A woman prepares food inside a commercial kitchen at DTLA Kitchens.
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Courtesy of Yuri Amsellem
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Topline:
A look into the world of ghost kitchens, the low-key anonymous spaces your takeout may be coming from. There might be lockers, robots and tablets. And there won’t be any seats.
Why it matters: Many ghost kitchens say they’re attempting to change the food business by offering a low-cost way for smaller vendors to enter the restaurant world. But it can be hard for a new restaurant to build a following off of apps alone. Plus, ghost kitchens are changing how and where we spend our mealtimes.
Why now: Ghost kitchens are continuing to expand across LA as more and more Angelenos use food delivery apps as a quicker, more automated alternative to the brick-and-mortars eateries they once frequented.
Recently, I was working from home in Eagle Rock, hungry, but trying to meet my LAist deadlines. I decided to quickly go get lunch at a sushi place I’d been recommended, Rice and Nori.
Since I’m new to the area and rely on Google Maps for everything, I followed it to an address on Colorado Avenue in Pasadena.
But when I got there, I found myself in front of a liquor store and what looked like a small auto shop. You know, the classic red and black bold lettering with racer stripes along the exterior. Nothing like a restaurant.
But Google Maps insisted that this auto-shop-maybe-it's-a-warehouse was, in fact, where my lunch was being prepared. And on the sign above the door, it said Allied Food To-Go. So I took a deep breath and walked in.
What I found was something like an Amazon locker meets Hot Dog on a Stick. There was no hostess and no tables — no seating at all in fact. Instead, there were white lockers on the left all the way up to the ceiling, and a desk with a tablet on top.
I was confused as to where I was. There was an employee placing food into the lockers, assisted by what seemed to be a robot, but since talking to strangers is on my top 10 list of things I hate to do, I decided to just navigate this one on my own.
Food is picked up via lockers at CloudKitchen locations.
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Lucy Jaffee
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LAist
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The tablet had 15 restaurant options to choose from, and after scrolling past lots of birria and Mediterranean food, I found Rice and Nori on the last screen and picked what I wanted.
I awkwardly stood by the lockers, middle school flashbacks flooding in, wondering what would happen next.
Two robots at Allied Food To-Go ready to deliver food to the lockers.
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Lucy Jaffee
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LAist
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A few minutes later — a text! Apparently my order was ready in locker D2. I pressed a button on my phone and it opened automatically, like the gates of heaven, and there I found my spicy tuna onigiri and edamame. (I’d been looking in the other direction, but I’m pretty sure one of the robots put it there. Later, I found out they have names, Rosie and Johnny).
By now, the space was filling with delivery drivers hustling to grab orders. Still confused, still hungry, I sped off in my car to process what just happened.
Is this normal for Pasadena? Again, I’m new.
What is a ghost kitchen?
Back at home, I googled Allied Food To-Go and discovered it’s a ghost kitchen, a commercial kitchen where multiple vendors make food that’s ordered online for pickup or delivery. Perfect for the digital age, customers and drivers usually pick up their orders using a tablet — no interaction with an employee is necessary.
Allied Food To-Go is just one location of CloudKitchens, a larger company that operates multi-vendor ghost kitchens in cities like Los Angeles, Miami, and New York (Co-founder of Uber Travis Kalanick invested a few years ago). In L.A. according to its website, CloudKitchens currently operates 11 ghost kitchens in places like Long Beach and Koreatown.
I tried to contact CloudKitchens but they couldn’t be reached. I only got through to one location in Echo Park, who declined to comment.
How does it work?
Ghost kitchens took off due to the pandemic when many restaurant owners shifted to delivery-only operations to reach customers out of public safety concerns. By leaving their storefronts and switching to a less costly ghost kitchen, they could also cut costs — making this new set-up popular post-pandemic too.
I wanted to understand more, so I tracked down George Shenefelt, a partner at Rice and Nori. He told me that they’d initially partnered with CloudKitchens to experiment with other concepts (but haven’t thus far) because their locations had become too busy for the kitchen to make anything besides their staples.
Most ghost kitchens function the same way. Food vendors pay rent to the ghost kitchen operator, whether it be a company like CloudKitchens or an individual, to use the space. The prices vary according to the size of the space, type of equipment and whether additional storage is needed, according to CloudKitchens’ website.
The exterior of DTLA Kitchens, an independent commercial kitchen located in southeast Los Angeles.
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Courtesy of Yuri Amsellem
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Another fee is added for utilities and general operating costs, such as the employees (or robots) needed to transport food from the kitchen to customers.
Vendors are given individual or shared kitchen spaces to prepare and produce their food. Their workstations are usually adjacent to other local vendors renting in the same ghost kitchen.
On a food delivery app, these all show up as different restaurants, but their locations will be the same. The only way to tell if it's from a ghost kitchen is to look up the vendor’s address or drive there.
Since ordering delivery is the reality for most of us at the end of a long day, chances are you’ll never stumble into a ghost kitchen like I did.
Struggling without a storefront
While ghost kitchens can be a good way for restaurants to cut costs, they come with several downsides. Shenefelt says he has found staffing the ghost kitchen to be challenging.
“It kind of feels like a prison,” he said. The space has no windows and is only around 200 square feet, turning off many employees looking for more interactive work experiences.
Another major drawback is that without a storefront, a new restaurant can struggle to find customers. Rice and Nori has been around since 2018, has two locations and an Instagram following. But others are not so well-established.
Janet Kang originally started Pizza Baby as a ghost kitchen but broke her lease last September because sales were too low. Between paying for rent and utility costs, she had no extra money available for marketing to draw in customers.
She said it’s a “matter of money,” whether using a ghost kitchen ultimately turns out to be profitable. “Do you have enough cash reserve to stick around long enough to get noticed?”
The inside of a commercial kitchen for rent at DTLA Kitchens.
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Courtesy of Yuri Amsellem
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Winston Shipp, founder of ¡Quesadilla Mía! shared a similar experience. He started in the pandemic renting a space at a delivery-only CloudKitchen. But few knew of their brand.
“You are at the mercy of people searching on apps looking for food,” said Shipp. He also left CloudKitchen and now rents a kitchen for a limited number of hours per week, rather than having a permanent space in a ghost kitchen.
Shipp sees ghost kitchens as ideal options for already-successful restaurants looking to move delivery away from their brick-and-mortar locations. Kitchen staff can better focus on dine-in customers and prevent long lines and wait times.
However, Yuri Amsellem, owner of DTLA Kitchens, a commercial kitchen that is used as a ghost kitchen and for other ventures like filming in southeast LA, sees ghost kitchens as a “great start” for small businesses. “We are incubators,” he told LAist, where vendors will eventually expand into their own brick-and-mortar locations.
Should I order from one?
If you need a reliable lunch option when hunger strikes, ghost kitchens are the way to go. With no dine-in customers to distract the kitchen, your food will arrive quickly to your doorstep. Or, you can pick it up from an automatic locker.
But if you’re new to a restaurant and need some advice on what to order, opt for a brick-and-mortar. Employees can impart their knowledge about flavor, the level of spice, or whether the dish you want contains traces of gluten, among other preferences.
Five sushi hand rolls from Rice and Nori, with fillings ranging from cucumber to spicy salmon, wrapped in your choice of seaweed or soy paper.
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Courtesy of George Shenefelt
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Plus, it's hard to beat an excellent mealtime ambiance.
So, would I go back to a ghost kitchen?
Maybe.
My Rice and Nori order from Allied Food To-Go was delicious and the food quality was not compromised. It was packed in sealed containers with extra soy sauce and chopsticks.
But at the end of the day, I prefer a meal shared with friends amid a lively restaurant. No ghost kitchen can replace that.
Fresh Air film critic Justin Chang says most of his favorite films this year were made overseas, including his No. 1 pick, Sirāt.
The bad news: Anyone will tell you that these are tumultuous, borderline-apocalyptic times for the film industry. Box office is down. The threat of AI looms. Billionaires and tech giants are laying waste to what remains of the major Hollywood studios.
The good news: Chang says he saw more terrific new movies this year than any year since before the pandemic. True, most of those movies weren't from here, but all of them played in U.S. theaters in 2025, and all of them are well worth seeking out in the weeks and months to come.
Read on ... for the list and trailers.
Anyone will tell you that these are tumultuous, borderline-apocalyptic times for the film industry. Box office is down. The threat of AI looms. Billionaires and tech giants are laying waste to what remains of the major Hollywood studios. I'm not entirely sure how to square all this bad news with my own good news, which is that I saw more terrific new movies this year than I have any year since before the pandemic. True, most of those movies weren't from here, but all of them played in U.S. theaters in 2025, and all of them are well worth seeking out in the weeks and months to come.
The best new movie I saw this year is a breakthrough work from a gifted Spanish filmmaker named Oliver Laxe. It's a nail-biting survival thriller, set in the desert of southern Morocco during what feels like the end-times. It's a little Mad Max, a little Wages of Fear, and all in all, the most exhilarating and devastating two hours I experienced in a theater this year. Sirāt also features the year's best original score, composed by the electronic musician Kangding Ray.
Paul Thomas Anderson's much-loved, much-debated reimagining of Thomas Pynchon's novel Vineland is an exuberant mash-up of action-thriller and political satire. One Battle After Another stars Leonardo DiCaprio in one of his best and funniest performances as an aging revolutionary drawn back into the field. He leads an ensemble that includes Teyana Taylor, Benicio del Toro, Sean Penn, Regina Hall and the terrific discovery, Chase Infiniti.
Caught by the Tides is an unclassifiable hybrid of fiction and nonfiction from the Chinese director Jia Zhangke. Drawn from a mix of archival footage and newly shot material, it's a one-of-a-kind portrait of the myriad transformations that China has gone through over the past two decades.
4. Resurrection
Resurrection, another structurally bold Chinese title, is a bit like an Avatar moviefor film buffs. Placing us in the head of a shapeshifting protagonist, the director, Bi Gan, takes us on a gorgeous, dreamlike odyssey through various cinema genres, from historical spy drama to vampire thriller.
My No. 5 movie is the year's best documentary: My Undesirable Friends: Part I — Last Air in Moscow, from the director Julia Loktev. It's a sprawling yet intimate portrait of several Russian independent journalists in the harrowing months leading up to President Vladimir Putin's invasion of Ukraine in 2022. As a portrait of anti-authoritarian resistance, it pairs nicely with my No. 6 movie.
The Secret Agent is an emotionally rich, sneakily funny and continually surprising drama from the director Kleber Mendonça Filho. Set in 1977, it lays bare the personal cost of dissidence during Brazil's military dictatorship.
7. Sound of Falling
Although not a horror film, exactly, this German drama qualifies as the best and spookiest haunted-house movie I've seen this year. Directed by Mascha Schilinski, Sound of Falling teases out the connections among four generations of girls and young women who have passed through the same remote farmhouse.
8. April
April, from the director Dea Kulumbegashvili, is a tough, bleak, but utterly hypnotic portrait of a skilled OB-GYN trying to provide health care for women in a conservative East Georgian village. It may be set far from the U.S., but the difficulties these women face would resonate in any setting.
Directed by Rungano Nyoni, this Zambian film is a subtly mesmerizing drama about a death that takes place in a middle-class household, setting off a chain of dark revelations that threaten to tear a family apart.
It Was Just an Accident, which won the Palme d'Or at this year's Cannes Film Festival, is a shattering moral thriller from the Iranian director Jafar Panahi. It centers on a group of former political prisoners who are given a rare chance at retribution. In the past, Panahi has been a prisoner in Iran himself, and earlier this month, the government sentenced the director in absentia to a year in prison. I hope that Panahi never sees the inside of a jail cell again, and that his movie is seen as far and wide as possible.
Copyright 2025 NPR
Robert Garrova
explores the weird and secret bits of SoCal that would excite even the most jaded Angelenos. He also covers mental health.
Published December 13, 2025 5:00 AM
Interior of Healing Force of the Universe records in Pasadena, where a benefit concert is held on Sunday to help fire survivors build back their record collections.
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Erin Grace Kim
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LAist
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Topline:
This Sunday, a special donation concert at Pasadena's Healing Force of the Universe record store helps fire survivors get their vinyl record collections back.
The backstory: The record donation effort is the brainchild of musician Brandon Jay, who founded the nonprofit Altadena Musicians after losing his home and almost all of his family’s musical instruments in the Eaton Fire. Now, he has turned his efforts on rebuilding people's lost record collections.
Read on ... to find details of the show happening Sunday.
In the wake of the Eaton Fire, Altadena and Pasadena’s music community have really shown up to support fire survivors, especially fellow musicians who lost instruments and record collections.
That effort continues this weekend with a special donation concert at a Pasadena record store, with the aim of getting vinyl records back in the hands of survivors who lost their collections.
“You know, our name is Healing Force of the Universe, and I think that gives me a pretty clear direction… especially after the fires,” said Austin Manuel, founder of Pasadena record store, where Sunday’s show will be held.
The record donation effort is the brainchild of musician Brandon Jay, who founded the nonprofit Altadena Musicians after losing his home and almost all of his family’s instruments in the Eaton Fire. Through Altadena Musicians’s donation and registry platform, Jay said he and his partners have helped some 1,200 fire survivors get their music instruments back.
Brandon Jay.
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Robert Garrova
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LAist
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Now, that effort has fanned out to restoring vinyl record collections.
“All of that stuff evaporated for thousands of people,” Jay said. “Look at your own record collection and be like, ‘Wow, what if that whole thing disappeared?’”
You might know Jay from several bands over the years, including Lutefisk, a 1990s alt-rock band based in Los Angeles. He and his wife, Gwendolyn Sanford, composed music for TV shows, including Orange is the New Black and Weeds.
Jay plans to play some holiday tunes at Sunday's record donation show (which LAist is the media sponsor), along with fellow musician Daniel Brummel of Sanglorians. Brummel, who was also a founding member of Pasadena’s indie-rock sensation Ozma, said he was grateful to Jay for his fire recovery work and to Manuel for making Healing Force available for shows like this.
Brummel, who came close to losing his own home in the Eaton Fire, recalled a show he played at Healing Force back in March.
Ryen Slegr (left) and Daniel Brummel perform with their band, Ozma, on the 2014 Weezer Cruise.
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Even Keel Imagery
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“The trauma of the fires was still really fresh,” Brummel said. After playing a cover of Rufus Wainwright’s “Going to a Town,” that night — which includes the lyrics “I’m going to a town that has already been burnt down” — Brummel said his neighbors in the audience told him the rendition hit them hard. “It felt really powerful. And without that space, it just wouldn’t have occurred.”
Details
Healing Force of the Universe Record Donation Show Featuring: Quasar (aka Brandon Jay), Sanglorians (Daniel Brummel) and The Acrylic. Sunday, Dec. 14; 2 to 5 p.m. 1200 E. Walnut St., Pasadena Tickets are $15 or you can donate 5 or more records at the door. More info here.
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Fire department honored with 'Award of Excellence'
Makenna Sievertson
covers the daily drumbeat of Southern California — events, processes and nuances making it a unique place to call home.
Published December 12, 2025 4:30 PM
The "Award of Excellence Star" honoring the Los Angeles Fire Department on Friday.
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Matt Winkelmeyer
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Getty Images
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Topline:
The Hollywood Walk of Fame has a new neighbor — a star dedicated to the Los Angeles Fire Department.
Why it matters: The Fire Department has been honored with an “Award of Excellence Star” for its public service during the Palisades and Sunset fires, which burned in the Pacific Palisades and Hollywood Hills neighborhoods of L.A. in January.
Why now: The star was unveiled on Hollywood Boulevard on Friday at a ceremony hosted by the Hollywood Chamber of Commerce and Hollywood Community Foundation.
Awards of Excellence celebrate organizations for their positive impacts on Hollywood and the entertainment industry, according to organizers. Fewer than 10 have been handed out so far, including to the LA Times, Dodgers and Disneyland.
The backstory: The idea of awarding a star to the Fire Department was prompted by an eighth-grade class essay from Eniola Taiwo, 14, from Connecticut. In an essay on personal heroes, Taiwo called for L.A. firefighters to be recognized. She sent the letter to the Chamber of Commerce.
“This star for first responders will reach the hearts of many first responders and let them know that what they do is recognized and appreciated,” Taiwo’s letter read. “It will also encourage young people like me to be a change in the world.”
LAFD Chief Jaime E. Moore, Eniola Taiwo and LAFD firefighters with the "Award of Excellence Star" Friday.
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Matt Winkelmeyer
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Getty Images North America
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The Award of Excellence Star is in front of the Ovation Entertainment Complex next to the Walk of Fame; however, it is separate from the official program.
What officials say: Steve Nissen, president and CEO of the Hollywood Chamber of Commerce, said in a statement Taiwo’s letter was the inspiration for a monument that will “forever shine in Hollywood.”
“This recognition is not only about honoring the bravery of the Los Angeles Fire Department but also about celebrating the vision of a young student whose words reminded us all of the importance of gratitude and civic pride,” said Nissen, who’s also president and CEO of the Hollywood Community Foundation.
L.A. City Attorney Hydee Feldstein Soto was accused of an ethics breach in a case the city settled for $18 million.
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Carlin Stiehl
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Los Angeles Times via Getty Images
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Topline:
Fallout from allegations of an ethics breach by Los Angeles’ elected city attorney has reached the City Council. Councilmember Ysabel Jurado introduced a motion Friday requesting a closed-session meeting about an allegation that City Attorney Hydee Feldstein Soto improperly contacted a witness days before her office entered into one of the city’s biggest settlements in recent years. The motion came a day after LAist reported about the allegation.
The case: In September, the city settled a lawsuit brought forward by two brothers in their 70s who said they suffered serious injuries after an LAPD officer crashed into their car. Days before the $18 million settlement was reached, lawyers for the brothers said Feldstein Soto called an expert witness testifying for the plaintiffs and “attempted to ingratiate herself with him and asked him to make a contribution to her political campaign,” according to a sworn declaration to the court by the plaintiffs’ attorney, Robert Glassman.
The response: Feldstein Soto did not respond to an interview request. Her spokesperson said the settlement “had nothing to do” with the expert witness. Her campaign manager told LAist the city attorney had been making a routine fundraising call and did not know the person had a role in the case, nor that there were pending requests for her office to pay him fees.
What Jurado says: In a statement to LAist, Jurado said she wants to “make sure that the city’s legal leadership is guided by integrity and accountability, especially when their choices affect public trust, civic rights and the city’s limited resources."
What’s next: The motion needs to go through a few committees before reaching the full City Council. If it passes, the motion calls for the city attorney to “report to council in closed session within 45 days regarding the ethics breach violation and give updates to the City Council."
Topline:
Fallout from allegations of an ethics breach by Los Angeles’ elected city attorney has reached the City Council. Councilmember Ysabel Jurado introduced a motion Friday requesting a closed-session meeting about an allegation that City Attorney Hydee Feldstein Soto improperly contacted a witness days before her office entered into one of the city’s biggest settlements in recent years. The motion came a day after LAist reported about the allegation.
The case: In September, the city settled a lawsuit brought forward by two brothers in their 70s who said they suffered serious injuries after an LAPD officer crashed into their car. Days before the $18 million settlement was reached, lawyers for the brothers said Feldstein Soto called an expert witness testifying for the plaintiffs and “attempted to ingratiate herself with him and asked him to make a contribution to her political campaign,” according to a sworn declaration to the court by the plaintiffs’ attorney, Robert Glassman.
The response: Feldstein Soto did not respond to an interview request. Her spokesperson said the settlement “had nothing to do” with the expert witness. Her campaign manager told LAist the city attorney had been making a routine fundraising call and did not know the person had a role in the case, nor that there were pending requests for her office to pay him fees.
What Jurado says: In a statement to LAist, Jurado said she wants to “make sure that the city’s legal leadership is guided by integrity and accountability, especially when their choices affect public trust, civic rights and the city’s limited resources."
What’s next: The motion needs to go through a few committees before reaching the full City Council. If it passes, the motion calls for the city attorney to “report to council in closed session within 45 days regarding the ethics breach violation and give updates to the City Council."
