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The Brief

The most important stories for you to know today
  • This L.A. artist is mixing both worlds
    QUEEN-OF-LOWRIDERS
    Jacqueline Valenzuela with her lowrider "La Playgirl." Valenzuela highlights women and the LGBTQ+ community in lowriding culture through her artwork and the car club she helped found.

    Topline:

    When artist Jacqueline Valenzuela first got her Cadillac, a lot of people assumed it belonged to her husband. When she heard from more women who had the same experience, she got an idea: "Maybe I should paint the women in the community or paint about the community, but from a female perspective."

    Why now: Lowriders are getting the spotlight this spring. A new exhibition called "Best in Low" opened this past weekend at the Petersen Automotive Museum.

    And artist and lowrider owner Jacqueline Valenzuela has a solo show called "On This I Stand" at Arts at Blue Roof in South L.A. through June 1.

    Go deeper:

    “You’re into lowriding, right?”

    It’s a question multidisciplinary artist Jacqueline Valenzuela says she hears often. So often, in fact, it makes her laugh.

    “It’s literally my life,” Valenzuela recently told How To LA host Brian De Los Santos. “I don't know how to better explain it. It's merged into my art practice. I have a car. My studio's in an auto body shop. Like, I can't escape it.”

    The car is a 1975 Cadillac Eldorado that Valenzuela has named, “La Playgirl.”

    A woman in a black t-shirt and pants stands outside a pink Cadillac with flames on the back. She is looking off to her right, showing her profile to the camera, and leaning her arms on the car door behind her.
    Jacqueline Valenzuela with her lowrider "La Playgirl." Valenzuela highlights women and the LGBTQ+ community in lowriding culture through her artwork and the car club she helped found.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    “She’s hot pink, which I always think is funny because I hated pink growing up and now I have a hot pink car," Valenzuela said. "It’s very much playing on the idea of an alter ego, like a woman that’s in charge.”

    Elevating women

    One area in which Valenzuela has taken charge is highlighting other women like her in the lowrider community. Like her friend Ashley — a nail technician who does lowrider-inspired nails. Or another friend, Monique, who she’s painted three times and whose son now wants to pursue an arts degree, like Jacqueline did.

    “For so long women in the [lowrider] space were just looked at as eye candy or like models,” Valenzuela said. “And yeah, some women do own cars and model with their cars. That's amazing. [But] there's also women that don't model with their cars and sometimes they're not given that platform, so I strive to do that through my art practice.”

    Her studio space in the city of Industry, which she shares with her fiancé Mark Hocutt, is also partly an auto shop. In the front is an office and a space for Jacqueline to paint on canvases, a panel for a hand-painted mural on a car, or to work on an installation. In the back is the auto shop, with classic cars that Mark — a custom car painter — is working on.

    “Whenever I need inspiration I literally just walk back there and I’m like, Oh I can paint this,” Valenzuela said. “Sometimes it’ll be something as simple as seeing tires that are arranged a certain way and I’ll want to paint that.”

    Her art, her car

    She describes her style of art as “hybrid” with realistic depictions of people, cars, and places mixed in with more abstract elements — like the use of pixels and bold color choices.

    A view of a painting of a woman on the street, outside a car. She has red hair and is wearing sunglasses with her hands in her shearling jacket pockets. In the left corner is a graffiti-like collage with a stop sign and hands spelling out "LA"
    A painting by Jaqueline Valenzuela.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    “If you look at my art, you see that I like almost an off putting amount of color, and that's what I like on cars too,” she said. “I want to see patterns that don't make sense together or that look weird together.”

    And while the combination of her love of lowriders and fine art makes sense to her, it’s not always obvious to others.

    “It’s funny that in the art world, sometimes I'm not taken seriously because of the lowrider aspect, but then in the lowrider world, sometimes I'm not taken seriously because of the fine art aspect,” she said.

    While it used to bother her, Valenzuela said, it doesn’t anymore. And the people that know her know that she has real cred in both worlds.

    She gained the confidence to pursue fine art as a career while getting her art degree at Cal State Long Beach, and her work is now in galleries and museums. (Currently, she has a solo show at Arts at Blue Roof in South L.A.)

    She also grew up in Whittier, where she was around lowriders all the time. And she took a three-year hiatus from fine art to work in an auto shop painting lowriders.

    Inclusion matters

    Valenzuela and Hocutt both also co-founded — along with their friend Jesse Jaramillo — a car club called Prophets that welcomes women and people who identify as LGBTQ+.

    “There's still lowrider car clubs that have laws and bylaws that don't allow women to even sit in on their car club meetings,” Valenzuela said. “There is still a lot of that point of view that, ‘Oh, you're queer? That's not normal.’”

    “I feel like it's so embedded in [Chicano] culture that unfortunately it's gone into the lowrider community as well," Valenzuela added. "That's why we thought it was important to carve out a space for ourselves and make sure that people that we love and really care for feel safe in the space that we're like making for ourselves in the lowrider community.”

    To see more of Jacqueline Valenzuela’s work, check out the recent special, all-female edition of Lowrider Magazine. 

    She also has an exhibition open through June 1 at Arts at Blue Roof in South L.A. and this fall will have her first solo museum show at the Bakersfield Museum of Art.

  • Singer songwriter brings new album to Yaamava'
    Singer-songwriter Richard Marx
    Richard Marx headlines Yaamava' Resort & Casino on 11/1
    Topline:
    Singer songwriter Richard Marx is known for chart-topping hits like "Satisfied" and "Right Here Waiting," but his latest album After Hours blends Great American Songbook standards with original songs that Marx wrote in that classic style. He brings his new album to the Yaamava’ Theater at Yaamava’ Resort & Casino in Highland on Sunday, Nov. 1.

    Why it matters: Marx's new album is a real departure from the music that made him a star. Initially, he didn't think he was ready to record these type of songs. "It was a delusion on my part that I wasn't old enough," Marx said. "I thought, 'I'm not old enough to sing those old standards.' Then it dawned on me that I'm 63 years old." Marx decided not to just record American classics. He also wrote original music in that same style. "When I realized that I could create something special in writing half the album, it all started to make sense to me," Marx said. "And I have to say that the writing of this album was the most challenging and enjoyable songwriting I think I've ever done."

    What's next: Tickets for Marx's upcoming show at the Yaamava’ Theater at Yaamava’ Resort & Casino in Highland on Sunday, Nov. 1 are available through AXS.

    Richard Marx knows how to write a pop hit.

    His first seven singles all reached the top five of the Billboard Hot 100, with hits like "Satisfied" and "Right Here Waiting." His writing credits include Luther Vandross' "Dance With My Father."

    But his latest album is showcasing a different side of him.

    After Hours blends Great American Songbook standards with original songs that Marx wrote in that classic style. There's also a five-song EP, After Hours: Live From the Grammy Museum, which came from his August performance there.

    Marx will bring the album to the Yaamava’ Theater at Yaamava’ Resort & Casino in Highland on Sunday, Nov. 1.

    From backup singer to hitmaker

    Marx's journey started when he arrived in Los Angeles at 18.

    "The first door opened for me kind of immediately," Marx said in an interview with LAist Morning Edition Host Austin Cross. "The first job I had right out of the gate was singing background vocals for Lionel Richie on his first solo album."

    That connection allowed Marx to meet Kenny Rogers, with whom he wrote the No. 1 country song "Crazy." But it would still take years before Marx would find his own success as an artist.

    "I remember when I started having success as a songwriter and singing on all these other people's hit records," Marx said. "I really thought that would be the fuel, but every record company rejected me for several years. I got rejected time and time again on songs that became massive hits. So, you have to just believe in yourself and wait for that right opportunity to come around."

    Writing like it's 1948

    Marx's new album is a real departure from the music that made him a star. Initially, he didn't think he was ready to record these types of songs.

    "It was a delusion on my part that I wasn't old enough," Marx said. "I thought, 'I'm not old enough to sing those old standards.' Then it dawned on me that I'm 63 years old."

    Marx decided not to just record American classics. He also wrote original music in that same style.

    "When I realized that I could create something special in writing half the album, it all started to make sense to me," Marx said. "And I have to say that the writing of this album was the most challenging and enjoyable songwriting I think I've ever done."

    The first song Marx wrote for the album was called "All I Ever Needed," which features a trumpet solo by Chris Botti.

    "I pretended that I was a young, struggling songwriter in 1948, trying to get Sinatra to cut one of my songs," Marx said. "I took a long walk, and I thought whatever comes into my mind, I'm gonna go with it. An hour later, when I came back home, that whole song was written."

    For another song called "Magic Hour," Marx got an assist from his wife, Daisy Fuentes.

    "It's my favorite song on the album," Marx said. "The lyrics plagued me for a while. So [Fuentes] and I sat down and had a martini, and she just kept talking and telling me this story, and I turned it into lyrics."

    Another highlight on After Hours is Marx's duet with Rod Stewart on the song "Young at Heart."

    "Rod was just such a hero my whole life," Marx said. "We just kind of accidentally became great friends over the last four years. And in that process, it was Rod who suggested that we do a duet."

    Marx is now looking for new goals.

    "I'm in the process now of building my new bucket list, and there's really nothing on it so far," Marx said. "I wanna keep making music that makes me feel the way this album made me feel."

    See him live

    Tickets for Marx's upcoming show at the Yaamava’ Theater at Yaamava’ Resort & Casino in Highland on Sunday, Nov. 1, are available through AXS.

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  • Warnings now issued for going 11mph over limit
    A speed feedback sign shows a driver was going 57 miles per hour on a street with a speed limit of 35 miles per hour.

    Topline:

    About one-fifth of the city of Los Angeles’ new speed cameras are now issuing warnings, with the rest slated to go live later this year.

    Tickets on hold for now: Each speed camera will issue automated warnings for 60 days before they start issuing fines. Those penalties start at $50 for going 11 mph over the limit and go up to $500 for drivers going over 100 mph.

    How many cameras: There are 125 speed cameras across the city, and at the time of writing, 26 are now issuing warnings. You can check on the status of the cameras around town by clicking on the image below.

    The backstory: The speed cameras are part of a pilot program signed into law three years ago. Five other cities in California are also part of the program, including Glendale and Long Beach, the latter of which turned on its speed cameras earlier this month.

    Where the money will go: The L.A. Department of Transportation says revenue will go toward its programs to make streets safer and travel easier. LADOT also noted that the intent of the program is to discourage drivers from speeding, not to collect revenue.

    What about data privacy: The law, which was finalized before automated license plate readers became a hot-button issue in recent years, specifies that all photos and administrative records are confidential. LADOT clarified that it will not share personally identifiable data with any local, state or federal law enforcement agencies, “except as required by California law.”

    To learn more: LAist’s Kavish Harjai has been covering this story — here’s his breakdown of the penalties and why they’re in place, and background on how the locations were chosen.

  • He played Chekov on original 'Star Wars'
    The original cast of the original Star Trek including Kirk, Spock, Sulu and Uhura sits or stands on the bridge of the Enterprise, wearing their Star Fleet uniforms
    Walter Koenig, second from left, in a shot of the original "Star Trek" cast members. He has died at the age of 90.

    Topline:

    Actor Walter Koenig, who played Ensign Pavel Chekov, the youthful Russian navigator on the “ Star Trek ” television series and several movies, has died. He was 90.

    What we know: Koenig died today at his home in the North Hollywood neighborhood of Los Angeles, talent agent Zachery McGinnis said in a statement.

    About his most famous role: In “Star Trek,” Ensign Chekov was the sole Communist-bloc member of the spaceship Enterprise bridge staff. His friendly, supportive presence showed how the rival nations (in the far-off future in which the show was set) were capable of working together.

    Actor Walter Koenig, who played Ensign Pavel Chekov, the youthful Russian navigator on the “ Star Trek ” television series and several movies, has died. He was 90.

    Koenig died Monday at his home in the North Hollywood neighborhood of Los Angeles, talent agent Zachery McGinnis said in a statement.

    In “Star Trek,” Ensign Chekov was the sole Communist-bloc member of the spaceship Enterprise bridge staff. His friendly, supportive presence showed how the rival nations (in the far-off future in which the show was set) were capable of working together.

    Speaking heavily Russian-accented English, Chekov embodied stereotypical Russian personality traits, including fierce pride, love of poetry and blind loyalty.

    “Star Trek” ran on NBC from 1966 to 1969 and has had an almost unprecedented afterlife as fans, or Trekkies, kept interest in the show alive.

    “My heart is heavy,” Koenig's castmate, George Takei, said in a post on the social platform X. “Walter was more than Chekov. He was a writer, a teacher, a thoughtful man, and a loyal friend.”

    “Walter’s legacy extends far beyond the screen. Through countless convention appearances and interactions with fans, he shared his kindness, wit, and appreciation with everyone fortunate enough to meet him. He understood what Star Trek meant to people and embraced the community that grew around it,” McGinnis said. “Thank you, Walter, for the memories, the inspiration, and for boldly going where few have gone before.”

    McGinnis said Koenig died surrounded by his daughter and niece.

    Koenig played Chekov in seven “Star Trek” movies starting in 1979, as well as innumerable other spinoffs, including writing a “Star Trek” book, “Chekov's Enterprise,” in 1980. The TV show has also inspired two spinoff TV series with new casts, and conventions that draw thousands of fans.

    He returned to the science fiction genre with occasional appearances in the syndicated 1990s TV series “Babylon 5.”

  • Why are po-housing groups split?
    A few homes under construction next to each other next to empty lots of other homes.
    Housing developments under construction in the community of Goshen on Aug. 17, 2024.

    Topline:

    Proposition 45 is intended to make it easier to build. But some pro-housing groups worry it will only lead to more sprawl.

    Why now: Prioritizing so-called infill development helped wrangle together a coalition of developers and construction labor unions, but also a diverse swath of Democratic-leaning advocates whose interest in seeing more apartments and condos goes beyond the cause of affordability alone. That includes climate activists who want to see less commuter car traffic; transit, bicycle and pedestrian advocates who want more riders and walkers and urbanists who want Los Angeles to more closely resemble Barcelona. In breaking from that urban focus, Prop. 45 is driving a wedge inside that coalition.

    Housing front and center: Prop. 45 would not exempt any projects from environmental review outright. But for projects deemed “essential,” it would narrow the focus of these reviews and require them to wrap up within 365 business days. Any resulting litigation would also face a shot clock; Judges would have 270 business days to resolve them. Such lawsuits would also be made harder to sustain in court. Aside from housing, essential projects include roads, hospitals, schools, clean energy projects, water and broadband infrastructure. But housing has loomed large in the electoral debate. The Yes on 45 campaign has touted the support of affordable housing developers and housing advocates, while pointing to housing affordability concerns as the initial impetus for the measure.

    Read on... for more on why pro-housing groups are split on Prop. 45.

    For nearly a decade, California’s Yes In My Backyard activists and other pro-development advocates have wanted to overhaul California’s signature environmental law to clear the way for more housing construction.

    Now Proposition 45 is on the ballot. Supporters say it would, among other things, overhaul that law, known as the California Environmental Quality Act, or CEQA, to clear the way for — you guessed it — more housing construction.

    So why are YIMBYs divided?

    Assemblymember Buffy Wicks, an Oakland Democrat and one of the movement's most stalwart champions in the Legislature, is for it. So is the bulk of the building industry, including many major for- and non-profit developers.

    Bay Area pro-housing advocates Eastbay for Everyone and the Greenbelt Alliance, two typical allies of Wicks, are emphatically against it.

    In the uncommitted middle lies the lion’s share of California YIMBYism: Abundant Housing Los Angeles, SPUR, and both California YIMBY and YIMBY Action — the movement’s two flagship advocacy organizations — have all taken neutral positions.

    “It’s been a weird campaign so far,” said Ali Sapirman, advocacy manager at the Housing Action Coalition, an urban building industry group that supports the measure. “The housing community has been a little bit fractured.”

    Those fissures aren't over whether more homes should be built across California. Instead, it mostly boils down to a question of where.

    “The central question here is how you feel about sprawl,” Max Dubler of California YIMBY wrote in the group’s non-endorsement statement, referring to low-density housing development at the edge of metro areas. Though some exurban growth “will necessarily be part of solving our housing shortage,” he expressed concern about making it easier to build “car-dependent sprawl housing and the freeways and water infrastructure necessary to serve that sprawl.”

    To sprawl or not to sprawl

    For nearly a decade, the Legislature has been on a tear, passing “streamlining” bills aimed at speeding up the regulatory approval of new construction. Almost all of those laws have only applied to projects in places where homes and other infrastructure already exist.

    Prioritizing so-called infill development helped wrangle together a coalition of developers and construction labor unions, but also a diverse swath of Democratic-leaning advocates whose interest in seeing more apartments and condos goes beyond the cause of affordability alone. That includes climate activists who want to see less commuter car traffic; transit, bicycle and pedestrian advocates who want more riders and walkers and urbanists who want Los Angeles to more closely resemble Barcelona.

    In breaking from that urban focus, Prop. 45 is driving a wedge inside that coalition.

    If passed, the measure would speed up the review process required under CEQA (pronounced “see-kwah”) for all types of housing projects. That includes transit-adjacent downtown condo towers, but also freshly paved subdivisions at the metropolitan fringe.

    The measure is “a doubling down on essentially 75 years of land-use patterns that we know haven't worked,” said Jordan Grimes, legislative director with Greenbelt Alliance, which opposes the measure. “It's a return to the sprawl era.”

    Not everyone in the movement necessarily sees that as a bad thing. Among those who want California to build its way out of its current housing shortage, opinions differ over whether more environmentally-friendly infill development alone is up to the task.

    “I'm an ‘all of the above’ person when it comes to housing,” said Wicks, explaining her support of the measure. “I think we need housing of all different types, shapes, and sizes.”

    An earlier version of this rift first emerged earlier this decade when a handful of Bay Area tech investors announced plans to build a brand new city on Solano County farmland in 2023 under the banner of California Forever. Some YIMBY commentators applauded the plan as a welcome injection of much-needed supply. Others decried it as sprawl dressed in urbanist clothing.

    With Prop. 45, that regional debate is now playing out at a statewide scale.

    Housing front and center 

    Prop. 45 is about much more than housing policy.

    CEQA requires public agencies to review the possible environmental consequences of the decisions they make, including the permitting of private projects. For decades industry groups, developers and, more recently, housing supply boosters have said the law makes it too easy for project opponents to jam up worthwhile projects by repeatedly demanding additional analysis.

    “The clock is endless and the number of people and entities who can challenge you are also endless,” said Linda Mandolini of Eden Housing, an affordable housing developer.

    Prop. 45 would not exempt any projects from environmental review outright. But for projects deemed "essential," it would narrow the focus of these reviews and require them to wrap up within 365 business days. Any resulting litigation would also face a shot clock; Judges would have 270 business days to resolve them. Such lawsuits would also be made harder to sustain in court. Aside from housing, essential projects include roads, hospitals, schools, clean energy projects, water and broadband infrastructure.

    But housing has loomed large in the electoral debate. The Yes on 45 campaign has touted the support of affordable housing developers and housing advocates, while pointing to housing affordability concerns as the initial impetus for the measure.

    It’s easy to see why. Environmental challenges to often innocuous-seeming housing projects have regularly generated headlines for years, helping to cement the idea among lawmakers and many voters that CEQA is a major cause of the state’s housing woes.

    Environmental justice groups and their allies have spent years fighting against that argument in the Legislature. Though Prop. 45 does not exempt “essential” projects from environmental review outright — it just shortens and hems in the process — these groups have now lined up to oppose it for much the same reason: They reject the premise that CEQA needs fixing.

    But for opponents like Grimes, who supported many recent streamlining bills, the argument that the law is holding up desperately needed residential construction is a year out of date. Last year, the governor signed Assembly Bill 130, a Wicks-authored measure that exempted most infill housing from the CEQA.

    Since becoming law in July 2025, developers have used it to entitle 17,913 units of housing, according to the Office of Land Use and Climate Innovation, a state agency.

    “When you look at what’s left to do on urban housing, there are absolutely still barriers,” said Grimes, whose organization applauded last year’s exemption. “CEQA just isn't one of them.”

    The task of the No on 45 campaign, he said, is to convince enough voters that “we’ve actually solved this problem.”

    Are we done here?

    Many developers and affordable housing advocates, even those working in urban areas, dispute that CEQA is no longer a major obstacle.

    Last year’s exemption does not exempt projects larger than 20 acres, which means supersized urban redevelopment projects are still subject to the old process.

    Prop. 45 also applies shot clocks to other permits issued later in the development process and which regularly slow a project more than environmental review.

    And while state laws like last year’s infill carveout may grant certain developers the right to ignore CEQA, there is nothing to stop a deep-pocketed opponent from suing anyway. Putting time limits on those lawsuits could be the difference between a project succeeding and being delayed to death, said Mandolini.

    She points to the planned 130-unit affordable housing project that Eden Housing has been trying to and failing to build in the Bay Area suburb of Livermore since 2018 as an example. In 2021, a nonprofit funded by a handful of well-heeled Livermore residents sued the city, arguing that it hadn’t done enough environmental analysis on a housing development that would be built on a former grocery store parking lot behind a row of downtown restaurants. A lower court ruled that the group’s CEQA arguments were “almost utterly without merit.” An appellate court agreed. The state Supreme Court allowed that ruling to stand.

    But by then two years had passed.

    “Every year you lose in litigation is real money for real projects and another year that 130 families don't get to live in that housing,” said Mandolini. “It’s a great way to kill a project.”

    Even an infill project.

    But among some pro-housing supporters of the proposition, the infill versus sprawl debate isn’t much of a debate at all.

    “We’re not an urbanist organization,” said Mahdi Manji with the Inner City Law Center, a legal aid provider and housing advocacy group in Los Angeles’ Skid Row. The group supports Prop. 45 and doesn’t mind the concept of more housing far from the city’s core. “To the extent it results in housing that is a little more affordable in Lancaster and Palmdale, a lot of our clients live out in Lancaster and Palmdale.”

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.