The car known as "Gypsy Rose," a customized 1964 Chevrolet Impala.
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Leslie Berestein Rojas
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Topline:
The art, culture and history of lowriders is celebrated in a new exhibit opening this weekend at the Petersen Automotive Museum. It’s called “Best in Low: Icons of the Street and Show."
Highlights: Among the highlights of the exhibit are the famed “Gypsy Rose,” a pink 1964 Chevrolet Impala festooned with painted flowers that appeared in the opening credit of the 1970s television comedy Chico and the Man, and the venerated “Sphinx,” a gold and violet 1954 Chevrolet 210 Sedan from Nagoya, Japan that has become an emblem of Japanese lowrider culture.
How to go: The exhibit opens to the public Sunday, May 12 at the Petersen Automotive Museum. Tickets can be purchased online.
To stand amid the sleek vehicles that comprise the new exhibit“Best in Low: Icons of the Street and Show” at the Petersen Automotive Museum is to be immersed in eye-popping color, crazy detail, devoted craftsmanship, and proud individuality. But there’s more to it than that.
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When A Lowrider Isn't Just A Lowrider. New Exhibit Explores An LA Tradition And Its Deeper Meaning
“It's about family, it's about culture, it's about expression,” said Bryan Stevens, the Petersen’s director of exhibitions and the show’s main curator, who worked with individual owners and families to bring the lowrider collection together.
“Each of these cars has an enormous amount of history behind it,” Stevens said. “There's so many stories that go with each one. It really is incomparable elsewhere in automotive culture.”
Show opens this Sunday
The show, which opens to the public Sunday, is billed as the biggest showcase of lowriders in the museum’s history. It features 31 cars plus a handful of motorcycles and bicycles, all of them lovingly crafted works of art.
Many are from around the Southwest; two came from Japan.
“We wanted to present the fact that this is now a global phenomenon,” Stevens said. “It has grown in the last few decades to be something found literally everywhere in the world except, I suppose, Antarctica.”
An L.A. phenomenon
That said, the show, like the decades-old lowriding tradition, has an L.A. heart.
Japan's famed "Sphinx," a customized 1954 Chevrolet 210 Sedan.
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“Lowriding culture really did originate here,” Stevens said. “It’s an L.A. phenomenon, and it remains largely an L.A. phenomenon today. There are lowrider car shows on any given weekend somewhere in Los Angeles. A lot of the biggest and best-known shows and gatherings are all here.”
Lowriders are, of course, synonymous with L.A. The tradition dates back to the post-World War II era, when young Chicanos began customizing older, affordable cars that eventually became rolling metal canvases.
Cruising strips like Whittier Boulevard became showcases as lowrider cars became an increasingly innovative art form that featured not only elaborate paint jobs, but customized interiors and hydraulics.
How the tradition spread
Tina Blankenship-Early's 1966 Chevrolet Caprice, “Game Killa.”
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Leslie Berestein Rojas
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Over time, the tradition spread beyond Chicano culture. Tina Blankenship-Early, whose 1966 Chevrolet Caprice “Game Killa” is featured in the exhibit, grew up in Watts, inspired by the mostly Black lowrider owners on her street.
“Ever since I was a little girl, I just wanted to low ride,” said Blankenship-Early, who started out working on car stereos and was eventually invited to join the Super Naturals car club, which she describes as “multicultural.”
What she loves most about lowriding: “The ride is like no other ride in a car,” Blankenship-Early said. “The ride of the car, the gatherings, like where it is just this big car show, everyone listening to music, taking pictures with each other. There is no color line in lowriding, it’s a party and a big car show for us.”
The 1958 Chevrolet Impala known as “Dead Presidents.”
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Leslie Berestein Rojas
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Exhibit highlights
Among the highlights of the exhibit:
The famed “Gypsy Rose,” (see the lead photo above) a pink 1964 Chevrolet Impala festooned with painted flowers that appeared in the opening credit of the 1970s television comedy Chico and the Man
Two three-time Lowrider magazine “Lowrider of the Year” award winners: The mind-blowing gold-toned 1958 Chevrolet Impala convertible dubbed “Final Score” and the sparkling blue, family-themed 1957 Chevrolet Bel Air known as “Double Trouble.”
The sleek, glowing green 1958 Chevrolet Impala known as “Dead Presidents.”
The venerated “Sphinx,” a gold and violet 1954 Chevrolet 210 Sedan from Nagoya, Japan that has become an emblem of Japanese lowrider culture.
Each car is labeled with the name of its owner and corresponding car club. Some were customized by the owners themselves, and/or with the help of specialized craftsmen who worked on everything from paint jobs to engraved chrome.
The exhibit is arranged in a way that certain cars’ standout features are showcased — for example, interiors or hydraulics.
Sandy Avila in the driver's seat of her 1984 Oldsmobile Cutlass Supreme, Simply Beautiful.
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Samanta Helou Hernandez for LAist
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Sandy Avila’s 1984 Oldsmobile Cutlass Supreme “Simply Beautiful” is highlighted for its sophisticated hydraulic system that allows it to stand on three wheels. She said that when her car was chosen, with its sleek but decidedly neutral paint job, she was floored.
“Even when they were taking it in, I was like ‘Oh my gosh, those cars in here are so fancy!’ It is super cool, and I am super honored to be a part of it,” said Avila, whose Pasadena-based Lady Lowrider Club was the subject of a 2022 LAist story.
Some of the cars are still driven by their owners, said museum curator Stevens. And while they are museum pieces for now, “we don't own any of these lowriders,” he said. “Every single one is still owned by either the person who commissioned its creation, or by the builder themselves.”
Stevens said the exhibit is expected to remain at the Petersen for the next 13 months.
How to visit
Location: Petersen Automotive Museum,6060 Wilshire Blvd. (at Fairfax) in Los Angeles Hours: 10 a.m. to 5 p.m. daily Admission: $21 for adults, $19 for seniors (62+), $13 for youth (12-17) and $12 for children ages 4 to 11. Exhibit dates: Opens Sunday, May 12th and is scheduled to run through April 2025
Stefanie Ritoper
was formerly LAist's early childhood engagement producer.
Published May 6, 2026 8:00 AM
LAist reporter Julia Barajas interviews Maria Monares, a longtime resident of East Los Angeles, about odor issues in the area.
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Samanta Helou Hernandez
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LAist
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Topline:
Whether you’re looking to connect with a reporter or have an interview coming up, here’s a cheat sheet to help you talk with journalists, including our staff from LAist.
Why it matters: Reporters come to you for a reason. They may be intimidating because they have a mic or a camera, but you have a perspective they need. Media outlets also want to expand their audiences, and that includes you.
Read on... for our cheat sheet on how to talk with journalists.
LAist reports on local issues for — and with — communities across Southern California, but chances are most readers have never spoken with a journalist before. Your stories and experiences power our reporting, so it’s important that people know what to expect when they speak with a reporter.
That’s what this guide is for.
Below are some tips from our newsroom on what to keep in mind when talking to a journalist.
Remember: You are the expert on your own life
Tell the story you want to tell about yourself.
Be honest. Truthfulness and facts are central to journalistic ethics.
Also know your worth. Reporters come to you for a reason. They may be intimidating because they have a mic or a camera, but you have a perspective they need. Media outlets also want to expand their audiences, and that includes you.
Common questions
How can I get a journalist’s attention?
Contact reporters by social media or send them a personal email — at LAist, contact information is available on our staff page. If you meet a reporter, get their business card. It will usually have a direct phone number to talk with them.
Will all my words be published?
Probably not. Journalists are often working with a limited word count or air time. They will likely use one short sound bite or quote from you. It’s also possible they will not use your interview at all. Reporters and their editors decide what will get published.
Can I see a copy of the story before it's published?
Probably not. It is against journalistic ethics to have sources review a story before it’s published. Imagine if a journalist were to do a piece about government corruption. You wouldn’t want the government agency to review the story and edit it. Editors review stories for accuracy.
When will the story be published?
It depends on the type of story. Some stories are short and may air on the radio or be published online the same day you talk to the reporter. Other times a reporter might work on a story for several weeks or months. It’s OK to follow up with the reporter who talked to you and ask when the story might be done and ask them to let you know where you can read or hear it.
Can I speak with a fact-checker?
You are welcome to ask reporters about their fact-checking process or how they make sure a story is accurate. Not all outlets have fact-checkers. If the story is an investigative story or a long-form or magazine format, designated fact-checkers are more common. At LAist, reporters and editors are responsible for verifying information.
What if I am asked about something that makes me feel uncomfortable?
Your story is your own and during an interview you have full control over what you say to a reporter. Answer questions in any way that makes you feel most comfortable, and you can always decline to answer a question.
What do I do if a reporter asks me about my immigration status?
You don't have to disclose your immigration status to a reporter. If it's directly relevant to the story, a trustworthy reporter will explain that and also tell you how they'd handle the information. You can decline to answer.
How do I determine if the newsroom I'm speaking with has a specific point of view?
It's a great question and relates directly to media literacy — meaning how well you can spot misinformation, disinformation and bias. The reality is that we all have points of view. Here are some tools to check on where a publication falls across the political spectrum:
FAIR's (Fairness & Accuracy In Reporting), which describes itself as a "progressive media watchdog group" has this media literacy guide.
You should be able to find information on who funds the work on the site (corporations, individual owners, subscribers, members and so on).
You can also check out this interactive chart tracking media outlets across the political spectrum (note that you may need a paid version to search smaller outlets). Ad Fontes Media, which describes itself as a "public benefit corporation" which they said means they are "a for-profit business with a stated public mission," has been publishing its analysis since 2018.
Is everything I say usable in a story?
You can come to an agreement with reporters ahead of the conversation about how your words can be used:
“On the record”: This means that everything you say in your conversation with the journalist can be quoted, published and attributed back to you. By default, you should assume any exchange you have with a journalist is on the record unless you mutually agree otherwise.
“On background”: This means that you are sharing information with a journalist that can be referenced in a story, but is not directly attributed to you.
“Off the record”: This means that you are sharing information that is not for publication. People may share experiences or tips off the record if they want the journalist to be aware of the information but don’t want it mentioned in a story. Remember that “off the record” only counts if both you and the journalist agree to it.
It's worth noting that different newsrooms may use these terms slightly differently. You should confirm with the reporter that you have as shared understanding of the meaning.
Do I need to pay to be in a news story? Can I get paid?
No and no. You will not pay or get paid to be in a news story because this is against journalistic ethics. Anyone who receives payment for a story could be swayed to bend the truth.
What if the reporter gets my story wrong?
If you feel that the reporter misrepresented your story, you can ask for a correction or an update to clarify a point. Reporters want to get the story right and they don't want to incorrect or misleading information to go unchecked. That said, corrections deal with information that is factually incorrect, so you should be ready to explain what was wrong and why. Under California law, you have 20 days to demand a correction and the publisher has to respond within a set period of time.
Think about the main points you want to get across in your interview. What are the most critical things for the reporter to know? Some people like to organize their thoughts into three major points. If you are not used to telling your story, you may want to have a friend ask you some questions to practice. Depending on the story, a reporter may also ask if you have any pictures to share that they can use to help tell the story.
Get involved with LAist
Ask LAist reporters questions
You can reach out to LAist reporters through the contact information listed on their bios. All our editorial staff, including the teams reporting, editing and producing news, are listed here.
How else you can be a part of LAist's reporting
Aside from contacting journalists directly, you can share your story with LAist through short surveys and meeting us in person. Learn more here.
This guide was originally written by former LAist early childhood producer Stefanie Ritoper, with contributions from Mariana Dale. Cato Hernández and David Rodriguez also contributed to this guide.
Gab Chabrán
covers what's happening in food and culture for LAist.
Published May 6, 2026 5:00 AM
The Birria XLB, a limited-edition collab between Paradise Dynasty and Burritos La Palma, available starting May 11.
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Katrina Frederick
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Topline:
Paradise Dynasty and Burritos La Palma have teamed up on a limited-edition Birria XLB — birria de res folded into a soup dumpling skin.
Why it matters: Two of the defining food obsessions of the past decade in Southern California — birria and XLB — are meeting in one bite, and the collab feels less like a gimmick and more like a natural expression of how L.A.'s Asian and Latino food cultures have always cross-pollinated.
Why now: The Birria XLB drops publicly May 11 at Paradise Dynasty's South Coast Plaza and Americana at Brand locations.
File this under things that could only happen in L.A.
Paradise Dynasty, the Singapore-based chain known for its signature eight-flavor xiao long bao, has teamed up with Burritos La Palma — the SoCal burrito institution whose birria de res recipe traces back over 45 years — to create a limited-edition birria soup dumpling. The Birria XLB will be available starting Monday (May 11) for a limited time at Paradise Dynasty locations.
I've eaten my weight in both soup dumplings and burritos, so naturally, I'm a fan of both.
Paradise Dynasty has been on a steady ascent as a major player in L.A.'s dumpling scene, with locations at South Coast Plaza in Costa Mesa and The Americana at Brand in Glendale.
Meanwhile, Burritos La Palma — known for its simple, savory burritos and finely crafted flour tortillas — has been capturing hearts and stomachs since Alberto Bañuelos opened the first eatery in L.A. in 2012. It’s since grown to several spots across L.A. and Orange County, earning a Michelin Bib Gourmand award in 2024 for its high-quality, Zacatecan-style handmade flour tortilla burritos at an affordable price.
How the collab came together
So what exactly is a birria soup dumpling? A delicate wrapper, lightly packed with tender birria de res — slow-braised beef stewed in chilies and spices — juicy, savory and gone in one bite.
It all began with a call from Paradise Dynasty, when Jason Kuo, district manager for Paradise Dynasty USA, reached out to Bañuelos, calling it, simply, a perfect match between the two dishes.
Kuo said the idea came straight from the community.
"When we started asking guests and people around us what flavor they would want to see in a soup dumpling, birria kept coming up again and again — it was very clear. If we're going to do birria, it has to be done right. Burritos La Palma was the first name that came to mind."
Bañuelos was "beyond thrilled" to have been approached.
"We come from a small town in Mexico, and to be able to elevate to the level of Paradise Dynasty and that culinary perfection, I can't even really put it into words," he said.
It took months of R&D to get the right consistency. Bañuelos said the process required dialing down the moisture and upping the spice potency and landed on serving a fresh red salsa with thin slivers of serrano peppers alongside — a riff on the black vinegar and pickled ginger traditionally served with soup dumplings.
The Birria XLB's juicy interior is part of what makes it work — the dish is served with a fresh, tomato-based salsa and slivers of serrano pepper in place of the traditional black vinegar and pickled ginger.
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Courtesy Paradise Dynasty
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How it tastes
I got a chance to try the dumplings ahead of the public launch and was struck by how well the combination worked. The juicy nature of birria is almost turbocharged in dumpling form, its savory, herbaceous flavors fully encapsulated in the thin skin, creating an exceptional texture in every bite. The dish hits even harder when dipped in the light tomato-based salsa — a rush of freshness that cuts through the richness, with a spike of heat from fresh serrano. (Feel free to skip the peppers if spice isn't your thing.)
But what's most impressive is how organic it all feels. This isn't fusion for fusion's sake — it's a natural meeting of two dishes that are deeply embedded in the Southern California diet, each playing to the other's strengths.
It feels like a logical meeting of the minds — birria and soup dumplings have both been part of L.A.'s culinary zeitgeist for the better part of a decade, and it makes sense that these worlds should collide.
When asked whether a collaboration like this could happen anywhere else, Bañuelos was quick: "It has to start in L.A. You just can't compete."
If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.
A gated building at Urban Strategies, a facility that holds unaccompanied minor immigrants under contract with the U.S. Office of Refugee Resettlement, in San Benito, Texas.
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Patricia Lim
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Topline:
Nine Democratic House members from California are demanding information about how the Trump administration is treating unaccompanied migrant children who are pregnant and in federal custody.
Why now: They signed a letter last week, along with 39 other House Democrats, to Trump officials expressing their concern that the girls are not receiving adequate medical care or access to abortion.
How we got here: The letter comes in the wake of an investigation by the California and Texas Newsrooms, public media collaboratives in those states. LAist is part of The California Newsroom. The joint investigation found that the federal government is detaining pregnant migrant girls in a single group home in South Texas. Doctors and reproductive-health researchers interviewed for the investigation said prenatal care is severely limited in that region.
Nine Democratic House members from California are demanding information about how the Trump administration is treating unaccompanied migrant children who are pregnant and in federal custody. They’ve signed a letter, along with 39 other House Democrats, to Trump officials expressing their concern that the girls are not receiving adequate medical care or access to abortion.
The joint investigation found that the federal government is detaining pregnant migrant girls in a single group home in South Texas. Doctors and reproductive-health experts interviewed for the investigation said prenatal care is severely limited in that region.
The letter says the detention violates federal regulations because the children are “entitled to the full range of medical care, including reproductive health care.”
Rep. Gil Cisneros, who represents the central San Gabriel Valley, says he worries that pregnant migrants who are apprehended in California will be put at risk if they’re sent to a part of Texas that is short on obstetric care. Of particularly concern: High-risk pregnancies are common among minors.
“If they were in California," he said, "they would be able to have more choices of the type of health care that they would get when it comes to reproductive health care.”
Rep. Judy Chu, who represents the West San Gabriel Valley, wrote in a statement that “this administration is so intent on restricting abortion that it is using immigration detention as a tool to control these girls’ bodies.”
Mariana Dale
explores and explains the forces that shape how and what kids learn from kindergarten to high school.
Published May 5, 2026 3:40 PM
The Trump administration has announced a Title IX investigation into LAUSD.
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Genaro Molina
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Getty Images
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Topline:
The U.S. Department of Education is investigating how the Los Angeles Unified School District responds to educators accused of sexual misconduct with students.
Why now: The department accuses the district of maintaining a policy that “automatically” reassigns teachers to other schools when they are accused of sexual misconduct with students and cites a 2024 agreement with the teacher’s union.
The district’s policy: A Los Angeles Unified spokesperson wrote in a statement that it’s “not true” that staff being investigated for sexual misconduct are reassigned to other school sites. “‘Reassignment’ typically means an employee is directed to remain at home and away from students and schools during an investigation,” the spokesperson wrote.
LAUSD protocol related to employee misconduct says administrators must remove accused employees from their classroom or worksite whenever there is a risk to the safety of students or staff. The 110-page document also lists several other requirements for allegations related to sexual misconduct, including contacting law enforcement and the agencies that license teachers.
The U.S. Department of Education is investigating how the Los Angeles Unified School District responds to educators accused of sexual misconduct with students.
The department accuses the district of maintaining a policy that “automatically” reassigns teachers to other schools when they are accused of sexual misconduct with students and cites a 2024 agreement with the teachers union.
A Los Angeles Unified spokesperson wrote in a statement that it’s “not true” that staff being investigated for sexual misconduct are reassigned to other school sites.
“‘Reassignment’ typically means an employee is directed to remain at home and away from students and schools during an investigation,” the spokesperson wrote.
United Teachers Los Angeles called the DOE's accusations a “fundamental misunderstanding” of the district’s reassignment policy.
“[Employees] are not reassigned to another classroom or to any other setting where they would interact with students,” read a statement provided by the union. “This policy protects both students and staff and creates conditions for a thorough and appropriate investigation of allegations.”
Kimberly Richey, the assistant secretary for civil rights, wrote in a statement that Title IX requires schools to address claims of sexual misconduct in a “timely manner.”
“It is unconscionable that the district would simply ignore Title IX’s procedural requirements to protect teachers who cause life-changing harm to their kids,” Richey wrote. “The Trump administration will always fight to uphold the law, protect the safety of all students and restore common sense to our schools.”
LAUSD protocol related to employee misconduct says administrators must remove accused employees from their classroom or worksite whenever there is a risk to the safety of students or staff.
The 110-page protocol document also lists several other requirements for allegations related to sexual misconduct, including contacting law enforcement and the agencies that license teachers.
“Los Angeles Unified takes all allegations of sexual misconduct and harassment with the utmost seriousness,” a spokesperson wrote in a statement. “Our primary responsibility is to ensure the safety, dignity and well-being of every student and staff member in our care.” The statement also said the district follows Title IX procedures and continuously reviews its policies, training and reporting systems.
The UTLA settlement outlines several circumstances where an employee can be reassigned, including a law enforcement investigation of misconduct, sexual harassment of a student, behavior toward a student perceived to be motivated by a sexual interest and communicating with a student for non-school-related purposes.
A new California law requires schools to train students and staff to recognize and report misconduct and write new policies on “appropriate behavior.” It also will create a new database of educators credibly accused of abuse.
