well," Balogun said. "It was a special start to the game to give us the momentum, and then I think we carried it out."

    The U.S. added a second goal when defender Alex Freeman knocked in a header just before halftime. The chippy match resulted in seven total yellow cards, three for the U.S. on defenders Antonee Robinson and Chris Richards and Balogun.

    After the game, U.S. head coach Mauricio Pochettino praised his team and their approach. "We build the victory in our attitude," he said.


    The win guarantees that the U.S. will advance to the knockout stage of the tournament, and it puts the Americans in the driver's seat to win Group D. That would set up the team for a more advantageous path through the knockout round, which begins Sunday, June 28.

    Men on a bump each other as they chase a soccer ball.
    Cristian Volpato #20 of Australia and Weston McKennie #8 of the United States battle for the ball during the team's World Cup Group D match on Friday in Seattle.
    (
    Emilee Chinn
    /
    Getty Images
    )

    About 90 minutes before kickoff, Pochettino told Fox that Pulisic would be unavailable due to the nagging left calf injury suffered last Friday. "It is hoped, as soon as possible, [that he] can be ready to be selected again to be part of the team," Pochettino said.

    In his place, forward Ricardo Pepi made the start on the left side. For Freeman, his first career World Cup goal was the latest step in a remarkable trajectory for a 21-year-old player who made his first appearance for the U.S. national team just over a year ago. 

    It was unclear whether Pulisic would be available for the third and final U.S. group stage game, a match against Turkey set for next Thursday.

    Whether that game will matter depends on the outcome of Friday night's Turkey-Paraguay matchup; if Turkey draws or loses, the U.S. is guaranteed the top spot. If Turkey wins, that sets up next week's head-to-head game to determine the group winner.

    Turkey, whose roster features stars like Arda Güler of Real Madrid and Kenan Yıldız of Juventus, had been considered by some analysts to be the strongest team in the group.

    The U.S. victory over Australia was the second win in the group stage — the first time the American men have done that in a World Cup since 1930.
    Copyright 2026 NPR

  • Past and present meet in dance performance
    A group of people in the middle of a dance performance. One person, centered, is being held by the arms by four others surrounding them.
    Dancers performing Bernard Brown's work "Sissies: Something Perfect Between Ourselves."

    Topline:

    To preserve the history of L.A.’s Black queer underground clubs, Bernard Brown recreated them in his dance performance "Sissies" at the Pieter Performance Space in Lincoln Heights June 20.

    The inspiration: The show is drawn in large part from Brown's own experiences before he became a choreographer. “I won't say my age. I don't wanna get nobody in trouble,” he joked. “But I went to clubs like The Catch — The Catch One — and The Study on Hollywood and Western and places like that that are no longer with us.”

    What to expect: “The invitation to everyone who is a guest in the show, who has bought a ticket is: Let it go,” said Rosalie Tucker, Pieter Performance Space's executive director. “Let yourself be in the club. React. You don't have to be quiet. This isn't a silent setting. This is not a traditional theater setting, and that is intentional.”

    The performers: Many of Brown’s dancers have performed with people like Beyoncé, but they’re also artists doing their own thing. The score for the show is by DJ DeFacto X, a co-founder of Black Bass Collective, a staple of L.A.’s warehouse scene. It'll also turn into something of a dance party after the performance wraps.

    How to see the performance and exhibit: The performance will be at 8:30 p.m. on Saturday, June 20. If you can’t make it, the installation will also be on view in the afternoon throughout Juneteenth weekend. Brown told LAist he also hopes to find a permanent home for the archives and exhibits he’s amassed.

    Bernard Brown grew up going to parties all around Los Angeles. Maybe a little before he was supposed to.

    “I won't say my age. I don't wanna get nobody in trouble,” he joked. “But I went to clubs like The Catch — The Catch One — and The Study on Hollywood and Western and places like that that are no longer with us.”

    Brown went on to become a contemporary dancer and choreographer, and he remembers watching dancers at Black queer clubs, and the tenderness they had for each other. He told LAist that was exactly what informed his new art installation and dance performance, “Sissies: Something Perfect Between Ourselves,” at the Pieter Performance Space this Juneteenth weekend.

    “ I thought a lot about how intergenerational learning was starting to slip away, and what does it mean to learn how to be a Black queer person?” Brown said. “Where are those spaces, and how did I learn how to be this way? And so making this work has been about this labor, this love, this intergenerational learning, and also community.”

    What to expect

    “Sissies” has two components: an installation on view Friday through Sunday, and a dance performance featuring some of L.A.’s most prominent dancers and voguers this Saturday night at 8:30 p.m.

    Rosalie Tucker, director of Pieter Performance Space, said this will look a little different from other dance performances you may have been to.

    “The invitation to everyone who is a guest in the show, who has bought a ticket is: Let it go,” she said. “Let yourself be in the club. React. You don't have to be quiet. This isn't a silent setting. This is not a traditional theater setting, and that is intentional.”

    That’ll culminate after the performance, when the audience will also be invited to join the dancefloor.

    Though the installation is this weekend only, Brown told LAist that once it's over, he hopes to find a permanent home for the archives and exhibits he’s amassed.

    How to see 'Sissies'

    The performance will be from 8:30 p.m. to 10 p.m. on Saturday night. Tickets are available here, and they will not be available at the door.

    To see the free exhibition, you can RSVP here. Here are the opening hours:

    • Friday, June 19 from 1 p.m. to 5 p.m.
    • Saturday, June 20 from 1 p.m. to 4 p.m.
    • Sunday, June 21 from 11 a.m. to 2 p.m.

    The inspiration behind ‘Sissies’

    Of course, archival research is a big part of the work. But for Brown, who was actually there at clubs watching vogue practitioners work the dancefloor, the research process looks a little different.

    Brown calls the work “autoethnographic” — that is, much of what you’ll see is based on his own experiences and observations over the decades.

    “ We're talking about vogue, all of the elements: hand performance, floor performance, catwalk, duckwalk,” Brown said. “All of those things appear in the work, but it's based on the truth and the authenticity of our people.”

    The themes in Brown’s work resonated with Tucker, especially in this political moment.

    “What we're seeing is our histories being not just erased, but violently erased, excluded and lied about,” she said. “So we really have, I think, a responsibility to the future, to ourselves, to claim the truth of, 'This is what happened then, this is what's happening now.'”

    How to support Pieter Performance Space

    Like many nonprofit organizations, Pieter Performance Space has said they've lost funding due to grant cancellations following the 2024 election. They're currently in the middle of an emergency fundraiser.

    You can find more information on supporting the nonprofit performance space here.

    Brown’s collaborators

    Los Angeles has a long history of queer Black underground clubs and events, one that continues to this day in parties and warehouses.

    “ Bernard has built this with the people who are the Black underground in Los Angeles as well, so it's not just like a theoretical thing,” Tucker said.

    The score for the show is by DeFacto X, who co-founded Black Bass Collective, a staple of L.A.’s warehouse scene. Many of Brown’s dancers have performed with people like Beyoncé, but they’re also movers and shakers in their own right.

    “They are creating their own work,” Brown said. “They are making spaces where people congregate, and they're doing the Lord's work in that regard, finding their way to the movement of our queer ancestors.”

    Though Brown won’t be performing in the show, he said he gets emotional when he sees younger generations go through the same movements as the voguers and other dancers he saw in clubs decades ago.

    “I am filled with joy — literal joy — and sometimes tears at how beautiful it is to see Black queer men being together intimately, folding into each other, their individual kikis and lala's that happen during performance, the authenticity of their visceral connection to each other,” he said.

  • Director of 'Cheers,' Taxi,' 'Friends' and more

    Topline:

    James Burrows, who helped create volumes of laughter as director of more than a thousand episodes of such classic television comedies as "Cheers," "Taxi," "Friends" and "Will and Grace," died today. He was 85.

    What we know: His family confirmed his death in a statement to People, saying he "passed away peacefully today surrounded by his family." No location or cause of death was provided.
    About his career: Burrows got his start in television relatively late at age 35 in 1974, directing episodes of "The Mary Tyler Moore Show," "The Bob Newhart Show," and "Laverne & Shirley." He co-created "Cheers," directing 243 of the 273 episodes, as well as all 246 episodes of "Will and Grace." He also helmed multiple episodes of such hits as "Frasier," "Friends" and "Mike & Molly," and the pilots of "Two and a Half Men" and "The Big Bang Theory."

    LOS ANGELES — James Burrows, who helped create volumes of laughter as director of more than a thousand episodes of such classic television comedies as "Cheers," "Taxi," "Friends" and "Will and Grace," died Friday. He was 85.

    His family confirmed his death in a statement to People, saying he "passed away peacefully today surrounded by his family." No location or cause of death was provided.

    Burrows spent his career behind the camera specializing in situation comedies. Few viewers recognized him or knew his name, other than to see it flash quickly on the screen in the opening credits. But they knew his work.

    Burrows got his start in television relatively late at age 35 in 1974, directing episodes of "The Mary Tyler Moore Show," "The Bob Newhart Show," and "Laverne & Shirley."

    He co-created "Cheers," directing 243 of the 273 episodes, as well as all 246 episodes of "Will and Grace."

    He also helmed multiple episodes of such hits as "Frasier," "Friends" and "Mike & Molly," and the pilots of "Two and a Half Men" and "The Big Bang Theory."

    "When I direct a television show, I try to reach that sweet spot where the best script meets the best performance and the best chemistry between performers," Burrows wrote in his 2022 memoir "Directed by James Burrows." "Hitting that exact moment, where these factors land in combination, results in the sweetest and most enduring laugh."

    His family said, "Burrows understood that great comedy was never simply about laughter. It was about humanity, connection, and truth. That understanding became the foundation of a career that forever changed television.

    "But beyond his remarkable achievements, Burrows will be remembered for something even greater: his kindness, generosity, and unwavering belief in the people around him. He possessed a rare ability to make everyone better and was known for remembering every person he met by name, making colleagues at every level feel seen, valued, and appreciated," the family statement said.

    Born James Edward Burrows on Dec. 30, 1940, in Los Angeles, he moved to New York when he was 5 years old. He spent five years in the Metropolitan Opera Children's Chorus until his voice started to change. He attended LaGuardia High School of Music & Art.

    His father was writer, director and producer Abe Burrows, whose Broadway hits included "Guys and Dolls" and "Can-Can." The elder Burrows also mentored Larry Gelbart, future creator and producer of the TV show "M(asterisk)A(asterisk)S(asterisk)H."

    The younger Burrows spent hours of his youth in theaters and studios watching his father work, dining with him at such famed New York haunts as Sardi's and Gallagher's and meeting celebrities who attended his father's New Year's Eve parties.

    After earning a bachelor's degree from Oberlin College, Burrows attended the graduate program of the Yale School of Drama, where his classmates included actor-comedian Robert Klein, playwright John Guare and film director John Badham.

    At Yale, he was required to take directing classes and he got hooked.

    Burrows' first sitcom experience was as Burl Ives' dialogue coach on "O.K. Crackerby!" which was directed by his father and ran for one season on ABC in 1965.

    From there, he was an assistant on "The Patty Duke Show." He moved back to New York and worked for Broadway producers Lee Guber, Frank Ford and Shelly Gross. He first met actor Moore while working on the Broadway production of "Holly Golightly," an adaptation of "Breakfast at Tiffany's" that was directed by his father.

    Burrows eventually worked as a stage manager for various road productions, where he met such actors as Hugh O'Brien, Zsa Zsa Gabor and Julie Harris.

    By 1974, after working in dinner theater and summer stock, he turned on his television and saw Moore's eponymous TV show. He wrote her a letter asking if there was any opening "small or smaller" at her production company that he could fill, according to his memoir.

    Moore's husband and business partner, Grant Tinker, invited Burrows to Los Angeles to direct an episode of the comedy. He apprenticed for MTM Enterprises, which had four sitcoms on the air at the same time.

    Burrows cited his theater background for learning how to give actors direction and block out scenes. He's credited for being one of the first sitcom directors to increase the typical multi-camera television shoot from three to four cameras.

    The common thread between Burrows' shows were the bonds between friends and unrelated families, whether it was the motley crew of regulars meeting at the bar in "Cheers" or the drivers working toward a better life in "Taxi" or the 20-somethings sharing the same apartment building in "Friends."

    "The best sitcoms transcend the screen and reach out and grab the audience by the throat and by the heart," Burrows wrote in his memoir.

    He relished discovering new acting talent while directing more than 75 pilots that were picked up as series.

    "Having directed over a thousand shows means that almost any night you can turn on your television or go online and find a show that I directed. I'm very proud of that," he wrote in his memoir.

    In 2019, Burrows was an executive producer on live productions of "All in the Family" and "The Jeffersons" with famous actors re-creating episodes of those 1970s comedies.

    Burrows was married in 1997 to Debbie Easton, whom he met when she worked as a hairstylist on "Frasier." Daughters Kat Schatzow, Ellie Gluck and Maggie Burrows, who followed her father into directing, are from his first marriage to Linda Solomon, who died in 2004. His stepdaughter Paris is from his wife's previous marriage. He has a sister, Laurie Burrows Grad, and seven grandchildren.
    Copyright 2026 NPR