The Brief

How do you measure the rewards for the makers and sponsors of most of the several dozen floats set to roll down Colorado Blvd. in Pasadena on Jan. 1?

For some it’s a paycheck, public relations points, and civic pride as millions of people watch the broadcast. But for the makers of one, and only one float, the rewards are largely about learning by doing through collaboration.

“We are a student leadership development program that happens to have a float building problem,” said Quinn Akemon, a fifth year at Cal Poly San Luis Obispo and president of their campus’ float building program.

This will be the 75th year that students from the San Luis Obispo and the Cal Poly Pomona campuses team up to design and build a Rose Parade Float. Guided by one campus advisor, the students decide what the float will look like, how it will move, and what flowers and plants it will be decorated with.

Lesson 1: Show what you're capable of

Putting students at the center of the process can “show the world what Cal Poly students are capable of if you give them the opportunity to be autonomous and work hard and really show that learn-by-doing spirit that we're taught on our campuses,” Akemon said.

The two schools’ float programs stand as an example of how collaboration can be taught in college as employers bemoan that college graduates aren’t ready to work on teams in the workplace.

“I 100% believe that this program has altered the trajectory of my life in a more positive way than anything else could,” said Matthew Rodarte, a fourth year electrical engineering major at Cal Poly Pomona who’s president of his campus float program.

The Pasadena Tournament of Roses said it costs at least $275,000 to build “a high quality float” — and prices go up significantly with size and sophisticated animation.

Most of the roughly 45 parade floats are made by professional builders. Only six are “self built” floats, like the Cal Poly float. And the Cal Poly float is the only one entirely built and designed by students.

This year’s Cal Poly float is called “Shock and Roll: Powering the Musical Current,” keeping with the 2024 parade’s music theme. Roses, marigolds, chrysanthemums and other flowers and plants will decorate figures of sea life that include features an eel playing a Gibson Flying V guitar and a giant scallop DJing a record..

“Shock and Roll: Powering the Musical Current” is the 2024 Rose Parade float designed and built entirely by students at Cal Poly Pomona and Cal Poly San Luis Obispp

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Courtesy of Cal Poly Pomona

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A Cal Poly Pomona spokesperson didn’t give the price tag for the float but said costs are kept down through financial donations, and by re-using construction material, and growing some of the flowers and plants on campus that’ll be used to decorate the float.

And labor is free.

The students working on the float, including the 25 who are the core of the leadership team, do not receive academic credit or payment for their effort.

“I explicitly took a floral design class where I learned how to make floral arrangements on the Cal Poly SLO campus in order to know more so I could bring it to float building,” Akemon said. They’re a plant science major.

Lesson 2: Engineering is only a small part of building

Akemon and Rodarte say the program attracts engineers but there are also architecture and art students working on the float too — “people that just really have an understanding of this design, feedback, making-adjustments process that really follows us the entire year,” Akemon said.

Matthew Rodarte and Quinn Akemon on the 2024 Cal Poly Universities Rose Float, Shock and Roll at the Cal Poly Pomona Rose Float lab December 19, 2023.

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Tom Zasadzinski

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Courtesy Cal Poly Pomona

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Akemon said some of the students are interested in using their design and project management experience working on the float to apply for jobs at entertainment companies like Disney.

Rodarte’s worked on the Cal Poly floats for three years now and has tried to do tasks outside his comfort zone, such as working to shape the float’s frame.

“We were working on our new animation system and we were unable to get a signal out of it. So we brought in the oscilloscope,” Rodarte said, and he stepped in to operate the device because the younger electrical engineering students hadn’t learned to use it yet.

(An oscilloscope is a device that measures electrical voltage and displays it as a wave form on a sandwich-bread sized screen.)

Rodarte is working on his senior project using sensor technology to power a home entertainment system. He’s emerged as one of the project’s leaders, he said, something he attributes to his multi-year experience in the float program.

“I'm a much better communicator. Every time I have to do a public speaking [in an] exam or a presentation in one of my engineering classes, my classmates always come up to me and be like, Whoa, how did you do that?,” he said.

There’s been some hand wringing in recent years about whether colleges and universities are doing enough to teach students collaboration and teamwork skills in classrooms. According to a 2021 survey conducted by the Association of American Colleges & Universities, nearly two-thirds of employers said they value employees who work well in teams but fewer than half believed college graduates have those skills.

Lesson 3: When it’s time to relax, enjoy the fruits of your labor

Akemon, Rodarte and other students who worked on the float are set to watch the Rose Parade from complimentary seats in bleachers along the parade route.

“You can't even hear yourself think over the just absolute chaos that happens in our student section when our float comes past,” Akemon said.

That chaos, Akemon and Rodarte said, is students wanting the world to know how much love and care they put into this work of art.

Raul Malo, the leader of the country band The Mavericks and one of the most recognizable voices in roots music, died Monday night, according to a representative of the band. The guitarist and singer had been battling cancer.

He was hospitalized last week, forcing him to miss tribute shows staged in his honor at the Ryman Auditorium over the weekend. He was 60 years old.

"No one embodied life and love, joy and passion, family, friends, music and adventure the way our beloved Raul did," read a statement released by his family.

Malo's group, The Mavericks, mourned the loss of their leader in a social post.

"Anyone with the pleasure of being in Raul's orbit knew that he was a force of human nature, with an infectious energy," the statement read. "Over a career of more than three decades entertaining millions around the globe, his towering creative contributions and unrivaled, generational talent created the kind of multicultural American music reaching far beyond America itself."

Over a career that lasted four decades, The Mavericks lived up to the band's name, challenging expectations and following a roadmap crafted by Malo's expansive musical upbringing as the son of Cuban immigrants in Miami.

"I grew up in a very musical household. There was all kinds of music around always," he told WHYY's Fresh Air in 1995. "We listened to everything from Hank Williams to Celia Cruz to Sam Cooke to Bobby Darin. It didn't matter."

In 1992, Malo told NPR that his widespread influences weren't always understood or appreciated in his South Florida hometown, but he said that his struggle to fit in taught him to trust his instincts. Malo had become the guitarist and lead singer for The Mavericks in 1989, alongside co-founders Robert Reynolds and Paul Deakin, and his roaring, sentimental voice defined the band's sound and remained its constant as the group's catalog moved from slow, tender ballads to full-throttle rock songs. In 1995, the band released its biggest hit with "All You Ever Do Is Bring Me Down," a swinging country song featuring an assist from Tex-Mex accordion legend Flaco Jimenez.

As the band grew in members and devoted listeners, The Mavericks continued to push the boundaries of American music, weaving a richly layered tapestry of textures and stories. With more than a dozen studio albums, The Mavericks collected praise and recognition from the Academy of Country Music, the Country Music Association and the Recording Academy. Although they took a hiatus for several years, Malo never stopped making music — and returned to his bandmates with renewed inspiration.

Following its 30th anniversary, the group released its first full-length Spanish album in 2020, aptly titled En Español. The record reimagined Latin standards and folklore-tinged popular tunes; it also made an implicit political statement about Latin music's contributions to American culture.

"In our own little way, if we could get somebody that perhaps is on the fence on issues and hears us singing in Spanish and perhaps reminds them of the beautiful cultures that make up what this country is trying to be and what it should be, so be it," Malo told NPR at the time. "Yeah, I'm OK with that."

The following year, the Americana Music Association recognized The Mavericks with the Trailblazer Award. In 2024, the band released its last studio album, Moon & Stars. The release coincided with news of Malo's cancer diagnosis, which he discussed openly with NPR's Ayesha Rascoe.

Before being hospitalized last week, Malo had been scheduled to perform with The Mavericks at a pair of tribute concerts held this past weekend at the legendary Ryman Auditorium in Nashville. Over 30 artists, including Patty Griffin, Jim Lauderdale and Steve Earle, still gathered to pay tribute to Malo, with some of the proceeds of the night going to the cancer prevention organization Stand Up To Cancer.

According to his spokesperson, though Malo was too ill to attend, the concert was streamed to his hospital room Friday night.

Copyright 2025 NPR

The Los Angeles County Sheriff’s Department has mostly blocked efforts to investigate misconduct within its ranks, according to the county inspector general, who announced his retirement Tuesday after 12 years on the job.

In an open letter, Max Huntsman cited examples of how the county has thwarted his efforts to watchdog the department, which in the past has been plagued with accusations that deputies use excessive force and lie on the job.

Huntsman said one example is former Sheriff Alex Villanueva’s misuse of criminal enforcement powers to discredit critics, such as opening an investigation into former County Supervisor Sheila Kuehl.

Villanueva was sheriff from 2018 to 2022.

“My requests for investigation were rejected,” Huntsman’s letter reads. “Even after receiving an official subpoena, the Sheriff’s Department has failed to turn over records regarding the improper surveillance.”

He added: “Sometimes members of the public wonder if frightening new surveillance techniques will be used for improper purposes under the guise of criminal investigation. Sadly, the answer is yes.”

Before becoming inspector general in 2013, Huntsman, 60, was a deputy district attorney who specialized in public corruption. He told LAist on Tuesday that the inspector general job wasn’t something he wanted initially.

“I didn’t want to go work for politicians,” he said. “But the need to provide some kind of independent reporting and analysis was significant.”

The Sheriff’s Department issued a statement saying it valued the Office of the Inspector General and all county oversight bodies and that it wished Huntsman and his family well in his retirement.

The department said it “continues to make great strides in advancing the department in a transparent manner.”

LAist also reached out to the county CEO and county counsel for comment, but they declined.

After George Floyd

In the letter, Huntsman says the state of California has come a long way in strengthening the power of local law enforcement oversight bodies, in part because of the 2020 murder of George Floyd by police in Minneapolis.

After widespread protests — and lobbying by Huntsman — the state provided authority to inspectors general to enforce subpoenas requiring law enforcement agencies to hand over documents and authorized external investigation of police misconduct, including deputy gang conduct.

The Sheriff’s Department — backed by county lawyers — has resisted.

“Los Angeles County may not follow those laws, but it will not be able to avoid them forever,” Huntsman wrote. “The county refuses to require the photographing of suspected gang tattoos in secretive groups that the undersheriff has identified as violating state law.”

“Just a few weeks ago, we requested some information regarding an investigation, and a pair of commanders refused to give it to us,” Huntsman said in an interview with LAist.

Origin of the office 

The Inspector General’s Office was created by the county Board of Supervisors in 2013 in response to a scandal that included former Sheriff Lee Baca covering up the abuses of jail inmates.

Baca went to federal prison.

Since then, the office has issued dozens of reports with recommendations for improving living conditions inside jails that some have described as “filthy,” stopping abuses of juveniles inside juvenile halls and providing shower privacy for inmates as part of the requirements under the Prison Rape Elimination Act.

“All of these abuses were reported by the Office of Inspector General and recommendations were ignored,” Huntsman wrote. Often, it took court orders to enact change.

“When we first blew the whistle on the torturous chaining of mentally ill prisoners to benches for 36 hours at a time, it was only a court order that ended the practice,” he wrote. “Time and time again, this pattern repeated itself.”

Huntsman wrote the county has permitted the Sheriff’s Department to block oversight and defunded the Office of Inspector General by removing a third of its staff.

“It's not surprising the county has driven out two successive chairs of the Sheriff Civilian Oversight Commission,” he wrote.

“Government always claims to value transparency and accountability, but shooting the messenger is still the most common response to criticism,” Huntsman wrote.

Despite setbacks, Huntsman values work 

Huntsman told LAist on Tuesday that he was proud of his career as a public servant.

“I’ve really enjoyed the work and I’m sad to have it end,” he said.

It’s a sentiment he echoed in his letter, adding that despite the setbacks and roadblocks, he was proud of the people with whom he shared the office.

“It has been my honor to work with a talented, brave and tireless group of public servants to ensure that the public knows what its government is doing,” he wrote.

He noted the inspector general’s reports are fact-checked by the office and public.

“When government abuses occur, they are sometimes kept secret, but that is no longer the case for much of what is happening in Los Angeles County,” Huntsman wrote. “What you do about it is up to you.,”

Huntsman’s last day is Friday.

Topline:

The backstory: Last month, the council's Transportation Committee voted to bring a proposal forward to implement a policy change that allows the city to impound and immediately destroy abandoned or inoperable RVs worth less than $4,000. The change is inspired by new state law AB 630, which was created to prevent previously impounded RVs from ending back up on the street.

The motion, authored by Councilmember Traci Park, reports that abandoned RVs pose as public and safety hazards.

What's next: Councilmember Nithya Raman requested that an implementation plan be presented to the council's public safety and housing and homelessness committees.

Go deeper: L.A. pushes policy to make it easier to remove RVs from city streets.