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The Brief

The most important stories for you to know today
  • City considers zone for public drinking at events
    A small dog sits in the cockpit of a pink toy car during the 21st Culver City Car Show. The dog wears sunglasses and a pink umbrella provides shade. In the background a blue Mustang and black Ford Model T can be seen. An owner stands to the side watching his dog.
    The Culver City Car Show is one of several "special events" where an entertainment zone will be active.

    Topline:

    Culver City council has passed a motion to consider an “entertainment zone” for their downtown business district.

    Why it matters: Culver City wants to get into the “entertainment zone” business to boost economic activity and compete with surrounding attractions in Santa Monica and Century City.

    The backstory: In May, Santa Monica became the first city in L.A. County to adopt an “entertainment zone” in accordance with California SB 969, which passed in 2024. Long Beach followed suit in August. West Hollywood voted to study the creation of one in September. Now, Culver City is the latest to motion to create an entertainment zone.

    What's next: The Culver City Council needs to pass an ordinance approving a plan for the area. A date consider that plan has not been set yet.

    The Culver City Council has passed a motion to consider creating an "entertainment zone" for its downtown.

    Once implemented, it would be the third city in Southern California with a designated area where people can walk around and consume alcohol outside during designated special events.

    In May, Santa Monica became the first city in L.A. County to adopt an “entertainment zone” in accordance with California SB 969, which passed in 2024. Long Beach followed suit in August. West Hollywood voted to study the creation of something similar in September.

    And now, Culver City wants to be part of a growing trend to boost economic activity and compete with attractions in surrounding cities.

    "Century City, Hollywood, Downtown LA ...we're competing with the whole city," Culver City Mayor Dan O’Brien told LAist. "So giving yet another reason for Angelenos to come to Culver City and have a nice night out and enjoy our special events. I think we need to grab it."

    A statue and water fountain outside the Culver Theater in Downtown Culver City. A bi-pedal Bronze lion in a long coat poses on its legs. A silver sphere is propped up next to it. Little spouts of water surround them.
    A statue in the middle of the proposed entertainment zone.
    (
    Daniel Martinez
    /
    LAist
    )

    What’s the occasion?

    “It’s going to be for our special events only,” O’Brien said. “Certainly during the World Cup and throughout the Olympics.”

    Other city events listed in the motion include the Summer Concert Series, Independence Day Drone Show and the downtown Tree Lighting ceremony scheduled for Dec. 4.

    “ That would be an ideal opportunity to activate for the entertainment zone,” O’Brien said. “But I do not know if we will have everything in place to do so by then.”

    Where would it be?

    The current entertainment zone proposal encompasses the Downtown Culver City Business Improvement District — of about eight to 10 blocks long and three blocks wide, O'Brien said.

    That includes Culver Boulevard between Madison Avenue and Venice Boulevard — and Washington Boulevard between Hughes Avenue and Culver Boulevard. It would also include side streets up to the city boundary.

    The Downtown Business Association, which is behind the proposal, is requesting the area that includes the Town Plaza, the Culver Steps and Main Street to be part of the new zone.

    A map of the proposed boundaries for Culver City entertainment zone. The map outline spans several blocks of Downtown Culver City. Washington Boulevard bisects the proposed boundaries.
    The proposed boundaries for the Culver City entertainment zone would span a quarter of a mile.
    (
    City of Culver City
    /
    Culver City Council
    )

    What’s next?

    The Culver City Council will now need to pass an ordinance approving a plan with information about the exact boundaries of the entertainment zone, its hours of operations and specific events for which they'll be active.

    A date for the next vote hasn’t been set.

  • The first 3 up for auction sell in LA
    The first three Bob Ross paintings auctioned to support public broadcasting sold in Los Angeles on Tuesday for a record-shattering $662,000. The rest will go up for auction in various cities throughout 2026. Ross painted many of them live on his PBS show.

    About the sale: Bonhams says the works attracted hundreds of registrations, more than twice the usual number for that type of sale. Each sold for more than its estimated worth, led by Winter's Peace, which fetched $318,000 to set a new Ross auction record.

    Why now: In October, the nonprofit syndicator American Public Television (APT) announced it would auction off 30 of Ross' paintings to raise money for public broadcasters hit by federal funding cuts. It pledged to direct 100% of its net sales proceeds to APT and PBS stations nationwide.

    The first of 30 Bob Ross paintings — many of them created live on the PBS series that made him a household name — have been auctioned off to support public television.

    Ross, with his distinctive afro, soothing voice and sunny outlook, empowered millions of viewers to make and appreciate art through his show The Joy of Painting. More than 400 half-hour episodes aired on PBS (and eventually the Canadian Broadcasting Corporation) from 1983 to 1994, the year before Ross died of cancer at age 52.

    Ross' impact lives on: His show still airs on PBS and streams on platforms like Hulu and Twitch . It has surged in popularity in recent years, particularly as viewers searched for comfort during COVID-19 lockdowns. Certified instructors continue teaching his wet-on-wet oil painting technique to the masses , and the Smithsonian acquired several of his works for its permanent collection in 2019. But his artwork rarely goes up for sale — until recently.

    In October, the nonprofit syndicator American Public Television (APT) announced it would auction off 30 of Ross' paintings to raise money for public broadcasters hit by federal funding cuts. It pledged to direct 100% of its net sales proceeds to APT and PBS stations nationwide.

    Auction house Bonhams is calling it the "largest single offering of Bob Ross original works ever brought to market."

    Ross has become synonymous with public broadcasting and some activists have even invoked him in their calls for restoring federal funding to it.

    "It's a medium that Bob just cherished," said Joan Kowalski, president of Bob Ross, Inc., in a phone call with NPR. "With the cuts, it's just a natural inclination to support public television."

    A screen shows a painting at an auction.
    "Winters Peace," which Ross painted on-air in 1993, was among the first of his works to be auctioned to support public television, in California in November.
    (
    LA-IA
    /
    Bonhams
    )

    The first three paintings sold in Los Angeles on Tuesday for a record-shattering $662,000. Bonhams says the works attracted hundreds of registrations, more than twice the usual number for that type of sale. Each sold for more than its estimated worth, led by "Winter's Peace," which fetched $318,000 to set a new Ross auction record.

    "As anticipated, these paintings inspired spirited bidding, achieved impressive results and broke global auction records, continuing the momentum we've seen building in [Ross'] market," said Robin Starr, the general manager of Bonhams Skinner, the auction house's Massachusetts branch. "These successes provide a solid foundation as we look ahead to 2026 and prepare to present the next group of Bob Ross works."

    Painting of a snow covered landscape.  A small house is in the foreground, in the distance a frozen lake and a mountain range beyond. The sky is painted in hues of yellow, red and blue. Tall pine trees surround the house and lake
    "Winter's Peace," which Bob Ross painted on-air in 1993, is among his first three works going up for auction in November. He used especially vibrant colors with his TV audience in mind.
    (
    LA-CH
    /
    Bonhams
    )

    The next trio of paintings will be auctioned in Massachusetts in late January. The rest will be sold throughout 2026 at Bonham's salerooms in Los Angeles, New York and Boston.

    How the offering could benefit public broadcasters 

    At President Donald Trump's direction, Congress voted in July to claw back $1.1 billion in previously allocated funding for the Corporation for Public Broadcasting (CPB), leaving the country's roughly 330 PBS and 244 NPR stations in a precarious position.

    CPB began shutting down at the end of September, PBS has already cut 15% of its jobs, and several local TV and radio stations have also announced layoffs and closures.

    A woman in the center of the photo is pictured leaning on a stroller. She is holding a paint palette in her left hand. Behind her is a young boy. She, the boy, and the small child sitting in the stroller are all wearing brown afro wigs. The wigs are meant to mimic the hair of Bob Ross, the iconic PBS painter and star of his own show. A man standing next to the woman and children holds a picture frame with a painting of Bob Ross and the words, "No PBS, no Bob"
    Demonstrators dressed as Bob Ross at a Chicago protest calling for the restoration of federal funding to PBS in late September.
    (
    Scott Olson
    /
    Getty Images
    )

    "I think he would be very disappointed" about the CPB cuts, Kowalski said of Ross. "I think he would have decided to do exactly what we're doing right now ... I think this would have probably been his idea."

    Kowalski, whose parents founded Bob Ross Inc. together with the painter in 1985, said Ross favored positive activism over destructive or empty rhetoric.

    "That just was his nature," she said. "He was like that in real life. So I think this would have been exactly the thing that he would have chosen. I suddenly got really emotional thinking about that."

    A landscape painting with a small lake in the center. To the right are tall tress and a small wooden house. To the left is a cluster of tall and medium height trees. In the distance, a hilly landscape is depicted against a cloudy, blue sky
    Ross spent about 26 minutes painting "Home in the Valley" on live TV in October 1993. It's been in storage ever since and will go on sale in November.
    (
    LA-CH
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    Bonhams
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    The Ross auction aims to help stations pay their licensing fees to the national TV channel Create , which in turn allows them to air popular public television programs including The Best of the Joy of Painting (based on Ross' show), America's Test Kitchen, Rick Steve's Europe and Julia Child's French Chef Classics.

    Bonhams says the auction proceeds will help stations — particularly smaller and rural ones — defray the cost burden of licensing fees, making Create available to more of them.

    "This enables stations to maintain their educational programming while redirecting funds toward other critical operations and local content production threatened by federal funding cuts," the auction house says.

    Ross' paintings rarely hit the market

    The 30 paintings going up for sale span Ross' career and are all "previously unseen by the public except during their creation in individual episodes" of The Joy of Painting, according to Bonhams. Many have remained in secure storage ever since.

    They include vibrant landscapes, with the serene mountains, lake views and "happy trees" that became his trademark.

    Ross started painting during his 20-year career in the Air Force, much of which was spent in Alaska. That experience shaped his penchant for landscapes and ability to work quickly — and, he later said , his desire not to raise his voice once out of the service.

    Once on the airwaves, Ross' soft-spoken guidance and gentle demeanor won over millions of viewers. His advice applied to art as well as life: Mistakes are just "happy accidents," talent is a "pursued interest," and it's important to "take a step back and look."

    "Ross' gentle teaching style and positive philosophy made him a cultural icon whose influence extends far beyond the art world," Bonhams says.

    While Ross was prolific, his paintings were intended for teaching instead of selling, and therefore rarely go on the market.

    In August, Bonhams sold two of Ross' early 1990s mountain and lake scenes as part of an online auction of American art. They fetched $114,800 and $95,750, surpassing expectations and setting a new auction world record for Ross at the time. Kowalski says that's when her gears started turning.

    "And it just got me to thinking, that's a substantial amount of money," she recalled. "And what if, what if, what if?"

    Bonhams officially estimates that the 30 paintings could go for a combined total between $850,000 and $1.4 million. But Starr, of the auction house, predicted in October that they will continue to exceed expectations, based on their artistic value, nostalgia factor and more.

    "Now we add in the fact that these are selling to benefit public television, I think the bidding is going to be very happy," she said. "Happy trees, happy bidding."

    Disclosure: This story was edited by general assignment editor Carol Ritchie and managing editor Vickie Walton-James. Under NPR's protocol for reporting on itself, no NPR corporate official or news executive reviewed this story before it was posted publicly.
    Copyright 2025 NPR

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  • Famed sitcom home up for landmark status
    A beige mid-century house sits behind a gold 1970s station wagon parked on the street.
    The 'Brady Bunch' house in Studio City on Aug. 16.

    Topline:

    The Brady Bunch house in Studio City is now being considered for historic-cultural monument status. Preservationists say protecting it now will safeguard a pop-culture landmark that has shaped how generations imagined suburban L.A.

    Here's the story: Used in the show’s establishing shots during its run from 1969 to 1974, the Dilling Street house is instantly recognizable to generations of fans who watched Mike and Carol Brady wrangle their lively brood of six under its gabled roof.

    Why now: Preservationists and fans say the house helped shape how audiences around the world envisioned an idyllic suburban life in Los Angeles.

    What's next: Members of the Cultural Heritage Commission are expected to visit the property in the coming weeks, then vote on whether to recommend monument status to the L.A. City Council.

    One of TV’s most famous sitcom houses has entered L.A.’s landmarking process.

    City officials are considering whether to grant a mid-century modern ranch known as the Brady Bunch house historic-cultural monument status.

    The owner of the Studio City house is seeking the designation with the backing of preservationists like those at the Los Angeles Conservancy.

    “That show would not be the show without that house,” said Adrian Scott Fine, president and CEO of the conservancy.

    A wider shot of the Brady Bunch living room interior, showing the open staircase and colorful geometric wall panels.
    The living room has been recreated to look like the TV show’s iconic set, with the open staircase and mid-century décor.
    (
    Los Angeles Conservancy
    )

    Used in the show’s establishing shots during its run from 1969 to 1974, the house is instantly recognizable to generations of fans who watched Mike and Carol Brady wrangle their lively brood of six under its gabled roof.

    Though interior scenes were shot on a studio lot, the house façade has become as iconic as Peter’s first voice crack and Jan’s immortal wail, “Marcia, Marcia, Marcia!”

    Fans make regular pilgrimages to snap photos out front, and limited charity tours of the house sell out.

    Fine said the house helped shape how audiences around the world envisioned an idyllic suburban life in Los Angeles.

    “It feels like stepping back into your childhood,” said Fine, who watched re-runs of the show growing up in the Midwest. “Comfort, warmth — it's a place that feels good to so many people.”

    A mid-century TV Star

    Built in 1959 and designed by Harry Londelius Jr., the Dilling Street home was chosen by producers for its close proximity to the studio and its look — the kind of distinctive mid-century house viewers could easily imagine an architect like Mike Brady living in.

    As television production consolidated in Los Angeles in the late 1960s, shows like The Brady Bunch relied on actual exteriors used to ground shows in otherwise studio-filmed episodes, according to a report by the city’s Planning Department recommending review of the Brady Bunch house application.

    Other Los Angeles homes that became famous through establishing shots include the residences featured in The Adventures of Ozzie and Harriet, The Beverly Hillbillies and The Golden Girls.

    An interior staircase with open wooden steps with cream carpeting, with dark wood railings.
    HGTV recreated the Brady Bunch staircase for its 2019 renovation show.
    (
    Los Angeles Conservancy
    )

    HGTV’s Big Makeover

    After the show’s five-season run, The Brady Bunch lived on in syndication for decades, with the house imprinting on viewers across generations.

    The home-remodel network HGTV helped revive the house's fame with a 2019 show.

    For the series A Very Brady Renovation, the network brought back cast members to help rebuild the inside of the house to mimic the sets fans knew from TV, from the open, split-level staircase to the kitchen with orange Formica countertops.

    After the series, HGTV sold the house for $3.2 million to current owner Tina Trahan, a superfan who told People in 2023 , "It was like, 'I need this house. I have to have the house.’”

    “I just felt like it was just part of America and the culture,” she said.

    A kitchen with bright orange countertops and avocado-green appliances and dark wood cabinets.
    As part of the HGTV remodel show, the 'Brady Bunch' kitchen was recreated with its orange countertops and avocado-green appliances.
    (
    Los Angeles Conservancy
    )

    What’s next

    Lovingly maintained, the Brady Bunch house is not at risk of teardown like other structures that preservationists have tried to save around town by seeking historic-cultural monument status.

    But Fine argues that now is the time to act.

    “Ideally, what we should be doing for all of the architecturally, culturally significant places in L.A. is codifying and ensuring that they have some type of level of recognition and protection, so that there isn't a risk down the road where you are scrambling,” Fine said.

    Members of the Cultural Heritage Commission are expected to visit the property in the coming weeks, then vote on whether to recommend monument status to the City Council.

    With this designation, any major exterior alteration or demolition proposal would trigger review by city staff and the Cultural Heritage Commission.

    “It doesn’t mean it could never be demolished,” Fine said. “But it would be very difficult, and there would be a lot of steps to go through before you ever got to that stage.”

    A vote by the City Council is expected in the coming months. Years later, the Brady Bunch house still knows how to pull focus.

  • There's a social club for it
    Customers sitting inside a diner as food is being prepared
    The counter was full on The Pantry's last day.

    Topline:

    If you’re mourning the — probably — impending closure of Cole’s downtown or one of the other handful of classic Los Angeles eateries we’ve lost in the past few years, you might find camaraderie in a local social club.

    For about a year now, Jake Hook has been holding monthly meetings of what is called the Diner Preservation Society . "Diner" is a loose term for the group.

    The society: It's called Diner Preservation Society, founded by Jake Hook, a philosophy professor by day and lover of old diners by design.

    Diners, diners, diners: Hook has also compiled a massive list of classic joints in our region. And this month, the club launched the Diner Theory podcast .

    Read on ... for details about the next meet-ups.

    If you’re mourning the — probably — impending closure of Cole’s downtown or one of the other handful of classic Los Angeles eateries we’ve lost in the past few years, you might find camaraderie in a local social club.

    For about a year now, Jake Hook has been hosting monthly meetings of the Diner Preservation Society . "Diner" is a loose term for the group.

    At classic joints like Philippe’s and the recently closed Papa Cristo’s , attendees talk about their favorite eateries and what they can do to save the ones we’re at risk of losing.

    “Diners are the classic American third space. They are where communities happen. And you can see that by how worked up people get when diners close,” Hook said.

    Take the recent closure of the Pantry downtown. Now it looks as if it will be reopening , but Hook said people from across the city showed up in droves before it shuttered.

    “So much so that the wait on the last day was about seven hours. And I endured all seven hours,” they told LAist.

    A group of eight people pose for a photo in front of The Pantry in Los Angeles.
    A meeting of the Diner Preservation Society
    (
    Courtesy Jake Hook
    )

    A philosophy professor by day, Hook’s enduring love of diners led them to compile a massive list of classic joints in our region . And this month, they launched the "Diner Theory" podcast , which delves into topics “at the intersection of food and philosophy.”

    Hook, 31, said they think younger generations are looking for spaces that feel more human in an increasingly online world. And diners fill that void.

    “It’s something that unites people who have lived here from generation to generation to have these experiences in roughly the same way. And I think that’s valuable for forming some kind of citywide identity,” they said.

    Plus, there’s really good, cheap food.

    If you’d like to attend the next meeting of the Diner Preservation Society, visit their Substack to learn more.

    Upcoming club meetings:

    Shakers
    601 Fair Oaks Ave.
    South Pasadena
    Saturday at 10 a.m.

    Bun N Burger
    1000 E. Main St.
    Alhambra
    Dec. 13 at 10 a.m.

  • Federal judge rules against ‘unlawful coercion’
    People outside hold up signs that say "Kill the cuts, Save lives."
    Participants of the "Kill the Cuts" rally against the Trump administration’s cuts to research funding gather outside the Wilshire Federal Building after walking from the UCLA campus in Los Angeles on April 8.

    Topline:

    A California federal judge ruled today that President Donald Trump cannot demand that UCLA pay a $1.2 billion settlement that would have imposed severe limits on the campus’ academic freedoms and efforts to enroll an economically and culturally diverse student body or risk continued funding freezes on grants the system relies on for research.

    The context: The decision by Judge Rita Lin is a preliminary injunction and represents a significant victory for University of California scientists, professors, graduate students and other researchers. They and a national professors association sued Trump in September, claiming that his settlement demand — the most sweeping to date in his war on exclusive universities — represents an “unlawful threat” of funding cuts to coerce the university system into “suppressing free speech and academic freedom rights.”

    Trump administration's argument: Lawyers for the federal government had argued that a federal court cannot block a federal agency from making a decision that hasn’t occurred yet, such as whether to approve new funding for a pending grant.

    Read on ... for the implications of the ruling and next steps.

    A California federal judge ruled today that President Donald Trump cannot demand that UCLA pay a $1.2 billion settlement that would have imposed severe limits on the campus’ academic freedoms and efforts to enroll an economically and culturally diverse student body or risk continued funding freezes on grants the system relies on for research

    The decision by Judge Rita Lin is a preliminary injunction and represents a significant victory for University of California scientists, professors, graduate students and other researchers. They and a national professors association sued Trump in September, claiming that his settlement demand — the most sweeping to date in his war on exclusive universities — represents an “unlawful threat” of funding cuts to coerce the university system into “suppressing free speech and academic freedom rights.”

    Lin agreed with that assessment, calling Trump’s actions toward the university “coercive and retaliatory.” Her ruling doesn’t just apply to UCLA. It largely ties the hands of the Trump administration to target the rest of the UC system for current and future research grants.

    “Agency officials, as well as the president and vice president, have repeatedly and publicly announced a playbook of initiating civil rights investigations of preeminent universities to justify cutting off federal funding, with the goal of bringing universities to their knees and forcing them to change their ideological tune,” Lin wrote in her ruling.

    Lin wrote that this same playbook is occurring at the UC.

    “With every day that passes, UCLA continues to be denied the chance to win new grants, ratchetting up Defendants’ pressure campaign,” she wrote. “And numerous UC faculty and staff have submitted declarations describing how [the Trump administration’s] actions have already chilled speech throughout the UC system.”

    Lawyers for the federal government had argued that a federal court cannot block a federal agency from making a decision that hasn’t occurred yet, such as whether to approve new funding for a pending grant.

    “Notably, plaintiffs’ fears about future grant suspensions and their claims about the likelihood of constitutional violations are entirely based on speculation about an opening settlement offer between the federal government and UC,” U.S. Department of Justice attorneys wrote to Lin .

    The legal documents in the case spanned 700 pages and included written testimony from more than 70 UC professors, staff workers and graduate students.

    The settlement demand and lawsuit

    Trump’s settlement demand is a 27-page document sent to UCLA in early August that would have required the top-ranked public university to hire a senior administrator to review diversity, equity and inclusion efforts; limit campus protest; bar the campus medical center from performing gender-affirming surgeries or hormone therapy on minors; deny admissions to foreign students with “anti-Western” sentiment and other restrictions.

    The public was first able to see the document in late October after some scholars filed a separate lawsuit in state court to force UC officials to disclose the settlement demand.

    The settlement demand emerged a few days after the Trump administration froze more than $500 million in health and science research funding to UCLA over allegations that the campus tolerated antisemitism and enrolled students using racial preferences. Had UC agreed to its terms, the Trump administration would have released the frozen funds back to UCLA.

    However, months before Trump sought the settlement, UCLA had already taken steps to address antisemitism on campus after its leaders commissioned a task force to recommend ways to create a more welcoming environment for Jewish students.

    Lin faulted the administration for disregarding UCLA’s efforts. The agencies did not “mention the remedial steps UCLA had already taken to address the issues described,” Lin wrote.

    UCLA is legally barred by state and federal law from admitting students using racial preferences. Trump’s demands would have also blocked UCLA from a practice the U.S. Supreme Court condoned: allowing students to discuss their racial identity in their personal essays.

    But almost all of that funding that Trump froze in July had since been restored after a separate wave of legal filings prompted Lin to temporarily undo Trump’s cuts in August and September .

    Lin has emerged as a key bulwark for UC researchers as she’s ordered the Trump administration several times to undo hundreds of millions of dollars in science funding cuts to the University of California, including roughly $500 million in science and health grant funding suspensions to UCLA alone. Between June and today, she’s sided with UC researchers and staff four times in rebuffing the Trump administration’s efforts to halt funding to scholars. Her initial ruling that has served as a basis for other preliminary injunctions against Trump was upheld by a panel of judges on the 9th Circuit Court of Appeals.

    UC faculty associations, among the plaintiffs in the case, wrote to Lin that some of its members who don’t have tenure and are international scholars now hesitate to teach issues related to Israel and Palestine or lead lessons on the health effects of climate change. Other scholars say they fear taking part in protests or other free speech activity due to fears about the government’s reprisals.

    “I am a mother, and the threat of jail time or federal involvement or oversight in campus policing would give me new fear” about protesting, wrote Hannah Appel, an anthropology professor at UC Santa Cruz, in a court document .

    Faculty groups also argued that a $1.2 billion hit to UCLA would affect the whole system, as UC leaders would likely pull funding from other campuses to help UCLA absorb the loss. UCLA’s budget is around $13 billion , including its medical and hospital programs, while the UC system’s is more than $50 billion — and a third of that comes from federal sources.

    UC President James Milliken called the situation “one of the gravest threats in UC’s 157-year history.”

    The ruling and evidence in detail

    Lin’s written ruling mirrors the comments she made during a 90-minute hearing last week, in which she said that the Trump administration has told universities, including the UC, that “if you want the funding restored, then agree to change what you teach, change how you handle student protests [and] endorse the administration’s preferred views on gender.”

    “Defendants have submitted nothing to refute this,” she said then..

    Twenty-one labor unions and faculty associations sued Trump and 15 agencies, including the top providers of science research funding — the National Institutes of Health, the National Science Foundation, the Department of Defense, NASA and the Department of Education that together award the UC more than $4 billion annually . The UC system itself is not part of this suit but has received sustained pressure from students, staff and faculty — including hundreds of Jewish ones — to reject Trump’s settlement.

    “This agreement violates the very foundations of higher education,” the UC undergraduate student association wrote to Gov. Gavin Newsom, UC’s president and campus chancellors in November.

    Faculty and staff wanted a return of all terminated grants and a block on denying funding to any pending grants that were preliminarily approved by science panels but were stalled for seemingly political reasons.

    Other faculty, staff impact

    The UC has cut the hours or laid off more than 250 lecturers and librarians since Trump began his term this year, said Katie Rodger, the president of UC-AFT, the union of lecturers and librarians at the UC. Lecturers are a core part of the instructional staff at UC but generally lack guarantees of continuous employment that other professors enjoy.

    The federal fiscal picture is a reason why at least some lecturers have received pink slips. The “School of Humanities has incurred budget reductions over the last four years, which have been compounded this year by national and state level budgetary impacts and planning projections indicate substantial future budget shortfalls,” said a termination letter at UC Irvine this past spring.

    And while lecturers do not lead labs that receive federal grant funding, they work in them. The loss of grant funding “already has and it will continue to impact us going forward,” Rodger said of lecturers during an interview. The union in August wrote a letter to UC’s director of labor relations leadership demanding that the system cease negotiations with Trump over the settlement.

    Meanwhile, the dean of the largest college at the UC — the College of Letters and Science at UC Davis — wrote to faculty last month that it’s dealing with a $20 million budget shortfall across this year and next, after absorbing a loss of $6.7 million the past five years. “Budgets for faculty and graduate student employment will reflect these reductions,” the dean, Estella Atekwana, wrote. That would affect most lecturers.

    Several scholars and staffers wrote to Lin that the administration was freezing funding on pending grants that UCLA researchers would have likely received if Trump didn’t target the campus. One of those projects was supposed to go to Marcus Roper, a mathematics and computational medicine professor who submitted a grant to research how to better  predict vision loss in adults with diabetes.

    The proposal also included a program to teach K-12 students how to apply algebra to analyze eye health. Roper showed in court filings that two grants he submitted won the recommendations of the agency’s program directors, but those were pulled when the Trump administration suspended all of UCLA’s existing NSF and National Institutes of Health grants. Even after Lin ordered Trump to restore the existing grants the agency suspended at UCLA, NSF personnel told Roper they were ordered to pause approval of funding for new grants .

    Also at UCLA, the NSF preliminarily approved the renewal grant for a math research program that’s been funded for 25 years, but also pulled it in July . If the program isn’t reupped again, Richard Bartlebaugh, a video producer, will lose his job months before he’s eligible for his pension and the program will close in May of 2026, he wrote to Lin . “In this scenario, my time at (the institute) will have represented a four-year and eleven-month career misstep.”

    Trump didn’t follow rules, lawsuit said

    Catherine Lhamon, formerly the top official during the Obama and Biden administrations at the Office for Civil Rights in the U.S. Department of Education, wrote to Lin that the way the Trump administration pulled funds was illegal.

    “What (the office) cannot do under the law — and what we never did — is move to immediate fund termination.”

    But that’s what the administration did. And as Lin noted in her ruling and comments during last week’s hearing, Trump officials bragged about it.

    “We’re going to bankrupt these universities, we’re going to take away every single federal dollar,” said Leo Terrell on a FOX News program in March . Terrell heads the Trump administration’s multi-agency Task Force to Combat Anti-Semitism . His interview was submitted by lawyers for the UC workers as evidence. “The academic system in this country has been hijacked by the left, has been hijacked by the Marxists” he also said.

    Llamon, who’s now a faculty member at UC Berkeley, wrote that federal law requires the agency to go through a lengthy process of warning a campus of any civil rights violations, such as ones dealing with antisemitism, and allow the campus to come to a settlement with an action plan. Sometimes the Office for Civil Rights leads an investigation at the school and encourages campus leaders to undertake policy changes. All of that occurs before the federal government pulls funding from a school.

    While in charge, her office struck deals to combat allegations of antisemitism at numerous universities, including the UC.

    “Termination of funds was, as is required in statute and regulation, a last resort, and in the thousands of complaints my office received, we never needed to take this step,” she wrote.