Gloria Steinem, a trailblazing journalist and activist who devoted her life to fighting for women's rights, died on Wednesday. She was 92.
Women's champion: Starting in the 1960s, at a time when women were largely limited to domestic roles, Steinem challenged gender stereotypes and championed feminist ideals like equality, sisterhood and reproductive freedom. In doing so, she inspired generations of women to do the same. Today, she's a household name that is synonymous with the women's rights movement. "Because of her work, across America and around the world, more women are afforded the respect and opportunities that they deserve," then-President Barack Obama said when he awarded Steinem the Presidential Medal of Freedom for her commitment to activism in 2013. "She also changed how women thought about themselves."
Ms. magazine: After graduating from Smith College in 1956, Steinem was briefly involved with a CIA-backed organization that sent American students to Soviet-sponsored youth festivals to promote pro-American principles. When she returned her journalism career began, when she went on to become a freelance journalist in New York during the 1960s — when newsrooms were largely run by men and female reporters were typically restricted in the topics they were allowed to cover. Steinem went on to serve as a founding editor and writer at New York magazine and, a few years later, in 1972, launched her own publication, Ms. magazine, which was named after the honorific title given when a woman's marital status is unknown. It was widely regarded as the first national magazine run by and written for women.
Gloria Steinem, a trailblazing journalist and activist who devoted her life to fighting for women's rights, died on Wednesday. She was 92.
Her passing was announced in a statement posted on her Instagram. It did not give a cause of death.
"Gloria Steinem passed away peacefully at her home in New York City, surrounded by some of the many who loved her," the post read.
Starting in the 1960s, at a time when women were largely limited to domestic roles, Steinem challenged gender stereotypes and championed feminist ideals like equality, sisterhood and reproductive freedom. In doing so, she inspired generations of women to do the same. Today, she's a household name that is synonymous with the women's rights movement.
"Because of her work, across America and around the world, more women are afforded the respect and opportunities that they deserve," then-President Barack Obama said when he awarded Steinem the Presidential Medal of Freedom for her commitment to activism in 2013. "She also changed how women thought about themselves."
President Barack Obama awards the Presidential Medal of Freedom to Gloria Steinem in the East Room at the White House on Nov. 20, 2013.
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Win McNamee
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Getty Images
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An early impact
Steinem was born in Toledo, Ohio, in 1934. She graduated from Smith College in 1956 with a bachelor's degree in government studies. After Steinem finished school, she spent two years in India on a fellowship, where she traveled with people organizing against caste violence and wrote for Indian publications — an experience that she said shaped her activism in the U.S.
When Steinem returned home, she was briefly involved with a CIA-backed organization that sent American students to Soviet-sponsored youth festivals to promote pro-American principles. This would become a point of contention for some feminists later in Steinem's career. She defended her role, asserting that the CIA never attempted to alter the organization's policies.
Steinem then went on to become a freelance journalist in New York during the 1960s — when newsrooms were largely run by men and female reporters were typically restricted in the topics they were allowed to cover.
"I and lots of women could not write about political subjects for the existing magazines," Steinem recalled in an interview with NPR in 2020. "We were thought to be the experts on, you know, food, makeup, babies and celebrities."
Still, she did not allow those limitations to stop her from pursuing hard-hitting investigative stories. And in 1963, Steinem gained national attention for going undercover at one of Hugh Hefner's nightclubs. Her exposé for Show magazine, "A Bunny's Tale," revealed the sexism and low wages endured by cocktail waitresses, challenging Hefner's claim that his Playboy empire was a sexual revolution, beneficial for men and women alike.
Steinem appears in New York on Feb. 17, 1970.
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Anthony Camerano
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AP
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Steinem went on to serve as a founding editor and writer at New York magazine and, a few years later, in 1972, launched her own publication, Ms. magazine, which was named after the honorific title given when a woman's marital status is unknown. It was widely regarded as the first national magazine run by and written for women.
"The women's magazines that are around, most of which all of us who work on Ms. have worked for, are really talking about women in their roles as wives and mothers," she told NPR at the time.
Steinem added that while those magazines served a purpose, she felt they missed the full picture of women's lives.
"I think that all of us, when we read those magazines, get a sense of dishonesty," she said. "It doesn't help you to change your life. And it's not really allowing women to tell the truth about their daily experiences."
The magazine boldly addressed topics that were considered off-limits, such as abortion, lesbianism, domestic abuse and gender roles. Its 1977 cover story about sexual harassment forced the long-silenced issue into the national spotlight and later became the basis of the 1980 hit movie 9 to 5 starring Dolly Parton.
An activist and political organizer
Beyond journalism, Steinem was an activist and political organizer. In 1971, months before she established Ms. magazine, Steinem helped form the National Women's Political Caucus, which focuses on recruiting, training and endorsing more women in politics.
"Women have been running the political campaigns in this country for generations. But by running means that they've been doing all the menial work, you know, addressing envelopes and driving cars and having fundraisings," Steinem told NPR in 1971. "We're not going to do that anymore. Let the male candidates do their own typing."
When the caucus began, there were 15 women elected to Congress, 363 women state legislators, and only seven women city mayors. Today, those numbers have grown to 150, 2,476 and 428, respectively.
Gloria Steinem (left) and presidential assistant Midge Costanza sit near one another at a July 1978 meeting of the House Judiciary Committee in Washington. The panel voted in favor of a time extension for ratification of the Equal Rights Amendment.
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John Duricka
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Among the legislative issues that mattered most to Steinem was reproductive freedom — driven by her own experience of having had an illegal abortion at age 22. In her 2015 memoir My Life On The Road, she dedicated her book to the English doctor who performed the procedure.
Referring to herself, Steinem wrote: "Knowing only that she had broken an engagement at home to seek an unknown fate, he said, you must promise me two things. First, you will not tell anyone my name. Second, you will do what you want to do with your life … I've done the best I could with my life. This book is for you."
Gloria Steinem speaks onstage during The Women's Media Center 2015 Women's Media Awards on Nov. 5, 2015, in New York City.
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Brian Ach
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In 2022, a few weeks before the Supreme Court overturned Roe v. Wade, ending the constitutional right to abortion, Steinem told NPR that even if the decision were reversed, she did not think her and others' work on reproductive justice was in vain.
"It will not change the basic fact that we either have decision-making power over our own bodies — women and men — or there is no democracy," she said.
Steinem added that over the years, she learned that real change is "like a tree."
"Too often we think the tree grows from the top, from Congress. Trees grow from the bottom," she said, adding that what mattered most was the work being done by everyday people and communities.
Copyright 2026 NPR
Jordan Rynning
has been following this case for months, including interviewing the man at the center of allegations.
Published October 31, 2026 7:00 AM
Michael Angel Alvarez, 41, spoke with LAist on Sept. 16, 2026, about the federal body armor case against him being dismissed.
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Jordan Rynning
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LAist
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Topline:
The L.A. County District Attorney’s office dropped its felony body armor charges against Michael Angel Alvarez earlier this week. Alvarez was sentenced to time served on a lesser charge — a probation violation. He served more than 100 days in jail earlier this year while awaiting trial.
Most serious claims haven’t materialized: Though federal prosecutors made headlines claiming in court documents and on social media that Alvarez was “leading a violent street gang, while claiming to be a gang interventionist for the City,” they have not filed charges related to those claims.
The Los Angeles County District Attorney’s Office dropped its felony body armor charges against Michael Angel Alvarez on Wednesday. Alvarez was sentenced to time served on a lesser charge — a probation violation. He had served more than 100 days in jail earlier this year while awaiting trial.
Why Alvarez’s arrest made headlines: Alvarez was working as a city-contracted peace ambassador in MacArthur Park when he was arrested by federal agents in May. Federal and county prosecutors each brought felony charges against him, claiming he was in possession of body armor as a violent felon.
Bill Essayli, who leads the U.S. Attorney’s office in L.A., pointed to the case on social media to criticize city officials for allowing taxpayer money to be “shelled out to a convicted gang murderer.”
About his criminal record: Judges in federal and state court have now dismissed prosecutors’ felony charges against Alvarez, after U.S. District Judge Anne Hwang found on Sept. 9 that Alvarez did not have a violent felony conviction. Alvarez was 15 when he committed a gang-related murder. He was tried and convicted as an adult in 2002. After a change in state law increased the age at which minors could be sentenced as adults to 16, Alvarez’s case was sent back to juvenile court, and he was released in 2024. At that point, he had served more than 20 years.
A federal judge ruled Tuesday, Oct. 7 that Republican Bill Essayli is not legally serving as the top U.S. prosecutor in Los Angeles.
The ruling is the latest roadblock to the Trump administration’s effort to extend handpicked acting U.S. attorneys beyond the 120-day limit set by federal law. The strategy was designed to bypass confirmation by the U.S. Senate — something that generally requires a degree of bipartisan support.
Essayli “is unlawfully serving as a ‘de facto’ United States Attorney,” U.S. District Judge J. Michael Seabright wrote.
The order won’t take effect until the court rules on the government’s motion for a stay pending appeal. Essayli said he doesn’t agree with the court’s order. He said the president and Attorney General “have every right to select supervisors within the Justice Department.”
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Mariana Dale
explores and explains the forces that shape how and what kids learn from kindergarten to high school.
Published October 31, 2026 5:00 AM
Myrna Velasco (left) performs as Dolores Huerta in “¡Sí Se Puede!” at Boyle Heights City Hall on April 2, 2026.
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Carlin Stiehl
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LAist
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Topline:
An all-ages play about the life of Dolores Huerta and other under-told stories of the farmworker labor movement is back on tour in Los Angeles.
The backstory: Center Theatre Group commissioned ¡Sí Se Puede! from Eliana Pipes in March 2025 and it debuted in L.A. this spring. “There's this perception that farm work was only done by men,” Pipes said. “There were women on the fields, there were women on the picket lines, and there were women in leadership in the United Farm Workers movement.”
An all-ages play about the life of Dolores Huerta and other under-told stories of the farmworker labor movement is back on tour in Los Angeles.
The show's extension had been announced prior to the news that Huerta died Wednesday, Oct. 28., at her Bakersfield home. She was 96 years old.
“There's this perception that farm work was only done by men,” said playwright Eliana Pipes. “There were women on the fields, there were women on the picket lines, and there were women in leadership in the United Farm Workers movement.”
Center Theatre Group commissioned ¡Sí Se Puede! from Pipes in March 2025 and it debuted in L.A. this spring.
CSULA seeks memories from underground music scenes
Adolfo Guzman-Lopez
is an arts and general assignment reporter on LAist's Explore LA team.
Published October 31, 2026 5:00 AM
CSULA is seeking memorabilia from LA's underground music scenes for its research archives.
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Courtesy Special Collections and Archives, University Library, California State University, Los Angeles.
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Topline
There’s a whole world of underground Southern California music history that’s hidden in storage boxes — photos, fliers, cassettes and other memorabilia. Research librarians at the California State University, Los Angeles are holding a community archive event on Nov. 5 to ensure the cultural memory of L.A.’s underground music scenes are preserved for future generations.
Why it matters: The memorabilia are the physical remnants of the supportive L.A. communities built around music and enjoyment. But many of these objects languish out of sight, and run the risk of being lost, along with the memories attached to them.
Why now: For four years, archive staff have held an annual day to receive ephemera from the public. They're doing it again on Thursday, Nov. 5.
Read on… to hear how goth, rockabilly and other underground clubs in L.A. inspired the head archivist.
Right around the year 2000, there was a club night in Hollywood called Clockwork Orange. Fans of The Smiths, Depeche Mode, Bauhaus and other bands came for the DJ’s mix of their favorite songs but also for a vibe that welcomed people regardless of race, ethnicity or sexual and gender identity.
“I was a pretty shy person, and so that was a place where I could sort of be myself and express myself,” said Azalea Camacho, a regular there in those days.
She had just graduated from Workman High School in the City of Industry and was also clubbing at rockabilly music nights in Rosemead and goth club nights in downtown L.A.
Camacho said there was lots of memorabilia from those times, such as photos taken in and outside the clubs, ticket stubs and promotional fliers. They're the physical remnants of those supportive communities built around music and enjoyment, but many of them languish in shoeboxes and storage units, at risk of being lost — along with the memories attached to them.
Cal State LA has hosted Sounds of the Underground Archive for the last four years. It's an opportunity for people to donate their underground music scene memorabilia.
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Courtesy Special Collections and Archives, University Library, California State University, Los Angeles
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“I think the danger is maybe those stories are not being told, or people don't know about the story,” she said.
Keeping stories alive
More than two decades later, Camacho is now in a position to make sure those stories are kept alive. She’s head of special collections and archives at the university library at California State University, Los Angeles.
Four years ago, she and library staff created an annual day for area residents to donate or digitize memorabilia for their Sounds of the Underground Archive. This year it's on Thursday, Nov. 5. They’ll accept physical donations, but they’ll also have a scanner to digitize printed material, so people can keep items that are precious to them.
SOUNDS OF THE UNDERGROUND ARCHIVE
Date: Thursday, Nov. 5 Time: 2 p.m. – 5 p.m. Location: Cal State LA Library Community Room, 5151 State University Drive, Los Angeles
Camacho is hoping this year will bring in a bumper amount of memorabilia. It's taken time to get the word out, she said.
“From the actual community archiving day [we’ve collected] maybe 100 or less than 100 items. … It's not a lot,” she said.
She said they're on the lookout for a wide range of mementos, including:
Fliers
Handbills
Zines
Newsletters
Posters
Set lists
Photographs (prints, negatives or digital files)
Cassette tapes, CDs, or vinyl records
Ticket stubs
Wristbands
Band merchandise (stickers, buttons, patches, T-shirts)
DIY press kits or liner notes and correspondence (letters, emails, messages related to music scenes)
Venue or collective ephemera (membership cards, schedules, announcements and more)
