One year after Hollywood actors and writers went on strike, industry workers have yet to recover and many feel like they never will, throwing their future in doubt.
The background: The WGA spent nearly five months on strike last year starting in May. Actors and performers in the union SAG-AFTRA also went on strike last summer. The writers union reached a tentative deal with studios in September, with new residual models in streaming, new minimum lengths of employment for TV gigs, more guaranteed paid work for feature films and other protections. Then, SAG-AFTRA reached their own tentative agreement in November.
What they're saying: Like many others, Taylor Orci still struggles. One writing job fell through recently, and they’re still living on loans, with max’d out credit cards and a baby on the way.
“I knew it was gonna be slow, but I thought I’d have a job,” they say. “It’s tough right now to find work, especially if you didn’t have a job before.”
Across town in Encino, Lannet Tachel says that the union’s gains are helpful, but, “in the long run, you still have to be one of the lucky few to get in so that help applies to you.”
What the studios and unions are saying: NPR reached out to eight major studios and streamers and did not receive a response. But the president of the WGA West, Meredith Stiehm, says those production changes started before the strike, not because of it. She says there had been a boom, with streaming companies ordering a glut of new shows. But in 2022, so-called “peak TV” went bust.
Read on... for more on the current state of affairs in Hollywood.
This time last year, Hollywood writers were picketing outside the offices of major studios and streaming companies. Throughout their nearly five month-long strike, writers often convened at Bob’s Big Boy, where TV host Drew Carey often picked up the check.
“I remember eating a lot of hash browns, and then if it was dinner, they’ve got a good soup situation,” says Taylor Orci, who recently returned to the Burbank diner to reminisce with writer Bill Wolkoff.
“It saved us,” Wolkoff nods. “It was a vote of confidence that ‘I believe in writers.’ Thank you, Drew Carey, for that.”
Wolkoff writes and produces the series Star Trek: Strange New Worlds. Last year, when the show took a pause, he was a Writers Guild of America strike captain outside CBS Studios in L.A. Thanks to the union’s new contract, he’s looking forward to getting higher streaming residuals with each hit season.
“That’s going to be a noticeable difference in my life,” Wolkoff says. “And the AI protections too. I mean, we got in our contract language that ensures that AI will not replace writers. That’s huge.”
But, he admits, he’s one of the lucky few Hollywood writers still working these days.
Like many others, Taylor Orci still struggles. One writing job fell through recently, and they’re still living on loans, with max’d out credit cards and a baby on the way.
Writer Taylor Orci outside Bob's Big Boy, a diner in Burbank.
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“I knew it was gonna be slow, but I thought I’d have a job,” they say. “It’s tough right now to find work, especially if you didn’t have a job before.”
'We needed a sea change'
Across town in Encino, Lannet Tachel says that the union’s gains are helpful, but, “in the long run, you still have to be one of the lucky few to get in so that help applies to you.”
Her writing partner Corey Grant agrees: there’s not much production these days.
“It was hard before the strike. It’s even harder now,” he says. “I think it’s a backlash because of the strike. I think they’re trying to … shore up their pockets a little bit, but it’s less TV, less episodes getting made, tighter budgets, half the shows got canceled.”
Lanett Tachel and writing partner Corey Grant.
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NPR reached out to eight major studios and streamers for a response. They didn’t get back to us. But the president of the WGA West, Meredith Stiehm, says those production changes started before the strike, not because of it. She says there had been a boom, with streaming companies ordering a glut of new shows. But in 2022, so-called “peak TV” went bust.
“Netflix announced that they'd lost subscribers. Streaming was not profitable for anybody. It was kind of a failed model. Everybody started retreating. At the same time,” she says, “our contract was untenable and we needed a sea change.”
The WGA spent nearly five months on strike last year starting in May. Actors and performers in the union SAG-AFTRA also went on strike last summer. The writers union reached a tentative deal with studios in September, with new residual models in streaming, new minimum lengths of employment for TV gigs, more guaranteed paid work for feature films and other protections. Then, SAG-AFTRA reached their own tentative agreement in November.
“When we all returned to work, the decline continued, meaning not as much content is being ordered,” Stiehm says. “And it seems that the studios are sort of regrouping, and writers are feeling the post-Peak TV pinch.”
During a recent earnings call, SONY Pictures Entertainment CEO Tony Vinciquerra said his company was hit by more than just the streaming revolution.
“We had to go from a pandemic where production was severely limited, to a strike, where there was no creative work being done for literally seven or eight months,” he said. “It had to restart. And that's what you're seeing right now.”
The industry continues to transform, with shrinking ad revenue and layoffs at just about every entertainment and media company. Last month, Netflix announced it would produce more non-scripted material, like reality shows and game shows. Disney said it will offer even more live sports through ESPN over the coming years.
Nick Geisler got his first writing job in Los Angeles in 2018. He was a strike captain outside Amazon Studios last year. After the strike ended, he says, he returned for a few months to the writers room for the Disney show Bunk’d: Learning the Ropes. But he says he hasn’t had much luck with other studios.
“There’s just no appetite for risk,” Geisler says. “And there's a lot of requests for rewrites. A lot of them are free. There's a lot of, ‘Hey, we're so, so close. Can you just make these changes and get it over the line?’ ‘Hey, we're turning it into our higher ups tomorrow. Can you do this in three hours?’ I don't think that's really changed much. Because of the climate we're in, there’s a lot of ‘Well, I’ll just get this done because there’s not a lot going on.’”
Now, he says, “I'm actually working on a short film for a writer that I met on the picket line.”
'This time feels different'
Things are tough for those who’ve been in the business for decades, too.
“I reach out to my agent and he tells me it’s really bad out there. Hopefully it will turn around,” says Jon Sherman, who hasn’t had a writing assignment for three years.
Jon Sherman began his career in Hollywood three decades ago.
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He began his career 30 years ago, writing for Bill Nye the Science Guy. He also wrote and produced for the original TV series Frasier. Sherman was a WGA strike captain outside Amazon Studios last year.
“It's been the first time in a long career, for which I'm grateful, that I've had a real long layoff. I’ve reached a point where I'm like, ‘Oh, this time feels different.’”
To pay the bills, Sherman says he was in a focus group for dried fruit and in a UCLA research study on exercise. He’s also now a TV game show contestant. But he sure would still love to write for television.
Note: NPR News staffers are also members of SAG-AFTRA, the union of actors and performers that also went on strike last year. Broadcast journalists are under a different contract, however, and were not on strike. Copyright 2024 NPR
Aaron Schrank
has been on the ground, reporting on homelessness and other issues in L.A. for more than a decade.
Published April 2, 2026 4:23 PM
Supervisor Holly Mitchell, L.A. County Department of Public Health Director Dr. Barbara Ferrer, actor Danny Trejo and others gathered at Charles R. Drew University of Medicine and Science in Wilmington.
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Topline:
A new private foundation called The Fund for Advancing Public Health LA launched Thursday, aiming to raise $2 million to shore up county health services this year. It comes after the Department of Public Health closed seven clinics following $50 million in funding cuts since early 2025.
Who's behind it: The foundation's board includes Public Health Director Barbara Ferrer, the CEOs of Blue Shield of California Foundation and LA Care Health Plan, actors Sean Penn and Danny Trejo and more. Board member Saree Kayne of the R&S Kayne Foundation pledged $150,000 at the launch. Ferrer acknowledged it's "a hard day" when a public agency has to turn to private donors to fund basic services.
Deeper cuts ahead: The federal "Big Beautiful Bill" slashes Medi-Cal funding, and the department anticipates losing up to $300 million over the next three years. Federal dollars account for nearly half the public health budget.
Some government funding streams for L.A. County’s public health system are drying up, and officials are turning to private philanthropy to fill the gap.
A new privately funded foundation launched Thursday to strengthen public health services after $50 million in federal, state and local funding cuts to the county’s Department of Public Health since early last year.
“It is really a hard day for our community when we have to ask for private donations to fund a public good, but unfortunately, we've lost too much money to not take this important step,” said Public Health Director Barbara Ferrer.
In February, the county’s Public Health Department closed seven clinics, with six remaining open. About half of the patients seen in those clinics are uninsured, according to county officials. The department also cut hundreds of staff positions.
She said the fund will help the county maintain its basic public health infrastructure, including disease prevention, health promotion, environmental health, and emergency response efforts.
Other board members include several health insurance executives, as well as actors Sean Penn and Danny Trejo. Board member Saree Kayne of the R&S Kayne Foundation pledged $150,000 to the fund Thursday. Kayne said she hopes the donation encourages others to give.
The foundation aims to raise $2 million this year.
More cuts expected
L.A. County Supervisor Holly Mitchell said it’s crucial to have an alternative funding stream to protect services for the county's most vulnerable residents.
“We are saving public health,” Mitchell said. “This fund represents a new approach, one that brings together government philanthropy in the private sector to invest in community-based solutions, protect vulnerable populations, and strengthen our public health infrastructure.”
Officials say more public health cuts are coming, through the federal budget law known as the "Big Beautiful Bill," which slashes funding for Medi-Cal.
The county Department of Public Health anticipates losing up to $300 million in revenue over the next three years because of the federal budget bill and other potential funding freezes. Federal funding accounts for almost 50% of the public health budget, according to county officials.
Mitchell also led an effort to put a half-percent county sales tax increase to fund public health on the June ballot.
If approved by voters, that proposal, known as Measure ER, is expected to raise about $1 billion a year for county safety net health services, including about $100 million for the public health department.
Adolfo Guzman-Lopez
is an arts and general assignment reporter on LAist's Explore LA team.
Published April 2, 2026 4:20 PM
Water infrastructure such as pipes that feed water to drinking fountains and toilets at the Rose Bowl Stadium are getting an infusion of $1 million for fixes.
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Topline:
Rep. Laura Friedman today announced that she secured $1 million for improvements to the water infrastructure at the aging Rose Bowl Stadium as it prepares for a global starring role in the LA28 Olympics.
Why it matters: The pipes may be working fine — for now — but the fear of backed-up toilets as the world watches is an ongoing worry at the venue.
Why now: Public officials have been pushing for spending to improve Olympic venues and surrounding areas as L.A. and other municipalities roll out the red carpet for the world to attend the Olympics. But they’ve hit road bumps and detours.
The backstory: The Rose Bowl is 103 years old and public officials have committed to spending $200 million to upgrade the Pasadena venue over the next two decades.
The Rose Bowl in Pasadena may be a centenarian, but it’s holding up pretty well as it continues to host events on its way to a starring role in the LA28 Olympics.
But before it can host the soccer final, it needs fixes, especially to the infrastructure serving the bathrooms and drinking fountains. Fears of a toilet backup while in the world’s spotlight led Rep. Laura Friedman to seek federal funds for upgrades. On Thursday she announced she secured just over $1 million.
“Two years from now, athletes around the world are going to compete for gold right where we are standing. This is not the time to find out whether or not these pipes are up to the task,” Friedman said.
The planned work, she added, will lead to improved water flow capacity and water drainage, eliminating the risk of backups and emergency maintenance.
The funds came from the House of Representatives Interior and Environment subcommittee. The fixes, an official said, will be completed by the LA28 Olympics.
The funds, however, are a drop in the bucket when it comes to what’s needed to make needed improvements to the Pasadena venue.
Officials, including (left to right) Rose Bowl Legacy Foundation President Dedan Brozino, Deputy Fire Chief of the City of Pasadena Tim Sell, Congresswoman Laura Friedman, and Rose Bowl Stadium CEO Jens Weiden announced infrastructure funding for the 103-year old Rose Bowl.
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“Over the next 20 years there's about $200 million that we need to put in and that's everything from updating light fixtures to updating gas, water, wastewater lines, etc.,” said Dedan Brozino, president of the Rose Bowl Legacy Foundation, the nonprofit that supports the Rose Bowl stadium's preservation and enhancement.
Getting venues ready will be expensive
The money is a much-needed win at a time when elected officials in city, county, state and federal offices have been struggling to find the funds to get L.A.-area venues ready for the global Olympic stage in two years.
The entrance to a men's bathroom at the Rose Bowl.
Additionally, to save money, LA28 organizers moved Olympic diving to the Rose Bowl complex last year because it has two Olympic-sized pools, while the Exposition Park complex doesn't and would need expensive upgrades.
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Kevin Tidmarsh
is a producer for LAist, covering news and culture. He’s been an audio/web journalist for about a decade.
Published April 2, 2026 3:39 PM
This Cape vulture chick hatched March 14 at the L.A. Zoo.
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The zoo said it’s the first major breeding success in its Cape vulture habitat, which opened up last year. The chick now joins the zoo’s committee — that’s the name for a group of vultures.
About the chick: The chick hatched on March 14. The zoo opened its Cape vulture enclosure in February 2025 after years of planning to encourage the birds to roost and nest, welcoming a new breeding pair that year. When it grows to be an adult, it’ll have a wingspan of eight and a half feet.
About the enclosure: The L.A. Zoo said it spent years developing the vulture habitat, which was designed to mimic the vultures’ natural environment in South Africa. Dominick Dorsa II, the zoo’s director of animal care, said in a statement the successful hatching is “a testament to the design and construction” of the habitat.
How to see the chick: You can’t for the time being. Zoo officials are keeping it away from visitors until the chick matures, though you can still see adult Cape vultures at the zoo’s enclosure.
Though visitors will have to wait until the chick matures to see it in the enclosure, you can still take in the impressive eight and a half foot wingspan of the adult Cape vultures.
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What zoo officials are saying: “Welcoming a Cape vulture chick is a thrilling moment for our team and a beacon of hope for African vultures,” the L.A. Zoo’s curator of birds Rose Legato said in a statement. “Vultures are one of nature's most misunderstood marvels, and I cannot wait for our guests to eventually watch this chick grow and learn just how vital they are to our ecosystems.”
About the species: Cape vultures are listed as a vulnerable species due to human activities and encroachment. According to the L.A. Zoo, African vultures are more closely related to eagles and hawks than vultures native to the Americas, like the California condors that just hatched last year at the L.A. Zoo.
Topline:
The Los Angeles Zoo said it’s the first major breeding success in its Cape vulture habitat, which opened up last year. The chick now joins the zoo’s committee — that’s the name for a group of vultures.
About the chick: The chick hatched March 14. The zoo opened its Cape vulture enclosure in February 2025 after years of planning to encourage the birds to roost and nest, welcoming a new breeding pair that year. When it grows to be an adult, it’ll have a wingspan of 8 1/2 feet.
About the enclosure: The L.A. Zoo said it spent years developing the vulture habitat, which was designed to mimic the vultures’ natural environment in South Africa and nearby countries. Dominick Dorsa II, the zoo’s director of animal care, said in a statement the successful hatching is “a testament to the design and construction” of the habitat.
How to see the chick: You can’t for the time being. Zoo officials are keeping it away from visitors until the chick matures, though you can still see adult Cape vultures at the zoo’s enclosure.
Though visitors will have to wait until the chick matures to see it in the enclosure, you can still take in the impressive eight and a half foot wingspan of the adult Cape vultures.
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Courtesy Jamie Pham/L.A. Zoo
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What zoo officials are saying: “Welcoming a Cape vulture chick is a thrilling moment for our team and a beacon of hope for African vultures,” the L.A. Zoo’s curator of birds Rose Legato said in a statement. “Vultures are one of nature's most misunderstood marvels, and I cannot wait for our guests to eventually watch this chick grow and learn just how vital they are to our ecosystems.”
About the species: Cape vultures are listed as a vulnerable species due to human activities and encroachment. According to the L.A. Zoo, African vultures are more closely related to eagles and hawks than vultures native to the Americas, like the zoo's California condors that hatched last year.
What should have been a celebration for formerly incarcerated youth completing a reentry program at the Boyle Heights Arts Conservatory (BHAC) last week instead ended with seven students and two staff members detained by the Los Angeles Police Department, according to witnesses.
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Last week, seven students and two staff members from the Boyle Heights Arts Conservatory (BHAC) were detained by the Los Angeles Police Department, according to witnesses. Now, BHAC staff and city officials are demanding answers from the LAPD, with some accusing officers of racial profiling.
What happened: According to the LAPD, officers observed a large group gathered on the corner of Cesar E. Chavez Avenue and Mott Street around 4:16 p.m. on March 26. The group, classified by police as an “aggressive gang group,” consisted of seven 18-year-old students from the BHAC’s Bridge Academy Movement (BAM) program and two BHAC staff members.
Allegations of racial profiling: In total, seven 18-year-old students and two staff members were detained. BHAC staff said one student and one staff member were taken to Hollenbeck Community Police Station and released less than two hours later after advocacy from community members and Councilmember Ysabel Jurado. According to Rene Weber, a teaching artist at the BHAC, the students had gone to coffee across the street at Milpa Kitchen as they often did. After Weber told the officers that all of the students were 18, they said they would investigate whether the group had any gang affiliation.
What is BAM? The BAM program pays formerly incarcerated youth to complete 200-250 hours in media and visual arts training to prepare them for creative careers. That day, students were set to showcase their work at the BAM program graduation for families and community members.
What should have been a celebration for formerly incarcerated youth completing a reentry program at the Boyle Heights Arts Conservatory (BHAC) last week instead ended with seven students and two staff members detained by the Los Angeles Police Department, according to witnesses.
Now, nearly a week later, BHAC staff and city officials are demanding answers from the LAPD, with some accusing officers of racial profiling.
According to the LAPD, officers observed a large group gathered on the corner of Cesar E. Chavez Avenue and Mott Street around 4:16 p.m. on March 26. Authorities then requested backup for what they described as “a large group surrounding officers,” LAPD Public Information Officer Tony Im said.
The group, classified by police as an “aggressive gang group,” consisted of seven 18-year-old students from the BHAC’s Bridge Academy Movement (BAM) program and two BHAC staff members.
The BAM program pays formerly incarcerated youth to complete 200-250 hours in media and visual arts training to prepare them for creative careers. That day, students were set to showcase their work at the BAM program graduation for families and community members.
Rene Weber, a teaching artist at the BHAC, had been with the students setting up for the ceremony minutes before the incident occurred.
According to Weber, the students had gone to coffee across the street at Milpa Kitchen as they often did, when staff were alerted that they were being detained.
Weber said he arrived to find students and a staff member pressed against the wall in handcuffs.
Video from the scene, taken by a staff member at the BHAC, shows multiple officers surrounding the group. At one point, an officer orders a person to “get on the wall” and displays a stun gun.
“No, none of that, these are kids right here,” the staff member replies.
Another staff member, Teotl Veliz, recorded a large police response.
“I counted 12 cop cars, that’s at least 25 cops, and they had a helicopter,” Veliz said. “It was just so comedic, tragically comedic, that it was on their graduation day too.”
Officers established a perimeter with yellow tape along the side of Ashley’s Beauty Salon as local business owners and witnesses gathered around the students.
“I was just incredibly disappointed in LAPD… because it became so apparent to everybody, all at the same time, that it was racial profiling and nothing else,” Veliz said.
Weber said officers gave shifting explanations for the stop at the scene, including blocking the sidewalk and possible underage vaping. After Weber told the officers that all of the students were 18, they said they would investigate whether the group had any gang affiliation.
Police have not responded to questions about what led officers to believe that the group was gang-affiliated.
Weber recalled pleading with the officers to let the group go and explaining to them that they worked across the street. Community members and local business owners also stepped in to vouch for the students.
“Our job is to help them gain a new perspective on life,” Weber said. “They’re coming out of juvenile detention and they’re turning their lives around. We can do our part in keeping them off the streets and keeping them doing better but what does it mean if they’re going to be profiled and treated exactly the same way?”
In total, seven 18-year-old students and two staff members were detained. BHAC staff said one student and one staff member were taken to Hollenbeck Community Police Station and released less than two hours later after advocacy from community members and Councilmember Ysabel Jurado.
The incident ultimately resulted in an infraction for smoking a cannabis e-vape on a public sidewalk, according to a photo of the infraction shared with the Beat. LAPD did not provide details about the people taken to Hollenbeck Station or the infraction.
The graduation ceremony was cancelled that night and is expected to be rescheduled in April.
“Graduation should be a moment of pride and possibility — not fear,” Jurado said in a statement. “I’m seeking answers about what occurred, and this underscores the need for stronger relationships between law enforcement and community organizations so moments like these are protected, not disrupted.”
Carmelita Ramirez‑Sanchez, the conservatory’s executive director, said she was grateful to the community and Jurado for advocating for the students’ release. Jurado met her at Hollenbeck Station within 20 minutes of being alerted to the incident, she said.
“They had store owners, señoras, barbers, that ran out and were trying to explain to the police who our kids were,” Ramirez‑Sanchez said.
Still, she said the incident tarnished what should have been a joyous celebration.
“I imagine that what this does is derail this entire idea that you can be an active participant in your own restorative growth,” she said.
