The Brief

The Rock & Roll Hall of Fame announced its 2026 class of inductees on Monday night, a list of eight performers that includes an R&B legend, a heavy metal band and a drummer-turned-frontman whose music dominated mainstream pop-rock in the 1980s.

In recent years, the Rock Hall has expanded its definition of rock icons to include artists from a wider range of genres and backgrounds. The basic rules for induction have remained the same, though:

Artists become eligible for nomination 25 years after the release of their first commercial recording (in other words, artists whose debuts came out in 2001 are newly eligible this year). There are four different categories of inductees:

• Performers whose music and cultural impact has changed the course of rock and roll. 
• Influential musicians whose innovative styles have propelled cultural change, which this year includes key innovative voices in African and Latin music. 
• A "musical excellence" award designated for writers, producers and session musicians who have played a key role in rock history.
• The Ahmet Ertegun award, honoring industry professionals who are not performers but have made a significant impact on the business of music. 

The official induction ceremony will take place on Nov. 14 at the Peacock Theater in Los Angeles. It will be streamed on ABC and Disney+ in December.

Performer Category

Phil Collins
Even though he was inducted into the Rock Hall as a member of Genesis in 2010, it was Collins' solo career, especially a string of hits in the 1980s, that helped turn him into one of the most commercially successful artists of that decade. The drummer-turned-singer is widely known for popularizing the "gated snare" recording technique — which cut off the lingering reverb from the drums — and resulted in an explosive sound that became a signature sound of the era. Collins' career spans over five decades and has earned him a long list of accolades, including an Academy Award for best original song in 2000 for "You'll Be In My Heart" from Disney's Tarzan.

Billy Idol
The British rocker Billy Idol enters the Rock Hall on his second nomination. Known for hits like "Dancing with Myself," "Rebel Yell" and "White Wedding," the bleach-blonde singer's punk rock attitude continues to reach fans around the world more than four decades since the release of his debut solo album.

Iron Maiden
Heavy metal fans rejoice! Iron Maiden is finally being inducted into the Rock Hall on its third nomination. Since the 1980s, the band has been redefining heavy rock with anthemic storytelling, full-throttle instrumentation and spooky iconography. Different iterations of the band's mascot, Eddie, have appeared on Iron Maiden's album covers and merch for decades, becoming a key fixture of a particular strain of teen rebellion.

Joy Division/New Order
After three nominations, Joy Division and New Order are entering the Rock Hall under a joint induction, recognizing the link between the groups. Both bands featured guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris, who were forced to reimagine their sound after the death of singer and songwriter Ian Curtis in 1980. Joy Division's moody post-punk sound, which featured the baritone vocals of Curtis, gave way to New Order's more electronic, dance-driven rhythms, which proved massively popular in the 1980s.

Oasis
Today is gonna be the day that Oasis gets into the Rock Hall. (Well, November 14 will be the actual day.) The Britpop group, led by brothers Liam and Noel Gallagher, has had a resurgence since their highly-anticipated reunion tour last year (which briefly broke Ticketmaster and had fans on both sides of the Atlantic crying their hearts out).

Sade
The English band named for lead vocalist Sade Adu changed the sonic landscape of the 1980s and '90s with its blend of jazz, soul and R&B. The velvety, intimate quality of Sade's music echoes across generations of artists, from Drake to Adele, and has now earned the group Rock Hall inductee status.

Luther Vandross
After starting his career as a background vocalist for stars including David Bowie, Roberta Flack, Stevie Wonder and many more, Luther Vandross became an R&B and soul legend under his own name, thanks to the sheer power of his voice beginning in the 1980s. (He was also a producer for A-listers like Whitney Houston, Aretha Franklin and Diana Ross.) With over a dozen studio albums, his influence has reached across generations to stars including Beyoncé, Alicia Keys and most recently, Kendrick Lamar, who named one of the biggest hits of 2025 after him. Vandross will be inducted after his first Rock Hall nomination.

Wu-Tang Clan
You can see the Rock Hall's effort to expand the definition of rock icons in past years particularly strongly when it comes to the hip-hop acts it inducts. At least one act from the genre — including the Notorious B.I.G., Missy Elliott, A Tribe Called Quest and Jay-Z — each year since 2020. Considering Wu-Tang Clan's collective and individual output, which spans more than 30 years and expanded the East Coast's mark on the genre with references to vintage kung-fu movies and dark humor, it's no wonder the Rock Hall is finally giving the Staten Island crew its long-deserved flowers.

Early Influence Award

Celia Cruz
The Cuban singer, widely known as The Queen of Salsa, becomes the first primarily Spanish-language artist to be inducted into the Rock Hall. After rising through the ranks of Havana's music scene in the 1950s, Cruz left her home country in exile and eventually landed in New York City, where she became one of the most prominent voices of the legendary salsa label, Fania Records.

Fela Kuti
At the end of the 1960s and into the '70s, the Nigerian singer and political activist helped create the Afrobeat genre by combining West African highlife with elements of jazz and funk. Known for his electrifying, unconventional live performances, the multi-instrumentalist is the Rock Hall's first African pop star.

Queen Latifah
Queen Latifah was only 19 years old when she released her debut album, All Hail the Queen, in 1989. Female empowerment has been at the forefront of her music and image since the beginning of her career. With songs like "Ladies First" and "U.N.I.T.Y.," Queen Latifah changed the landscape of male-dominated rap; alongside her music career, she has found arguably greater success as an actor.

MC Lyte
Another teenage pioneer in the world of hip-hop, the Brooklyn-raised rapper gained popularity with socially-conscious lyricism that tackled issues including street violence and drug addiction.

Gram Parsons
Gram Parsons played with The Byrds and helped spearhead the band's seminal country rock album Sweetheart of the Rodeo, which came out in 1968 — but he was technically considered a "sideman" and not a full member of the band. That's why Parsons was not inducted alongside his bandmates when The Byrds entered the Rock Hall in 1991. Now, the Americana visionary — who recorded a pair of celebrated and influential solo albums that featured duets with Emmylou Harris and also played with the Flying Burrito Brothers and the International Submarine Band — gets his due for melding folk, Southern twang and rock and roll before his death at the age of 26, in 1973.

Musical Excellence Award

Linda Creed
In the 1970s, Linda Creed wrote and produced love songs that would come to define the sound of Philadelphia soul, including the Stylistics' hits "Stop, Look, Listen (To Your Heart)" and "You Are Everything," both of which were later covered by Diana Ross and Marvin Gaye. After being diagnosed with cancer at age 26, Creed wrote the song "The Greatest Love of All." Whitney Houston's rendition of the song would go on to top Billboard's Hot 100 chart shortly after Creed's death in 1986.

Arif Mardin
Arif Mardin's producer credits span more than four decades and dozens of legendary collaborations, including with Aretha Franklin, the Bee Gees, John Prine and Norah Jones. Born in Turkey, Mardin started working at Atlantic Records in the early 1960s and eventually became an executive and one of the label's most reliable hitmakers.

Jimmy Miller
Jimmy Miller signed a recording contract as a singer before finding his true calling behind the console, particularly for his work with the Rolling Stones across five albums: Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St. and Goats Head Soup. Known for encouraging and harnessing a group's raw, live energy in recording sessions, the producer left an indelible mark on the sound of rock and roll in the 1960s and '70s.

Rick Rubin
Rick Rubin co-founded Def Jam Recordings while studying film and television at New York University. He went on to turn the label into a powerhouse of 1980s and '90s hip-hop, producing and releasing albums by acts including LL Cool J, Beastie Boys, Run-DMC and Public Enemy. He later founded the label American Recordings and served as co-president of Columbia Records. Since the founding of American Recordings, and particularly in his work with Johnny Cash, Rubin has become known for his skill in musical subtraction — paring down a recording to its essential elements.

Ahmet Ertegun Award

Ed Sullivan
He began his career as a sports journalist, but in 1948, Sullivan became the host of a television program — originally called Toast of the Town and later renamed The Ed Sullivan Show — that was welcomed into millions of people's living rooms every week. Sullivan's show widely introduced Americans to countless musicians, including Elvis Presley, The Jackson 5, The Supremes and, maybe most famously, The Beatles, whose first appearance on his show, in February 1964, was, at the time, one of the most-watched programs in history.
Copyright 2026 NPR

Southern California was built on radio.

"I can still hear the jingle KFWB News 98,” wrote  Taline in Los Feliz, during a recent conversation on LAist's daily news show, AirTalk, which airs on 89.3 FM. “I grew up hearing that in my dad's minivan on the way to and from school. It has a special place in my heart.”

Back in April, broadcast company Audacy announced KNX News — one of the last-remaining all-news FM stations — was leaving the FM dial where it had simulcast on 97.1 FM since 2021. The station, which is also one of the oldest in L.A., is not budging from 1070 AM where it has been on the air for more than 100 years. The move away from FM officially happened in May to make way for a new sports talk station, which Audacy officials called an area of growth for advertisers in today’s media landscape.

The move is one in a long line of changes for radio and a reminder that before podcasts, playlists and algorithms, many Southern Californians built their days around radio broadcasts.

Radio, a daily ritual

The construction of KNX

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Herman J. Schultheis

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Los Angeles Public Library

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Michael Jackson, a well-known KNX, personality

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Los Angeles Public Library

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Larry Mantle, now in his 41st year hosting AirTalk, remembers being a kid and dreaming of what it might be like to be behind the mic at one of these radio stations.

“ I grew up with KNX," he said. “My dream job as a kid was to be an anchor on KNX or KFWB, the two local all-news radio stations, 'cause there was nothing like hosting AirTalk that even existed at that point.”

Mantle opened up the phone lines on a recent show to hear from his fellow SoCal radio lovers about the shows they miss and the memories they have. Here's what they had to say:

A love for radio, then and now  

A pilot of KMPC's traffic alert helicopter pictured with his daughter and grandson.

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Los Angeles Public Library

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A 1963 picture of Valley State College (now Los Angeles Valley College) preparing to launch KVCM

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Larry Leach

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Los Angeles Public Library

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“When you'd walk down Hollywood Boulevard where the station was, you could hear it playing as you went down the street,” said  Olivia in Glendale about KLAC 570 with Al Jarvis.

 Larry in Yorba Linda shouted out KBCA Jazz for its 24-hour jazz, saying “When I first moved out here in '68 from Phoenix, which had like an hour a week, it was a real wonder.”

 Mark in Glassell Park emailed that he loves KCRW’s Henry Rollins, writing, “I used to bristle at his unique DJ persona, but over time, I came to love him and his crazy eclectic playlists. I find his knowledge in history and punk rock fascinating. He's a gem and a legend."

"I'd like to give a shout-out to all the DJs working at KXLU, the college station at Loyola Marymount University, said  Jeremy in Culver City in an email. “That station's been on the air for nearly 60 years. I believe it's one of the best examples of what's possible with radio."

"KFWB and KRLA back in the day when they were rock music stations —  Dr. Demento, one of my favorite on-air personalities, also had eclectic music taste," said  Carrie in Desert Edge.

“ Dr. Demento was must listening when I was a kid in junior high school at Le Conte Junior High in Hollywood,” Mantle added. “Every Sunday night on KMET, we would make sure we were listening to Dr. Demento and his funny records.”

The question remains…

An 11-year-old winning a car in a KMPC contest in 1963.

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Los Angeles Public Library

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Listener support is vital to any radio station, and it’s clear KNX has many lifelong fans. AirTalk listeners highlighted their support for household KNX names over the decades like Bill Keene, Melinda Lee, Mike Roy and Jackie Olden.

As KNX makes changes, many are watching closely and thinking about the future of radio.

Listeners like Tommy in La Quinta are left wondering if the radio dial will be the same…

“I’m a hardcore listener, but I don't know about casual listeners [and] if they'll tune to AM,” he said.

After months of hand-wringing, Los Angeles and LA28 have come to a tentative agreement on how Olympics organizers will reimburse the city for its expenses for the 2028 Summer Games.

According to the deal, the private Olympic organizing committee will pay upfront for the estimated cost of services that are not eligible for federal reimbursement, like trash pick-up and traffic control. Under another proposal, the city would also be able to tap an LA28 contingency fund if it isn't fully repaid by the federal government for policing costs at Olympic venues.

The agreement is nearly nine months overdue and still needs approval by Mayor Karen Bass and the City Council.

The 2028 Olympics are intended to be privately financed, and an existing city agreement with LA28 states that the Olympics organizers, not L.A., will pay for extra costs for public services in support of the Games. But L.A. is the financial back-stop for the Olympics, meaning if LA28 goes in the red, taxpayers will pick up the bill.

Beyond that, the city services agreement presents another area where L.A. could incur additional unexpected expenses for hosting the Games. L.A. City Councilmember Monica Rodriguez warned LA28 CEO Reynold Hoover earlier this year that a bad deal could "bankrupt" the city.

Jacie Prieto Lopez, an LA28 spokesperson, and Paul Krekorian, who leads the city's office of major events, said in statements that the freshly inked agreement would help deliver a fiscally responsible Games.

"Mayor Bass’ priority is that the 2028 Olympic and Paralympic Games be fiscally responsible, protect taxpayers, and benefit Angelenos for decades to come. This agreement helps deliver that commitment," Krekorian said.

But the contract between the two parties doesn't fully resolve one of the biggest areas of financial risk for the city: the enormous cost of security for an event as extensive and high-profile as the summer Olympics and Paralympics.

Organizers are counting on the federal government to pay for public safety at Olympic venues that are considered part of a "national special security event." That includes costs for LAPD staffing. LA28 has not included security costs in its $7.1 billion budget — a fact that City Attorney Hydee Feldstein Soto criticized earlier this year.

The federal government has so far allocated $1 billion for security costs for the Olympics. Exactly where those federal funds will go has not yet been determined, and there's no guarantee they will cover all of L.A.'s policing costs.

To address this, city officials have also proposed an amendment to a 2021 agreement between the city and LA28. That amendment would establish that if L.A. is not reimbursed by the federal government for all its eligible expenses, it could dip into LA28's contingency fund of $270 million before the private organizing committee could use those funds for any legacy projects.

But that bucket of money will first be used for any costs that Olympics organizers still owe if they run out of revenue — meaning if the Olympics don't turn a profit, the city's access to that money will depend on how much is left for the taking.

Civil rights attorney Connie Rice, who has been tracking the city's negotiations with LA28, told LAist the agreement was a "PR document" not a deal. She pointed out that if the federal government does not pay up for security spending as expected, L.A. could be in trouble.

" It leaves the taxpayers with a GoFundMe strategy," she said.

The city services agreement lays the groundwork for more negotiations between LA28 and the city. Each venue will require its own agreement, to be negotiated by July 1, 2027. Venues in the city of L.A. include Dodger Stadium, the L.A. Convention Center, L.A. Memorial Coliseum and the Venice Beach Boardwalk.

The City Council's ad-hoc committee on the 2028 Games will meet Tuesday afternoon to vote on the agreement.