The Brief

The Rock & Roll Hall of Fame announced its 2026 class of inductees on Monday night, a list of eight performers that includes an R&B legend, a heavy metal band and a drummer-turned-frontman whose music dominated mainstream pop-rock in the 1980s.

In recent years, the Rock Hall has expanded its definition of rock icons to include artists from a wider range of genres and backgrounds. The basic rules for induction have remained the same, though:

Artists become eligible for nomination 25 years after the release of their first commercial recording (in other words, artists whose debuts came out in 2001 are newly eligible this year). There are four different categories of inductees:

• Performers whose music and cultural impact has changed the course of rock and roll. 
• Influential musicians whose innovative styles have propelled cultural change, which this year includes key innovative voices in African and Latin music. 
• A "musical excellence" award designated for writers, producers and session musicians who have played a key role in rock history.
• The Ahmet Ertegun award, honoring industry professionals who are not performers but have made a significant impact on the business of music. 

The official induction ceremony will take place on Nov. 14 at the Peacock Theater in Los Angeles. It will be streamed on ABC and Disney+ in December.

Performer Category

Phil Collins
Even though he was inducted into the Rock Hall as a member of Genesis in 2010, it was Collins' solo career, especially a string of hits in the 1980s, that helped turn him into one of the most commercially successful artists of that decade. The drummer-turned-singer is widely known for popularizing the "gated snare" recording technique — which cut off the lingering reverb from the drums — and resulted in an explosive sound that became a signature sound of the era. Collins' career spans over five decades and has earned him a long list of accolades, including an Academy Award for best original song in 2000 for "You'll Be In My Heart" from Disney's Tarzan.

Billy Idol
The British rocker Billy Idol enters the Rock Hall on his second nomination. Known for hits like "Dancing with Myself," "Rebel Yell" and "White Wedding," the bleach-blonde singer's punk rock attitude continues to reach fans around the world more than four decades since the release of his debut solo album.

Iron Maiden
Heavy metal fans rejoice! Iron Maiden is finally being inducted into the Rock Hall on its third nomination. Since the 1980s, the band has been redefining heavy rock with anthemic storytelling, full-throttle instrumentation and spooky iconography. Different iterations of the band's mascot, Eddie, have appeared on Iron Maiden's album covers and merch for decades, becoming a key fixture of a particular strain of teen rebellion.

Joy Division/New Order
After three nominations, Joy Division and New Order are entering the Rock Hall under a joint induction, recognizing the link between the groups. Both bands featured guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris, who were forced to reimagine their sound after the death of singer and songwriter Ian Curtis in 1980. Joy Division's moody post-punk sound, which featured the baritone vocals of Curtis, gave way to New Order's more electronic, dance-driven rhythms, which proved massively popular in the 1980s.

Oasis
Today is gonna be the day that Oasis gets into the Rock Hall. (Well, November 14 will be the actual day.) The Britpop group, led by brothers Liam and Noel Gallagher, has had a resurgence since their highly-anticipated reunion tour last year (which briefly broke Ticketmaster and had fans on both sides of the Atlantic crying their hearts out).

Sade
The English band named for lead vocalist Sade Adu changed the sonic landscape of the 1980s and '90s with its blend of jazz, soul and R&B. The velvety, intimate quality of Sade's music echoes across generations of artists, from Drake to Adele, and has now earned the group Rock Hall inductee status.

Luther Vandross
After starting his career as a background vocalist for stars including David Bowie, Roberta Flack, Stevie Wonder and many more, Luther Vandross became an R&B and soul legend under his own name, thanks to the sheer power of his voice beginning in the 1980s. (He was also a producer for A-listers like Whitney Houston, Aretha Franklin and Diana Ross.) With over a dozen studio albums, his influence has reached across generations to stars including Beyoncé, Alicia Keys and most recently, Kendrick Lamar, who named one of the biggest hits of 2025 after him. Vandross will be inducted after his first Rock Hall nomination.

Wu-Tang Clan
You can see the Rock Hall's effort to expand the definition of rock icons in past years particularly strongly when it comes to the hip-hop acts it inducts. At least one act from the genre — including the Notorious B.I.G., Missy Elliott, A Tribe Called Quest and Jay-Z — each year since 2020. Considering Wu-Tang Clan's collective and individual output, which spans more than 30 years and expanded the East Coast's mark on the genre with references to vintage kung-fu movies and dark humor, it's no wonder the Rock Hall is finally giving the Staten Island crew its long-deserved flowers.

Early Influence Award

Celia Cruz
The Cuban singer, widely known as The Queen of Salsa, becomes the first primarily Spanish-language artist to be inducted into the Rock Hall. After rising through the ranks of Havana's music scene in the 1950s, Cruz left her home country in exile and eventually landed in New York City, where she became one of the most prominent voices of the legendary salsa label, Fania Records.

Fela Kuti
At the end of the 1960s and into the '70s, the Nigerian singer and political activist helped create the Afrobeat genre by combining West African highlife with elements of jazz and funk. Known for his electrifying, unconventional live performances, the multi-instrumentalist is the Rock Hall's first African pop star.

Queen Latifah
Queen Latifah was only 19 years old when she released her debut album, All Hail the Queen, in 1989. Female empowerment has been at the forefront of her music and image since the beginning of her career. With songs like "Ladies First" and "U.N.I.T.Y.," Queen Latifah changed the landscape of male-dominated rap; alongside her music career, she has found arguably greater success as an actor.

MC Lyte
Another teenage pioneer in the world of hip-hop, the Brooklyn-raised rapper gained popularity with socially-conscious lyricism that tackled issues including street violence and drug addiction.

Gram Parsons
Gram Parsons played with The Byrds and helped spearhead the band's seminal country rock album Sweetheart of the Rodeo, which came out in 1968 — but he was technically considered a "sideman" and not a full member of the band. That's why Parsons was not inducted alongside his bandmates when The Byrds entered the Rock Hall in 1991. Now, the Americana visionary — who recorded a pair of celebrated and influential solo albums that featured duets with Emmylou Harris and also played with the Flying Burrito Brothers and the International Submarine Band — gets his due for melding folk, Southern twang and rock and roll before his death at the age of 26, in 1973.

Musical Excellence Award

Linda Creed
In the 1970s, Linda Creed wrote and produced love songs that would come to define the sound of Philadelphia soul, including the Stylistics' hits "Stop, Look, Listen (To Your Heart)" and "You Are Everything," both of which were later covered by Diana Ross and Marvin Gaye. After being diagnosed with cancer at age 26, Creed wrote the song "The Greatest Love of All." Whitney Houston's rendition of the song would go on to top Billboard's Hot 100 chart shortly after Creed's death in 1986.

Arif Mardin
Arif Mardin's producer credits span more than four decades and dozens of legendary collaborations, including with Aretha Franklin, the Bee Gees, John Prine and Norah Jones. Born in Turkey, Mardin started working at Atlantic Records in the early 1960s and eventually became an executive and one of the label's most reliable hitmakers.

Jimmy Miller
Jimmy Miller signed a recording contract as a singer before finding his true calling behind the console, particularly for his work with the Rolling Stones across five albums: Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St. and Goats Head Soup. Known for encouraging and harnessing a group's raw, live energy in recording sessions, the producer left an indelible mark on the sound of rock and roll in the 1960s and '70s.

Rick Rubin
Rick Rubin co-founded Def Jam Recordings while studying film and television at New York University. He went on to turn the label into a powerhouse of 1980s and '90s hip-hop, producing and releasing albums by acts including LL Cool J, Beastie Boys, Run-DMC and Public Enemy. He later founded the label American Recordings and served as co-president of Columbia Records. Since the founding of American Recordings, and particularly in his work with Johnny Cash, Rubin has become known for his skill in musical subtraction — paring down a recording to its essential elements.

Ahmet Ertegun Award

Ed Sullivan
He began his career as a sports journalist, but in 1948, Sullivan became the host of a television program — originally called Toast of the Town and later renamed The Ed Sullivan Show — that was welcomed into millions of people's living rooms every week. Sullivan's show widely introduced Americans to countless musicians, including Elvis Presley, The Jackson 5, The Supremes and, maybe most famously, The Beatles, whose first appearance on his show, in February 1964, was, at the time, one of the most-watched programs in history.
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LAist reports on local issues for — and with — communities across Southern California, but chances are most readers have never spoken with a journalist before. Your stories and experiences power our reporting, so it’s important that people know what to expect when they speak with a reporter.

That’s what this guide is for.

Below are some tips from our newsroom on what to keep in mind when talking to a journalist.

Remember: You are the expert on your own life

Tell the story you want to tell about yourself.

Be honest. Truthfulness and facts are central to journalistic ethics.

Also know your worth. Reporters come to you for a reason. They may be intimidating because they have a mic or a camera, but you have a perspective they need. Media outlets also want to expand their audiences, and that includes you.

Common questions

How can I get a journalist’s attention?

Contact reporters by social media or send them a personal email — at LAist, contact information is available on our staff page. If you meet a reporter, get their business card. It will usually have a direct phone number to talk with them.

Will all my words be published?

Probably not. Journalists are often working with a limited word count or air time. They will likely use one short sound bite or quote from you. It’s also possible they will not use your interview at all. Reporters and their editors decide what will get published.

Can I see a copy of the story before it's published?

Probably not. It is against journalistic ethics to have sources review a story before it’s published. Imagine if a journalist were to do a piece about government corruption. You wouldn’t want the government agency to review the story and edit it. Editors review stories for accuracy.

When will the story be published?

It depends on the type of story. Some stories are short and may air on the radio or be published online the same day you talk to the reporter. Other times a reporter might work on a story for several weeks or months. It’s OK to follow up with the reporter who talked to you and ask when the story might be done and ask them to let you know where you can read or hear it.

Can I speak with a fact-checker?

You are welcome to ask reporters about their fact-checking process or how they make sure a story is accurate. Not all outlets have fact-checkers. If the story is an investigative story or a long-form or magazine format, designated fact-checkers are more common. At LAist, reporters and editors are responsible for verifying information.

What if I am asked about something that makes me feel uncomfortable?

Your story is your own and during an interview you have full control over what you say to a reporter. Answer questions in any way that makes you feel most comfortable, and you can always decline to answer a question.

What do I do if a reporter asks me about my immigration status?

You don't have to disclose your immigration status to a reporter. If it's directly relevant to the story, a trustworthy reporter will explain that and also tell you how they'd handle the information. You can decline to answer.

• More on how LAist handles this topic

How do I determine if the newsroom I'm speaking with has a specific point of view?

It's a great question and relates directly to media literacy — meaning how well you can spot misinformation, disinformation and bias. The reality is that we all have points of view. Here are some tools to check on where a publication falls across the political spectrum:

• FAIR's (Fairness & Accuracy In Reporting), which describes itself as a "progressive media watchdog group" has this media literacy guide.
• PEW Research Center, which describes itself as a nonprofit, nonpartisan nonadvocacy organization, has information on sources most popular with different political perspectives
• You should be able to find information on who funds the work on the site (corporations, individual owners, subscribers, members and so on).
• You can also check out this interactive chart tracking media outlets across the political spectrum (note that you may need a paid version to search smaller outlets). Ad Fontes Media, which describes itself as a "public benefit corporation" which they said means they are "a for-profit business with a stated public mission," has been publishing its analysis since 2018.

Is everything I say usable in a story?

You can come to an agreement with reporters ahead of the conversation about how your words can be used:

• “On the record”: This means that everything you say in your conversation with the journalist can be quoted, published and attributed back to you. By default, you should assume any exchange you have with a journalist is on the record unless you mutually agree otherwise. 
• “On background”: This means that you are sharing information with a journalist that can be referenced in a story, but is not directly attributed to you. 
• “Off the record”: This means that you are sharing information that is not for publication. People may share experiences or tips off the record if they want the journalist to be aware of the information but don’t want it mentioned in a story. Remember that “off the record” only counts if both you and the journalist agree to it. 

It's worth noting that different newsrooms may use these terms slightly differently. You should confirm with the reporter that you have as shared understanding of the meaning.

Do I need to pay to be in a news story? Can I get paid?

No and no. You will not pay or get paid to be in a news story because this is against journalistic ethics. Anyone who receives payment for a story could be swayed to bend the truth.

What if the reporter gets my story wrong?

If you feel that the reporter misrepresented your story, you can ask for a correction or an update to clarify a point. Reporters want to get the story right and they don't want to incorrect or misleading information to go unchecked. That said, corrections deal with information that is factually incorrect, so you should be ready to explain what was wrong and why. Under California law, you have 20 days to demand a correction and the publisher has to respond within a set period of time.

• More on California civil defamation claims and the definition of defamation.

How can I prepare for an interview?

Think about the main points you want to get across in your interview. What are the most critical things for the reporter to know? Some people like to organize their thoughts into three major points. If you are not used to telling your story, you may want to have a friend ask you some questions to practice. Depending on the story, a reporter may also ask if you have any pictures to share that they can use to help tell the story.

Get involved with LAist

Ask LAist reporters questions

You can reach out to LAist reporters through the contact information listed on their bios. All our editorial staff, including the teams reporting, editing and producing news, are listed here.

How else you can be a part of LAist's reporting

Aside from contacting journalists directly, you can share your story with LAist through short surveys and meeting us in person. Learn more here.

This guide was originally written by former LAist early childhood producer Stefanie Ritoper, with contributions from Mariana Dale. Cato Hernández and David Rodriguez also contributed to this guide. 

File this under things that could only happen in L.A.

Paradise Dynasty, the Singapore-based chain known for its signature eight-flavor xiao long bao, has teamed up with Burritos La Palma — the SoCal burrito institution whose birria de res recipe traces back over 45 years — to create a limited-edition birria soup dumpling. The Birria XLB will be available starting Monday (May 11) for a limited time at Paradise Dynasty locations.

I've eaten my weight in both soup dumplings and burritos, so naturally, I'm a fan of both.

Paradise Dynasty has been on a steady ascent as a major player in L.A.'s dumpling scene, with locations at South Coast Plaza in Costa Mesa and The Americana at Brand in Glendale.

Meanwhile, Burritos La Palma — known for its simple, savory burritos and finely crafted flour tortillas — has been capturing hearts and stomachs since Alberto Bañuelos opened the first eatery in L.A. in 2012. It’s since grown to several spots across L.A. and Orange County, earning a Michelin Bib Gourmand award in 2024 for its high-quality, Zacatecan-style handmade flour tortilla burritos at an affordable price.

How the collab came together

So what exactly is a birria soup dumpling? A delicate wrapper, lightly packed with tender birria de res — slow-braised beef stewed in chilies and spices — juicy, savory and gone in one bite.

It all began with a call from Paradise Dynasty, when Jason Kuo, district manager for Paradise Dynasty USA, reached out to Bañuelos, calling it, simply, a perfect match between the two dishes.

Kuo said the idea came straight from the community.

"When we started asking guests and people around us what flavor they would want to see in a soup dumpling, birria kept coming up again and again — it was very clear. If we're going to do birria, it has to be done right. Burritos La Palma was the first name that came to mind."

Bañuelos was "beyond thrilled" to have been approached.

"We come from a small town in Mexico, and to be able to elevate to the level of Paradise Dynasty and that culinary perfection, I can't even really put it into words," he said.

It took months of R&D to get the right consistency. Bañuelos said the process required dialing down the moisture and upping the spice potency and landed on serving a fresh red salsa with thin slivers of serrano peppers alongside — a riff on the black vinegar and pickled ginger traditionally served with soup dumplings.

The Birria XLB's juicy interior is part of what makes it work — the dish is served with a fresh, tomato-based salsa and slivers of serrano pepper in place of the traditional black vinegar and pickled ginger.

(

Katrina Frederick

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Courtesy Paradise Dynasty

)

How it tastes

I got a chance to try the dumplings ahead of the public launch and was struck by how well the combination worked. The juicy nature of birria is almost turbocharged in dumpling form, its savory, herbaceous flavors fully encapsulated in the thin skin, creating an exceptional texture in every bite. The dish hits even harder when dipped in the light tomato-based salsa — a rush of freshness that cuts through the richness, with a spike of heat from fresh serrano. (Feel free to skip the peppers if spice isn't your thing.)

But what's most impressive is how organic it all feels. This isn't fusion for fusion's sake — it's a natural meeting of two dishes that are deeply embedded in the Southern California diet, each playing to the other's strengths.

It feels like a logical meeting of the minds — birria and soup dumplings have both been part of L.A.'s culinary zeitgeist for the better part of a decade, and it makes sense that these worlds should collide.

When asked whether a collaboration like this could happen anywhere else, Bañuelos was quick: "It has to start in L.A. You just can't compete."

Where to try it

Nine Democratic House members from California are demanding information about how the Trump administration is treating unaccompanied migrant children who are pregnant and in federal custody. They’ve signed a letter, along with 39 other House Democrats, to Trump officials expressing their concern that the girls are not receiving adequate medical care or access to abortion.

The letter comes in the wake of an investigation by the California and Texas Newsrooms, public media collaboratives in those states. LAist is part of The California Newsroom.

The joint investigation found that the federal government is detaining pregnant migrant girls in a single group home in South Texas. Doctors and reproductive-health experts interviewed for the investigation said prenatal care is severely limited in that region.

The letter says the detention violates federal regulations because the children are “entitled to the full range of medical care, including reproductive health care.”

Rep. Gil Cisneros, who represents the central San Gabriel Valley, says he worries that pregnant migrants who are apprehended in California will be put at risk if they’re sent to a part of Texas that is short on obstetric care. Of particularly concern: High-risk pregnancies are common among minors.

“If they were in California," he said, "they would be able to have more choices of the type of health care that they would get when it comes to reproductive health care.”

Rep. Judy Chu, who represents the West San Gabriel Valley, wrote in a statement that “this administration is so intent on restricting abortion that it is using immigration detention as a tool to control these girls’ bodies.”

Mark Betancourt is a regular contributor to The California Newsroom. 

The U.S. Department of Education is investigating how the Los Angeles Unified School District responds to educators accused of sexual misconduct with students.

The department accuses the district of maintaining a policy that “automatically” reassigns teachers to other schools when they are accused of sexual misconduct with students and cites a 2024 agreement with the teachers union.

A Los Angeles Unified spokesperson wrote in a statement that it’s “not true” that staff being investigated for sexual misconduct are reassigned to other school sites.

“‘Reassignment’ typically means an employee is directed to remain at home and away from students and schools during an investigation,” the spokesperson wrote.

United Teachers Los Angeles called the DOE's accusations a “fundamental misunderstanding” of the district’s reassignment policy.

“[Employees] are not reassigned to another classroom or to any other setting where they would interact with students,” read a statement provided by the union. “This policy protects both students and staff and creates conditions for a thorough and appropriate investigation of allegations.”

What to expect from the federal investigation

The federal investigation, overseen by the department’s Office for Civil Rights, will assess whether the district’s policy violates Title IX, a law that prohibits sex-based discrimination in federally funded education programs.

Kimberly Richey, the assistant secretary for civil rights, wrote in a statement that Title IX requires schools to address claims of sexual misconduct in a “timely manner.”

“It is unconscionable that the district would simply ignore Title IX’s procedural requirements to protect teachers who cause life-changing harm to their kids,” Richey wrote. “The Trump administration will always fight to uphold the law, protect the safety of all students and restore common sense to our schools.”

The Trump administration also has recently targeted LAUSD's desegregation policy and transgender student protections.

Last year, the office failed to resolve any cases related to sexual harassment, sexual violence or racial harassment, according to a report released by Sen. Bernie Sanders in late April. Sanders is the top-ranking Democrat on the Senate Education Committee.

In March 2025, the Trump administration pushed to cut over half of OCR’s nearly 600 staff members, which contributed to a growing backlog of cases. Those employees were placed on administrative leave pending the result of legal challenges, and many were later brought back.

The Education Department has also withheld records related to civil rights investigations, prompting a lawsuit from investigative nonprofit newsroom ProPublica.

What does LAUSD’s policy say? 

LAUSD protocol related to employee misconduct says administrators must remove accused employees from their classroom or worksite whenever there is a risk to the safety of students or staff.

The 110-page protocol document also lists several other requirements for allegations related to sexual misconduct, including contacting law enforcement and the agencies that license teachers.

“Los Angeles Unified takes all allegations of sexual misconduct and harassment with the utmost seriousness,” a spokesperson wrote in a statement. “Our primary responsibility is to ensure the safety, dignity and well-being of every student and staff member in our care.” The statement also said the district follows Title IX procedures and continuously reviews its policies, training and reporting systems.

The UTLA settlement outlines several circumstances where an employee can be reassigned, including a law enforcement investigation of misconduct, sexual harassment of a student, behavior toward a student perceived to be motivated by a sexual interest and communicating with a student for non-school-related purposes.

School employees are “mandated reporters” who must, by law, notify local law enforcement or child welfare agencies of suspected child abuse or neglect. California Attorney General Rob Bonta reminded K-12 school district leaders in late April of their legal obligation to prevent sexual misconduct and protect students.

How prevalent is sexual misconduct in California schools?

There have been few comprehensive studies of sexual misconduct in schools. A 2004 report to the Department of Education estimated 1-in-10 students experiences sexual misconduct, ranging from inappropriate comments to physical abuse.

A new California law requires schools to train students and staff to recognize and report misconduct and write new policies on “appropriate behavior.” It also will create a new database of educators credibly accused of abuse.

More than 1,000 lawsuits related to sexual abuse that date to the 1940s have been filed against California school districts since the enactment of a 2019 law that gave victims a three-year window to sue.

LAUSD has authorized $750 million in bonds to pay for sexual misconduct settlements related to suits stemming from the law.