One year after the fast-moving Eaton and Palisades fires destroyed more than 16,000 structures in the L.A. area, California is drafting the toughest statewide rules in the country for vegetation near homes.
Zone Zero: The idea, called Zone Zero, is to prevent plants and flammable items from igniting during a wildfire, spreading flames to the house and the surrounding neighborhood. In high winds, most homes burn down due to embers, the tiny bits of burning debris carried by the wind. In areas at risk of wildfires, homeowners could be required to clear some or all of the plants within five feet of their house, depending on what regulators decide. Well-maintained trees would still be allowed.
Public pushes back: Homeowners have voiced concerns about losing greenery and shade, as well as the cost of clearing the vegetation. Some say they believe plants and hedges saved their homes by acting as a buffer, though many scientific studies show that vegetation increases the risk a building will burn. The new defensible space rules would affect about 17% of buildings in California. But they could set a much bigger precedent across the West, as more states deal with wildfires growing increasingly destructive as the climate gets hotter.
Read on ... to learn more about the science and politics of Zone Zero.
A typical single-family house is encircled by green, its shrubs and plants sitting just under windows and hugging exterior walls. It's an image that California is trying to get homeowners to rethink as the state's risk of extreme wildfires grows.
One year after the fast-moving Eaton and Palisades Fires destroyed more than 16,000 structures in the L.A. area, California is drafting the toughest statewide rules in the country for vegetation. In areas at risk of wildfires, homeowners would be required to clear some or all of the plants within 5 feet of their house, depending on what regulators decide. Well-maintained trees would still be allowed.
The idea, called Zone Zero, is to prevent plants and flammable items from igniting during a wildfire, spreading flames to the house and the surrounding neighborhood. In high winds, most homes burn down due to embers, the tiny bits of burning debris carried by the wind.
Still, the pushback has been strong, even in the Los Angeles area neighborhoods where so many lost homes. In public meetings, homeowners have voiced concerns about losing greenery and shade, as well as the cost of clearing the vegetation. Some say they believe plants and hedges saved their homes by acting as a buffer, though many scientific studies show that vegetation increases the risk a building will burn.
The new defensible space rules will affect about 17% of buildings in California. But they could set a much bigger precedent across the West, as more states deal with wildfires growing increasingly destructive as the climate gets hotter.
High winds spread burning embers into Altadena during the Eaton Fire, leading to the fire's rapid spread through neighborhoods.
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Ryan Kellman
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"How we step up and do this is hard, but I think we have to adapt and change a bit if we're going to try to not keep losing our homes," says Michael Gollner, who runs the Berkeley Fire Research Lab at UC Berkeley.
Hundreds of tiny fires
When the Eaton Fire broke out the evening of Jan. 7, Richard Snyder was at his home in Pasadena, working on a slide presentation about wildfire risk. Snyder had spent more than 30 years in firefighting before retiring and now does wildfire risk consulting. So when he saw the smoke in the nearby foothills, driven by powerful winds, he knew it didn't look good.
"I know where the smoke is going is going to be where the fire is going, and I saw this smoke heading off into Pasadena," Snyder says.
He told his wife to evacuate and started telling neighbors to be ready. Snyder decided to stay. Although the fire itself was still more than a mile away, he knew the biggest danger was the glowing embers being blown into his neighborhood by the wind.
"And then it happened," he recalls. "There was a palm tree that lit off and showered our neighborhood with embers and it started a fence on fire at my neighbor's house. Myself and two other retired firefighters tried to put that fire out with garden hoses, and it wouldn't work. It was too hot and the wind was too strong."
In windy conditions, embers can rapidly spread a fire, landing in dry leaves in a roof gutter, bark mulch on the ground or even being sucked into an attic through a vent. Once that fire gets going, the extreme heat and embers help it spread to neighboring buildings.
"I'm looking over and I'm seeing my St. Augustine grass burning," Snyder says. "Who would have thought that green St. Augustine grass would start burning? There's hundreds of little tiny fires burning in the yards and next to the houses of my neighbors."
Several homes in Snyder's neighborhood were lost. His own survived, but with damage. While he says it was a shock, it wasn't surprising to him. For years, wildfire experts had been finding that houses are vulnerable to wildfires both because of the building materials they're constructed with and when something flammable is next to the house. The concept of Zone Zero focuses on the crucial zone within five feet of a structure.
"We're not going to stop the fires, but we can absolutely keep them from burning our houses down," Snyder says. "But it's a change."
Public meetings get heated
California regulators are creating rules for the "ember-resistant zone" next to houses under state law. The original deadline was 2023, but the effort flagged. After the Los Angeles fires, Gov. Gavin Newsom set a new deadline for the end of 2025. With all the debate, regulators pushed past that deadline and say they expect to keep working through March to gather more feedback.
The proposed rules would prohibit flammable items such as firewood, bark mulch, dead leaves and weeds within five feet of a house. Fences and gates would need to be made of metal or other non-combustible materials in that zone. The rules wouldn't go into effect for existing homes for three years and local fire agencies would have some discretion over tailoring it for their areas.
The sticking point is over green vegetation. Trees would be allowed as long as they're well-maintained, by keeping branches five feet above the roofline, for example. When it comes to plants, regulators are considering several options: only allowing potted plants in Zone Zero, allowing plants under 18 inches, or allowing any well-maintained plants with no dead material.
Steve Hawks of the Insurance Institute for Business & Home Safety inspects a home after the Eaton Fire. Embers caught a pile of flammable material, but the house's fire-resistant siding prevented it from spreading.
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The change isn't being welcomed by some California residents. In September, California's Board of Forestry and Fire Protection held a public hearing in Pasadena to gather feedback on the proposed rules.
"Our community just endured the most destructive residential fire disasters in modern history, yet this board is pushing Zone Zero policies that completely miss the mark," Jessica Rogers of the Pacific Palisades Resident Association said at the hearing. "My home and my neighbors' homes burned because of adjacent structures, not vegetation."
In the hours of public testimony, some residents spoke in support of clearing Zone Zero to prepare for wildfires that will inevitably come again. Other residents pushed back, worried that houses on small lots would lose too much greenery and shade, reducing wildlife habitat. Some raised concerns about the cost, since the new rules wouldn't include funding for landscaping work, though California is developing other programs for that. A few residents noted that in the aftermath of the fires, some plants were still left standing.
"I saw the well-hydrated hedges that I had planted protecting my house, acting as a fire catcher, essentially, because they were upwind," Pacific Palisades resident Martin Hak testified at the hearing.
"We know that not everyone will agree with every decision or aspect of what comes next," Board of Forestry and Fire Protection executive officer Tony Andersen wrote about the Zone Zero rules. "But we do know that many Californians agree that protecting our communities is not a passing fad or a momentary response."
The board also posted its responses to many of the questions raised at the hearings.
Do green plants burn?
"We don't really know how often plants can be 'protective' and provide a buffer for homes," says Max Moritz, wildfire specialist with the University of California Cooperative Extension at UC Santa Barbara.
The destruction in a wildfire can be a patchwork, with some homes and plants left standing directly next to others burned to the ground. In the aftermath, it's difficult to know when vegetation was responsible for spreading fire because the evidence is often completely destroyed.
Ember-driven wildfires can leave a patchwork of destruction behind. In Altadena, some buildings and vegetation were left intact, while others were destroyed
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Moritz is one of the few fire experts who say that green plants may not pose a risk to houses and that more research needs to be done. Greener plants, which hold water in their leaves, are harder to ignite. He agrees that some plants, like highly flammable juniper and cypress, should not be allowed, nor should plants with dead leaves or dry branches.
"The really important aspect to the plants is the dead material," he says. "If most homeowners are just going to let dead material accumulate in Zone Zero anyway, then it makes sense that there shouldn't be any plants in Zone Zero."
Other wildfire experts warn that in the hot, windy conditions of an extreme wildfire, all vegetation poses a potential threat.
"Just because a plant is very moist doesn't mean it's non-flammable," says Gollner of UC Berkeley. "Having a well-watered plant is less of a risk, but it's not no risk."
What makes things burn
Gollner runs a "burn lab" on campus, where his team studies how and why materials burn. There, they place a well-watered shrub inside a special chamber lined with sensors. They ignite a small bit of mulch under the plant. After a few minutes, the flames creep up into the base of the plant.
"You can see, once the flames touch the leaves, they immediately dry out and burn," he says.
Gollner says in a wildfire, if a neighbor's fence or shed is on fire, it can dry out and ignite the vegetation next to a home. If those plants are within Zone Zero, the fire can then reach a neighboring house. Even shrubs and hedges that look healthy on the outside are often dry and bare in the interior. At a recent California Board of Forestry meeting, Gollner's colleagues presented their recent experiments about how green plants can burn.
Other scientific studies show that vegetation is influential in wildfire risk. A team from the Insurance Institute for Business and Home Safety, a non-profit research group funded by the insurance industry, inspected damage at more than 250 homes in the Los Angeles fires. They found when Zone Zero had vegetation in quarter or more of it, the chances that a home was damaged or destroyed were almost 90%.
Michael Gollner watches a burn test in his lab at UC Berkeley. Green plants take longer to ignite, but he says leaves can dry out quickly in hot, dry conditions during a wildfire.
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Lauren Sommer
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Gollner and colleagues also looked at several of California's recent wildfires and used computer models to simulate those burns under different conditions. Their study found Zone Zero rules could have reduced structure losses by 17%. Another study looking at the 2018 Camp Fire and the 2017 Thomas Fire found having mostly vegetation within six feet of the walls was a big factor in whether the building was lost. Other studies have also shown the importance of defensible space.
Still, minimizing vegetation alone won't guarantee that homes survive. Wildfire experts say buildings need to be fire-resistant as well, a crucial factor in reducing fire risk. Many older homes have wood roofs, wood siding or single-paned windows, which are much more vulnerable to burning. Gutters need to be clear of dead leaves and attic vents need to be covered in a fine mesh, so embers don't get inside.
Homes built after 2007 in wildfire zones are required to meet California's building codes for fire-resistant materials, but most of the state's housing stock is older than that. Some vulnerabilities can't be changed, like when houses are built close together on smaller lots.
With wildfires, neighborhoods are only as strong as their weakest link. Once a fire starts, it can spread from house to house, so wildfire preparation is far more effective when an entire community fortifies itself — something regulators have cited as a reason for the new vegetation rules.
"It's a change of aesthetic, and it's incredibly difficult because it's people's private property," Gollner says. "But a wildland fire is unique amongst all catastrophes in that what your neighbor does directly affects you. We know that whatever we do, it's got to be across the community."
New TSA program looks to increase private security
By Bill Chappell | NPR
Published May 21, 2026 9:30 AM
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Scott Olson
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Topline:
Under the Transportation Security Administration's new program called TSA Gold+, private companies would play a much larger role in airport security than they have in decades.
More details: The agency is billing the program as an update to the Screening Partnership Program, or SPP, in which 20 U.S. airports currently use private security screeners rather than federal workers.
Why now: The agency says airports that opt into the program would be able to tailor security systems for their facility — and avoid the TSA staffing shortages that became a very public headache at airports during the recent government shutdown over Homeland Security funding.
Read on... for more on the program.
Federal officers handle security screening at all but a small fraction of U.S. airports, but the Trump administration is hoping to change that. Under the Transportation Security Administration's new program called TSA Gold+, private companies would play a much larger role in airport security than they have in decades.
The TSA is set to host officials from airports and security contractors to an "industry day" at its Springfield, Va., headquarters on Thursday, as it looks to develop TSA Gold+, a public-private program that the agency calls "transformative."
The agency is billing the program as an update to the Screening Partnership Program, or SPP, in which 20 U.S. airports currently use private security screeners rather than federal workers.
"TSA Gold+ marks a significant evolution in the agency's approach to aviation security," a TSA spokesperson told NPR via an emailed statement.
The agency says airports that opt into the program would be able to tailor security systems for their facility — and avoid the TSA staffing shortages that became a very public headache at airports during the recent government shutdown over Homeland Security funding.
It also says the program would bring "the latest technology" such as AI tools to airport screening operations, to increase capacity and cut wait times, although the agency did not specify how those gains would be achieved. From the details shared so far, the equipment would be the contractors' responsibility — a departure from the current SPP system, in which TSA controls the equipment and oversees the security contract. The TSA says it would perform the oversight role it currently does.
"Industry partners can manage equipment and introduce innovations, while travelers enjoy a smooth, predictable, and bespoke experience," the TSA said as it unveiled TSA Gold+.
Airports currently using the private Screening Partnership Program range from San Francisco and Kansas City to Sarasota, Fla., and Atlantic City, N.J., along with smaller facilities in Montana, Wyoming and other states.
Calls for privatizing airport security screening have come from President Donald Trump and Republicans in Congress, echoing a recommendation in the conservatives' Project 2025 handbook for a second Trump term. But there are also signs of bipartisan interest in some level of private control over airport security, as seen in Atlanta, where city leaders recently voted to explore joining the Screening Partnership Program.
Rep. Andrew Garbarino, R-N.Y., chair of the House Committee on Homeland Security, touted that bipartisan interest on Wednesday during a hearing on TSA Modernization. But Everett Kelley, president of the American Federation of Government Employees union, which represents TSA officers, said he opposes further privatization — including the TSA Gold+ program, warning that it would hamper accountability and transparency.
Under the new program, Kelley said, contract workers would earn less than TSA officers. He added that while many transportation security officers hold security clearances, under the new plan, the government "would be ceding direct operational control of the most sensitive technology in the aviation security enterprise to private vendors."
The White House budget released last month promises to save some $52 million by privatizing airport screeners and requiring small airports to enroll in the SPP.
But officials at the hearing urged lawmakers to preserve airports' ability to choose.
Chris McLaughlin, CEO of Dallas Fort Worth International Airport, noted that the SPP has been in place since aviation security underwent drastic changes following the Sept. 11, 2001, terrorist attacks, which led to the creation of the TSA and the SPP system.
"We've had federalized screening for 25 years, almost," McLaughlin said. "Large airports like San Francisco have had an SPP program for 25 years."
Both airports' arrangements work well for them, he told Garbarino.
"The system has been safe for 25 years," he said. "It's important that airports have options."
The new "Gold+" program echoes the Trump administration's promise to bring a "golden age of travel" to the American public. Department of Transportation Secretary Sean Duffy touted those plans earlier this week, as he unveiled $970 million in funding to improve passengers' experiences at airports, from adding family-friendly security screening lanes to improving restrooms and children's play areas.
The money for those projects comes from the Infrastructure Investment and Jobs Act, a Biden-era law aiming to update airports' aging infrastructure.
Copyright 2026 NPR
May gray skies return this morning for coasts and some valleys.
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Mel Melcon
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Los Angeles Times via Getty Images
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QUICK FACTS
Today’s weather: Cloudy beaches sunny elsewhere
Beaches: Mid-70s
Mountains: Mid-70s to 80s
Inland: 83 to 91 degrees
Warnings and advisories: None today
What to expect: A marine layer will cover SoCal coasts today, bringing some cooling to the region. Elsewhere expect mostly sunny skies and highs around the mid 80s.
Read on ... to learn more.
QUICK FACTS
Today’s weather: Partly cloudy then sunny
Beaches: lower 70s degrees
Mountains: Mid-70s to 80s
Inland: 83 to 91 degrees
Warnings and advisories: None today
A marine layer will cover mostly the coastal areas today, lowering temperatures a degree or two. Otherwise expect a sunny afternoon elsewhere across SoCal.
L.A. County beaches will see temperatures in the lower 70s today, whereas Orange County could reach up to 79 degrees along the coast.
More inland, the valleys will see highs in the mid 80s. The Inland Empire will see highs from 83 to 91 degrees. In Coachella Valley, temperatures are expected to reach up to 100 degrees.
Keep up with LAist.
If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.
Fleet Week, Exit the King at A Noise Within, the UCLA JazzReggae Festival, MAINopoly in Santa Monica and more of the best things to do this Memorial Day weekend.
Highlights:
Tour the U.S.S. Iowa and check out the three visiting battleships at San Pedro’s Pacific Battleship Center during L.A.’s annual Memorial Day weekend Fleet Weekon the waterfront. Plus, there are exhibits to walk through, food stands to try, and music for the whole family.
The name of this Eugène Ionesco classic alone — Exit the King— should give you some sense of where the always-on-point folks at A Noise Within were going when they chose it at this moment. The political satire borders on the absurd, with the L.A. Times likening the vibrant characters to “those in a deck of wild cards designed by Salvador Dalí.”
The nouveau bard of Kansas City, Kevin Morby, returns to his once-adopted hometown of Los Angeles on the heels of his newest release, Little Wide Open. Brooklyn-based Liam Kazar opens for him at The Wiltern.
Eat your way down Main Street in Santa Monica at MAINopoly, the annual Monopoly-themed food festival, which will allow drinks while you walk and eat thanks to a new city permit. The popular food-and-bar stretch near the beach is experiencing a little revival with the reopening of dive bar favorite Circle Bar, plus newish hot spots like Triple Beam Pizza and June Shine.
Happy long weekend! The Late Show with Stephen Colbert plays the funnyman’s swan song tonight, so my calendar is booked to stay up past my bedtime. Closer to home, the Yoko Ono exhibit (which comes to us straight from the Tate Modern in London) opens just in time for Memorial Day weekend, so watch this space for more on that.
There’s music for lovers of every genre this week, according to our friends at Licorice Pizza. On Friday, Yungblud and special guests Warning rock the Greek, and Dethklok plays the Palladium; jazz trumpeter Chris Botti begins his residency at the Blue Note.
Saturday, Bright Eyes performs I’m Wide Awake, It’s Morning and Digital Ash in a Digital Urn in their entirety at the Hollywood Bowl with openers the Moldy Peaches; American Football is at the Wiltern; Belgium’s Ultra Sunn plays the Belasco; Italy’s Mina is at the Echoplex; DJ KSHMR plays the Palladium; and then, for a different sort of “Kashmir,” Jason Bonham’s Led Zeppelin Evening takes over the Greek.
On Sunday, brush your teeth with a bottle of Jack for the millennial dance party of the week at the Forum with Kesha, Chromeo and Sizzy Rocket. There’s also the big Day Trip afternoon concert at L.A. State Historic Park with Joseph Capriati, Toman and Cole Terrazas. For a more mellow Sunday, singer-songwriter Katelyn Tarver is at the Echoplex, R&B singer-songwriter Eric Bellinger plays the Novo, or classic crooner Paul Anka is doing it his way at the Cerritos Center for the Performing Arts.
Through Monday, May 25 Pacific Battleship Center 250 S. Harbor Blvd., San Pedro COST: FREE; MORE INFO
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Courtesy L.A. Fleet Week
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Tour the U.S.S. Iowa and check out the three visiting battleships at San Pedro’s Pacific Battleship Center during L.A.’s annual Memorial Day weekend Fleet Week on the waterfront. Plus, there are exhibits to walk through, food stands to try and music for the whole family. Not to mention those cute sailors in their whites.
Topanga Days
Saturday to Monday, May 23 to 25, 10 a.m. to 7 p.m. 1440 N. Topanga Canyon Blvd., Topanga COST: ADULTS $31.80; MORE INFO
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Fadeout Media
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Topanga Days
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Topanga Days is the easiest way to time-travel back to a simpler time when folk musicians roamed the hills, winning a yodeling contest was the biggest bragging right and you spent all year coming up with your parade costume. Those days are here once a year at Topanga Days, headlined on Saturday by New Orleans icon Cyril Neville and peppered with cherry-seed-spitting and bubble-gum-blowing contests, tons of other music, food, and, of course, the parade.
Exit the King
Through Sunday, May 31 A Noise Within 3352 E. Foothill Blvd., Pasadena COST: FROM $49.75; MORE INFO
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Craig Schwartz
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Lucy PR
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The name of this Eugène Ionesco classic alone — Exit the King — should give you some sense of where the always-on-point folks at A Noise Within were going when they chose it at this moment. The political satire borders on the absurd, with the L.A. Times likening the vibrant characters to “those in a deck of wild cards designed by Salvador Dalí.”
K-Expo
Saturday and Sunday, May 23 to 24 L.A. Live 1005 Chick Hearn Court, Downtown L.A. COST: FREE; MORE INFO
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Courtesy BLND PR
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K-Pop fans will flock to the K-Expo at L.A. Live, where you can see free exhibitions and events featuring 100 Korean brands and companies across content, beauty, food and technology all weekend long. Stick around Saturday night and grab a ticket (from $47) to the mega K-Pop concert at the Peacock Theater, featuring Jay Park and P1Harmony.
MAINopoly
Sunday, May 24, 1 p.m. Main Street, Santa Monica COST: FROM $28.01; MORE INFO
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Courtesy MAINopoly Santa Monica
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Eat your way down Main Street in Santa Monica at the annual Monopoly-themed food festival, which this year will allow drinks while you walk and eat thanks to a new city permit. The popular food-and-bar stretch near the beach is experiencing a little revival with the reopening of dive bar favorite Circle Bar, plus newish hot spots like Triple Beam Pizza and June Shine. I also heard a rumor that something new is finally coming into the old World Cafe space (!!).
Arroyo Secodelic Festival
Friday to Monday, May 22 to 25 Various locations, Highland Park COST: VARIES; MORE INFO
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Courtesy Arroyo Secodelic
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As LAist's Robert Garrova reports, a new four-day music festival takes over Figueroa Street in Highland Park this weekend. The Arroyo Secodelic Festival will feature 65 bands, with acts hailing from Los Angeles, Mexico and as far as France and Holland. Highlights include Flamin' Groovies, Fear and Adolescents.
Angel City Chorale Spring Concert
Sunday, May 24, 4 p.m. Redondo Beach Performing Arts Center 1935 Manhattan Beach Blvd., Redondo Beach COST: FROM $17; MORE INFO
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Mel Stave Photography
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Angel City Chorale
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Enjoy the healing sounds of Angel City Chorale as they perform a new show with the theme "The Red Thread" as “a tribute to the beloved age-old parable and celebration of the invisible threads that connect as humans, our hopes, joys, resilience in the face of adversity, connection to nature and a shared planet Earth.”
Kevin Morby
Friday, May 22, 8 p.m. The Wiltern 3790 Wilshire Blvd., Koreatown COST: $50-$60; MORE INFO
Kevin Morby plays the Wiltern on Friday.
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Jim Bennett
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Getty Images
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The nouveau bard of Kansas City returns to his once-adopted hometown of Los Angeles on the heels of his newest release, Little Wide Open. Morby's latest effort might be his most realized, fully embracing the Technicolor sweep of his indie-Americana sound — striking the sonic equivalent between a Terrence Malick film and Robert Frank's roadside photographs, seen through a passenger car window of a cross-country train. This time, Morby tapped Aaron Dessner of The National to serve as producer — who has most recently done the same for Taylor Swift, Gracie Abrams and Sharon Van Etten — alongside a constellation of collaborators, including Justin Vernon, Lucinda Williams, Katie Gavin, Mat Davidson and Meg Duffy. Brooklyn-based Liam Kazar opens. –Gab Chabrán
UCLA JazzReggae Festival
Monday, May 25, 11 a.m. to 6 p.m. UCLA Wilson Plaza COST: $26.14; MORE INFO
Three little birds told me to get down to the UCLA JazzReggae Festival on Memorial Day. The yearly music fest draws students and neighbors alike for a full day of sunshine, food, music and jammin’. The fest is fully organized and run by student volunteers, and has been since its founding 40 years ago.
Forest Lawn Memorial Day remembrances
Monday, May 25 Various locations COST: FREE; MORE INFO
Forest Lawn in Glendale is one of several locations hosting Memorial Day events.
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David McNew
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Getty Images
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Honor veterans across Los Angeles as Forest Lawn hosts Memorial Day remembrances at each of its six Southern California locations: Cathedral City, Covina Hills, Cypress, Glendale, Hollywood Hills and Long Beach. The parkwide events will celebrate the lives of those who served, with patriotic music, wreath layings, presentations and retirings of the flag, keynote addresses, presidential proclamations, invocations, giveaways, coffee and sweet treats. All events will include American Sign Language interpreters.
Monica Bushman
produces arts and culture coverage for LAist's on-demand team. She’s also part of the Imperfect Paradise podcast team.
Published May 21, 2026 5:00 AM
Edward Furlong and Arnold Schwarzenegger in a scene from the 1991 film 'Terminator 2: Judgment Day.'
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via film-grab.com
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Topline:
Terminator 2: Judgment Day is back in select theaters this weekend, in celebration of the movie’s 35th anniversary. Considered one of the best action films and best sequels of all time, it’s also celebrated among film experts for its groundbreaking use of CGI visual effects — most notably for the T-1000 character, a liquid metal cyborg masquerading as an LAPD officer.
Where to see the film in LA: American Cinematheque, The Academy Museum and The Vista are hosting screenings of Terminator 2: Judgment Day starting on May 22, but they’re already selling out. Additional screenings are on May 29 at Los Feliz 3, May 30 at Aero Theatre in Santa Monica and June 6 and 7 at The Vista in Los Feliz.
Read on ... for behind-the-scenes details from the film's Oscar-winning visual effects supervisor.
You could call it a fulfillment of Arnold Schwarzenegger’s famous promise from the first Terminator movie in 1984: “I’ll be back.”
Terminator 2: Judgment Day (1991), the bigger budget, multi-award winning follow-up to that first film is coming back to theaters in Los Angeles starting this weekend, in celebration of the film’s 35th anniversary.
Considered one of the best action films and best sequels of all time, it’s also celebrated among film experts for its groundbreaking use of CGI visual effects — most notably for the T-1000 character, a liquid metal cyborg masquerading as an LAPD officer, played by Robert Patrick.
Where to watch ‘T2’ on the big screen
While the American Cinematheque’s first two 35th anniversary screenings of Terminator 2 are already sold out, as of this article’s publishing time, tickets to screenings on May 29 (at Los Feliz 3) and May 30 (at Aero Theatre in Santa Monica) are still available.
Tickets for screenings on May 22 at The Ojai Playhouse and June 6 and 7 at The Vista in Los Feliz are also still available, and Rialto Pictures also lists screenings on July 2-5 at The Frida Cinema in Santa Ana.
And while the screening at The Academy Museum on May 27 (with the film’s Oscar-winning visual effects supervisor Dennis Muren in person) is sold out, we have you covered with some highlights from Muren’s interview with LAist below.
Making the impossible possible with CGI
Terminator 2, director James Cameron’s follow up to his surprise 1984 hit, The Terminator, was the first (and still only) movie in what would become the six-film Terminator franchise to earn an Oscar win or nomination.
Ultimately, the film took home four Oscars — for visual effects (for Dennis Muren, Stan Winston, Gene Warren, Jr. and Robert Skotak), makeup, sound, and sound effects editing — and also earned nominations for cinematography and film editing.
The visual effects studio responsible for the T-1000 character’s CGI effects was Industrial Light & Magic (ILM), founded in 1975 by Star Wars creator George Lucas. Dennis Muren headed up their Terminator 2 team, which consisted of about 35 artists.
Muren remembers first being taken with visual effects at the age of 6 or 7, watching The War of the Worlds (1953) in Los Angeles. He made his first film — a “creature feature” called Equinox — the summer between his freshman and sophomore years at Pasadena City College, and would go on to work for ILM on visual effects for movies like Star Wars, Indiana Jones, Terminator 2, Jurassic Park, and (fittingly) the 2005 version of War of the Worlds.
A scene from 'Terminator 2' (1991).
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via film-grab.com
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ILM and Muren began development on the CGI techniques that would be needed to pull off Terminator 2’s T-1000 character in movies like 1985’s Young Sherlock Holmes and 1989’s The Abyss, which was also directed by James Cameron.
“ILM has been so good at being able to really do the impossible,” Muren said. “And we kind of joke about that, but we've got many different ways of doing things.”
When the opportunity for Terminator 2 came up, Muren had also just returned from a year-long sabbatical he spent studying computer graphics, and said he was confident ILM had the tools needed to make the T-1000 character a reality.
“We were ready to input the film digitally,” Muren explained. “[To] do all the manipulation in a computer instead of with optical film running through printers and going to labs for processing.”
And when ILM got that digital system for “compositing” — combining live-action images, practical and CGI effects — working seamlessly, Muren says, “That was an incredible tool.”
But that didn’t mean that pulling off a shiny, shape-shifting, liquid metal character successfully would be easy.
“It's just complicated,” Muren explained. “You've just got this reflective material [and] how are we supposed to be able to see depth or shape when it's deforming?” But at the same time, Muren said, “that's what was exciting about it.”
Muren says the trickiest scene for the team to figure out is when the T-1000 walks through a cell door made of metal bars. While it happens in a matter of seconds on screen, it amounted to 14 to 16 weeks of work for the visual effects team.
“I always said that shot, even as we were doing it, and we got close to finishing, I said, ‘This is an absolutely impossible shot,’” Muren explained. So when they got it right, he said, “It was like a new world.”
Today, while he says Jurassic Park (1993) is the film he’s now asked about most often, he always reminds people: “T2 was really the breakthrough film.”
