The Brief

Break out the crayons and finger paint: Every 4-year-old in California is now eligible for transitional kindergarten.

Fifteen years after a handful of school districts opened the first TK classrooms, California now has the largest — and fastest growing — early education program in the country. At least 200,000 youngsters will attend TK this fall, enjoying low teacher-student ratios, age-appropriate curriculum and plenty of music, art and circle time.

“This really is something to celebrate,” said Carolyne Crolotte, policy director for Early Edge California, an advocacy group. “Now, there’s no question about who’s eligible and who isn’t. Everyone is eligible.”

TK is meant to be a bridge between preschool and kindergarten, preparing 4-year-olds for the routine and expectations of elementary school while honing their social skills and self-confidence. In TK, children learn how to make friends, write their names and do basic math. Mostly, they’re supposed to fall in love with learning.

Holding frogs and counting marshmallows

That was the case at Silverwood Elementary in Concord last week as a dozen bright-eyed 4-year-olds hovered around their teacher, Elizabeth Swanson, as she gingerly held out a tree frog for their inspection.

Several got a chance to hold the docile, turquoise amphibian.

“What does the frog feel like? What do you wonder about the frog?” said Swanson, who was recently named Mt. Diablo Unified’s Teacher of the Year. “How does he use his hands? How do you use your hands?”

But the tree frog — one of several critters in her classroom — was not the most popular attraction that afternoon. That honor belonged to the “home living” station, a corner of the classroom dedicated to costumes, dollhouses, a mini kitchen and everything else an imaginative youngster would need to play house.

Transitional kindergarten teacher Elizabeth Swanson shows a frog to children at Silverwood Elementary School in the Mt. Diablo Unified School District in Concord on Aug. 11, 2025.

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Laure Andrillon

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CalMatters

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Last year, an enterprising group of students, inspired by the opening of a Dutch Bros. near the school, used the home living station to open their own coffee shop. They ordered lattes and made coffee and collected money. Swanson turned it into a math lesson by asking them to count marshmallows and decide how many should go into each cup of hot chocolate.

“One child would be the barista and one would be the customer, so they learned how to share and take turns,” Swanson said. “They were getting so much practice with social language and communication. And everything was integrated into play.”

Importance of fun

Judy Krause, executive director of early childhood programs at Pacific Oaks College in Pasadena, said that’s exactly what a TK classroom should be like. The focus should be on experimentation and hands-on activities, based on students’ interests. TK, she said, is not a version of kindergarten; 4-year-olds have unique developmental needs. The main one, she said, is having fun.

If children are enjoying themselves, they’ll learn naturally, she said. If they feel overly pressured or bored, they’ll lose interest and miss out on valuable skills they’ll need for kindergarten and beyond.

“It’s a really big deal that we have this opportunity for all 4-year-olds,” Krause said. “But we have to make sure we’re doing it right.”

15-year rollout of TK

California introduced TK in 2010, and a decade later began expanding it to all districts. This year is the culmination of that effort, with all 4-year-olds now eligible and 91% of districts offering the program. The only districts that are exempt are those that don’t receive money through the state’s funding formula because they receive more money through their local property taxes.

Like kindergarten, TK is optional. But many districts, including Mt. Diablo Unified, have seen strong interest from families. A recent report from the Public Policy Institute of California predicted that about 70% of 4-year-olds will enroll in TK this fall, with waiting lists in some districts. Black, Latino and Native American students have been slightly underrepresented so far, although those not enrolled might be enrolled in other programs. The state doesn’t track that data.

Nearly everyone agrees TK is a good idea. Children who’ve attended TK tend to do better in reading and math, and those with disabilities can be identified early and receive services, research shows.

TK, which is free, can be a financial boon for families. Because of California’s high cost of living, child care and preschool costs are among the highest in the country, with families paying up to $20,000 annually — more than the cost of in-state tuition at the University of California.

Gov. Gavin Newsom has long championed TK, setting aside more than $2.7 billion in the years when the state had a budget surplus. The money is to help school districts pay teachers, keep class sizes small and provide other services to the new learners. Ongoing funds will come from the state’s Local Control Funding Formula.

“California is making a big commitment to making transitional kindergarten free and accessible to all 4-year-olds,” Newsom said in a 2023 video. “When we’re finished, California will have the largest free preschool program in the country, where every 4-year-old can start their schooling on the right track, setting them up for success further down the road.”

Teacher shortage and other challenges

But the TK rollout has had some hiccups. The chief one is finding enough qualified teachers. Because of the small class sizes and the extra qualifications required to teach 4-year-olds, there’s a shortfall of at least 12,000 TK teachers, according to Early Edge California. Last year the state introduced a new TK-through-third-grade credential and more districts are partnering with local colleges to recruit and train future teachers, which has eased the shortage somewhat.

Another obstacle has been finding classroom space. Like kindergarten classrooms, TK classrooms must contain bathrooms, which means that districts had to find money to remodel existing classrooms, or build new ones altogether. Last year’s $10 billion school construction bond has funding available for TK projects.

TK has also had an impact on preschools. Families in California have several early education options: state-funded preschools for low-income families, federal Head Start preschool for very low-income families, and private preschools. Now that 4-year-olds have a free option, existing preschools have seen an enrollment decline that, in some cases, has led schools to raise prices or even close. A recent report from UC Berkeley showed that TK expansion has led to “pre-K deserts” in some parts of the state.

Lauren Ashton plays with a child during a transitional kindergarten class at Silverwood Elementary School.

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Laure Andrillon

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CalMatters

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Children walk out after a transitional kindergarten class at Silverwood Elementary School in the Mt. Diablo Unified School District in Concord on Aug. 11, 2025.

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Laure Andrillon

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CalMatters

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Bruce Fuller, an education professor at UC Berkeley who’s researched TK, said it’s too early to tell who’s benefitting from the program.

“We’re seeing a shift away from preschool and toward TK, but we don’t know if TK is actually reaching new families,” Fuller said. “We might just be seeing families who would have enrolled anyway.”

Dual-language programs

A handful of districts offer dual-language TK classes, which have been popular with parents. Karina Galustians, a parent in the Tujunga neighborhood of Los Angeles, enrolled her daughter Julianna last fall in an Armenian-English TK class in Los Angeles Unified’s Pinewood Early Education Center.

Galustians’ husband speaks fluent Armenian, and the couple was eager for Julianna to be able to communicate with the extended family and learn more about the culture.

“The more languages you know, the better off you are,” said Galustians, whose first language is Spanish. “To find a school where she can get those academic skills and practice her Armenian — me and my husband were beyond grateful. We hit the jackpot.”

Julianna starts kindergarten this fall at another Los Angeles Unified school, where she’ll be part of the Armenian dual language program. “We feel like she’s very well prepared,” Galustians said.

‘Everyone feels included’

Meanwhile, at Silverwood Elementary in Concord, Swanson ended the day by having students put away the blocks and plastic bugs and Eric Carle books. Then she sat with them in a circle and praised each child’s efforts and told them how excited she was to see them again tomorrow.

“David, you were super responsible today,” Swanson told an awed 4-year-old as she handed him a personalized certificate. “Lindsay, you were a good friend. Zaire, you were so respectful.”

Then it was time for the children to go meet their parents, who were waiting at the side of the playground. Swanson chatted with nearly every parent, telling them how much she enjoys their children.

“I think TK should be the same as what we want for society generally,” Swanson said. “It should be a place where everyone feels included and valued. We want everyone to be curious and non-judgmental and happy to be here.”

This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

It's 0.75 miles in total, but packs a punch.

"It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

"We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

"They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

Here's a preview:

The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

“Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

The concept doesn’t have an official name yet, but he’s been calling it “See World.”

Artist James Ostrer's space looks out from a bed through the fence to the ocean at Venice Beach.

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Laura Hertzfeld

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LAist

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William Attaway, a longtime Venice artist, created a gallery space filled with various paintings and sculptures.

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Laura Hertzfeld

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LAist

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The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

Over the past several weeks the installations have been created in real-time, in public.

All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

A "Venice Opera House" will host pop-up music events throughout the summer.

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Laura Hertfeldz

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LAist

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New York-based artist Greg Haberny's paintings on the wall of his Venice space.

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Laura Hertzfeld

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LAist

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New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

“I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

“It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.

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Laura Hertzfeld

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LAist

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“I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

“This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

“Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

A city spokesperson has not responded to requests for comment.

The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

A request for comment from Aypa was not returned.

Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

Yip pointed out that industrial developments make a lot of money for the City of Industry.

“But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”

It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

“This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

“The monogram was here before the Dodgers,” Campos said.

A second-generation welder

Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

“I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.

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Courtesy Steve Campos

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It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

LA civic pride travels to Japan

Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

“They look at it and they go, 'Oh, Ohtani bench,'” he said.

For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

“I would love to get a couple of them installed at Dodger Stadium,” he said.