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The Brief

The most important stories for you to know today
  • Hollywood industry workers continue to struggle

    Topline

    One year after Hollywood actors and writers went on strike, industry workers have yet to recover and many feel like they never will, throwing their future in doubt.

    The background: The WGA spent nearly five months on strike last year starting in May. Actors and performers in the union SAG-AFTRA also went on strike last summer. The writers union reached a tentative deal with studios in September, with new residual models in streaming, new minimum lengths of employment for TV gigs, more guaranteed paid work for feature films and other protections. Then, SAG-AFTRA reached their own tentative agreement in November.

    What they're saying: Like many others, Taylor Orci still struggles. One writing job fell through recently, and they’re still living on loans, with max’d out credit cards and a baby on the way.

    “I knew it was gonna be slow, but I thought I’d have a job,” they say. “It’s tough right now to find work, especially if you didn’t have a job before.”
    Across town in Encino, Lannet Tachel says that the union’s gains are helpful, but, “in the long run, you still have to be one of the lucky few to get in so that help applies to you.”

    What the studios and unions are saying: NPR reached out to eight major studios and streamers and did not receive a response. But the president of the WGA West, Meredith Stiehm, says those production changes started before the strike, not because of it. She says there had been a boom, with streaming companies ordering a glut of new shows. But in 2022, so-called “peak TV” went bust.

    Read on... for more on the current state of affairs in Hollywood.

    This time last year, Hollywood writers were picketing outside the offices of major studios and streaming companies. Throughout their nearly five month-long strike, writers often convened at Bob’s Big Boy, where TV host Drew Carey often picked up the check.

    “I remember eating a lot of hash browns, and then if it was dinner, they’ve got a good soup situation,” says Taylor Orci, who recently returned to the Burbank diner to reminisce with writer Bill Wolkoff.

    “It saved us,” Wolkoff nods. “It was a vote of confidence that ‘I believe in writers.’ Thank you, Drew Carey, for that.”

    Wolkoff writes and produces the series Star Trek: Strange New Worlds. Last year, when the show took a pause, he was a Writers Guild of America strike captain outside CBS Studios in L.A. Thanks to the union’s new contract, he’s looking forward to getting higher streaming residuals with each hit season.

    “That’s going to be a noticeable difference in my life,” Wolkoff says. “And the AI protections too. I mean, we got in our contract language that ensures that AI will not replace writers. That’s huge.”

    But, he admits, he’s one of the lucky few Hollywood writers still working these days.

    Like many others, Taylor Orci still struggles. One writing job fell through recently, and they’re still living on loans, with max’d out credit cards and a baby on the way.

    A person with short hair wearing a blue jacket leaning on a wall outside Bob's Big Boy, a diner in Burbank.
    Writer Taylor Orci outside Bob's Big Boy, a diner in Burbank.
    (
    Mandalit del Barco/NPR
    )

    “I knew it was gonna be slow, but I thought I’d have a job,” they say. “It’s tough right now to find work, especially if you didn’t have a job before.”

    'We needed a sea change'

    Across town in Encino, Lannet Tachel says that the union’s gains are helpful, but, “in the long run, you still have to be one of the lucky few to get in so that help applies to you.”

    Her writing partner Corey Grant agrees: there’s not much production these days.

    “It was hard before the strike. It’s even harder now,” he says. “I think it’s a backlash because of the strike. I think they’re trying to … shore up their pockets a little bit, but it’s less TV, less episodes getting made, tighter budgets, half the shows got canceled.”

    Two  people smiling at the camera, one with a yellow baseball cap on and the other with a t-shirt reading 'Harvard'
    Lanett Tachel and writing partner Corey Grant.
    (
    <i>Mandalit del Barco/NPR</i>
    )

    NPR reached out to eight major studios and streamers for a response. They didn’t get back to us. But the president of the WGA West, Meredith Stiehm, says those production changes started before the strike, not because of it. She says there had been a boom, with streaming companies ordering a glut of new shows. But in 2022, so-called “peak TV” went bust.

    “Netflix announced that they'd lost subscribers. Streaming was not profitable for anybody. It was kind of a failed model. Everybody started retreating. At the same time,” she says, “our contract was untenable and we needed a sea change.”

    The WGA spent nearly five months on strike last year starting in May. Actors and performers in the union SAG-AFTRA also went on strike last summer. The writers union reached a tentative deal with studios in September, with new residual models in streaming, new minimum lengths of employment for TV gigs, more guaranteed paid work for feature films and other protections. Then, SAG-AFTRA reached their own tentative agreement in November.

    “When we all returned to work, the decline continued, meaning not as much content is being ordered,” Stiehm says. “And it seems that the studios are sort of regrouping, and writers are feeling the post-Peak TV pinch.”

    During a recent earnings call, SONY Pictures Entertainment CEO Tony Vinciquerra said his company was hit by more than just the streaming revolution.

    “We had to go from a pandemic where production was severely limited, to a strike, where there was no creative work being done for literally seven or eight months,” he said. “It had to restart. And that's what you're seeing right now.”

    The industry continues to transform, with shrinking ad revenue and layoffs at just about every entertainment and media company. Last month, Netflix announced it would produce more non-scripted material, like reality shows and game shows. Disney said it will offer even more live sports through ESPN over the coming years.

    Nick Geisler got his first writing job in Los Angeles in 2018. He was a strike captain outside Amazon Studios last year. After the strike ended, he says, he returned for a few months to the writers room for the Disney show Bunk’d: Learning the Ropes. But he says he hasn’t had much luck with other studios.

    “There’s just no appetite for risk,” Geisler says. “And there's a lot of requests for rewrites. A lot of them are free. There's a lot of, ‘Hey, we're so, so close. Can you just make these changes and get it over the line?’ ‘Hey, we're turning it into our higher ups tomorrow. Can you do this in three hours?’ I don't think that's really changed much. Because of the climate we're in, there’s a lot of ‘Well, I’ll just get this done because there’s not a lot going on.’”

    Now, he says, “I'm actually working on a short film for a writer that I met on the picket line.”

    'This time feels different'

    Things are tough for those who’ve been in the business for decades, too.

    “I reach out to my agent and he tells me it’s really bad out there. Hopefully it will turn around,” says Jon Sherman, who hasn’t had a writing assignment for three years.

    A male-presenting figure smiles at the camera with a poster on the wall behind him reading 'Fly TWA' with an illustration of the Hollywood sign
    Jon Sherman began his career in Hollywood three decades ago.
    (
    Mandalit del Barco/NPR
    )

    He began his career 30 years ago, writing for Bill Nye the Science Guy. He also wrote and produced for the original TV series Frasier. Sherman was a WGA strike captain outside Amazon Studios last year.

    “It's been the first time in a long career, for which I'm grateful, that I've had a real long layoff. I’ve reached a point where I'm like, ‘Oh, this time feels different.’”

    To pay the bills, Sherman says he was in a focus group for dried fruit and in a UCLA research study on exercise. He’s also now a TV game show contestant. But he sure would still love to write for television.

    Note: NPR News staffers are also members of SAG-AFTRA, the union of actors and performers that also went on strike last year. Broadcast journalists are under a different contract, however, and were not on strike.
    Copyright 2024 NPR

  • New leader has strong gender, abortion opinions
    a red-headed woman in a black suit jacket stands and speaks at a microphone
    Bethany Kozma speaks to a U.N. meeting in September 2025. She has just been named to lead the Department of Health and Human Services Office of Global Affairs — a job known as the "diplomatic voice" of HHS.
    Topline:
    America's new top health diplomat is Bethany Kozma. The job she took on this week — leading the Department of Health and Human Services Office of Global Affairs — does not have a high profile. And Kozma herself is not a familiar name in the world of public health.

    Why it matters: But it is a position with power — and Kozma has a record of public statements and activism on health issues, equating abortion with "murder" and campaigning against gender-affirming care.

    What is the job? The office is sometimes referred to as the "diplomatic voice" of HHS. As director, Kozma will have considerable influence over how the U.S. shapes health policy in other countries in the wake of the Trump administration's foreign aid cuts and withdrawal from the World Health Organization.

    Read on ... for more on Kozma's position on a number of controversial issues.

    America's new top health diplomat is Bethany Kozma.

    The job she took on this week — leading the Department of Health and Human Services Office of Global Affairs — does not have a high profile. And Kozma herself is not a familiar name in the world of public health.

    But it is a position with power — and Kozma has a record of public statements and activism on health issues, equating abortion with "murder" and campaigning against gender-affirming care.

    The office sometimes is referred to as the "diplomatic voice" of HHS. As director, Kozma will have considerable influence over how the U.S. shapes health policy in other countries in the wake of the Trump administration's foreign aid cuts and withdrawal from the World Health Organization.

    Kozma declined to be interviewed for this story. She doesn't appear to have a background in global health based on publicly available information online. The HHS website offers few details about her professional profile. In response to questions about her qualifications and vision for the role, HHS responded with this statement.

    "The Office of Global Affairs (OGA) advances the Trump administration's agenda and priorities by bringing common sense, transparency and gold-standard science to global partners. Under Secretary Kennedy's leadership, OGA is committed to strengthening the United States' position as the global gold-standard for public health and ensuring Americans are protected at home and abroad."

    Who is Bethany Kozma?

    Kozma began her career in public service during the George W. Bush administration, working at the White House Homeland Security Council. During the Obama years, she re-entered public life as an activist.

    In a 2016 commentary for The Daily Signal, a conservative news website founded by the Heritage Foundation, she argued against the Obama administration's guidance that public schools should allow children to use the bathroom that comports with their identity.

    "This radical agenda of subjective 'gender fluidity' and unrestricted shower and bathroom access actually endangers all," she stated, noting that "predators" could abuse the policy.

    In 2017, she joined the Trump administration as senior adviser for Gender Equality and Women's Empowerment in the United States Agency for International Development, eventually being promoted to deputy chief of staff. In videos obtained and released by ProPublica, Kozma recalls calling the U.S. a "pro-life" country in a closed-door U.N. meeting about women's rights in 2018, when access to abortion still was protected nationally by Roe v. Wade.

    In August 2020, Sen. Chris Coons, D-Del., and four other Democratic senators issued a letter labeling Kozma and several other political appointees at USAID as "prejudiced" and called for them to be removed from their posts. Kozma has "spoken extensively and derisively of trans people and trans issues," the senators wrote.

    During the Biden administration, she also was involved in Project 2025, the Heritage Foundation's "blueprint" for a new Republican administration. She played a prominent role in Project 2025 training videos, obtained and published by ProPublica.

    In one nearly 50-minute training video focused on left-wing language, she called for a Republican administration to "eradicate 'climate change' references from absolutely everywhere," and said that concerns over climate change are efforts at "population control." She also called gender-affirming care "absolutely infuriating" and said "the idea that gender is fluid is evil." Overall, she argued that changing language around these policies should be a priority for political appointees.

    Kozma joined the second Trump administration as a chief adviser at the HHS Office of Global Affairs. In September, she spoke at a U.N. event commemorating the 30th anniversary of the declaration that denying women's rights is a human rights violation.

    "While many may celebrate so-called successes gained for women over the last 30 years, one must ask what defines true success for women?" she began, adding that "biological reality is rooted in scientific truth and is confirmed by the universal truths that we are endowed by our creator who made us 'male and female.'"

    Those views can be divisive but have garnered some support for Kozma's promotion.

    "Bethany is an excellent pick for global affairs at HHS," says Roger Servino, vice president of domestic policy at The Heritage Foundation. "She was an early champion of protecting children from gender ideology back when the medical establishment was able to silence voices of reason and dissent and she is perfectly placed to help push back on global health bodies trying to impose left wing pseudoscience on the American people and the world."

    What will her goals be at the Office of Global Affairs?

    Kozma is taking over as director of the HHS Office of Global Affairs at a time of drastic change for global health.

    In previous administrations, a main focus of the office was dealing with the World Health Organization. Typically, the director, who usually has a background in public health, is involved in negotiations on sharing data for pathogen surveillance or developing vaccine policy, for example.

    After President Trump withdrew the U.S. from WHO, the administration has started a new strategy: striking deals with individual countries to give health aid in exchange for their meeting certain policy prescriptions. Kozma has been involved in some of those negotiations, but the details aren't quite finalized.

    Some reproductive rights advocates believe Kozma will use her new position to insert anti-abortion and anti-LGBTQ policies into these agreements.

    "[Kozma] is vehemently anti-trans, anti-LGBTQI+, anti-abortion," says Keifer Buckingham, managing director at the Council on Global Equality, a coalition of advocacy organizations that focuses on LGBTQ issues. "For those of us who want to ensure that the provision of U.S. foreign assistance and health doesn't discriminate against people based on who they are, [Kozma's appointment] raises a lot of red flags."

    One particular worry is about the Helms Amendment, a U.S. policy that prohibits foreign aid being used to fund abortion services.

    "There's been speculation that there's an intention by the U.S. government to expand the Helms Amendment beyond abortion to include LGBTQ's as well," says Musoba Kitui, director of Ipas Africa Alliance, a non-profit that works to provide access to abortion and contraception. He's concerned that health groups that serve those populations could lose funding. That speculation is backed up by reporting from The Daily Signal that the administration is planning to prohibit U.S. aid funding for "gender ideology and diversity, equity and inclusion initiatives."

    Given LGBTQ people are often at higher risk for diseases like HIV, such policies could make these communities even more vulnerable, says Kitui.

    "We could see more marginalization, inequality, spikes of infection," he says. While many African governments signing these deals understand those dynamics, Kitui says they may still agree to more restrictive conditions as aid cuts have "starved health systems to a point of desperation."

    Have information you want to share about ongoing changes at federal health and development agencies? Reach out to Jonathan Lambert via encrypted communications on Signal: @jonlambert.12

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  • Trump plans to break up weather research group
    A man in a black suit and red tie points at a map of the southeast U.S. coast with a header that says "Hurricane Dorian Forecast Track and Intensity."
    President Donald Trump references a map while talking to reporters about Hurricane Dorian on Sept. 4, 2019. The map appears to have been altered by a black marker to extend the hurricane's range to include Alabama.

    Topline:

    The White House plans to break up a key weather and climate research center in Colorado, a move experts say could jeopardize the accuracy of forecasting and prediction systems.

    Why now? White House Office of Management and Budget Director Russ Vought, in a post Tuesday on X, announced the plan to dismantle the National Center for Atmospheric Research (NCAR) in Boulder, calling it "one of the largest sources of climate alarmism in the country."

    What is NCAR? NCAR was founded more than six decades ago to provide universities with expertise and resources for collaborative research on global weather, water, and climate challenges.

    What's next? Ultimately, closing NCAR wouldn't have an immediate impact on weather forecasting, Jason Furtado, an associate professor of meteorology at the University of Oklahoma, says. Instead, he says, it would slowly erode the scientific community's ability to make further progress on understanding weather and climate.

    Read on ... for more on what this move means for the future of climate and weather science.

    The White House plans to break up a key weather and climate research center in Colorado, a move experts say could jeopardize the accuracy of forecasting and prediction systems.

    It's the latest climate-related move by President Donald Trump, who has called climate change a hoax, cut funding for climate research and removed climate and weather scientists from their posts across the federal government. During his first term, Trump famously contradicted the nation's weather forecasting service by redrawing Hurricane Dorian's path on a map with a Sharpie.

    White House Office of Management and Budget Director Russ Vought, in a post Tuesday on X, announced the plan to dismantle the National Center for Atmospheric Research (NCAR) in Boulder, calling it "one of the largest sources of climate alarmism in the country." NCAR was founded more than six decades ago to provide universities with expertise and resources for collaborative research on global weather, water and climate challenges.

    Vought said the center was undergoing a "comprehensive review" and that any "vital activities such as weather research will be moved to another entity or location."

    Antonio Busalacchi, who heads the University Corporation for Atmospheric Research, a nonprofit consortium of 129 U.S. universities that oversees the Boulder facility, told NPR he received no prior notice before the announcement and believes the decision "is entirely political."

    NCAR's job is to study both climate and weather, and Busalacchi says the two cannot be understood separately.

    "Our job is to state what the science is, and it's for others to interpret what the significance of that science is," he says. "We're very careful not to cross over that line to advocacy or policy prescription."

    Plan faces a political backlash

    Vought's announcement drew an immediate response from Colorado Gov. Jared Polis, a Democrat, who said in a statement that if the White House goes ahead with the plan, "public safety is at risk and science is being attacked."

    Sen. Michael Bennet, D-Colo., and Rep. Joe Neguse, a Democrat whose district includes Boulder, have suggested that the proposed NCAR closure amounts to political brinkmanship by the White House in response to Colorado's refusal to release Tina Peters. Peters, a former Mesa County clerk, is serving a nine-year prison sentence for illegally accessing voting machines after the 2020 election. A Republican, Peters was recently pardoned by Trump, a largely symbolic action since she has neither been charged nor convicted in federal court.

    "The judgement is that this is very much about Tina Peters," Bennet told local media in Colorado. "And that the president attempted to get his way through intimidation and he hasn't gotten his way and he is trying to punish Colorado as a result."

    In a joint statement, Bennett, Neguse and U.S. Sen. John Hickenlooper called the administration's plan "deeply dangerous and blatantly retaliatory."

    NPR reached out to Vought's Office of Management and Budget but received no response. The White House press office did not answer specific questions, including one asking if "breaking up" NCAR meant it would be closed. But in a statement, the White House said, "NCAR's activities veer far from strong or useful science," adding that the center was being dismantled "to eliminate Green New Scam research activities."

    American Meteorological Society President David Stensrud says he has used NCAR weather models throughout his career.

    "I think the work that I and others have done have led to the improvements that we see [in] … weather predictions," he says. "Losing that [will cause] a great deal of hurt in terms of our ability to continue to improve forecasts and the future."

    The 'beating heart' of climate and weather science

    Among NCAR's many contributions, in the 1960s, it developed dropsondes — tube-shaped instruments released from aircraft, including hurricane hunters, to measure temperature, pressure, humidity and wind. In the 1980s, the center helped develop and refine technology to monitor wind shear at airports.

    Busalacchi says these efforts have contributed to decades without passenger plane crashes caused by wind shear or downbursts.

    "We've had zero loss of life from these weather events that can be directly attributed to our research. And that's what we're talking about losing" if NCAR shuts down, he says.

    NCAR, which employs about 830 people, is also known for developing and maintaining tools such as the Weather Research and Forecasting Model (WRF), which is used around the world to predict everything from thunderstorms to large-scale systems, including hurricanes and frontal systems. NCAR's Community Earth Systems Model (CESM) is also widely used by scientists, including Jason Furtado, an associate professor of meteorology at the University of Oklahoma.

    Furtado says he and his colleagues have used the model to run experiments "to look for where in the atmosphere and ocean we get long-range signals for extreme cold air outbreaks" such as the February 2021 event that hit the midsection of the country, resulting in sub-zero temperatures for days and the total breakdown of the electrical grid in central Texas. "We've used [CESM] and come up with some really important research," Furtado says.

    He calls NCAR "a world-envied research center for atmospheric science" and "a beating heart for the atmospheric science community." He says his research and that of many other scientists would simply not be possible without the Boulder center. "In some way every atmospheric scientist has a connection to NCAR, whether they've directly been to the building or they have not," he says.

    Ken Davis, a professor of atmospheric and climate science at Penn State, did research at NCAR from the time he was a graduate student until after his postdoc. He says NCAR plays a critical role in providing its members with cutting-edge computing resources, observational resources and scientific expertise "which no university can provide on its own."

    "If any investigator anywhere in the country wants to request a research aircraft … NCAR will take a look at that proposal and say, 'Yeah, we can do that,' " Davis says. "As a university investigator, I can show up with an instrumented C-130 [aircraft] to do a whole bunch of airborne research, which would be totally impossible without this facility to support the community."

    This isn't the first time the Trump administration has found itself at odds with the science community. In April, the administration dismissed scientists working on the country's flagship climate report and then removed the report from a government website.

    In 2019, Trump landed himself in a scandal known as "Sharpiegate," in which he contradicted official National Weather Service forecasts for Hurricane Dorian by insisting the storm directly threatened Alabama. He later displayed an Oval Office map showing an altered storm path that appeared to have been drawn with a black marker. Earlier this year, the Senate approved the nomination of Neil Jacobs, a National Oceanic and Atmospheric Administration (NOAA) official cited for misconduct related to the episode, to lead the agency.

    In its 2026 budget plan, the White House has also proposed cutting NOAA's budget by about 27% and eliminating NOAA's Office of Oceanic and Atmospheric Research, the agency's core climate and weather research branch. The administration also has rolled back National Science Foundation funding for climate science.

    Ultimately, closing NCAR wouldn't have an immediate impact on weather forecasting, Furtado says. Instead, he says, it would slowly erode the scientific community's ability to make further progress on understanding weather and climate.

    "We can either accept the facts and work on ways to mitigate and adapt, or ignore the data and not be ready for the changing world we have," Furtado says.

    "Having less accurate forecasts and being more in the dark about what is coming puts lives and property at risk," he says.

  • Non-profit offers free therapy
    Two men hold buckets of water and pour into a dirt ground.
    Altadena residents pour water onto neighbors property.

    Topline:

    Local non-profit Didi Hirsch Mental Health Services recently got additional funding to the tune of about $1.5 million from a mix of private foundations, BMO Bank and other corporate partnerships that will allow them to continue supporting fire survivors for at least two more years.

    The quote: Clara Bergen, a program development manager at Didi Hirsch and has been doing outreach in fire-affected communities. She said mental health support is crucial for fire survivors, especially as we approach the one-year anniversary.

    “We know that trauma anniversaries are real. Our bodies respond to these trauma anniversaries,” Bergen said,

    How it works: Bergen said the additional dollars will allow them to offer six free, trauma-informed therapy sessions to about 300 people over the next couple of years. You can find more information and sign up for free services on Didi Hirsch’s website.

  • The venue closes in 2026. Here’s why it’s special
    A wide view of the Hotel Café's alleyway next to palm trees and a main street. The building has a brick orange color with cream and black accents. An arrow is on the side that points down the alley with the words "The Hotel Café."
    Before becoming a live music venue, the Hotel Café started out as a coffee shop.

    Topline:

    The owners behind the Hotel Café shocked fans recently with news that it will shut down for a while. The small but mighty music venue has been an entertainment mainstay for 25 years.

    How did it start? The Hotel Café started out as a coffee shop. The owners wanted to have a business to support their screenwriting ambitions. It was a success until the Sept. 11 attacks hit, which among the national fallout, damaged business.

    Why the shift to music? Their coffee shop was essentially saved when Gary Jules, the artist behind that famous eerie "Mad World" cover, asked to do a performance on their stage. It was a huge success and the Hotel Café eventually morphed into just a music venue.

    Why is it closing? That’s happening in early 2026 because the venue is moving to Sunset Boulevard, inside Lumina Hollywood. That spot has more space, but it isn’t expected to open until the first half of 2027.

    Read on…. to learn about the iconic performers who’ve graced the stage.

    Walking down an alley in Hollywood might not be the typical way to watch a live show, but at the Hotel Café on Cahuenga Boulevard, it’s what music lovers have done for 25 years.

    It’s a storied music venue that’s been a home for generations of artists. Even big names cut their teeth here, like Adele, Sara Bareilles and Mumford & Sons. It’s the kind of place that has a line well before anyone gets on stage. Phones are a rarity here, and the audience is so silent you can hang on every note.

    This place is closing down in early 2026. But the Hotel Café won’t be gone forever — bucking the normal narrative of closures, it’s shutting down in order to expand.

    Let’s dig into what made the small space special.

    The Hotel Café’s humble origin

    It started out as a bit of a sidequest.

    Back in 2000, an idea popped into the minds of screenwriting partners Marko Shafer and Max Mamikunian. Why not open a coffee shop together that could serve as a creative home base?

    The two bought a vacant space right below a hotel. The plan was simple: Be successful enough to have a staff and go back to screenwriting. The Hotel Café, as they named it, reached that milestone right before Sept. 11 rattled America — and consumer habits nationwide.

    “ We were in that position of just having made our success as a coffee shop and then all of a sudden nothing,” Mamikunian said. “We thought we were going to close down.”

    Then musician Gary Jules came in, fresh off the heels of his hit version of “Mad World” in the Donnie Darko movie. He wanted to do a set, which put them on a trajectory no one could have seen coming.

    “ The line was down the block, and half of the people in line were musicians,” Mamikunian said.

    After his show, the Hotel Café gradually morphed into a regular music venue. Jules stuck around to perform and handle some of the booking, then Shafer took the helm.

    Magical nights

    The intimate, dimly lit setup quickly drew music agents, crooning fans and audiophiles. In the early days, they’d get inundated with demo CDs (now it’s SoundCloud). Shafer hid sometimes from hopeful performers because the demand was just too much.

    He and Mamikunian credit the Hotel Café’s following to its consistently curated performance and group showcases, like Songwriter Sunday and Monday Monday. Shafer remembered a time in 2003 when Weezer joined one of those nights.

    “ Their manager called me on my Razr flip phone, and so there was no proof it was actually her. I had to take her word for it,” he said.

    It was real. Weezer showed up, loaded in some stools and played an acoustic set. Another fond memory, production manager Gia Hughes said, is when Chris Martin’s team called in for a last-minute show. The Coldplay frontman arrived on a Vespa.

    “ He’s sound checking ‘The Scientist,’ and it’s just me and the bartender and the sound engineer,” she recalled. “I'm just like, ‘holy sh--, this is unreal.’ It was just one of those super magical nights.”

    Hughes said their success also comes from the respectful culture the Hotel Café is known for. It’s as much of a place for music fans as it is for artists. They can sing for a tuned-in audience, or — like Radiohead did — roll up to enjoy a show undisturbed.

    A new era

    As more and more people came, it was clear the performance space needed more room. They later expanded in 2004 to include the stage next door. Today, they’re in a similar predicament.

    A close up of the Hotel Café logo on the building wall that shows inside the alley. There's a sign above the door that says it's for the main stage.
    A closure date for the Hotel Café hasn't been set yet.
    (
    Gia Hughes
    /
    The Hotel Café
    )

    That’s why they’re moving to a bigger space inside Lumina Hollywood on Sunset Boulevard in the first half of 2027, which they recently announced on Instagram. The new spot will have two stages and a restaurant component.

    While many Hotel Café fans are sad to see it move, Mamikunian said it’s another period of reinvention. He’s proud of their time on Cahuenga Boulevard.

    “Any business lasting anywhere for 25 years is an accomplishment,” he said. "I think we want to go out in a kind of celebratory way.”

    It’s unclear when exactly the Cahuenga spot will close, but they have several farewell performances scheduled through at least the first couple of months in 2026.

    “A lot of people are asking us, especially because everybody wants to be one of the last to play the room,” Mamikunian said. “I  think we’ll know within the next few weeks for sure that we can put an actual date on it.”