The Brief

Fire has never been a foreign concept in the life of Altadena-based photographer Kevin Cooley.

It's been a major theme across his work. His fine art photos have focused on smoke, explosions — including those he creates himself — and a man nicknamed the Wizard of Awe who made fireworks in Southern Minnesota.

For his day job, Cooley chases and captures wildfires in California for a photo agency and publications like the New York Times.

"It's hard not to want to go right to the fire, but I often want to find an angle to create an image, a scene where you put the fires within a larger context than the burning house, the burning building, the threat to people," he said.

One of his favorite pieces is a photo taken during the Woolsey Fire in 2018, which burned nearly 97,000 acres in L.A. and Ventura counties and prompted the evacuation of some 295,000 people.

Screenshot of the New York Times story where Kevin Cooley's photo was published.

(

Courtesy Kevin Cooley

)

The photo was shot on assignment for The New Yorker and was also used for a Times opinion piece. Taken at a house in the San Fernando Valley, the picture was uncannily Hockney-esque in its composition and symbolism.

"It's of a house with a swimming pool in the backyard, beautiful landscape with the fire just encroaching right over the wall behind it," he said. "In a way that's kind of like the end of the California dream."

A photo Kevin Cooley took during the Bobcat Fire in the San Gabriel Mountains above Los Angeles in 2020.

(

Courtesy Kevin Cooley

)

Cooley moved to Los Angeles from New York in 2012, and was already familiar with the city's tendency for destructive wildfires having gone on assignments to photograph them before.

His relationship to his subject deepened half a decade later, when the La Tuna Fire scorched some 7,200 acres — becoming the largest wildfire in the history of L.A., at the time.

That was 2017, and Cooley had just moved into his new home, barely a week or so in, when La Tuna came about a hundred yards from his house.

Instead of wary, he became more fascinated.

"The ecology of Southern California is the chaparral, and the chaparral needs to burn. You know, fire is part of that ecology. We live in its domain," Cooley said.

"That  really got me more interested in going to more fires," he said.

But, he added, " I much prefer to go to the fires than have them come to me."

At 10:30 a.m. on Tuesday, Jan. 7, a brush fire started in Pacific Palisades and grew exponentially over the course of the day, fanned by damaging Santa Ana winds unseen in a decade.

Kevin Cooley's new book, Wizard of Awe, is a compilation of photos he took of a man in Minnesota that makes smoke generators for big events.

(

Courtesy Kevin Cooley

)

Two photos inside Kevin Cooley's collection of photographs, Wizard of Awe. The West Coast launch of the book was postponed due to fires spreading across Los Angeles starting on Jan. 7.

(

Courtesy Kevin Cooley

)

That morning, Cooley was installing a gallery show in downtown Los Angeles for the West Coast book launch of Wizard of Awe, a collection of photos he took over the course of more than a decade of a man named Ken Miller, who made huge smoke generators at his Minnesota farm for airshows and other splashy events. Some of those photos were published in Popular Mechanics magazine. Those shots, and the accompany story, landed Miller in prison for violating federal explosive laws.

Miller was scheduled to fly out to L.A. to join this weekend's book launch.

But as the Palisades Fire grew in strength, Cooley got a call to go on assignment.

So he left the gallery and headed out.

From Kevin Cooley's "Controlled Burns" series.

(

Courtesy Kevin Cooley

)

" I've done enough where you can kind of get a sense of, you know,   looking at different resources and angles from fire cameras. It's like, 'OK, that's a fire. I got to go.' And you just go," he said. "That was the Palisades that day."

He and a friend spent hours out in the Palisades shooting the unprecedented blaze — until he got a call from his wife saying that a fire had broken out near Eaton Canyon and was growing fast.

" I could tell from the photograph that she sent from our house that it was like, 'We got to get back right now.' It was already that intense," Cooley said.

They hauled back to Altadena and saw firsthand what was happening to his neighborhood.

" I thought the [Palisades Fire] was the most intense fire I've ever been on until I got back to Altadena.  And that was more intense, at least for me, because it's my community," he said.

Cafe de Leche, a small coffee shop on Lake Avenue in Altadena, destroyed by the Eaton Fire.

(

Courtesy Kevin Cooley

)

Cooley, his wife and their 10-year-old son evacuated from their duplex near  the intersection of El Molino Avenue and Morada Place, straddling the border of Altadena and Pasadena, at about 5 a.m. Wednesday.

Once they settled into their friend's Bungalow Heaven home in Pasadena for shelter, Cooley headed back north.

 "Being the fire photographer that I am, I couldn't sit and I went back straight to my house and it was already on fire," he said.

Kevin Cooley and his family's Altadena duplex consumed by the Eaton Fire on the morning of Jan. 8.

(

Courtesy Kevin Cooley

)

Another view of the Cooley home.

(

Courtesy Kevin Cooley

)

A wall of fire was close to engulfing his car.

"I figured I probably should go," Cooley said.

The veteran fire photographer said after leaving his home: "I just went around the neighborhood like I always do, except I knew all the houses."

By early Wednesday morning, on Jan. 8, just hours after the start of Eaton Fire in Altadena, Cooley and his family has lost their home — along with so many people in the area.

He went to Instagram and posted a video of his house being ripped apart by the flames.

The next morning, one of the photographs he took of the Palisades Fire was published in the New York Times.

Cooley was showing me that shot in the backyard of his friend's Pasadena home that afternoon — while ashes from the fires burning across Los Angeles fell from the sky around us.

A screenshot of the New York Times opinion piece where Kevin Cooley's Palisades Fire photo was used.

He said he isn't sure what's next, what's going to happen, where he and his family are going to go, or whether they'll stay in L.A.

But he did say living with wildfires has become part of living in this city.

"If there's an earthquake, it's not gonna be like we weren't informed. People who live on the beach, [it's not like they] aren't aware that the sea is coming," Cooley said. "It's just all part of our living in this 21st century."

Because so much of Los Angeles teeters at the edge of paradise lost.

Kevin Cooley in front of his Altadena home destroyed by the Eaton Fire.

(

Aaron Giesel

/

Courtesy Kevin Cooley

)

***

The West Coast book launch of Wizard of Awe has been rescheduled:

KEVIN COOLEY | THE WIZARD OF AWE
These Days
Location: 118 Winston St., Los Angeles
Event: Artist Reception + book signing: Jan. 18, 7 - 9 p.m.
Exhibition dates: Jan. 18 - Feb. 1

When you’re drinking a glass of water, you might not think about the potential for microplastics floating around inside the cup.

Earlier this month, the Environmental Protection Agency proposed new standards for monitoring our drinking water, a move that lays the groundwork for future safety regulation.

But microplastics aren't included on the list — and many advocacy groups are concerned.

More than 250 health professionals added their names to a May letter to the EPA that called microplastics "a public health crisis that can no longer be ignored."

“It is estimated that the average person consumes 4,000 or more microplastic particles annually from drinking water alone,” the letter continued.

The EPA released a statement to LAist Wednesday saying the agency "acknowledges the interest in and concern for microplastics in drinking water" and is in the process of taking steps to prioritize the needed research.

Why it matters

The proposed new testing program would require public water facilities to test for a list of up to 30 chemicals and contaminants such as pesticides and PFAS — dubbed "forever chemicals" — which are found in products like nonstick cookware.

Water safety advocates say it’s important to test for those chemicals because they can seep into water systems by runoff, factory leaching and landfill leakages. Experts say testing the substances helps identify what contaminants pose a health risk, and how much is present in water systems.

Safety advocates say they want microplastics added to the list because research has shown that ingesting them is potentially harmful to humans.

Over the past few years, governors, attorneys general and almost 200 organizations sent letters to the EPA urging the agency to include microplastics on the test list.

Among them is California Attorney General Rob Bonta, who is part of a 14-state coalition petitioning to add microplastics to the proposed new screening list, known formally as the UCMR 6.

“Microplastics clearly warrant further monitoring and regulation due to their prevalence throughout the environment and the rapidly growing evidence of their negative impact on the environment and public health,” Bonta and others stated in a joint letter to the EPA last month.

So what’s the challenge?

It takes time to develop, test and approve methods for testing certain contaminants in water so that public systems can uniformly and consistently measure them. With microplastics, the research just isn’t there yet, according to EPA officials.

“There is no validated EPA or consensus drinking water analytical method with the proper quality control data, accuracy, and precision that could be used for UCMR 6,” agency officials said in a filing published early this month in the Federal Register.

What this means locally

The good news for Southern California residents concerned about microplastics is that the state has pulled ahead of the federal government in microplastic screenings. A law passed in 2018, Senate Bill 1422, called on regulators to implement a testing plan for microplastics in large community water systems.

Implementation of the law is still in its early stages, so only certain providers are required to test for microplastics. The state chose departments based on water supply, size of agency and forms of treatment.

Once more analysis is done with these agencies, the law is designed to expand its reach to all water departments.

The Irvine Ranch Water District is one of the agencies selected by the state to perform testing.

Although validated methods have not yet emerged, Jim Colston, the district's director of water quality and regulatory compliance, said he is confident that the area’s water is safe.

“There are many pervasive sources of microplastics in the environment, but the public water supply has not been shown to be a significant source,” Colston said.

LAist spoke to authorities at several Southern California water departments, and all said that consumers should not worry about their drinking water.

“Our drinking water is safe,” said Pat Versluis, director of water quality for the Orange County Water District, which serves 2.5 million people in the central and North Orange County area.

“I'd say the state of California's process, it's been methodical for several years," Versluis said. "They seem to be getting closer to a more refined sample collection, sample analysis, and kind of process for monitoring water sources.

"And we're following that closely.”

Where you come in

• The UCMR 6 program still needs to be finalized by the end of the year.
• Once it goes into effect in January 2028, the list of substances will be tested in a three-year sample period. The process of examining the research can then take two or more years after that.
• The EPA is accepting public comments on this issue until Aug. 31.
• If you want to weigh in on microplastics testing, you can contact local government representatives or the EPA. (Food and Water Watch, a nonprofit advocacy group, provides templates for people who don’t know where to begin.)

For a city that has more than its fair share of movie shoots — from Barbie’s high-speed chase along Chestnut Place to serving as Hollywood’s budget-friendly stand-in for Miami and San Diego — it’s high time that Long Beach sets aside time to celebrate it.

The inaugural Long Beach Film Festival will run Aug. 29–30, mooring its first-year slate at the historic Art Theatre on Retro Row with four feature films, multiple short film blocks and industry panel discussions.

The idea, according to organizers, came together exactly where one assumes — a kids’ birthday party at a Signal Hill playground. Festival board president Teodor Todorov struck up a conversation with local filmmaker Hunter Stiebel after spotting him with a Sundance T-shirt.

At first, Stiebel refused; it’s difficult to put together, he said, and hardly worth the headache. “It’s so much work,” he continued. But he quickly reconsidered, thinking how he’s always wanted a stronger local cinephile presence since moving to the city. “How best to find it rather than make it yourself?” said Stiebel, who now serves as the festival’s director of programming.

The festival’s four main narrative features span genres from psychological horror to romantic science fiction. Leading the slate is “Downbeat,” a 91-minute South by Southwest entry directed by Danny Madden (“Everything Everywhere All at Once”) that follows a musician caught between personal relationships and artistic ambition. The lineup also includes “Ugly Cry,” a 94-minute psychological horror film directed by Emily Robinson that explores an actor’s dangerous obsession with perfection following a devastating audition.

Rounding out the feature selections are “Again Again,” a time-loop romantic sci-fi feature written by and starring Mia Moore and executive produced by Lilly Wachowski (“The Matrix”) about a woman facing the terrifying uncertainty of a new day after escaping a decade-long loop, and “Rescued,” written, directed by, and starring local filmmaker DJ Hale alongside Lindsay Shaw (“Pretty Little Liars”). There will also be four 90-minute segments of short films.

Filmed on location in Long Beach, “Rescued” explores homelessness and redemption through the story of a man whose life transforms after adopting a stray dog.

Hale, who based the movie on experiences faced by himself, his friend and producer Dominique Smith, and his mother, says it’s “a tremendous honor” to show the film here. “It feels perfect, it feels like it was supposed to happen,” he said.

Moving to Long Beach in 2020, he started working on the film in late 2022 and finished in January after an eight-month hiatus to get money for production. “(Smith) just randomly got this huge settlement check from a work injury that happened years ago, and he selflessly just put a big chunk of that to restoring the project,” Hale said.

He hopes the film can dispel myths and misconceptions about being homeless, and remind people that anyone can fall into homelessness.

“A lot of times, it’s just people who are literally living paycheck to paycheck, and then something happens that is unforeseen that causes them to get behind,” Hale said. “Hours can get cut, they could lose a job, get sick for an extended period of time, so on and so forth. … It’s just a snowball effect.”

The timing of the festival — in the dead of summer and amid a boon in indie theater attendance — almost couldn’t be better. Kerstin Kansteiner, vice president of the nonprofit Art Theatre, said the venue has a lot more flexibility with its schedule in the summer as opposed to the fall and winter, when major films are shown on studio-mandated terms leading up to the awards season.

And there’s a strong appetite for independent film, she added, saying the theater has had a strong increase in ticket sales she says is tied to event programming over the past couple of years.

“This new generation is embracing film, but it’s more than just film. … I think what they’re looking for is community and an event-based experience,” Kansteiner said, adding that summer programming allows the theater to run unique screenings, Q&A sessions, and local festivals like the Cambodia Town Film Festival and QFilmFest. “It’s been very, very successful.”

Where other festivals, including new ones in Glendale and Santa Monica, have relied on grants for funding, the Long Beach festival is seeded mainly by small monetary gifts and in-kind donations, with an almost entirely volunteer-based workforce.

Organizers say they want the festival, in years ahead, to become a happy medium between a benefit for local talent and a must-stop in the region to see films that dominate the festival circuit.

“A festival that feels both world-class and deeply rooted in Long Beach,” Stiebel said. “So, at this time when film and TV production has been fleeing California, Los Angeles, even the United States … we feel that it’s time that we are able to plant a flag here locally.”

Ahead of the August weekend, festival organizers will host a fundraiser Wednesday at Wine on Second in Naples. The event features a preview of “Rescued,” along with wine and hors d’oeuvres. Proceeds will support LBFF StoryLab, a local youth filmmaking initiative.

Individual screening tickets start at $10, while $150 VIP passes offer access to an opening night party at the Queen Mary, filmmaker mixers, panel sessions, and the festival’s VIP lounge. Tickets and schedule details are available on the festival website.

University of California officials announced Wednesday they have offered admission to a record number of California students. Around 102,000 residents were offered seats, about 1,400 more than last year. UC also admitted about 29,400 California community college transfers, another record high, officials said.

In Southern California, UCLA offered seats to 57% of California residents who applied, UC Irvine 52% and UC Riverside 87%. Around 2,500 of the admitted California students at UCLA are first-generation college students.

“For generations, a University of California education has been one of the state’s most powerful engines of social mobility, opening doors for talented students from every background and region of the state,” said UC President James B. Milliken. “The record number of California students we’re welcoming this year reflects UC's enduring commitment to expanding opportunity while preparing the next generation of leaders, innovators, educators and public servants."

UC has also increased its offer of admissions to out-of-state students and international students.

Why it matters

UCs increasing California student admissions is tied to a deal the university system struck with lawmakers after facing increased complaints from parents and students that the top UC schools — UCLA, UC Berkeley and UC San Diego — were so hard to get into.

The deal, UC’s Multi-Year Compact, requires UCs to increase in-state students by 1% every year and make it easier for community college students to transfer. In turn, the state would increase its funding to UCs to make up for the loss of revenue from non-state students — about a 5% increase every year.

The University of California has said it's on track to meet that goal.

Race and ethnicity in admissions

Earlier this year, the Justice Department accused UCLA of “intentionally” selecting students based on their race, favoring Black and Latino students. This is part of a larger trend of the Department of Justice pursuing legal action against the University of California in President Donald Trump’s second term, including suing UCLA over allegations that the university allowed antisemitism on campus. The Justice Department also unsuccessfully demanded a range of concessions to bring UCLA more in line with its ideology, in addition to more than $1 billion in fines. The administration also tried to freeze the university’s research funding, prompting an effort to have the state of California be a backstop.

But admission trends in race stayed mostly the same as in previous years.

Around 6% of California students offered admissions at UC identify as Black, proportional to the state’s Black population, while around 38% of the in-state admitted students are Latino. Around 40% of the state’s population is Latino.

Around 18% of the in-state students offered admissions identified as white and 33% Asian.