Sponsored message
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

The Brief

The most important stories for you to know today
  • Experts discuss impact on cognitive development
    Smiling kids hold sheets of paper in from of them as they sit in a row, facing right and looking at something off camera.
    Elementary students practicing music at school.

    Topline:

    Early music experiences may impart a lifelong neuroplasticity that boosts cognition, experts say.

    Why it matters: Aficionados of the arts have long argued that art transforms us, but in recent years, neuroscience has shown just how music can shape the architecture of the brain. This cognitive research illuminates the connection between music and learning and gives heft to longstanding arguments for the power of music education that are newly relevant in the wake of California’s Proposition 28, which sets aside money for arts education in schools.

    Read more ... to learn about Music Workshop, a free music curriculum designed to cultivate a love of music from a young age, that can help schools beef up their arts offerings on the cheap. Schools across the country, including hundreds in California, from Yuba City to San Diego, now use the program.

    When Amy Richter was a little girl, her father often traveled for work. He often came home bearing gifts of music and record albums. They bonded while poring over all that vinyl, she recalls, exploring the world of music from classical and rock to bluegrass.

    Richter’s love of music only grew as she got older, and she studied voice and piano. Diagnosed with dyslexia, she also found that music helped her cope with her learning disability. It helped her gain focus and confidence. That’s why she studied music therapy in college. She knows the power of music to supercharge our brains.

    “Music really became the guiding force in my education and helped me to connect with other people, helping build confidence through performance, also helping with my mental health,” said Richter, who founded Music Workshop, a free music curriculum designed to cultivate a love of music from a young age, that can help schools beef up their arts offerings on the cheap. Schools across the country, including hundreds in California, from Yuba City to San Diego, now use her program. “It really became a tool in my life to better myself.”

    To be sure, aficionados of the arts have long argued that art transforms us, but in recent years, neuroscience has shown just how music can shape the architecture of the brain. This cognitive research illuminates the connection between music and learning and gives heft to longstanding arguments for the power of music education that are newly relevant in the wake of California’s Proposition 28, which sets aside money for arts education in schools.

    “The K-12 grades are the years in which brain function is most rapidly evolving and information from all different types of learning and subjects is being processed and absorbed, including connections across what we might think of as different school subjects, but they are all connected in our developing brains,” said Giuliana Conti, director of education and equity for Music Workshop, which is particularly popular at schools that often tap substitute teachers in an era of high teacher absences.

    “Music education provides physical and auditory experiences that work like bridges for brain structures. As the brain processes musical sounds and body movements, neural pathways across different regions of the brain grow and strengthen. The more those pathways are activated, the more usable they become across time and other skill sets or learning experiences.”

    Amid the ongoing crises in literacy and numeracy plaguing our schools, and the enduring sting of pandemic learning loss, many arts advocates are pointing to music education as a way to boost executive functioning in the brain. This enhanced cognitive function, often coupled with a surge in well-being, may be the secret sauce that makes music education such an academic powerhouse, research suggests. Music may prime the brain to learn.

    “Music is this wonderful, holistic way of engaging almost everything that is important for education,” said Nina Kraus, a noted neuroscientist at Northwestern University who studies the biology of auditory learning, in a webinar. “First of all, we know that the ingredients that are important in making music and the ones that are important for reading and literacy are the same ingredients. So when you’re strengthening your brain by making music, you’re strengthening your brain for language.”

    Kraus, who grew up listening to her mother play the piano, is passionate about the impact of sound, ranging from the distracting to the sublime, from noise pollution to Puccini, on the brain. The gist of much of her research is how thoroughly sound shapes cognition. Music training, for example, sets up children’s brains to become better learners by enhancing the sound processing that underpins language, she says.

    While we live in a visually oriented world, our brains are fundamentally wired for sound, she argues. Reading, for example, is a relatively new phenomenon in human history, while listening keenly for a sound, say a predator, is a primal impulse deeply embedded in the brain. Put simply, what we hear shapes who we are.

    “Music really is the jackpot,” as Kraus, author of “Of Sound Mind,” puts it. She has conducted extensive research showing that music education helps boost test scores for low-income children.

    Music also helps us manage stress. Perhaps that’s one reason that offering more music and arts classes is also associated with lower chronic absenteeism rates and higher attendance, research suggests. Think of music education as lifting weights with your brain. It makes the whole apparatus stronger and healthier.

    “Music is therapeutic because it helps us to regulate our emotions,” said Richter, who adds that a culturally relevant music curriculum can help engage a diverse student body. “It helps us to lower our cortisol levels. It helps promote relaxation. It helps us with focus and concentration. It also helps us with connection. Now more than ever, we know how important connection is, especially among our youth.”

    In the post-pandemic era, these insights may well fuel the uptake of music classes in a state struggling with low test scores, but the implications for brain health actually go far beyond academic prowess and social-emotional well-being in childhood.

    Indeed, early musical experiences may impart a lifelong neuroplasticity, Kraus has documented. Studies suggest that a 65-year-old musician has the neural activity of a 25-year-old non-musician. A 65-year-old who played music as a child but hasn’t touched an instrument in ages still has neural responses faster than a peer who never played music, although slower than those of a die-hard musician.

    “What I would say to everyone who thinks about picking up an instrument: It’s never too late,” said Richter. “Even just practicing scales can help with cell regeneration. So I encourage adults to continue to learn music along the way, whether that’s picking up an instrument or listening to music, it’s always really important for brain development.”

    Music pricks up our hearts and minds, as well as our ears. Children must persevere to master a piece of music and collaborate to perform it in the spotlight. They must learn focus, patience and grace under pressure. That kind of electrifying shared experience, working as a community, is something new to many of them, experts say.

    “When music is more regularly incorporated as part of children’s everyday lives,” said Conti, “it can move the needle in their learning and development more effectively across many different parts of their lives: socially, emotionally, musically and academically.”

    It’s the intangible effects of music education, the elements that can’t be reduced to data points and parameters, that strike Kraus as the most profound. Music builds a feeling of joy, a sense of belonging between musicians, and their listeners, that little else in our age of digital background noise can.

    “Music connects us, and it connects us in a way that hardly anything I know does, so it’s very, very important,” said Kraus. “We live in a very disconnected world. Depression, anxiety, alienation, the inability to focus, all of that is on the rise. Intolerance is on the rise. Music is a way to bring us together.”

    EdSource is an independent nonprofit organization that provides analysis on key education issues facing California and the nation. LAist republishes articles from EdSource with permission.

  • Says Trump admin violated free speech protections

    Topline:

    The developer of ICEBlock, an iPhone app that anonymously tracks the presence of Immigration and Customs Enforcement agents, has sued the Trump administration for free speech violations after Apple removed the service from its app store under demands from the White House.

    What they want: The suit, filed today in federal court in Washington, asks a judge to declare that the administration violated the First Amendment when it threatened to criminally prosecute the app's developer and pressured Apple to make the app unavailable for download, which the tech company did in October.

    Why it matters: To First Amendment advocates, the White House's pressure campaign targeting ICEBlock is the latest example of what's known as "jawboning," when government officials wield state power to suppress speech. The Cato Institute calls the practice "censorship by proxy."

    The developer of ICEBlock, an iPhone app that anonymously tracks the presence of Immigration and Customs Enforcement agents, has sued the Trump administration for free speech violations after Apple removed the service from its app store under demands from the White House.

    The suit, filed on Monday in federal court in Washington, asks a judge to declare that the administration violated the First Amendment when it threatened to criminally prosecute the app's developer and pressured Apple to make the app unavailable for download, which the tech company did in October.

    Following Apple ejecting ICEBlock, Attorney General Pam Bondi said in a statement that "we reached out to Apple today demanding they remove the ICEBlock app from their App Store — and Apple did so."

    Lawyer Noam Biale, who filed the suit against the administration, said Bondi's remarks show the government illegally pressuring a private company to suppress free speech.

    "We view that as an admission that she engaged in coercion in her official role as a government official to get Apple to remove this app," Biale said in an interview with NPR.

    The Justice Department did not return a request for comment, but Trump administration officials have said the app puts the lives of ICE agents in danger.

    When reached for comment, Apple also did not respond. The lawsuit, which does not name Apple, says the tech giant bowed in the face of political pressure.

    "For what appears to be the first time in Apple's nearly fifty-year history, Apple removed a U.S.-based app in response to the U.S. government's demands," according to the suit.

    Developer calls immigration crackdown 'abhorrent'

    Joshua Aaron, the Austin, Texas-based developer of ICEBlock, said he launched the app as a way to empower those opposed to Trump's immigration crackdown.

    "It was just the best idea I had to do everything I could to fight back against what was going on," Aaron said in an interview, describing Trump's immigration enforcement blitz as "abhorrent."

    The app allows people to report an ICE agent sighting within a 5 mile radius, similar to how map apps, like Waze and Google and Apple Maps and others, alert drivers to police setting up speed traps. The ICE sighting alerts do not include photographs or videos and expire in four hours.

    Yet the Trump administration has portrayed the app as being used to incite violence against ICE agents, something Aaron denies. An analysis of federal court records does not back up the administration's claim that violence against ICE agents has spiked.

    Aaron's lawsuit says Bondi is mischaracterizing the purpose of the app.

    "Fundamentally, ICEBlock neither enables nor encourages confrontation — it simply delivers time-limited location information to help users stay aware of their surroundings in a responsible and nonviolent way," according to the lawsuit.

    Attorney General Bondi, in a July interview with Fox News, suggested Aaron was under investigation and had committed a crime. "We are looking at it, we are looking at him, and he better watch out, because that's not protected speech," Bondi said.

    To legal experts, ICEBlock is latest "jawboning" example

    To First Amendment advocates, the White House's pressure campaign targeting ICEBlock is the latest example of what's known as "jawboning," when government officials wield state power to suppress speech. The Cato Institute calls the practice "censorship by proxy."

    ABC's suspension of Jimmy Kimmel after FCC Chair Brendan Carr threatened regulatory action and Bondi promising a crackdown on hate speech following the killing of conservative activist Charlie Kirk are two other prominent instances.

    "The use of a high-level government threat to force a private platform to suppress speech fundamentally undermines the public's right to access information about government activities," said Spence Purnell, a resident senior fellow at R Street, a center-right think tank. "If high-level officials can successfully silence political opposition, it sets a dangerous precedent for the future of free expression in this country."

    Genevieve Lakier, a First Amendment scholar at the University of Chicago Law School, said the White House's campaign against ICEBlock shows the administration using what has become a familiar playbook: "To use threats of adverse legal and financial consequences, sometimes vague sometimes not so vague, to pressure universities, media companies, law firms, you name it, into not speaking in the ways they like," she said.

    One potential weak spot for the lawsuit, however, is a lack of direct evidence that Attorney General Bondi, or other administration officials, made threats against Apple to have the app removed, rather than merely convinced the tech company to do so.

    "And government officials do not violate the First Amendment when they persuade private speech platforms to suppress speech because that speech poses a national security risk or is harmful in some other way," Lakier said. "They only violate the First Amendment when they coerce or attempt to coerce the private platform to suppress the speech."

    Since Apple kicked ICEBlock out of its app store, it cannot be downloaded now, but those who had it on their phones before the ban can still use it. Being removed from the app store prevents Aaron from sending the app software updates, which could eventually make it glitchy.

    Aaron said he hopes the suit will lead to ICEBlock being restored to the iPhone app stores and for a clear message to be sent to the Trump administration that prosecuting him for his role in developing the app would be illegal.

    Aaron said he and his legal team "have been preparing for this fight," adding that "we will take it as far as it needs to go to ensure this never happens again."
    Copyright 2025 NPR

  • Sponsored message
  • Agents were ousted this summer over taking a knee

    Topline:

    Twelve FBI agents who were fired this year for taking a knee during racial justice protests in the heated summer of 2020 are suing the Bureau and its director, alleging unlawful retaliation.

    About the suit: Court papers said they kneeled not to reflect a left-wing political point of view, but rather to de-escalate a situation that threatened to spin out of control. The lawsuit, filed in federal court in Washington today, described the small group of FBI agents as vastly outnumbered and literally backed against the wall of the National Archives building as unrest swept the country over the murder of George Floyd by a Minneapolis police officer.

    What's next: The case alleges violations of the agents' First Amendment rights to free association and their Fifth Amendment right to due process. They're asking to be reinstated to their jobs and for back pay.

    Twelve FBI agents who were fired this year for taking a knee during racial justice protests in the heated summer of 2020 are suing the Bureau and its director, alleging unlawful retaliation.

    The former special agents—who together have nearly 200 years of experience—once received awards for helping disrupt mass shootings, expose foreign spies and thwart cyber attacks.

    But they say as elite federal law enforcement agents, they never received training on crowd control, nor did they have riot shields, gas masks, or helmets when they faced down volatile crowds in the streets of Washington, D.C., in June 2020.

    The lawsuit, filed in federal court in Washington on Monday, described the small group of FBI agents as vastly outnumbered and literally backed against the wall of the National Archives building as unrest swept the country over the murder of George Floyd by a Minneapolis police officer. Court papers said they kneeled not to reflect a left-wing political point of view, but rather to de-escalate a situation that threatened to spin out of control.

    "Mindful of the potentially catastrophic consequences, Plaintiffs knew that a split-second misjudgment by any of them could ignite an already-charged national climate and trigger further violence and unrest," said the lawsuit, filed by former Justice Department prosecutor Mary Dohrmann of the Washington Litigation Group.

    Accused of 'lack of impartiality'

    The Justice Department inspector general reviewed the incident in 2024 and found no misconduct. But the episode went viral on social media, attracting critics who cast the kneeling as a political act. Before he returned to the White House, President Trump also posted a negative story about the matter.

    Soon after new FBI Director Kash Patel joined the Bureau this year, the lawsuit said he began targeting the agents involved in the episode for retaliation. Several of plaintiffs were yanked from supervisory roles at the FBI. Officials launched a new investigation. The matter was still pending when they were all fired in September, shortcutting typical procedures for FBI misconduct probes.

    In their dismissal letters, Patel wrote: "You have demonstrated unprofessional conduct and a lack of impartiality in carrying out duties, leading to the political weaponization of government."

    During his confirmation hearing, Patel told senators he would honor the internal review process. But the lawsuit accuses him of breaking that pledge for his own political purposes.

    The abrupt departure of the fired agents disrupted important work, including evidence collection in Utah following the assassination of conservative activist Charlie Kirk and efforts to support the Trump administration's executive order on "Making the District of Columbia Safe and Beautiful," court papers said.

    The case alleges violations of the agents' First Amendment rights to free association and their Fifth Amendment right to due process. They're asking to be reinstated to their jobs and for back pay.

    The FBI declined to comment on pending litigation.

    Copyright 2025 NPR

  • Brea man marks Disneyland milestone
    Disneyland California Adventure patrons raise their hands in excitement as they ride in a maroon car on the park's Radiator Springs Racers ride.
    The new Radiator Springs Racers ride in Cars Land debuts to the public at the Disney California Adventure Park June 15, 2012. (Photo by Mark Boster/Los Angeles Times via Getty Images)

    Topline:

    Jon Alan Hale of Brea marked his 15,000th ride on Radiator Springs Racers at Disneyland California Adventure on Monday. He's been going since the ride opened in 2012.

    By the numbers: Hale, who has been tracking his rides in a notebook since he started going on it, told the Associated Press he's visited the park more than 1,100 times and averaged 13 trips on the ride per visit. He takes the single-rider line to get on quicker.

    The backstory: Hale said he was intrigued by the ride, inspired by Disney Pixar's 2006 movie Cars, after having gastric bypass and knee replacement surgeries in 2010 and 2011. He said on social media he was hooked after his first go and started keeping track of how many times he rode, which color car he was in and which car won.

    What's next: That's not exactly clear. According to Hale, there's no formal record for riding the attraction, and Guinness World Records have said they don't track it either. But Hale said he doesn't tire of the ride because you never know who's going to win, so it feels like a good bet that what's next for Hale is the start of a journey to 30,000 rides...and beyond.

  • Motion filed to postpone pay raises to 2030
    A small crowd of people holding white, purple and red signs reading "Tourism Workers Rising" stand on the steps of a gray building.
    Tourism workers and their supporters rally outside L.A. City Hall.

    Topline:

    L.A. City Council President Marqueece Harris-Dawson, who himself previously voted to raise airport and hotel worker hourly pay to $30 by 2028, has moved to delay that wage increase to 2030.

    Why it matters: A drawn out battle over a city law boosting the minimum wage for tourism workers in Los Angeles seemed like it was finally over this fall, when a referendum to overturn it failed to gather enough signatures. The motion now throws another twist in the road for wage increases.

    What happened: Harris-Dawson filed the motion Friday, sparking outcry from hotel workers union Unite Here Local 11 and other labor advocates.

    What are advocates saying: “These workers fought for more than two years to improve their working conditions, only to have the very people who should defend them try to take it all away," Yvonne Wheeler, president of the Los Angeles County Federation of Labor, said in a statement. "It’s heartless, it’s callous, and it deepens the crisis of working poverty that is gripping our city.”

    Read on... for what happens next to the motion.

    A drawn out battle over a city law boosting the minimum wage for tourism workers in Los Angeles seemed like it was finally over this fall when a referendum to overturn it failed to gather enough signatures.

    Now there's another twist in the road. City Council President Marqueece Harris-Dawson previously voted to raise airport and hotel worker pay from $22.50 to $30 an hour by 2028, when L.A. will host the Olympics. But in a motion filed Friday, he's proposing that the increase take effect more slowly, instead reaching $30 an hour in 2030.

    Harris-Dawson's proposal sparked outcry from hotel workers union Unite Here Local 11 and other labor advocates.

    “These workers fought for more than two years to improve their working conditions, only to have the very people who should defend them try to take it all away," Yvonne Wheeler, president of the Los Angeles County Federation of Labor, said in a statement. "It’s heartless, it’s callous, and it deepens the crisis of working poverty that is gripping our city.”

    Labor advocates say Harris-Dawson is succumbing to pressure from corporate interests.

    Over the summer, a coalition of business leaders filed a ballot proposition to repeal the city business tax, which brings in hundreds of millions of dollars to the city. The L.A. Area Chamber of Commerce told LAist the proposition was partly in response to the City Council boosting the minimum wage for tourism workers.

    Unite Here Local 11 filed its own raft of proposals, including raising the minimum wage citywide and requiring Angelenos to vote on building new hotels and event center developments. This war via ballot proposition led city leaders to encourage both sides to come to a compromise.

    A spokesperson for Harris-Dawson said the city is currently in talks with business and labor interests, and declined to comment further on his recent motion. Mayor Karen Bass's office did not respond to a request for comment.

    The motion now goes to council committees on tourism and jobs.