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The Brief

The most important stories for you to know today
  • L.A.'s LA LOM on their uniquely SoCal sound
    Three men play musical instruments in front of a backdrop depicting a sunset over mountains. The man on the left plays a white and brown bass guitar, the man in the middle plays a small drum kit, and the man on the right plays an electric guitar.
    The members of LA LOM, which stands for Los Angeles League of Musicians, in a screenshot from the music video for their song "San Fernando Rose." From left to right, bassist Jake Faulkner, percussionist Nic Baker and guitarist Zac Sokolow.

    Topline:

    From humble beginnings as the house band in the Roosevelt Hotel lobby to touring the world, L.A. natives LA LOM combine the rhythms of cumbia and Mexican boleros with the reverb and guitar twang of 50s and 60s rock and soul ballads to create a one-of-a-kind and quintessentially Los Angeles sound.

    The backstory: Percussionist Nic Baker, bassist Jake Faulkner and guitarist Zac Sokolow started out playing covers of 60s soul ballads as well as Peruvian cumbia music and Mexican boleros in the lobby of the Roosevelt Hotel for passing patrons or guests sitting down for a drink at the bar. As people stopped to take notice and even dance, the band started to weave in the influence of the bolero and cumbia music of their childhood.

    What's next: LA LOM is embarking on a tour of the U.S. and Europe that will take them across the Southwestern U.S., over the Atlantic to play several countries in Europe, and then back stateside in late 2024 to hit venues across the East Coast and Midwest.

    Keep reading... to listen to some of their songs and to hear more about how they approach music.

    For many bands, finding a unique sound comes from years of trial and error.

    For L.A.'s LA LOM, it all started with percussionist Nic Baker showing up to play their regular gig in the Roosevelt Hotel lobby with only congas — no drum kit.

    "I was working there for a while and I was able to convince the managers there to give me a jazz night," Baker told LAist's AirTalk. "They were asking for jazz at the time, but really I wanted to start a more Latin-influenced band."

    So Baker just...didn't bring his drum kit one day. A strategic omission? Perhaps. But Baker and his bandmates — guitarist Zac Sokolow and bassist Jake Faulkner all born and raised in Los Angeles — point to that decision as the beginning of their journey to discovering a unique and quintessentially L.A. sound. The band combines the rhythms of traditional cumbia and Mexican boleros with the reverb and guitar twang of 50s and 60s rock and soul ballads.

    These days LA LOM, which stands for Los Angeles League of Musicians, has graduated from playing for passing patrons at the Roosevelt. They've sold out venues, opened for Vampire Weekend and played with Beck. They have a record deal with a major label. They've performed in festivals in front of thousands with musical giants like Lionel Ritchie, Gladys Knight and Smokey Robinson. And now, they're gearing up for a tour that will take them across the U.S. and Europe through the end of 2024.

    Following the August release of their debut album The Los Angeles League of Musicians, and ahead of their upcoming tour, the boys of LA LOM sat down with LAist's AirTalk host Larry Mantle to talk about finding their sound, their musical influences and their success in the local and national music scene.

    An album cover for the band LA LOM. It shows photos of guitarist Zac Sokolow, percussionist Nic Baker and bassist Jake Faulkner. Printed across the front is the album title "The Los Angeles League of Musicians."
    LA LOM released their eponymous debut album on August 9, 2024 on Verve Records.
    (
    Courtesy Jessica Weber
    )

    A family affair

    Faulkner, Sokolow and Baker all point to musical upbringings as the main influence for their sound. Sokolow grew up playing with his dad, a well-known musician in L.A.'s bluegrass scene. Faulkner comes from a family of artists in Venice.

    "Me and Jake have known each other since we were about 15 or so. We grew up playing a lot of rockabilly and country music together," said Sokolow.

    Baker, meanwhile, draws his musical influence from his grandmother, who came from a musical family in Durango, Mexico and became a prominent DJ on Spanish language radio in Tucson, Arizona.

    "My grandma and Zac's grandpa are from Latin America, and I think us being inspired by their music growing up has influenced our music as well, so it's just wanting to emulate something familiar," said Baker.

    Finding their sound

    When the three got together as a trio in their early days at the Roosevelt, they played covers of 60s soul ballads they grew up listening to on radio stations like K-EARTH 101.

    But as more people started showing up to the Roosevelt to hear them play and dance to the music of their childhood, Sokolow says it was then that they started experimenting.

    "We started playing cumbia, and a lot of the first cumbia we played was based on the Peruvian cumbia style...where the electric guitar is playing the melody as opposed to the accordion-led cumbia of Colombia," said Sokolow. "We all found that we all had that in common that we really love that music and...we started playing those songs and...especially with the Mexican boleros, people were resonating with that and a lot of people said oh, I grew up listening to that music with my grandparents."

    It was at this intersection of the 60s rock and soul ballads and the cumbia and bolero music they all grew up listening to that LA LOM found their completely unique sound. Their song "Rebecca" off their debut album is a clear homage to those ballads — Baker gently dusts his drums with brush-style sticks while Faulkner's deliberate bass line and Sokolow's vintage guitar licks would make you swear you're slow dancing at the sock hop in 1965 or sharing a milkshake with two straws at the soda shop.

    Other tracks from their new album like "San Fernando Rose," "Moonlight Over Montebello" and "Ghosts of Gardena" pay homage to iconic L.A. neighborhoods and locations and show their dedication to the cumbia and boleros that raised them. Close your eyes and listen to their song "Figueroa" and it's hard not to imagine yourself cruising down the renowned Highland Park street in a convertible with the top down on a warm summer night.

    The power of a great cover

    And while they're breaking ground recently with original music, it's been some of the covers that brought them early attention. The video of their version of Fito Olivares' "Juana la Cubana" has more than a million views on YouTube and remains a staple of their live sets. And it's often these covers that help connect multiple generations.

    "My favorite thing to see is...for example, at the Crescent Ballroom in Phoenix, somebody brought their whole family — kids all the way through the grandmother who came on stage and danced 'Juana la Cubana' with us," said Faulkner.

    While some musicians try to channel someone influential in the way they play, LA LOM says they aren't really trying to replicate anyone's sound.

    "When we do our covers, I'm always just imitating the melody of what's often an accordion or sometimes a saxophone or a synthesizer," Sokolow explained. "I don't know, I guess I'm not really channeling any particular guitar players. I'm just thinking about the melody and playing in my own style."

    "I think a lot of the sound is based off us being a trio, primarily," added Baker. "So it pushes you to fill in space in a certain way. I play multiple percussion instruments at the same time and Zach's trying to fill in all these different parts, and Jake's holding it down on the bass. It creates this trifecta of sound."

    Look good, feel good. Feel good, play good

    There's a famous quote from NFL Hall of Famer Deion Sanders, who was known for not only his otherworldly athletic ability but also his flashy outfits: "If you look good, you feel good. If you feel good, you play good. If you play good, they pay good."

    And while LA LOM probably wasn't drawing directly on Sanders' advice when finding their look, they knew that getting it right on stage and in their videos was key to drawing eyeballs. They point to not just their look as a band, but the vintage look of their videos as something that's helped people discover them. And when you watch them it's pretty clear — they look good, they feel good and they play good.

    "Nick has a really good vision for how the band should look," Faulkner said. "And so he directed these videos that we made with our friend Jacob Butler who shot them. And through that I think we've had a lot of luck and good fortune in people liking what we do. A lot of it's, all the videos are based off kind of nostalgia and that old school feeling."

    And what's more old school L.A. than, say, a 1972 Chevy Monte Carlo, the namesake of another of the songs from their debut album. The video begins with Baker on driving conga drums and a bouncing baseline from Faulkner before Sokolow's guitar comes in from above to seal in that feeling that you're riding in one.

    "For the video, we found a 1972 Monte Carlo and drove it on to location and had Zac get out of it walk up to his guitar, pick it up and start the song that way. So that long organ intro is as a result of him getting out of the car," said Faulkner.

    Where can I see them?

    This month, LA LOM sets out on a tour of the southwestern U.S. that includes stops in Texas, New Mexico and Arizona before a return to California in October to play a handful of shows across the state in late September and early October.

    While their show at The Mayan on October 18 is sold out, as of this story's publication there are still tickets left for their shows at Pappy & Harriet's in Pioneertown and the Ventura Music Hall. You can also catch them at Ohana Fest in Dana Point on September 29. In November, they head to Europe for a tour that will take them to the Netherlands, England, Spain, Portugal and Germany before a return to the U.S. in December to play a handful of shows on the East Coast and across the Midwest.

    For a full list of upcoming shows, click here.

  • Trump admin still wants to block agency from funds
    Tent on a street in a city in the foreground with a row of RVs parked along a street in view of skyscrapers.
    A man experiencing homelessness stands on a street lined with tents and motorhomes in the Skid Row area of downtown Los Angeles.

    Topline:

    A federal appeals court today rejected the Trump administration’s latest attempt to sideline the L.A. region’s lead homelessness agency from a $239 million federal funding process, clearing the way for the agency to complete an application due next month.

    Why it matters: The decision allows LAHSA to continue to function and steer funding for local service providers who rely on that money to offer services and housing for unhoused people. HUD recently extended the deadline to Oct. 14 for L.A.-area applicants. A current injunction pausing LAHSA’s suspension is currently set to expire on Oct. 27.

    What's next?: The question of whether HUD’s suspension of LAHSA was ultimately lawful is still headed for trial, with a hearing expected in February.

    A federal appeals court on Thursday rejected the Trump administration’s latest attempt to sideline the L.A. region’s lead homelessness agency from a $239 million federal funding process, clearing the way for the agency to complete an application due next month.

    The three-judge Ninth Circuit panel denied the federal government's request for a stay pending appeal, which would have paused a lower court's order blocking its June suspension of LAHSA.

    The decision Thursday allows LAHSA to continue to function and steer funding for local service providers who rely on that money to offer services and housing for unhoused people.

    “This ruling provides greater stability at an important moment for Los Angeles,” Stephanie Graves, chair of LAHSA’s governing board, said in a statement. “Most importantly, it gives our region the opportunity to keep people housed, help more people find a path home, and give people hope,” her statement continued.

    The judges wrote in the latest decision that the federal government failed to adequately explain why an immediate suspension of LAHSA in June was necessary to protect the public interest.

    That suspension was put on hold in August by U.S. District Judge David O. Carter, who ordered the federal government to restore LAHSA’s role in the region’s federal homelessness funding process while the case plays out.

    Carter's injunction on LAHSA’s suspension is currently set to expire on Oct. 27.

    The question of whether HUD’s suspension of LAHSA was ultimately lawful is still headed for trial, with a hearing before Carter expected in February.

    What’s this fight about?

    The legal dispute, at this stage, has focused primarily on who gets to control some key decisions about how $239 million in federal U.S. Department of Housing and Urban Development grants are spent on housing and services for unhoused people in L.A.

    The nationwide deadline to apply for that funding is next week, on Sept. 30, although HUD recently extended the deadline to Oct. 14 for L.A.-area applicants.

    HUD’s rules require service providers and public agencies in places like L.A. County to form local geographic bodies called “continuums of care” and designate one agency to apply on behalf of the whole region for federal funds dedicated to solving homelessness.

    L.A.’s regional body designated LAHSA as that one agency.

    This year, LAHSA staff have been working since April with homeless service providers and other municipal partners to prepare a funding application according to HUD’s guidelines.

    Then HUD’s June suspension of LAHSA stymied that process.

    The appeals court said the timing of HUD’s suspension left the Los Angeles region in the lurch since the suspension came after a deadline to name another designated applicant had passed.

    “HUD chose to suspend LAHSA at a time when it would leave the Los Angeles region particularly vulnerable,” the panel wrote.

    Ben Kay works for a homeless services nonprofit and leads L.A.'s Continuum of Care Board. In a statement shared with LAist, Kay said "HUD’s attempts to impose its agenda on our community have created uncertainty and chaos in Los Angeles."

    He said the Ninth Circuit ruling recognizes that there is a local legal right to set priorities for addressing homelessness.

    Alternatives considered

    HUD’s proposed alternative — allowing individual service providers to apply directly for federal funding — was “extremely difficult if not virtually impossible to implement,” the judges wrote.

    That approach, according to HUD’s lawyers, would ignore much of LAHSA’s prior decisions about how to spend federal dollars.

    “HUD, in the direct to HUD process, will not rely on any priorities set by LAHSA,” Weili Shaw, a U.S. Department of Justice attorney, said at a hearing in the case held Tuesday in San Francisco. “That's expressly what HUD wants, is not to have to rely on LAHSA’s allocation and prioritization decisions.”

    Thursday’s court decision means that the direct-to-HUD process is off the table, at least for now.

    On Wednesday, a regional homelessness body recommended that, in case LAHSA remained suspended, L.A. County departments could handle the region’s application instead. That body, the L.A. Continuum of Care, is also soliciting applications for organizations to take on LAHSA’s key federal roles beginning next year, including the annual federal funding application and the homeless count.

    LAHSA has indicated it will not compete to keep those roles itself next year. Other local government agencies, including L.A. County’s Department of Homeless Services and Housing, have applied to take those roles sometime in 2027.

    Timeline: Key 2026 dates

    June 11: HUD suspends LAHSA, alleging years of financial mismanagement.

    June 18: In a second letter, HUD clarifies that suspension means the L.A. region had no official applicant for $239 million in funds. HUD recommended L.A. service providers applying directly to HUD instead.

    June 29: LAHSA sues to overturn the suspension.

    Aug. 13: U.S. District Judge David O. Carter grants a preliminary injunction blocking the suspension until Oct. 27.

    Aug. 19: HUD filed notice of appeal to the Ninth Circuit

    Sept. 10: Ninth Circuit temporarily pauses Carter’s injunction while it considers HUD’s request for a stay.

    Sept. 22: Hearing is held in San Francisco

    Sept. 24: Ninth Circuit denies HUD’s request for a stay of Carter’s injunction, keeping LAHSA in place as the region’s lead homelessness agency, for now.

    What LAHSA said in court

    At Tuesday's hearing in San Francisco, the panel focused on the fast-approaching deadline.

    Keri Curtis Axel, LAHSA's attorney, argued her client is the only entity actually prepared to make that deadline.

    She also said dozens of local homeless service providers who rely on LAHSA to apply on their behalf wouldn't qualify to apply under HUD's alternative process, potentially cutting them out of guaranteed funding entirely.

    Attorneys for the Los Angeles Continuum of Care, the regional body responsible for coordinating the application said that HUD never gave it a real opportunity to name a replacement for LAHSA for the process happening now.

    Attorney Shayla Myers told the panel her client formally asked HUD whether it could designate a new collaborative applicant during a 30-day response window this summer. HUD never responded, she said, instead proceeding with plans for its own direct-to-HUD process.

    The fight over LAHSA's suspension took on new urgency since the First Circuit Court of Appeals revived HUD’s controversial funding guidelines last week. That cleared the way for HUD to reopen this year's funding competition on a tight timeline.

    Gita O’Neill, LAHSA’s interim CEO, said the agency “is moving full speed to finalize” the L.A. region’s federal funding application, due Oct. 14.

    “Our priority has always been keeping frontline services running and ensuring that federal funding reaches our service providers,” O’Neill said in a statement.

    LAHSA’s leader also said the agency will work with HUD to make sure that previously approved grant funding is promptly disbursed and will continue to prepare for January’s 2027 homeless count.

    HUD has until Dec. 1 to announce this year's awards under a congressional deadline.

    The U.S. Department of Housing and Urban Development said in a statement that it “stands by the lawfulness” of its suspension of LAHSA.

    “The Department will comply with the Ninth Circuit's temporary order, which was made in part due to the quickly approaching deadline for CoC applications,” a department spokesperson said.

    “HUD looks forward to seeing the Ninth Circuit's full resolution on the merits,” the statement continued.

    A status conference in the original case — which will ultimately decide whether HUD’s suspension of LAHSA was legal — is currently scheduled for Sept. 30 in Judge Carter’s courtroom.

    The Ninth Circuit is scheduled to hear oral arguments Oct. 19 on HUD's appeal of the preliminary injunction. The appeals court Thursday declined to pause the injunction while the case moves ahead, keeping it in effect. But the October hearing is where the judges will decide whether to uphold or overturn it.

  • Sponsored message
  • Hoffman family will also take over Book Soup
    A crowd fills a sunny, tree-lined sidewalk outside Vroman's Bookstore in Pasadena, with some people walking and others standing in line.
    Pasadena institution Vroman's Bookstore and West Hollywood's Book Soup announced Thursday that Robert Hoffman and his family will take over ownership of the two bookstores.

    Topline:

    Vroman's Bookstore in Pasadena and Book Soup in West Hollywood have new owners after a nearly three-year-long search.

    Who they are: Vroman's identified the new owners as Robert Hoffman and his family. Vroman's said Hoffman works in public policy and affairs in Washington D.C., but grew up in SoCal and has been coming to the store since he was 5-years-old.

    The backstory: In 2024, Joel Sheldon announced plans to retire. Vroman's has been in his family for more than 100 years. In 2009, the Sheldon family bought Book Soup after the death of its owner threatened the future of the Sunset Strip staple.

    Why it matters: Vroman's and Book Soup are local institutions. Vroman's has been around for 132 years, and Book Soup for 51 years. In his retirement announcement in 2024, Sheldon said that he was looking for "the right new ownership — someone who shares our core values and who is committed to preserving Vroman's as a community treasure."

    In Thursday's announcement of the new owners, Sheldon said "After talking with Robert and his family, I knew we had found the right stewards. They understand what makes this store special, and they're committed to preserving that legacy while moving Vroman's forward for our customers and the Pasadena community."

    In a social media post, Book Soup said the Hoffmans have been "customers here for three generations, and [are] genuinely invested in this community and continuing Book Soup’s legacy as a bookseller to the great and the infamous, and its loyal customers in West Hollywood."

    What's going to change: According to both stores, not much else. They say that their locations, staff, programming and curation will all stay the same.

  • Three innovative spots pushing boundaries
    A green-and-white striped dessert drizzled with sauce, topped with edible pink and purple flowers, served over dollops of
    Charred sweet potato chaat from Brick Lane in the Arts District

    Topline:

    If you're a fan of Indian food, there's a good chance you head to places like Artesia or Orange County when the craving strikes. But there's a growing destination for innovative Desi food you may not have heard of: DTLA. Several Indian chefs have put down roots there in the past few years, and are doing their best to convince Angelenos there's more to the cuisine than the standard takeout or lunch buffet offerings.
    Why now? In recent years, three modern Indian restaurants — Cali Chilli, Baar Baar, and now Brick Lane — have all opened their doors in downtown L.A. Chef Parveen Nair, who opened Cali Chilli’s downtown location, said there weren’t many strong Indian dining options before.

    Why is it important? Despite L.A. being a cosmopolitan center with a diverse array of cuisines from around the world, Indian food is often still relegated to either a takeout or a lunch buffet. This new group of chefs is looking to change that.

    If you're a fan of Indian food, there's a good chance you head to places like Artesia or Orange County when the craving strikes.

    But there's a growing destination for Desi food you may not have heard of: Downtown Los Angeles.

    Several Indian chefs have put down roots there in the past few years, and are doing their best to convince Angelenos there's more to the cuisine than the standard takeout or lunch buffet offerings.

    Drawing on both street food tradition and a new confident creativity, they're producing dishes that arguably belong in a fine dining category.

    Brick Lane

    Take Brick Lane, a new Indian restaurant on the outskirts of the Arts District, near the 6th Street bridge, which opened earlier this year. The server arrives with a steaming plate holding what appears to be a large pie. The golden crust is topped with black sesame seeds; the server places it on the table and immediately begins carving a circle around its edges. Steam rises, and a rush of aromas and spices fills the air.

    But it isn’t a pie; it’s dum biryani, a layered mixed-rice dish featuring marinated wild mushrooms, sealed and slow-baked, topped with a crispy puffed naan crust.

    A man with a dark skin tone, a shaved head, and a short black beard, wearing a white chef's coat embroidered with "Executive Chef Sanjay Rawat," uses tongs to turn fish over an open-flame brick grill at Brick Lane.
    Executive Chef Sanjay Rawat at Brick Lane uses modern cooking techniques to execute beloved Indian flavors.
    (
    Courtesy Brick Lane
    )

    It’s the kind of dish that Sanjay Rawat, the executive chef, wants to showcase on his new restaurant menu. Originally from New Delhi, he left at 17 to train as a chef in Malaysia. Before opening Brick Lane, he ran Kahani at The Ritz-Carlton in Laguna Niguel. In his Arts District space, Rawat is using a variety of techniques he’s picked up during his tenure, such as using his Santa Maria grill to prepare Malaysian-Indian branzino and offering his delicate take on dessert: Valencia-orange-cardamom tarts.

    Location: 1331 E. 6th St., Los Angeles.
    Hours: Wednesday through Sunday, 5:30-10:30 p.m.
    https://bricklanela.com/

    Cali Chilli

    A row of tandoori-spiced chicken wings on a black plate, garnished with lemon wheels and microgreens, with a zigzag drizzle of yellow sauce along the top edge.
    Tandoori Chicken Wings from Cali Chilli's downtown L.A. location.
    (
    Joshua Mejia
    /
    Cali Chili
    )

    At Cali Chilli, on the border of Little Tokyo and downtown, owner Parveen Nair and Michelin-starred chef-collaborator Manjunath Mural have carved out their own path. They opened their Long Beach location in 2022, and their DTLA location in 2024. Mural also leads Song of India in Singapore, which has held a Michelin star since 2015. The pair experiment with their menu, which they dub "unauthentic Indian" — a series of dishes rooted in traditional Indian cuisine and expanded through the lens of a street-food narrative. Think nachos and quesadillas made with tandoori chicken alongside butter lobster in a Thai panang curry.

    Location: 200 S. Los Angeles St., Suite B, Los Angeles
    Hours: Daily, 12-2:30 p.m. (lunch) and 5-10 p.m. (dinner)
    https://www.cali-chilli.com/

    Baar Baar

    Two mini puris (crisp, hollow semolina shells), compact and and neatly puffed, are filled and topped with quenelles of whipped yogurt, and sprinkled with colorful savory dust.
    Baar Baar's tasting menu begins with pani puris, a popular Indian street snack made with tamarind, mango, yogurt mousse, and raspberry chat masala.
    (
    Gab Chabrán
    /
    LAist
    )

    Further west, a short walk from Crypto.com Arena, is Baar Baar, which has been open since 2023. Executive chef Sujan Sarkar’s restaurant portfolio spans the U.S., including a sister Baar Baar location in New York, Tiya, a restaurant in San Francisco, and Indienne in Chicago, which holds a Michelin star. Sarkar has built a career pushing the boundaries of contemporary Indian cuisine. Diners can take advantage of their $55 prix-fixe menu, including a dahi puri canapé (tamarind, yogurt mousse, raspberry chaat masala), Cauliflower 65 (a riff on Chicken 65, with carrot pachadi, peanut chutney, thecha) and beef short ribs in Madras curry.

    Location: 705 W. 9th St., Los Angeles
    Hours: Tuesday through Thursday and Sunday, 5-9 p.m.; Friday and Saturday, 5-10 p.m. Closed Mondays.
    https://www.baarbaarla.com/

    Why DTLA

    Speaking with Nair and Rawat, I found that each chef saw an opportunity in downtown’s changing character: a steady flow of travelers for Nair and a growing, still-forming community for Rawat.

    “In downtown, we get 60% travelers and say about 40% ... from the neighborhood," said Nair.

    He says the area’s possibilities sparked Cali Chilli's innovative approach: "There was a vacuum ... the idea [of the restaurants] was conceived pretty much at the same time."

    A view through Brick Lane's glass storefront into the open kitchen and bar, with exposed brick walls, a wood-fired oven, brass pendant lights, and a copper pot resting on a stainless steel counter.
    A look inside chef Sanjay Rawat's open kitchen at Brick Lane in the Arts District.
    (
    Courtesty Brick Lane
    )

    Meanwhile when Rawat first visited the future site of Brick Lane, near the 6th Street bridge, he wasn’t sure exactly where he was. “Looking from the outside, it made me think, where am I going?”

    But when he entered the space, he knew he’d found the right place. With high ceilings and surrounded by large windows, the interior is filled with natural light.

    “It's such a beautiful space. Whatever food you put into this space, it's just gonna shine.”

    A restaurant interior reflects a refined, contemporary luxury with subtle nods to vintage glamour — a perfect setting for elevated modern Indian cuisine.
    Just a ten-minute walk from Crypto Area, Baar Baar offers modern Indian cuisine with a unique twist.
    (
    Courtesy of Baar Baar LA
    )

    He also appreciates the location, too. “Arts District is a beautiful community, which is growing. ... Plus, it's a destination too,” he said.

    Still, the chefs understand they have their work cut out for them to make their menus seen as high-end dining, beyond the traditional form Indian food has taken till now.

    It’s going to take Indian cuisine in L.A. time to continue to modernize, Rawat said, to a point “where it is acceptable by other cultural groups or even by Indian people.”

  • New bill requires cooperation over homelessness
    Two people with light skin tones stand facing each other while talking on a grassy roadside strip at night, with a mattress, blankets and other belongings on the ground around them.
    At right, Sacramento County Supervisor Rich Desmond speaks with an unhoused person during the city's point-in-time count on Jan. 26, 2026.

    Topline:

    The Legislature is forcing the city and county of Sacramento to try something unusual in their fight against homelessness, and both critics and supporters of the controversial plan say it could have broad implications for the rest of the state. Gov. Gavin Newsom signed Senate Bill 802 on Sunday, which requires Sacramento, as well as all smaller cities within the county, to coordinate and form a joint powers authority that will lead the region’s homelessness response.

    Why it matters: Supporters say it’s a no-brainer, and they hope it will be an example to fix an age-old problem playing out in regions across the state: Cities and counties must work well together to effectively address homelessness, but they often don’t. On the other hand, opponents say forcing local governments to work together sets a bad precedent: Cooperation works best if it’s voluntary.

    The backstory: A joint powers authority is a public partnership where two or more local governments or agencies team up to jointly manage something. In Sacramento, the idea is that this new framework will allow the cities and county to better communicate and work together on homelessness – hopefully leading to more people getting off the streets.

    The Legislature is forcing the city and county of Sacramento to try something unusual in their fight against homelessness, and both critics and supporters of the controversial plan say it could have broad implications for the rest of the state.

    Gov. Gavin Newsom signed Senate Bill 802 on Sunday, which requires Sacramento, as well as all smaller cities within the county, to coordinate and form a joint powers authority that will lead the region’s homelessness response.

    “Homelessness does not stop at jurisdictional boundaries,” Newsom wrote in a signing message, “and no city or county can solve this crisis alone.”

    A joint powers authority is a public partnership where two or more local governments or agencies team up to jointly manage something. In Sacramento, the idea is that this new framework will allow the cities and county to better communicate and work together on homelessness – hopefully leading to more people getting off the streets.

    Supporters say it’s a no-brainer, and they hope it will be an example to fix an age-old problem playing out in regions across the state: Cities and counties must work well together to effectively address homelessness, but they often don’t. On the other hand, opponents say forcing local governments to work together sets a bad precedent: Cooperation works best if it’s voluntary.

    Meanwhile, this new experiment in co-governance is highly atypical for a number of reasons.

    For one thing, this appears to be the first time the California Legislature has forced anyone to form a joint powers authority. Typically, those agreements are voluntary. In Sacramento, local jurisdictions chafing under this new mandate worry the new law will embolden the Legislature to do this again in other regions.

    “This would be unprecedented, so it could have ramifications in 57 other counties,” said Sacramento County Supervisor Patrick Kennedy, who opposes the legislation. The county is threatening to sue the state to stop its implementation.

    In addition, while it’s not uncommon for local governments to form joint powers authorities to manage other things that cross city boundaries — such as sewers or public transit — it’s very rare for this type of structure to govern a region’s homelessness response. In 2020, there were only three examples in all of California, according to Joe Colletti, chief executive officer of the nonprofit research organization HUB for Urban Initiatives. The most well-known is the Los Angeles Homeless Services Authority, which recently has been reduced to a shell of its former self as a result of one headline-making crisis after another. In the rest of the state, a region’s homelessness response usually is led by a county or nonprofit.

    Squabbling between cities and counties

    This legislation was controversial from the beginning. It took Sen. Angelique Ashby, a Democrat from Sacramento and former city councilmember, two years of tense negotiations and multiple amendments to get it across the finish line. The final version allows the county and participating cities to keep control of their own funds, rather than pooling everything together — a major sticking point for the local governments.

    The Sacramento region needed this legislation, Ashby argued during a recent committee hearing, because its various agencies have eight boards and nearly 90 board members working separately on homelessness without coordinating. The result is duplicated and inconsistent services, leaving people who are homeless in Sacramento County with no idea where they should go for help, she said.

    It’s a problem the city and county have tried to fix for more than two decades. In 2010, the county board of supervisors and city council approved resolutions that supported creating a joint powers authority, but it didn’t happen. Two separate grand jury reports, one in 2019 and another in 2023, said the region’s homelessness response was dysfunctional and recommended better coordination.

    It’s hardly an issue unique to Sacramento. Across California, cities typically provide shelter beds, while counties are responsible for the other services homeless residents need, such as mental health and addiction treatment. That’s because counties receive state funding for social services, and cities don’t. So, neither can effectively address homelessness unless they work together. But, frequently, they don’t. Instead, they often squabble over who should pay for what, and who isn’t doing their fair share.

    Fighting between neighboring cities is common, too. As unhoused people move across city lines, local governments argue over who should have to provide shelter beds and other resources.

    It was a major frustration for former Sacramento Mayor Darrell Steinberg. His constituents saw people on the street in mental health crisis, suffering. Voters demanded he do something, but his hands were largely tied, he said, as he had no control over the county’s mental health services.

    “There was just a major gulf between my accountability to the people and my authority to be able to actually make the difference that the people expected,” Steinberg said.

    During his time in office, which ended in 2024, Steinberg negotiated a partnership between the city and the county. But it lacked a governance structure that would have forced them to make decisions together. That’s the missing piece that this law brings to the table, he said.

    Under the new law, the city and county of Sacramento, as well as Elk Grove, Rancho Cordova, Citrus Heights and Folsom, have until January 2028 to finalize their joint powers authority. They recently convened a joint task force of elected officials, and have started working together on homelessness issues.

    But there’s some lingering tension. While the city of Sacramento is on board with the legislation, the county and the city of Folsom are opposed. Neither is against the idea of collaboration, but they don’t like that it’s being forced upon them.

    “It’s an unnecessary cost,” county Supervisor Kennedy said. “It’s an unnecessary layer of bureaucracy, it's an unnecessary burden that’s just going to slow down processes.”

    Staffing and running the new joint powers authority is expected to have an annual price tag of anywhere between the mid-hundreds of thousands of dollars, to the low millions, according to a Senate analysis.

    Examples in Los Angeles and Solano counties

    As the Sacramento region gears up to create this new power structure, it has two main examples it can turn to.

    One, in Los Angeles, is a cautionary tale. The Los Angeles Homeless Services Authority, a joint powers authority between the city and county, was the target of recent audits criticizing its handling of homelessness funds. A downward spiral followed. LA County pulled its funding from the authority and the Trump administration now is prosecuting homeless services providers that it alleges misused money from the agency.

    Kennedy said the parallels between LA and Sacramento’s new agency worry him “very much,” and clearly show that a joint powers authority is hardly a panacea for homelessness.

    But Steinberg believes the new Sacramento agency can do better. The LA agency didn’t have enough authority, and as a result, the city and county weren’t governing effectively together, he said. He hopes that will be different in Sacramento.

    The other example Sacramento leaders can turn to is in Solano County, which created the current version of its joint powers authority in 2022. Local leaders pushed for a collaborative agency after hearing reports that other cities were dropping off their homeless residents at parking lots in Fairfield, assuming that services would be available because it’s the county seat, said Doriss Panduro, a Fairfield city councilmember and chair of the joint powers authority.

    Now, the authority is made up of two elected officials from each city and the county, and they meet once a month to discuss how to spend money and how many people are receiving services.

    “It is a big undertaking,” Panduro said. “We started the work in 2021, 2022, and here we are four years later just getting paid staff on board. It’s been a big lift.”

    But, she said, it’s been worth it.

    Recently, the county and all the cities involved in the joint powers authority applied together for state funding to clear one encampment along a flood control basin in Vallejo. Even though Vallejo would be the only city to get that money, it arguably would benefit everyone since it targets the largest encampment in the county, Panduro said. And Vallejo wouldn’t have had the resources to manage the state grant without the support of everyone else, she said.

    “Homelessness is such a big issue, and I think finding an out-of-the-box way to approach it, for me, I can only say it’s a positive,” she said. “Everyone felt like we had been doing the same things over and over and nothing was changing.”

    This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.