The Brief

Barbenheimer's day is done. Oppenheimer's night is here.

At any rate, that is how awards season has been playing out in the lead-up to Sunday's 96^th Annual Academy Awards (on ABC at 4:00 p.m. PDT).

Greta Gerwig's living-doll of a Barbie movie handily won the hot-pink vs. dark-brooding competition at the box office, raking in $1.4 billion as the year's biggest smash while also dominating the year's memes and becoming the most successful woman-directed film in history.

Now though — if the Golden Globes, Critics Choice, BAFTA and Hollywood's guild ceremonies are any indication — it will be Oppenheimer, Christopher Nolan's IMAX portrait of the father of the atom bomb, that'll be raking in the gold statuettes.

Timing, diversity and (hopefully) more viewers

Host Jimmy Kimmel will start the evening's festivities at the Dolby Theater an hour earlier than usual, one of several strategies the Academy of Motion Picture Arts and Sciences is employing to lure TV viewers back to something approaching pre-pandemic (30 million+) levels. (The last three years have averaged less than half that.)

There's reason for optimism: the biggest predictor of viewership has always been whether audiences have seen the nominees, and this year, with two of the most popular films of 2023 in the running for best picture, and with both of them and all their fellow nominees already available on streaming — the telecast is as well positioned as it has been in decades.

In a new wrinkle, this year's best picture nominees were required to fulfill at least two of four previously optional diversity-and-inclusion standards the Motion Picture Academy instituted after being stung by years of #OscarsSoWhite hashtags and a freshly minted #OscarsSoMale hashtag at its 2020 telecast.

The aim is to expand participation by historically under-represented groups on and off-screen. And while the standards aren't particularly difficult to meet – of the 321 films eligible for Oscars, 265 qualified under the new requirements for Best Picture consideration – there is demonstrable diversity among nominees this year.

This could also be due to the Academy's enlarged and broadened voting membership — almost 11,000 people (up from 6,261 in 2012) from 93 countries — with substantial increases in the percentage of women and persons of color over previous years.

Anecdotal evidence that this might be helping:

• Four of the year's best picture nominees (Killers of the Flower Moon, Anatomy of a Fall, Past Lives, and Zone of Interest) are at least partly not in English.
• Seven of the 20 acting nominees are performers of color, with the best actress category already precedent-setting for the presence of Lily Gladstone, the first Native American acting nominee in Oscars history.
• GLAAD issued a statement praising the nominations of Rustin's Colman Domingo and Nyad's Jodie Foster as the first time two out LGBTQ actors have been nominated for playing LGBTQ characters (and real-life historical icons).

Da'Vine Joy Randolph keeps on winning. She's nominated for a Best Supporting Actress Oscar for "The Holdovers."

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Amy Sussman

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Getty Images

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Hints for your Oscar Pool ballot

And then, of course, there's the horse race. The Oscars come at the tail end of a wave of awards ceremonies, some from groups with memberships that overlap with the Academy's. And when a lot of those groups agree, as has happened this year, that can make the race feel less like a contest than a coronation.

At this point, it would be actively startling if Oppenheimer (which received 13 nominations) does not win the two big prizes — best picture and best director (Christopher Nolan) — likely along with best editing, best score, best cinematography, and possibly best supporting actor (Robert Downey Jr.). Da'Vine Joy Randolph has won every best supporting actress award on the circuit so far for her grieving cafeteria manager in the prep-school dramedy The Holdovers.

Still, a goodly number of other awards appear up for grabs, including:

• Best actress, where Flower Moon's reserved Lily Gladstone and Poor Things' boisterous Emma Stone appear equally favored.
• Best actor, where Oppenheimer's Cillian Murphy has been trading wins all awards season with The Holdovers' Paul Giamatti.
• Best animated feature, where Spider-Man: Across the Spider-Verse and Hayao Miyazaki's The Boy and the Heron are perhaps a brush stroke apart in popularity.

All of which is to say, there's still plenty of wriggle room on your Oscar pool ballot and reason to watch.

On a recent Saturday, a group of teenage musicians took to a stage inside an unlikely place: an unassuming unit in a business park at the bottom of Lincoln Avenue in Pasadena.

This space has a stage sitting on its concrete floor with the words "Backyard Party" playfully scrawled across the bottom.

The members of a band called The Wendolls sound checked with Matt Chait at the mixing board.

One of the area’s newest all-ages venues, Backyard Party is Chait’s brainchild.

“The fires crushed garages where kids would have been playing. It burnt backyards where they would have been playing. It burnt down the schools where they would have been playing. So this is the communal backyard party. That’s specifically what we built and why we built it,” Chait said just outside the makeshift venue. The only thing that sets it apart from the nondescript units around it is a handwritten sign that says ‘No Ins and Outs.’

Chait, who was evacuated from his residence during the Eaton Fire, teamed up with Sandra Denver to manage the volunteer-run Backyard Party a few months ago. Her daughter sung lead vocals in a band called Sly, one of four bands on the lineup.

“We wanted to provide a space for all of the teen bands all around to come and play and help them create a kind of scene,” Denver said.

It’s the type of spot Denver said she wishes she had growing up in Phoenix, Arizona.

The tip box at Backyard Party

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Robert Garrova / LAist

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And she’s just one of several supportive parents here who are helping load in amps and guitars and bass drums.

Sixteen-year-old Jett Bizon is the drummer for Saints of Sinners, one of the bands on the bill. He said there’s another reason there are so many parents in the crowd.

“Well, nobody drives. Everybody needs a ride,” Bizon said with a chuckle.

With his long dark hair, Bizon explained that he’s already played some legendary local venues like The Whiskey a Go Go. But he said it feels like Backyard Party is becoming a much needed space for younger musicians in the area.

“We need to let out some type of energy and everybody’s putting it into music,” Bizon said. “I think it’s a great thing. Finally a scene again, it’s fun.”

As Bizon and his bandmates played their set of hard rock songs, the only people on their phones in the crowd were parents filming.

Some of the young folks taking the stage were affected by the Eaton Fire in one way or another. Some of them were evacuated. Others lost homes or saw their friends displaced.

Payton Owen was part of the crew running the door, taking tickets and dolling out snacks. She too is a musician and writes reviews of some of the concerts here.

“I think it’s amazing. I think it’s really like a point of community,” she said from behind a glass case filled with bags of popcorn and candy. “It’s a really nice opportunity for kids to really have somewhere where they can go.”

Teenager Elise Lamond agreed. She’d been following Chait around all night, learning how to set levels for the musicians, run the house lights and more.

“Most people at this age don’t have those kinds of opportunities,” she said, adding that, as a musician herself, she appreciated having free access to the venue’s music equipment, too.

Chait, who had a hand in running the now closed AAA Electra 99 venue in Anaheim and has been a musician since he was 12, said Pasadena and Altadena have a noteworthy music pedigree.

“I mean, Van Halen started in quite literal ‘backyard parties’ over on Allen. I think it lives here,” he said.

And Chait said he’s blown away by the new talent that’s come to this stage. For his part, he thinks it’s the start of a new scene that will balloon beyond Altadena and Pasadena.

Matt Chait going over the sound setup with Elise Lamond at Backyard Party.

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Robert Garrova / LAist

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“The fact that these kids who are now, let's say, 15-20 all lived through COVID and were very separated from each other. And now, in this particular neighborhood, are also separated again because of the fires. And they have supportive parents and now they have the physical place to be... All of the pieces of the puzzle are here,” Chait said.

For now, Chait said this is a labor of love. The space here is provided by Altadena Musicians, a non-profit that’s working to get instruments back in the hands of people who lost their gear in the fires. And as for ticket sales?

“It is the best part of running the venue: the end of the night, when we hand cash to these kids for playing,” Chait said.

Tonight’s bounty from a full-house? $320.

“There’s a couple of these kids, if they play one or two more times, we’re going to have to give them 1099s,” he said.

How to catch a BYP show

Backyard Party
1260 Lincoln Ave. #1300
Pasadena

For a calendar of upcoming shows, check out BYP’s website and Instagram.

On Friday, Southern California Edison filed lawsuits against Los Angeles County and several other agencies over their alleged roles in the Eaton Fire.

Two lawsuits were filed.

In one suit, the utility company alleges Southern California Gas delayed shutting off gas in the burn area for several days after the fire, making the blaze worse.

“SoCalGas’ design and actions caused gas leaks, gas fires, reignition of fires, gas explosions and secondary ignitions during the critical early stages of the Eaton Fire,” according to the suit.

The claim goes on to say this contributed to the spread of the fire and made firefighting and evacuation efforts more difficult.

In the second suit, the utility company alleges the Eaton Fire was made worse by the local government response, “including due to the failures of LASD, LACoFD, OEM and GENASYS in issuing timely evacuation alerts and notifications,” the claim reads.

The same filing says L.A. County was to blame for vegetation and overgrown brush in the Eaton Canyon area that fueled the blaze.

It also named the city of Pasadena and its utility system, Pasadena Water and Power, the city of Sierra Madre, Kinneloa Irrigation District, Rubio Cañon Land & Water Association, Las Flores Water Company and Lincoln Avenue Water Company as parties responsible for water systems running dry in Altadena as the fire broke out.

Edison says hydrants running dry compounded the extent of the disaster.

Those claims will be heard in the L.A. County Superior Court, which is also handling L.A. County’s lawsuit against SoCal Edison.

Edison itself is the subject of hundreds of lawsuits from survivors of the Eaton Fire, which could cost the company billions of dollars in settlements.

Edison has said its equipment likely sparked the Eaton Fire and filed these suits, in part, because it believes these various entities should share some of the blame for the disaster, which resulted in the destruction of thousands of buildings and the deaths of 19 people.

A compensation program Edison established for fire survivors who forgo suing the company has made settlement offers to more than 80 of those who applied.

A new organization is taking over production of the MLK Day Parade, almost 40 years after the first parade was held in South L.A. to commemorate the civil rights leader.

Bakewell Media, publisher of the Los Angeles Sentinel newspaper (a partner of The LA Local), was granted the permit in September to organize the parade for the first time by the Los Angeles Board of Police Commissioners. Formerly called the Kingdom Day Parade, the parade has been rebranded as the Los Angeles Official Martin Luther King Day Parade. The parade was previously produced and organized by Adrian Dove and the L.A. chapter of the Congress of Racial Equality California (CORE-CA).

With less than a week before the parade kicks off, LA Local reporter LaMonica Peters sat down with Danny Bakewell Jr., president and executive editor of the LA Sentinel, to discuss the details and what attendees should expect.

This Jan. 12 interview has been edited for brevity and clarity.

Why did you decide to produce the MLK Day Parade this year?

Bakewell: It all started because Adrian Dove, who was the previous promoter, had announced that he was retiring. When he announced he was retiring, LAPD, city council offices and other people said, “Hey, we still want to do the MLK Day parade. Would you guys be interested? You have the infrastructure to put it together.” And we said yes.

What’s different about this year’s production?

We’re going to start the parade with a singer performing “Lift Every Voice.” We’re going to play the message from Bernice King at the start of the show. Obviously, we have Cedric the Entertainer as our grand marshal to add the entertainment value, but the community has always been and will continue to be a major part of this parade.

Is ABC 7 covering the parade this year? 

It’s still going to be televised by ABC. We’re working diligently on how the show is going to be, but ABC has been a great partner.

What was the preparation for this parade?

Thanks to our corporate sponsors, we have a number of bands. The truth is, particularly in LAUSD at this time, and other school districts, they don’t have the funding to just get a bus and get here. I can’t say enough about Airbnb to Bank of America, all of our corporate sponsors, who are supporting all of the youth organizations.

Were there any unexpected challenges while preparing for this parade? 

This [The LA Sentinel office on Crenshaw Blvd.] is usually our command center during The Taste of Soul. It dawned on me last week that we’re going to be a mile away [from the parade route]. So, we made the decision to bring in a trailer to be our office at the corner of King and Crenshaw boulevards.

Any special guests this year besides the grand marshal?

I’m working on a surprise guest to be the singer for the national anthem. No matter what, we will give tribute to the Black national anthem “Lift Every Voice” as loud as we can next Monday.

What’s the long-term vision for this parade, if Bakewell Media continues to produce it?

We see the MLK Day Parade, and we want the world to see and expect to see this parade, the same way they see the Macy’s Parade, the Hollywood Parade or the Rose Parade. BET has come in this year as a partner. So there’s an opportunity to possibly do a national broadcast on BET. Not that we would lose our local television, but we see this as a major parade in this community and in the national African American community, celebrating the great work of Dr. Martin Luther King Jr. So, we are very excited.

Bits of conversation drift out of Aladdin Used Books as people lined up at the register with stacks of books.

The bustle of activity is bittersweet as the Koreatown bookstore will close its doors at the end of January after 13 years in the neighborhood.

Jina Lee, store manager, said declining sales at the Koreatown branch led to the decision to close the store. In recent years, staffing at the 5,000-square-foot store on the third floor of Madang Mall dropped from six to two, Lee said.

“This was a happy place for everyone,” she said, “but we were struggling.”

On a recent January afternoon, the shop looked lively as customers took advantage of the clearance sale on Korean and English books, CDs, DVDs and other media.

Koreatown resident Jin Lee wishes he visited the bookstore more often.

“It would have been great if it had been this crowded all the time,” Lee said. “But nowadays, people don’t read paper books and prefer devices, so it’s hard for all bookstores.”

Some customers traveled from as far as Orange County and the Inland Empire to visit one last time.

Minjung Kim, who moved from Koreatown to Fullerton five years ago, still made trips to the bookstore after she moved away.

“It’s the only place that sells this many new and used Korean books,” she said.

Each visit to the bookstore was important to David Artiga of Pomona, because it gave him a chance to connect with friends over literature.

“I feel like this is really negative for the community,” he said. “The importance of having a well-versed society, keeping in touch with literature and art is so important. And now this place is just going to be gone.”

South Korea-based Aladdin Used Books opened its first U.S. brick-and-mortar store in Los Angeles in 2013. The store carries around 50,000 new and used books, with a majority in Korean.

Customers will still be able to order books through Aladdin’s website after the store closes.

Ken Derick, a Koreatown resident, walked around the store aisles with a stack of books.

“It’s like we’re kind of moving towards a new technology, like everything’s virtual and online,” he said.

Longtime customer Anthony Kim said he’s enjoyed looking for gems in the English-language shelves.

“My Korean ability is rather limited but I’ve always enjoyed browsing their English language sections,” he said. “And now that I have a niece and nephew, their children’s book section has always been a great place to pick up new books for them.”

Valerie Laguna perused the shop’s CD section, a bygone experience in the era of streaming.

“I really like their CD collection and their literature collection they have in English,” she said.

“I was so sad about it, I immediately texted my friend,” she said. “I’ve gotten so many of my favorite books and my favorite CDs from this place. I feel like losing a place like this is just so sad and makes a huge dent in the community and culture.”

Less than a mile away on Western Avenue, Happy Bookstore owner Jung Jae-seung said it has been difficult for bookstores for some time now. His Korean-language bookstore is also struggling in an era when so many people have abandoned print media.

“It’s really about how long printed books can survive,” Jung said. “From that point of view, it’s hard to be optimistic.”