The Brief

The online education platform Canvas went offline after a data breach on Thursday, temporarily leaving students and faculty at thousands of U.S. colleges — and K-12 schools — without access to course materials and communications during finals period.

"I'm sure somewhere in the country when the outage happened, there probably were people actually taking final exams on the platform when it crashed," says Damon Linker, a senior lecturer in political science at the University of Pennsylvania.

Thirty million users — including at half of the higher education institutions in North America — rely on Canvas to manage courses, submit assignments, view grades and facilitate communication, according to its parent company, Instructure.

But when Linker and many other users tried to do so on Thursday afternoon, they met a black screen and a warning message.

"ShinyHunters has breached Instructure [again]," it read. "Instead of contacting us to resolve it they ignored us and did some 'security patches.'"

ShinyHunters is the same entity that took credit for a massive Ticketmaster data breach in 2024. Like many such groups, it's a cluster of young people working remotely together, "kind of like a ransomware gang," says Rachel Tobac, the CEO of SocialProof Security, which trains people and companies to defend themselves against hackers.

ShinyHunters wrote on a threat intelligence website earlier this week that the initial breach on Saturday involved data — including private messages — from 275 million students, teachers and staff at nearly 9,000 schools worldwide. The group said Thursday that affected schools can prevent the release of their data by consulting with cyber advisory firms and negotiating settlements through the encrypted chat platform Tox.

"You have till the end of the day by 12 May 2026 before everything is leaked," the hackers wrote.

Instructure has confirmed a series of cybersecurity breaches this week and provided status updates on its website. It said the breach only appeared to involve identifying information like names, email addresses, student ID numbers and user messages — no passwords, birth dates, government identifiers or financial information.

Instructure confirmed on an FAQ page that it started an investigation after it first detected unauthorized activity in Canvas on April 29, and took Canvas offline on Thursday after that same unauthorized actor "made changes that appeared when some students and teachers were logged in." They said the actor exploited an issue with its Free-for-Teacher accounts, which it has temporarily shut down.

"This gives us the confidence to restore access to Canvas, which is now fully back online and available for use," it said in a statement to NPR. "We regret the inconvenience and concern this may have caused."

It's not clear whether Instructure paid a ransom or what the return of Canvas access could mean for the hackers' May 12 deadline.

Tobac says Canvas could be back online because of a successful negotiation, or because the hackers "didn't get super far in their attack." Either way, she says users should stay vigilant, especially for phishing messages — whether it's someone posing as Canvas prompting a password change, or pretending to be a professor sending course materials.

"I would operate under the assumption that there's going to be some knock-on effects here," she says.

Not everyone got back online immediately 

Just before midnight on Thursday, Instructure posted online that "Canvas is now available for most users," though two separate services, Canvas Beta and Canvas Test, remained in maintenance mode.

Students and faculty at at least some schools were still unable to access Canvas on Friday — either because service had not yet been restored or because administrators warned them to stay away.

Penn State University, for example, said Friday morning that while the school's Canvas access had been partially restored, it was "not yet ready for use."

"Technical teams at Penn State are actively working to prepare the system for our community," it added. "As access is restored, Canvas integrations and related services will be brought back online in phases."

Several schools have taken similar approaches, either temporarily disabling Canvas access or outright asking users to steer clear. The University of California said across its schools, "Canvas access will not be restored until we are confident the system is secure."

And it's not just higher education: The Montgomery County Public School system in Maryland alerted families on Friday morning that even as service returned, it is "continuing to test and review systems before restoring access."

Tobac says this could mean that schools think the attackers might still be within their systems, potentially stealing information like passwords and messages.

"The attackers probably got some sensitive information and … [schools] don't want this information out online," she says.

Many schools are urging users to be on high alert for any unsolicited emails or messages that appear to come from Canvas, especially those requesting login credentials, as Georgetown University warned. The University of Amsterdam — which says it's one of 44 Dutch educational institutions affected — also recommends people change their passwords on any other sites where they use the same one.

Tobac also recommends using a password manager — to generate long, random passwords for each login — and turning on multi-factor authentication for all online accounts, not just Canvas. She says any student or professor who gets a suspicious call, text or email should "use another method of communication to verify what is authentic."

"Even if there was no breach yesterday, I would say these are the things that I recommend you do," she adds, urging people to "be politely paranoid."

The breach disrupts finals, highlights vulnerabilities

Several schools affected by the breach have already postponed or outright scrapped some final exams, with others warning students and professors that they might need to do so.

The University of Illinois is postponing all final exams and assignments scheduled through Sunday. Penn State canceled certain exams scheduled for Thursday night and Friday, saying it was working with faculty to "determine next steps for final grading" and urging students to check their emails (not Canvas) regularly in the meantime. And Baylor University delayed Friday exams and asked all faculty to send students "whatever study materials they have on their local computers to students as soon as possible."

The breach has underscored how much of academia relies on a single, centralized platform.

Linker, of UPenn, told NPR that he received an influx of panicked messages from students on Thursday afternoon when they suddenly couldn't access PowerPoints, readings and previous exams as they tried to study for Monday's final.

"The problem with using a platform like Canvas is that most [students] are not going to have the readings available printed out or on their laptops," he explains. "It all lives on the online platform, and if that platform goes down, they have no way to access them."

He told students on Thursday that he would upload the course materials to another platform (like Dropbox or Google Docs) if Canvas access wasn't restored by Friday morning. Fortunately, he says, it came back online shortly before 9 a.m. ET.

But Linker says he has concerns about relying fully on Canvas in the future.

"Given what this has exposed, the vulnerability involved and also the concern with the data breaches, I'm starting to rethink whether this is really a wise way to proceed," he says.

One example of that is grading. Linker says Canvas makes it so easy to calculate and weigh students' scores — on individual assessments and overall — that it's come to function as a digital grade book. Going forward, he says he may start keeping an analog record of students' grades just in case.

While Canvas does have competitors like Blackboard, Linker says he doesn't think any would be less vulnerable to a future breach. And Tobac agrees.

"The problem is not that this one website had this cyber event, right? Because nothing in this world is unhackable," she says. "The thing that we have to think about is disaster recovery: How do we continue doing business when there is a cyber event, and how do we do our very best to keep the bad actors out?"

Tobac says this week has shown that many institutions did not have a clear plan for how students and professors can be in touch and access course materials without Canvas. She said those plans should vary based on schools' different circumstances and schedules — which might explain why some are proceeding with finals as usual while others are scrapping exams altogether. But she'd like them to approach the immediate aftermath with one common goal.

"We have to treat people with dignity and respect," Tobac says. "And I hope that that is something that the institutions do, within their timelines and constraints."
Copyright 2026 NPR

A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost their gear in fires.

Now he’s doing that with vinyl records, too.

“We want to be here to help replace those items and support music in people’s lives that can’t necessarily afford it right now because they’re saving all their pennies just to live and also just to rebuild their homes,” Jay told LAist.

Jay says they’ve seen roughly 3,000 records donated so far. Now they have a dedicated space on Lincoln Avenue where fire survivors can sign up for time slots and shop for up to 10 records a month.

“It’s a really lovely distraction but it kind of keeps me going as well just to know that we’re trying to build something great for the community and keep us all moving forward,” Jay said.

The store will carry copies of the benefit album, Gimme Shelter: Songs for LA Fire Relief. The compilation features cover art by Shepard Fairey and L.A. specific tracks from artists like Elliott Smith ("Angeles" of course), Norah Jones, The Flaming Lips, as well as a cover of "Burning Down the House" by Talking Heads performed by Jay and about 50 other fire-impacted musicians.

Reggae star Ziggy Marley has spent decades carrying one of music’s most celebrated legacies. But until now, he had never written a song directly about his father, Bob Marley.

That’s changed with “Many Mourn for Bob,” a track on Marley’s ninth solo album Brightside, his first release recorded in his new studio in North Hollywood.

Marley was just 12 when his father died of cancer in 1981. Now 57, Marley says the song instinctually emerged after years of life experience and producing the biopic One Love, which revisited his father’s struggles like an assassination attempt amid political violence in Jamaica.

“He went through some things that was really tough on a human being – and just understanding him in that light is to have a little bit more emotional, deeper connection to his experience,” Marley said in an interview at his studio.

Searching for the bright side

The deeply personal track is part of a splashy return for Marley, who's touring behind Brightside and will perform at the Hollywood Bowl on June 21.

The new album blends political themes, optimism and musical experimentation.

Its lead single, “Racism Is a Killa,” featuring Big Boi, pairs the heavy topic with an upbeat groove that he hopes will make the song more accessible to young people.

“We just wanna come out straightforward, like I never want to come out tiptoeing,” Marley said. “I want to say something that can catch your ears or catch your thoughts.”

That tension between darkness and hope runs throughout Brightside. Marley described the album as a reflection on enduring difficult periods – from the pandemic to the Los Angeles wildfires – without losing sight of optimism.

“Sometimes we get lost in that so much that we don't realize that there is always a bright side,” Marley said.

The 432 Hz experiment

The album also experiments sonically: Marley recorded Brightside using 432 hertz tuning instead of the standard 440 hertz in most mainstream music. Advocates of 432 hertz believe it produces a warmer, more meditative sound better synced to the natural world. (You can hear the difference for yourself here.)

“It's a lower musical frequency, but it's a higher frequency in a next sense of your spirituality and emotion,” he said. “So even though the numbers go down, the frequency actually go up.”

Marley sees the move as part of a larger search for new creative approaches.

“I'm very open-minded and always trying to evolve and just experiment with life and music,” Marley said.

The Grammy winner, who joins James Blake and Ed O’Brien of Radiohead as the most high-profile artists to record at the lower frequency, floated the idea of a larger movement among artists.

“Let's just have a revolution in the music industry,” he said. “Let's change the frequency.”

Building a dream

Marley works out of his Rebel Lion Studio in North Hollywood, its name a nod to his 2018 album Rebellion Rises while also a play on the word “rebellion.”

He described the studio as an extension of the independent spirit his father built with Tuff Gong Studio in Jamaica.

Musicians set up for rehearsal ahead of the next leg of Ziggy Marley's tour.

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“My father had a dream, and I had a dream too,” Marley said.

Like with Tuff Gong, Marley also plans to expand the studio operation to include vinyl pressing as records continue their resurgence in the streaming era.

“There’s always gonna be a vinyl present going on,” Marley said. “A thousand years from now, people that we're still gonna need vinyl records to listen to music.”

Ziggy Marley in the hallway of his new studio in North Hollywood.

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For years, Marley said, he worked out of smaller home setups and rented facilities before deciding to build a larger permanent space in L.A.

Marley said the city has become central to his own creative evolution over the last two decades of living and working here.

Drawn initially by music, friends and the city's small but tight-knit Jamaican community, he says being surrounded by creatives from different backgrounds helped push his artistry in new directions.

“I left my safety and my community, my tribe, and come out by myself to L.A.,” he said. “But it's a great experience. It really helped my growth as a human being being here.”

What’s next

Fresh off the release of Brightside, Marley says he’s already working on another album – a notably quicker turnaround since his last album, the family-music release More Family Time in 2020,

“We're doing back to back,” he said.

Ziggy Marley will be performing at the Hollywood Bowl on June 21 as part of a tour supporting his new album Brightside.

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He’s also busy writing a children’s book based on his feel-good hit anthem “True to Myself” and eyeing opportunities in front – or behind the camera – inspired by his time working on One Love and making the video for “Racism Is A Killa.”

“Same philosophy, same message, but within visuals, you know?” Marley said excitedly. “I want to create some stories and try out. I feel it coming. I can feel it.”

A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half.

The ad hoc committee on Measure ULA voted 2-1 to set aside a proposal by Councilmembers John Lee and Marqueece Harris-Dawson that would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

However, the ballot measure proposal was also referred to the City Council’s rules, elections, and intergovernmental relations committee, which could still choose to move it forward.

Instead, the ad hoc committee advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects.

The pilot program won't need voter approval in the form of a ballot measure. Committee Chair Ysabel Jurado, who introduced the substitute language, said she believes the city should avoid a ULA ballot measure because it’s still too early to evaluate the measure’s long-term effects.

“ I'm against going to the ballot, but I'm for making fixes that make this better,” Jurado said.

Voters will see a separate proposal on their ballots by the Howard Jarvis Taxpayers Association to effectively repeal Measure ULA.

If the L.A. City Council does not approve reforming the measure, the only decision on the ballot in November may be whether to keep the mansion tax in its current form or end it.

About the mansion tax

L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department.

The city projects it will generate about $500 million in the coming fiscal year — about half of what proponents initially promised. It has funded about 800 new affordable units and helped stabilize thousands of renters facing eviction, according to the housing department.

But critics say the tax has suppressed housing development. Several studies link the tax to a slowdown in apartment construction in Los Angeles, but ULA supporters say high interest rates and broader economic conditions are to blame.

The City Council's ad hoc committee on Measure ULA was formed earlier this year to study how the measure is working and develop potential reforms. That work took on more urgency inside L.A. city hall after the Howard Jarvis Taxpayers Association qualified a statewide ballot measure for November that would effectively repeal Measure ULA entirely.

Joe Donlin, director of the United to House LA coalition, which campaigned for the original measure, said the City Council committee made the right call by rejecting broader exemptions.

“By not taking up the extreme calls for broad, 15-year waivers that could cost the program about a third of its revenue, the committee acknowledged that ULA is working,” Donlin said in a statement.

A separate group of housing developers, union workers and advocacy groups calling itself the “Mend It, Don’t End It” coalition has been urging city hall to make changes to ULA. On Friday, the group said it supports the measure, but believes targeted reforms are still needed.

“Independent research shows that Measure ULA has slowed housing production in Los Angeles at a time when we need more housing, not less,” said Melanie Mendoza, a coalition spokesperson.

What the data show

The debate over ULA's impact played out in the committee room Friday morning. The city's chief legislative analyst reviewed seven independent studies on ULA’s impact. Three of those studies concluded ULA had suppressed housing production and reduced property tax revenues, while four found no meaningful negative impact.

Before ULA took effect, Los Angeles collected about $22 million a month in transfer tax. After that, it dropped to about $13 million. But city legislative analyst Henry Flatt told the committee a similar decline happened in cities without the tax, including Glendale, Long Beach, Pasadena and Santa Clarita.

“We are not currently convinced that Measure ULA has had an extremely negative impact on general fund revenues,” Flatt told the committee.

The county assessor's office read the same period differently. Scott Thornberry, an assistant assessor with L.A. County, told the committee that commercial and industrial property sales are falling in the city but not elsewhere in the county.

“We are seeing, we believe, a trend line of impact to property tax revenue growth in the city of L.A. specifically," Thornberry said.

What the committee did

Instead of the ballot measure, the committee voted to develop a five-year pilot program cutting the ULA tax to 1.5% for newly constructed affordable housing projects that meet specific requirements.

Lee, whose ballot measure was replaced with language advancing the pilot program, said he hadn't seen the substitute prior to Friday’s meeting and voted against it.

“This was just placed in front of me,” he said. Lee objected to a provision in the substitute recommendations calling for $30 million in new spending on homelessness support.

“Without knowing where this money's coming from, I'm going to have to vote no,” he said.

Lee told LAist he supports stronger oversight and technical improvements to Measure ULA, but believes a ballot measure is the right approach.

“Voters deserve the opportunity to consider targeted changes that would preserve the intent of the measure while addressing its unintended impacts on housing production and real estate activity in Los Angeles,” the councilmember said, in a statement.

Friday's meeting was the committee's final scheduled hearing. The committee, which is set to dissolve June 1, also voted to advance a narrower nonprofit tax refund limited to organizations that can prove all sale proceeds went directly to affordable housing.

The committee continued a separate motion on fire exemptions for Palisades fire victims, which will be heard by another council committee. A motion to loosen eligibility rules for the ULA Citizens Oversight Committee was noted and filed.

Councilmember Imelda Padilla, who introduced several of the committee's motions, said the process had been guided by a commitment to protect the measure.

"My goal has always been to listen carefully, bring people into the conversation, and protect ULA while honoring the voters' intent," she said at Friday’s meeting.

In her closing remarks, Jurado reflected on the three-member committee’s past work.

“We released $14 million in rental assistance to the most vulnerable Angelenos and $300 million for affordable housing,” she said. “We did in six or seven meetings what others couldn't do in five years.”

The ad hoc committee's recommendations now move to the full City Council.

Harris-Dawson and Lee’s ballot measure motion will be considered by the City Council’s rules committee at a later date, officials said.

Monsterpalooza, the annual movie-monster bash for horror fans, returns to the Pasadena Convention Center this weekend, starting Friday night (May 29) and lasting through Sunday.

What to expect

Now in its 18th year, devotees can rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at practical effects that’ll make your flesh creep.

Dozens of panels and presentations are scheduled, including a deep-dive into the 95th anniversary of the Dracula and Frankenstein movies by writer Julian David Stone.

Writer Julian David Stone gives a presentation at a past Monsterpalooza event.

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Stone said that the two classic movies have left a lasting impact.

“Dracula is a movie about supernatural horror..... and Frankenstein is about technological or man-made horror," he said. "You can just trace those two themes all the way forward to this past year with Sinners and Megan 2.0."

Richard Redlefsen's Armageddon Rat at the PPI Booth at a past Monsterpalooza.

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Stone first attended the convention in 2008, returning over the years as a fan, spectator and presenter.

“It’s just a terrific convention that celebrates all things horror,” Stone said. “There’s a lot of celebrities you can meet who were in these horror films and you can get pictures with them." He added that he’ll never forget when he met Carla Laemmle in 2010 — the last living cast member of the original 1931 Dracula.

Mike Mekash and Chris Nelson re-created Twisty the Clown on Dan Gilbert at the PPI Booth at a past Monsterpalooza.

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Who's attending

If you’re jonesing to be photographed with high-profile entertainers (expect a fee for many), this year's event has a line-up that includes musician Alice Cooper, actress Lin Shaye from the Insidious movie franchise and David Howard Thornton, who plays Art the Clown in the popular Terrifier movie series.

Cosplay and crazy costumes are encouraged, although a T-shirt celebrating a classic horror movie will also do. Just come ready to adore all things that gnaw and gash.