Sponsored message
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

The Brief

The most important stories for you to know today
  • State regulators consider lowering them
    The sun sets behind power lines near homes during a heat wave in Los Angeles, California
    The sun sets behind power lines near homes in Los Angeles.

    Topline:

    State regulators are poised to vote on how much profit utility companies can make, a decision with big implications for Californians’ bills and the aging power grid.

    The background: Every three years,  the California Public Utilities Commission oversees applications from the state’s private utilities during which they ask for a certain “rate of return” — essentially their amount of expected profits above the cost of operations — to attract the capital they say they need to make necessary investments in California’s aging power grid.

    Read on ... for details on the proposal and how to submit public comment.

    State regulators are poised to vote on how much profit utility companies can make, a decision with big implications for Californians’ bills and the aging power grid.

    The California Public Utilities Commission, which regulates privately owned utilities in the state, will vote on a proposed decision to lower the payout to shareholders from the state’s investor-owned utilities — Southern California Edison, San Diego Gas & Electric, Southern California Gas Co. and Pacific Gas & Electric.

    Unlike public utilities, such as the L.A. Department of Water and Power, investor-owned utilities are private companies that operate as government-regulated monopolies.

    California’s electricity rates are the second-highest in the nation, behind only Hawai’i. As the state works to transition to a cleaner energy economy that runs largely on electricity, those high bills threaten to derail progress.

    Experts say lowering utility profits is just one piece, albeit a big one, in the puzzle to address energy affordability.

    The background

    Every three years,  the CPUC, which is made up of five commissioners appointed by the governor, oversees applications from the state’s private utilities during which they ask for a certain “rate of return” — essentially their amount of expected profits above the cost of operations — to attract the capital they say they need to make necessary investments in California’s aging power grid. That includes building new power plants, transmission lines and other infrastructure.

    These profits are also important to ensure the utilities don’t go into bankruptcy and can maintain reliable service.

    Over the last two decades, the amount of profits allowed has only gone up — it hovers at a little over 10% for the state’s big three investor-owned electric utilities, which is slightly higher than the industry average across the nation.

    Mark Ellis — a former executive at Sempra Energy (the parent company of SoCal Gas and SDG&E) turned ratepayer advocate — estimates that profit, plus income taxes on profit, which are passed through to ratepayers, accounts for about one-quarter of Californians’ utility bills.

    The CPUC is expected to vote on whether to approve a slight decrease to those returns at a meeting Thursday.

    What the proposal says

    The proposed decision would lower the return on equity for each utility by about 0.35% — even such a small change can mean millions of dollars in reductions for ratepayers.

    If approved, SoCal Edison’s maximum return on equity would be 9.98%, down from 10.33%, and San Diego Gas & Electric would be 9.88%, down from 10.23%.

    What critics say

    Some stakeholders say the return percentage should be far lower. Ellis, who provided testimony in the proceeding on behalf of the Sierra Club and Protect Our Communities Foundation, argues the return should be as low as 6%. He estimates that could reduce Californians’ electric bills by as much as 10%.

    “There's no other industry that really has that type of return that's virtually guaranteed,” Ellis said. “We haven't touched their profits for decades, and what has it gotten us? It's gotten us really expensive electricity and a very brittle system.”

    He says current returns on equity incentivize the state’s monopoly utilities to overinvest, raising rates for customers and the expense of the energy transition.

    “So I'm saying, the first step is, get the incentives right and see how they behave,” Ellis said.

    The Little Hoover Commission, the state’s independent watchdog agency, cited Ellis’ work in a recent report on lowering electricity rates, as well as two UC Berkeley studies showing how “utility regulators often approve profit levels that exceed what is truly needed to attract investment.”

    In the report, the commission recommends shifting the initial proposal of the rate of return on equity to the state Treasurer’s Office, instead of the utilities themselves. The report also calls for an audit of California Public Utilities Commission staffing to assess whether the agency has enough capacity to provide rigorous oversight of these proceedings.

    “We want to make sure that the rate of return isn't so high that this is just a cash grab from everyday customers and rate payers to big corporate interests,” said Katherine Ramsey, a senior attorney with the Sierra Club. “You want to make sure the number is no more and no less than what is necessary for the utilities to remain financially healthy.”

    What the utilities say

    The utilities had asked to increase or maintain their current rates of return. They’ve called on the commissioners to reject the proposed reduction.

    They argue that their return on equity has to be competitive with nationwide utilities or else investors will go elsewhere, which could slow long-term investments in public infrastructure to improve wildfire safety and boost clean energy and hurt the companies’ credit.

    And, especially since the 2025 L.A. wildfires and other catastrophic fires in the last decade, they say California electric utilities are seen as riskier, increasing costs of equity.

    “We are disappointed that the proposed decision does not fully reflect current market conditions or the unique risks California utilities face,” a spokesperson for SDG&E wrote to LAist.

    David Eisenhauer, a spokesperson for Southern California Edison told LAist that “when investors view the rate established by the CPUC as not commensurate with the risk, that impacts investor willingness to invest in California, which then drives up the cost of capital and increases customer costs over time.”

    In their latest comments to the commission, Edison said the company has already not been meeting the return approved by the CPUC “since at least 2017, with 2024 actual earnings at 6.38% as compared to 10.75% authorized, in part due to financing of wildfire claims and SCE’s contributions to the Wildfire Fund.”

    “The commission’s objective is not to maximize customer savings by setting the authorized [return on equity] as low as possible,” they write, but rather to set a rate “commensurate with market returns on investments” so that company can attract investors to finance infrastructure and “fulfill its public utility service obligation.”

    How to share your comments ahead of the vote

    The CPUC is expected to vote Thursday. You can submit a comment by calling into the meeting, or submitting one online ahead of time. To submit online, you’ll have to enter the proceeding’s docket number, which is A2503010, then click the tab that says “Add public comment.”

  • It's time to revisit the L.A. icon
    The front view of a striking, modern high‑rise building composed of multiple tall cylindrical glass towers arranged side‑by‑side. The towers have reflective blue‑tinted windows that mirror the sky and surrounding buildings, creating a sleek, futuristic look.
    The Bonaventure, view from one of the pedways leading to an entrance.

    Topline:

    Looking for things to do this week? How about spending a couple hours inside Harry Style’s latest music video?


    What? The video for Aperture features the Westin Bonaventure hotel, the mirrored, futuristic-looking behemoth on Figueroa Street in downtown L.A.

    So? The building offers a pretty unique experience in and of itself for how visually and spatially disorienting it is.

    It's not everyday you can credit one of the world's biggest pop stars for rekindling your memories of a place.

    So, thank you, Harry Styles, for reminding us of the mesmerizing, confounding, iconic and the brashly weird wonders of the Bonaventure Hotel in downtown L.A.

    Last week, the singer returned to pop music after a four-year respite with the surprise release of a new album. Along came the first music video for “Aperture,” a breezy electronic number that unfolds as a non-sequitur romp through a sleek hotel — beginning as an inexplicable chase, then breaks into a long, nifty dance sequence, and crescendos in a hat tip to Dirty Dancing.

    The absurdity makes for a nice fit.

    In the video, when Styles steps onto the escalator before realizing he is being followed, a distant recognition went off in my head.

    That hunch grew more certain when he and his pursuer tumbled down a spiral of staircases that's almost Hitchcockian in its composition.

    And later, when the two somersault through a cocktail lounge with Los Angeles twinkling in the backdrop, the setting could only have been The BonaVista, the revolving restaurant (yes, it really spins) on the 34th floor of the Bonaventure.

    Making a cameo

    Styles is the latest among a long list of artists and moviemakers to make use of the location. In 1993's In the Line of Fire, Clint Eastwood and John Malkovich had their big shoot-out finale there, and managed to squeeze in a little repartee inside one of its famous capsule elevators. More recently, Kendrick Lamar and SZA’s "Luther" and Maroon 5 and LISA's "Priceless" prominently featured the hotel.

    Since it opened in January 1977, the behemoth — towering hundreds of feet over Figueroa Street with some 1,400 rooms and the reigning title as Los Angeles's largest hotel — all but demanded the attention.

    The Bonaventure was built between 1974 and 1976 in the midst of Bunker Hill's redevelopment that started two decades back with land seizures through eminent domain and the evictions of thousands of low-income Angelenos.

    The ambition was to remake the urban core into a world-class arts and cultural destination.

    The interior of a large, multi‑story atrium with bold, dramatic architecture featuring a blend of concrete, glass, and metal.
    The atrium of the Bonaventure.
    (
    Fiona Ng
    /
    LAist
    )

    Architect and real estate developer John C. Portman brought his signature vaulting atrium to the task. For the Hyatt in his hometown of Atlanta, that feature was 22 stories high. For the Bonaventure, the atrium was seven.

    The Bonaventure’s interior has been described as Brutalist in style, a raw concrete maze of dangling lounges, shooting columns, swirling staircases, curved walkways, glass elevators and seemingly dead ends. Its mirrored and cylindrical exterior has been called postmodern and futuristic.

    Portman's idea was to create a city within its walls, and populated his creation with shops, restaurants and other amenities so people simply wouldn’t have to leave.

    A returned visit

    I have always thought of it looking a little dated, like a sad disco ball.

    A few days ago, I went to the Bonaventure again for old times’ sake. I took this same walk several times a week for six years, when I worked downtown in the mid-aughts. Back then, this network of pedways was really our only way to get to any place for coffee or lunch.

    A street shot of a downtown skyline.
    View of the Bonaventure taken from the 3rd and Fig. pedway.
    (
    Fiona Ng
    /
    LAist
    )

    The Bonaventure was one of our options, with its food court on the fourth floor. Sometimes, I spent my lunch simply walking its various floors, entranced by the vast, hushed space that felt somehow endless and somewhat abandoned. I have always thought it was the perfect setting for a chase scene.

    On my latest visit, the lines and curves were clashing and crisscrossing in ways that I hadn't before noticed. Cultural theorists have famously written about the disorientation the building is said to inspire — how easily you can feel lost.

    And what a privilege it is.

    Thanks, Harry, for the nudge to go and spend a couple leisurely hours getting lost in a quintessentially Los Angeles riddle.

    Everyone should do it.

  • Sponsored message
  • USC professor narrates tranquil LA tour
    A headshot of Professor Oliver Mayer. He has grey hair and a mustache.
    USC dramatic writing professor Oliver Mayer.

    Topline:

    Oliver Mayer is an award-winning playwright and professor of dramatic writing at USC — and he's been named by his students the "most calming professor" at the school.

    The backstory: Mayer won a competition at the university set up by the Trojan Health Club and mental health company Calm to find the most tranquil teacher.

    The prize: He was awarded the opportunity to record a Sleep Story for Calm app users.

    Read on ... to listen to a sample of his calming narration.

    Oliver Mayer is an award-winning playwright and professor of dramatic writing at USC. But recently he found out his students love him for yet another talent: the "most calming professor."

    “Are my students falling asleep in my class?" he said, joking.

    Mayer won a competition at the university set up by the Trojan Health Club and mental health company Calm to find the most tranquil teacher. Students voted him most calming professor and he was awarded the opportunity to record a Sleep Story for Calm app users.

    The professor said, for him, it means more than ever to be considered a voice of calm, especially in what he calls the “upside down days” we’re living through. And Mayer also enjoyed being a twilight tour guide for his city.

    “I do love the idea that not only might I be calming someone with a route through Los Angeles, but I’m also hopefully inspiring students and everyone else to explore their cities, Los Angeles and otherwise,” he said.

    Mayer's sunset trek includes an audio journey to the Griffith Observatory:
     
    “Our climb ends. Here we are: The perfect place to fall asleep under the stars," he says on the recording.

    "And we easily find a spot to park.”

    Maybe the most calming words an Angeleno can hear.

    Hear for yourself

    Mayer’s Sleep Story is available on the Calm app. You can check out a preview here.

  • Egg cracks in Jackie and Shadow's nest
    An adult eagle perched in a nest of twigs, with two small white eggs at the bottom of the nest. One of the eggs has a large hole in the center.
    Jackie returned to the nest after one of the eggs were confirmed to have cracked on Friday.

    Topline:

    Big Bear’s famous bald eagle nest has taken a turn — both of Jackie and Shadow’s eggs have been attacked by ravens.

    What happened: Via livestream, a raven could be seen in the nest poking a large hole into, and potentially eating, one of the eagle eggs.

    Why it matters: Jackie and Shadow have a large fanbase.

    “Our hearts are with Jackie and Shadow always and we wrap our arms around them,” Jenny Voisard, the organization’s media and website manager, wrote in a Facebook update. “Our hearts are also with you eagle fam, we know how you are feeling now."

    Go deeper: Second egg seen in Big Bear’s famous bald eagle nest

    Big Bear’s famous bald eagle nest has taken a turn — both of Jackie and Shadow’s eggs have been attacked by ravens.

    In the nest overlooking Big Bear Lake, a raven could be seen poking a large hole into, and potentially eating, one of the eagle eggs. The intrusion was noticed on a popular YouTube livestream run by the nonprofit Friends of Big Bear Valley.

    Jenny Voisard, the organization’s media and website manager, confirmed the crack in Friends of Big Bear Valley’s official Facebook group, which has nearly 400,000 members, after Jackie and Shadow were away from the nest, and eggs, for several hours Friday.

    Voisard told LAist one of the eggs may still be partly intact, but both eggs are believed to be breached. Jackie returned to their nest shortly after the raven left to lay on the remaining egg, according to organization records.

    “Our hearts are with Jackie and Shadow always and we wrap our arms around them,” Voisard wrote. “Our hearts are also with you eagle fam, we know how you are feeling now."

    “Step away from the screen when needed,” she continued in the post. “Try and rest tonight.”

    How we got here

    Jackie laid the first egg of the season around 4:30 p.m. last Friday and the second egg around 5:10 p.m. Monday as thousands of eager fans watched online.

    It was almost exactly a year after the feathered duo welcomed the first egg of the 2025 season.

    Bald eagles generally have one clutch per season, according to Friends of Big Bear Valley. A second clutch is possible if the eggs don’t make it through the early incubation process.

    For example, Jackie laid a second clutch in February 2021 after the first round of eggs was broken or destroyed by ravens the month before.

    Jackie and Shadow may have the left the nest unattended Friday because they knew on some level "that not everything was right," Voisard wrote.

    "We are hopeful however, because bald eagles can lay replacement clutches if something happens early enough in the season," she continued. "The fact that the raven came to do its job so quickly may be just what Jackie and Shadow needed."

    A raven is perched in a large eagle's nest made of twigs, with two small white eggs in the center of the nest. The raven is standing over the eggs close by.
    A raven is believed to have breached both eggs in Big Bear's famous nest.
    (
    Friends of Big Bear Valley
    /
    YouTube
    )

    Watch the nest

    This is a developing story and will be updated.

  • Courtrooms hear how companies may have hooked kids
    An over the shoulder shot of a child using a phone, showing them taking a photo of a game of Mahjong on a table with another child sitting across from them.
    People, school districts and states suing tech companies say their platform designs and marketing hooked kids on social media.

    Topline:

    Lawsuits in California federal and state court are unearthing documents embarrassing to tech companies — and may be a tipping point into federal regulation.

    Conversation in lawsuit: The Meta researcher’s tone was alarmed. “oh my gosh yall IG is a drug,” the user experience specialist allegedly wrote to a colleague, referring to the social media platform Instagram. “We’re basically pushers… We are causing Reward Deficit Disorder bc people are binging on IG so much they can’t feel reward anymore.”

    About the suit: Condensing complaints from hundreds of school districts and state attorneys general, including California’s, the suit alleges that social media companies knew about risks to children and teens but pushed ahead with marketing their products to them, putting profits above kids’ mental health. The suit seeks monetary damages and changes to companies’ business practices.

    Read on... for more about the lawsuits in California.

    The Meta researcher’s tone was alarmed.

    “oh my gosh yall IG is a drug,” the user experience specialist allegedly wrote to a colleague, referring to the social media platform Instagram. “We’re basically pushers... We are causing Reward Deficit Disorder bc people are binging on IG so much they can’t feel reward anymore.”

    The researcher concluded that users’ addiction was “biological and psychological” and that company management was keen to exploit the dynamic. “The top down directives drive it all towards making sure people keep coming back for more,” the researcher added.

    The conversation was included recently as part of a long-simmering lawsuit in a California-based federal court. Condensing complaints from hundreds of school districts and state attorneys general, including California’s, the suit alleges that social media companies knew about risks to children and teens but pushed ahead with marketing their products to them, putting profits above kids’ mental health. The suit seeks monetary damages and changes to companies’ business practices.

    The suit, and a similar one filed in Los Angeles Superior Court, targets Facebook, Instagram, YouTube, TikTok, and Snap. The cases are exposing embarrassing internal conversations and findings at the companies, particularly Facebook and Instagram owner Meta, further tarnishing their brands in the public eye. They are also testing a particular vector of attack against the platforms, one that targets not so much alarming content as design and marketing decisions that accelerated harms. The upshot, some believe, could be new forms of regulation, including at the federal level.

    One document discussed during a hearing this week included a 2016 email from Mark Zuckerberg about Facebook’s live videos feature. In the email, the Meta chief wrote, “we’ll need to be very good about not notifying parents / teachers” about teens’ videos.

    “If we tell teens’ parents about their live videos, that will probably ruin the product from the start,” he wrote, according to the email.

    In slides summarizing internal tech company documents, released this week as part of the litigation, an internal YouTube discussion suggested that accounts from minors in violation of YouTube policies were actively on the platform for years, producing content an average of “938 days before detection – giving them plenty of time to create content and continue putting themselves and the platform at risk.”

    A spokesperson for Meta didn’t immediately respond to requests for comment.

    A YouTube spokesperson, José Castañeda, described the slide released this week as “a cherry-picked view of a much larger safety framework” and said the company uses more than one tool to detect underage accounts, while taking action every time it finds an underage account.

    If we tell teens’ parents about their live videos, that will probably ruin the product from the start.
    — Mark Zuckerberg, Meta CEO, in 2016 email

    In court, the companies have argued that they are making editorial decisions permitted by the First Amendment,. That trial is set for June.

    The state court litigation moved into jury selection this week, increasing the pressure on social media companies.

    While the state and federal cases differ slightly, the core argument is the same: that social media companies deliberately designed their products to hook young people, leading to disastrous but foreseeable consequences.

    “It's led to mental health issues, serious anxiety, depression, for many. For some, eating disorders, suicidality,” said Previn Warren, co-lead counsel on the case in federal court. “For the schools, it’s been lost control over the educational environment, inability of teachers to really control their classrooms and teach.”

    A federal suit

    Meta and other companies have faced backlash for years over their treatment of kids on their platforms, including Facebook and Instagram. Parents, lawmakers and privacy advocates have argued that social media contributed to a mental health crisis among young people and that tech companies failed to act when that fact became clear.

    Those allegations gained new scrutiny last month when a brief citing still-sealed documents in the federal suit became public.

    While the suit also names TikTok, Snap, and Google as defendants, the filing includes allegations against Meta that are especially detailed.

    In the more than 200-page filing, for example, the plaintiffs argue that Meta deliberately misled the public about how damaging their platforms were.

    Warren pointed to claims in the brief that Meta researchers found that 55% of Facebook users had “mild” problematic use of the platform, while 3.1 percent had “severe” problems. Zuckerberg, according to the brief, pointed out that 3% of billions would still be millions of people.

    But the brief claims the company published research noting only that "we estimate (as an upper bound) that 3.1% of Facebook users in the US experience problematic use.”

    “That’s a lie,” Warren said.

    In response to recent interest in the suits, Meta published a blog post this month arguing that the litigation “oversimplifies” the issue of youth mental health, and pointed to past instances where it has worked with parents and families with features to protect kids.

    The federal case faced a key hearing this week, as the defendants argued that a judge should summarily dismiss the case. A decision on that motion is likely coming in the next few weeks, Warren said.

    Social media companies, like other web-based services, receive protection from some legal claims under a part of federal law. Section 230 of the Communications Decency Act gives legal immunity to website operators for potentially illegal content on their platforms.

    Mary Anne Franks, a legal scholar in First Amendment issues at George Washington University who has long studied Section 230, said rather than online content in and of itself, the recent social media cases are focusing on the design of the platforms and their marketing.

    “The litigation strategy is saying it's the way that you're providing that space and you're pushing this toward individuals that are vulnerable that is really an issue here,” she said. “It's your own conduct, not somebody else's.”

    The companies are making key decisions behind the scenes, she said, and could be held responsible for them.

    “You were manipulating things,” she said the plaintiffs are arguing. “You were deliberately making choices about what comes to the top or what is directly accessible or may be tempting to vulnerable users.”

    A California state trial begins

    Meanwhile, the related state lawsuit went to jury selection this week.

    The case, which makes similar claims about personal injury caused by the social media companies, has also drawn nationwide attention, and major industry figures like Zuckerberg are expected to appear on the stand.

    The personal injury case focuses on an unnamed plaintiff who claims to have had her mental health damaged by an addiction to social media.

    In a last-minute development this week, TikTok and Snap reportedly reached undisclosed settlements in the case. Meta and Google are continuing as defendants.

    Franks said these trials could be a tipping point in regulating how tech companies design and market their products. While the companies have faced scrutiny in the past, she said, the glare of examination at trial could be especially bright.

    “There's always been talk of it and the members of Congress have kind of said, ‘maybe we'll regulate you,’” she said. “I think now the platforms are really getting nervous about what this is going to mean if they look really bad on the stand.”

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.