The Brief

It’s been a challenging year for Adriana Orea, the L.A. City College pre-nursing student recently told LAist, as she took a walk to give herself a break from studying for finals.

On top of balancing work, school and being the parent of a three-year-old, Orea said the constant stream of families getting separated by immigration officials on social media has weighed her down. She said she didn’t have the time or energy to put up a Christmas tree this year.

As tough as the year has been, Orea has reasons to celebrate: Her son is thriving in pre-school, making friends and having fun. Orea has also completed the prerequisites for the competitive nursing programs she’ll be applying to this spring — something she attributes in part to financial support from the guaranteed basic income program her college is participating in. The program has provided Orea and 250 other L.A. community colleges students with $1,000 a month to spend according to their individual needs. The monthly installments recently ended, now it’s time to see what kind of difference they made in the lives of students.

Orea said she’s been able to get herself out of debt and start saving money. The goal of becoming a registered nurse — and the life she wants for her family — is getting within reach. “I’m so close,” she said. “I can’t wait to be in there.”

Evaluating the program’s success

Orea is among 251 students participating in the L.A. Community College District’s guaranteed basic income program, known as BOOST, short for Building Outstanding Opportunities for Students to Thrive. The initiative is part of a growing trend nationwide, with programs designed to support survivors of domestic violence, formerly incarcerated people and a wide range of adults with low incomes.

The program was made possible by the Eli and Edythe Broad Foundation and the California Community College Foundation, which pooled together more than $4 million in private funds. BOOST was made open to students pursuing health careers at four campuses: East L.A. College, L.A. City College, L.A. Southwest College, and L.A. Trade-Technical College. Those who met these requirements were invited to apply via email. For 12 months, Orea and the others received $1,000 installments, which they were free to spend however they liked.

Kelly King, chief advancement officer at the district, said the program aims to help meet employer demands for healthcare professionals, while bridging the gap between the students’ financial need and the region’s cost of living. In an email, she shared details about those who received the payments:

• average household annual income: $31,853  
• average age: 32
• 72% female, 26% male
• 65% Hispanic or Latino, 18.8% African American
• 47% have children in the household

Though the payments have all been dispersed, the program is not over. BOOST is being evaluated by the University of Pennsylvania's Center for Guaranteed Income Research. To fully understand the impact the payments had on students, the assessment will include over 300 others who did not receive $1,000 a month in its evaluation, King said.

The center wrapped up a third wave of student interviews and surveys this December. King expects an interim report in May 2026 and a final report in May 2027.

“The reason it takes so long is because we're not just measuring what happens during the 12 months in which [students] receive the payments,” she said. “We're also measuring what happens in the six months after the payments have concluded. And then, of course, they have to put together all of the information and see what it tells us about impacts and change.”

Through anecdotes and previous LAist reporting, King has learned that students who received the installments have used this money to pay for everything from rent to dental work. Because nearly half of BOOST participants are parents, many of them have used it to cover childcare. Some students are even building a nest egg.

Orea said she opened a high-yield savings account after signing up for free financial literacy workshops at her campus. As Orea continues making progress toward becoming a registered nurse, she’ll have a cushion to fall back on if an emergency comes up. That money is now a source of relief, she said, “one less obstacle in the way.”

Adriana Orea, one of 251 students in the L.A. Community College District’s inaugural guaranteed basic income program.

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Brenda Olazava, another BOOST participant, recently wrapped up her first semester at Cal State L.A. She graduated from L.A. City College in the summer.

Olazava credits BOOST with helping her get to a university. Without that additional support, she would have had to work more during community college, which would've likely delayed her academic progress, she said.

So far, Olazava’s experience as a transfer student has been smooth. “I fit in perfectly,” she said. And though she’s still waiting for her final grades, when she walked in for her exams, she had two As and two Bs.

Olazava and the other 250 students who received monthly support got their last payment in the fall. Since then, her financial situation has become “a little tight,” she said. Olazava now has two part-time jobs: one to pay the rent, and one to pay her other bills.

“I'm always busy,” she said. “When I get home, I'm exhausted.”

Plans for growth 

Like Orea, King, who’s in charge of the district’s guaranteed basic income program, also had a rough year.

In January, she was among hundreds of Altadena residents who lost their homes in the Eaton fire. “There was a moment where everything I own could fit in one suitcase,” she said.

After the fire — on top of dealing with rebuilding and insurance claims — King had to figure out what was best for her children.

On Sunday nights, she often lay awake debating: “Where do we send them [to school]? Do we ask them to mask outdoors? Do we say they can't play outside? Can they go to the park?”

These experiences, King said, reminded her of the importance of “stability and continuity,” of “having somewhere consistent to lay your head.”

They also reinvigorated her commitment to her work: “Until [our students’] basic needs are met,” she said, “it's really hard for us to ask them to focus on other goals.”

After learning that a BOOST participant also lost her housing in the Eaton fire, King and her team secured additional funding for that student. Then, they moved to identify and provide post-fire aid to another 780. Almost a year later, the L.A. Community College District continues to make grants available for students experiencing housing insecurity due to the fires.

“We want to make sure that they can stay enrolled [in school] this spring,” King said.

As she plans for BOOST’s future, King is seeking another $1.8 million in private funding for a new 150-member cohort. One idea is to focus on students in the skilled trades, which could also enable the district to provide support for “more male-identified students,” who tend to go underrepresented in guaranteed basic income programs.

L.A. County still needs to rebuild thousands of homes damaged in the fires, King added, “and we want those good jobs to go to Angelenos.”

The 2026 Milan Cortina Winter Olympics kicked off in Milan on Friday evening, local time. Athletes representing over 90 countries march into the San Siro stadium filled with thousands of spectators during the opening ceremony in Milan.

The performance paid homage to Italian music, art and culture with tributes to composers, visual artists and films in a colorful spectacle. Performers included Italian actress Matilda De Angelis, American singer Mariah Carey, Italian singer Andrea Bocelli, Italian rapper Ghali and Italian ballet dancers Antonella Albano and Claudio Coviello, among dozens of other dancers.

Here is a selection of images from the opening ceremony:

Italian ballet dancers Antonella Albano and Claudio Coviello perform during the opening ceremony.

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Wang Zhao

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Colorful dancers perform under large tubes of paint suspended above them during the opening ceremony.

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Gabriel Bouys

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Italian actress Matilda De Angelis (center) performs with dancers dressed as the three great masters of Italian opera: Giuseppe Verdi, Giacomo Puccini and Gioachino Rossini.

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Piero Cruciatti

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Mariah Carey sings during the opening ceremony.

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Wang Zhao

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Performers dressed in the colors of the Italian flag line up during the opening ceremony.

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Piero Cruciatti

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Members of The Corazzieri, the Italian Corps of Cuirassiers, raise the Italian flag during the opening ceremony.

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Wang Zhao

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Two performers are suspended between two large rings.

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Piero Cruciatti

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The Olympic Rings are revealed above dancers during the opening ceremony.

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Piero Cruciatti

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An aerial view of the athletes parading into the San Siro stadium.

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Antonin Thuillier

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Stoats Milo and Tina, the Paralympics and Olympics mascots, dance before the Olympic opening ceremony.

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Ben Curtis

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AP

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MILAN — During the first days of the 2026 Milan Cortina Winter Games, the long shadows of Jeffrey Epstein and Ghislaine Maxwell spread to touch the Olympic movement.

While in Milan, one of the top organizers of the 2028 Los Angeles Summer Games faced calls to step aside after his emails turned up in the latest tranche of Epstein documents released by the U.S. Justice Department.

"I will be in nyc for four days starting April 22...can we book that massage now," wrote Casey Wasserman in an email to Maxwell in the spring of 2003. A few days later, Wasserman said, "The only thing I want from Paris is you."

There's no indication of criminal wrongdoing in the emails, which were sent more than twenty years ago. But for a prominent figure like Wasserman, who heads an influential sports and entertainment agency, any association with the pair is fraught.

Maxwell was sentenced to 20 years behind bars in 2022 for conspiring to sexually abuse minors. Epstein died by suicide while awaiting trial in jail in 2019.

Wasserman has kept a low profile since news of his emails broke. He appeared publicly this week at a gathering of the International Olympic Committee (IOC) in Milan, where he touted progress developing the L.A. Games but didn't take questions from reporters.

In a statement, Wasserman said he never had "a personal or business relationship with Jeffrey Epstein" and he apologized for his flirtatious exchanges with Maxwell. "I am terribly sorry for having any association with either of them."

That hasn't quelled the controversy. A growing number of political leaders in L.A. have called for Wasserman to step down from his role as one of the leading public faces of the next Summer Games.

"Casey Wasserman should step aside immediately," L.A. City Councilmember Hugo Soto-Martinez said in a statement sent to LAist. "Anything less is a distraction and undermines efforts to make sure the Games truly reflect the values of a city that is for everyone."

L.A. city controller Kennith Mejia, who monitors the city's finances, said on social media that "Los Angeles cannot trust our financial future to someone connected with Jeffrey Epstein and Ghislaine Maxwell." Mejia added that "Wasserman must take accountability and resign."

Questions of Wasserman's future keep surfacing in Milan as the first sports competitions get underway. IOC chair Kirsty Coventry acknowledged at a press conference Thursday that she's been asked repeatedly about the scandal.

"Casey has put out a statement. I have nothing further to add on that," she said. Asked about the fact that Wasserman hasn't spoken directly with journalists, Coventry said, "I'll have them come find you guys and have a little chit-chat."

The head of the U.S. Olympic and Paralympic Committee, Gene Sykes, also faced repeated questions about the matter in Milan on Thursday.

"Casey's made a statement that reflects the perspective he has on what came to light, when the emails were released, with the rest of the Epstein file," Sykes told reporters. "We have nothing to add to that, his statement stands on its own."

Sykes went on to voice confidence in Wasserman's leadership. "I have more confidence today in L.A. 28's operational capabilities, its leadership, the quality of what its doing and how well they're executing than I've had at any point of time," he said, pointing to the L.A. bid's strong fundraising.

A long list of corporate executives, academic leaders, physicians, scientists, politicians, members of European royalty, and others, have been caught up in the Epstein scandal. A growing number of them have resigned, been fired, or been forced to step back from public life.

If you're wondering whether it is truly worth the $8 million to $10 million cost per 30 seconds to air a commercial during the Super Bowl, just ask the creative minds behind the pro-Jesus advertising campaign "He Gets Us."

According to Come Near, the group managing the "He Gets Us" campaign, after airing commercials in three previous Super Bowls, they have seen nearly 10 billion video views, more than 70 million visitors to their website HeGetsUs.com and an awareness of the campaign so high that 40% of adults in the U.S. now know about He Gets Us.

And they expect that awareness to only expand with their fourth Super Bowl ad this Sunday titled "More," focused on the pressures many feel in modern society to pursue more of everything.

"There's not a lot of moments like this. … We're looking for moments where people really congregate," says Simon Armour, chief creative officer for Come Near, which has crafted the "More" ad as part of a campaign called "Loaded Words." "We're constantly asking, 'Are we really meeting people where they're at?'"

Offering a distinctly non-commercial message in the middle of the world's biggest advertising showcase is certainly one way to stand out. But that's only one of the many messages featured in an event that set a record last year — and the year before — as the most watched single telecast in U.S. history.

A dive into the raft of ads airing in the Big Game that were released early, aimed at rocketing around social media to build buzz before their debut Sunday, revealed the typical mix of celebrities, nostalgia, special effects and bold humor we see every year.

New in the mix: A few efforts encouraging fans to build their own Super Bowl commercials, including an option from Uber Eats allowing users to make 1,000 versions of celebrity-filled ads and a contest sponsored by Artlist.io, an AI platform for video creation, offering $60,000 for the best subscriber-created spot.

And, as we have seen in recent years, there's a decided lack of commercials offering any kind of sharp social message. At a time when America seems more divided than ever, most advertisers don't seem keen on spending millions to address the social or political issues of the day.

Of course, the most impressive messages may not surface until the Big Game itself. But here's a look at some of the most interesting commercials unveiled in advance, offering a look at the bold swings marketers are about to take on the biggest stage in media.

Best use of a self-deprecating celebrity, Part 1: Raisin Bran's 'Will Shat'

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One of the coolest things in modern pop culture has been to watch Star Trek icon William Shatner morph from an overacting, self-serious stick in the mud into a goofy celebrity who begrudgingly accepts that it's better to play along with his peculiar kind of fame rather than resist it. The 94-year-old comes full circle with this ad for Raisin Bran that deftly spoofs both the result of eating all that fiber, Shatner's roots in science fiction and the scatological word game people likely have played with his last name for eons, introducing him in the commercial as a character named Will Shat. My favorite moment: when he looks over at a pet and asks, "Is that dog a Shih Tzu?" As a bonus, the Shat-man even made news in real life, when paparazzi thought he was eating a bowl of cereal while driving (he was actually posing for a photo shoot.)

Most touching reference to Big Brother: Ring's 'Search Party: Be a Hero'

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Tell people that video doorbell company Ring can remotely link a bunch of cameras to look for something, and many may wonder if they've stumbled into a George Orwell novel. But show people how Ring cameras can be tasked to help find some of the 10 million dogs who go missing every year — using its new, free Search Party feature — and you have a teary, sentimental spot for the Big Game that pulls on the heartstrings while downplaying any concerns about Big Brother invading their privacy (fear not, Search Party is a program you have to opt into).

Best argument to Hollywood for using AI: Xfinity's 'Jurassic Park … Works'

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Cool as it is to suggest that one tech geek from Xfinity could have kept all the dinosaurs from escaping Jurassic Park, the telecommunication company went one better in this ad – basically showing the potential for de-aging and computerized imagery in film by creating new scenes for the 1993 movie featuring stars Sam Neill, Laura Dern and Jeff Goldblum. In Xfinity's new spot, they're jogging with herds of dinosaurs and posing for pictures with a T. rex instead of running for their lives. Of course, a happy ending invalidates the film's whole "egotistical man shouldn't meddle with natural ecosystems he doesn't understand" message. But it will probably sell an awful lot of Wi-Fi service.

Best use of a self-deprecating celebrity, Part 2: TurboTax's 'The Expert'

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Adrien's Brody's over the top antics while portraying a TurboTax expert – despite the company's insistence that the program helps keep taxes "drama free" — is a delicious send-up of his own self-serious reputation. (My fave moment is when he screeches "If there's no drama, then there's no Adrien Brody!") It's almost enough to make you forget the record-setting arrogance of his way-too-long best actor acceptance speech at last year's Oscars ceremony. Almost.

Best headfake around men's silly sensibilities: Novartis' 'Relax Your Tight End'

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What's the best way to let men know there's now a less, um, invasive way of checking for prostate cancer than the old school finger method? This commercial, featuring football heroes like former New England Patriots tight end Rob Gronkowski and former Tampa Bay Buccaneers coach Bruce Arians urges men to relax their tight end — complete with shots that seem to depict that relaxation — thanks to the invention of a blood test to check for early signs. It's all a bit of cheeky good fun — OK, I couldn't resist that one — aimed at getting men to get over their hangups and get tested regularly for a disease that has an impressive survival rate if caught early.

Best use of class warfare: Hims & Hers' 'Rich People Live Longer'

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Fresh off a controversy from last year, which found the telehealth company criticized for not being fully transparent about the side effects of its weight loss drugs, Hims & Hers is back with a spot that declares "the wealth gap is a health gap." Rapper and actor Common provides the voice-over for this spot, which shows wealthy people accessing all kinds of treatments and preventive care as the narration notes, "all that money doesn't just buy more stuff — it buys more time." Watching a big corporation spend millions pitching its products as an affordable way to bridge that gap, at a time when medical expenses are one of the leading causes of bankruptcy in the U.S., feels a little odd. But it's also a stroke of genius.

Best parody of a competitor: Pepsi's 'The Choice'

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This spot, starting with a computer-generated polar bear getting confused after picking Pepsi over Coca-Cola in a blindfolded taste test, works in all kinds of ways. It pokes at Coke's longtime use of computerized bears in its own Big Game ads back in the day while indulging a bit of nostalgia. Extra points for a moment later in the ad that references the infamous Coldplay kiss cam incident and a cool cameo from impish director Taika Waititi.

Most questionable joke: DoorDash's 'Beef 101'

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In the ad, 50 Cent presents the latest iteration of his beef with Sean "P Diddy/Puff Daddy" Combs as an epic exercise in tongue-in-cheek trolling. He reaches into a DoorDash pouch to pull out a bag of Cheesy Puffs, a pack of combs and a bottle of cognac he says is "aged four years … or 50 months. Who's keeping count?" But I bet Combs, now sitting in federal prison after his conviction on prostitution-related charges, surely is. And those who recall the allegations of sex crimes and abuse which surrounded the Combs trial, might not find a commercial seeking laughs by referencing that traumatic situation to be much fun at all.

Most shameless pandering to bro culture: Bud Light's 'Keg'

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Football legend Peyton Manning, comic Shane Gillis and musician Post Malone seem mostly wasted in a nonsensical ad featuring an entire wedding party tumbling down a steep hill in pursuit of a single keg that fell off a dolly. Gillis gets the punchline, turning to the camera to say, "I give it a week," presumably in reference to the wedding. I'm betting most viewers forget about this uninspired ad even quicker.

Best use of a conspiracy theory I might actually believe: Uber Eats: 'Hungry for the Truth'

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This spot continues the concept Uber Eats floated in last year's Super Bowl ad, featuring Matthew McConaughey insisting the NFL organized this whole professional football thing as a ruse to sell more food. This time, he's torturing poor fellow movie star hunk Bradley Cooper — who mostly looks like he just wants to be seen wearing gear featuring his beloved Philadelphia Eagles — pointing out all the NFL players named after food. But when he shows Cooper that the NFL Hall of Fame building looks just like a juicer — gotta say, I was nearly convinced.