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The most important stories for you to know today
  • Here's your full list of the 2025 nominees
    Rows of Oscars on display
    The nominations for the 2025 Academy Awards were announced Thursday after delays due to wildfires in L.A.

    Topline:

    After delays due to the wildfires in L.A., nominations for the 2025 Academy Awards were announced this morning in Hollywood.

    What's next: The Oscars will be broadcast live on March 2 on ABC and Hulu.

    Keep reading... for the full list of nominees in 23 categories.

    Emilia Pérez, Netflix's musical about a trans drug lord in Mexico, leads with 13 nominations – including nods for star Karla Sofía Gascón and Zoe Saldaña for their acting, Jacques Audiard for directing, and a nomination for Best Picture.

    Wicked and The Brutalist follow with 10 nominations each, including Best Picture. Cynthia Erivo and Ariana Grande were both nominated for their acting in Wicked, for Best Actress and Best Supporting Actress respectively. Adrien Brody, who plays a Jewish architect who immigrates to the U.S. after World War II in The Brutalist, also got an acting nod.

    The 2025 Academy Awards ceremony will be held Sunday, March 2, hosted by comedian Conan O'Brien at the Dolby Theater and comes in the wake of devastating fires in L.A. that twice delayed the announcement of nominees.

    Academy leaders say the ceremony "will celebrate the work that unites us as a global film community and acknowledge those who fought so bravely against the wildfires."

    Here are the nominees:

    Best Picture

    • Anora | Alex Coco, Samantha Quan and Sean Baker, Producers
    • The Brutalist | Nick Gordon, Brian Young, Andrew Morrison, D.J. Gugenheim and Brady Corbet, Producers
    • A Complete Unknown | Fred Berger, James Mangold and Alex Heineman, Producers
    • Conclave | Tessa Ross, Juliette Howell and Michael A. Jackman, Producers
    • Dune: Part Two | Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers
    • Emilia Pérez | Pascal Caucheteux and Jacques Audiard, Producers
    • I'm Still Here | Maria Carlota Bruno and Rodrigo Teixeira, Producers
    • Nickel Boys |Dede Gardner, Jeremy Kleiner and Joslyn Barnes, Producers
    • The Substance | Coralie Fargeat and Tim Bevan & Eric Fellner, Producers
    • Wicked | Marc Platt, Producer

    Directing

    • Anora | Sean Baker
    • The Brutalist | Brady Corbet
    • A Complete Unknown | James Mangold
    • Emilia Pérez | Jacques Audiard
    • The Substance | Coralie Fargeat

    Actor in a Leading Role

    • Adrien Brody | The Brutalist
    • Timothée Chalamet | A Complete Unknown
    • Colman Domingo | Sing Sing
    • Ralph Fiennes | Conclave
    • Sebastian Stan | The Apprentice

    Actor in a Supporting Role

    • Yura Borisov | Anora
    • Kieran Culkin | A Real Pain
    • Edward Norton | A Complete Unknown
    • Guy Pearce | The Brutalist
    • Jeremy Strong |The Apprentice

    Actress in a Leading Role

    • Cynthia Erivo | Wicked
    • Karla Sofía Gascón | Emilia Pérez
    • Mikey Madison | Anora
    • Demi Moore | The Substance
    • Fernanda Torres | I'm Still Here

    Actress in a Supporting Role

    • Monica Barbaro | A Complete Unknown
    • Ariana Grande | Wicked
    • Felicity Jones | The Brutalist
    • Isabella Rossellini | Conclave
    • Zoe Saldaña | Emilia Pérez

    Animated Feature Film

    • Flow | Nominees to be determined
    • Inside Out 2 | Kelsey Mann and Mark Nielsen
    • Memoir of a Snail | Adam Elliot and Liz Kearney
    • Wallace & Gromit: Vengeance Most Fowl | Nominees to be determined
    • The Wild Robot | Chris Sanders and Jeff Hermann

    Animated Short Film

    • Beautiful Men | Nicolas Keppens and Brecht Van Elslande
    • In the Shadow of the Cypress | Shirin Sohani and Hossein Molayemi
    • Magic Candies | Daisuke Nishio and Takashi Washio
    • Wander to Wonder | Nina Gantz and Stienette Bosklopper
    • Yuck! | Loïc Espuche and Juliette Marquet

    Cinematography

    • The Brutalist | Lol Crawley
    • Dune: Part Two | Greig Fraser
    • Emilia Pérez | Paul Guilhaume
    • Maria | Ed Lachman
    • Nosferatu | Jarin Blaschke

    Costume Design

    • A Complete Unknown | Arianne Phillips
    • Conclave | Lisy Christl
    • Gladiator II | Janty Yates and Dave Crossman
    • Nosferatu | Linda Muir
    • Wicked | Paul Tazewell

    Documentary Feature

    • Black Box Diaries | Shiori Ito, Eric Nyari and Hanna Aqvilin
    • No Other Land | Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham
    • Porcelain War | Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre' Pesmen
    • Soundtrack to a Coup d'Etat | Johan Grimonprez, Daan Milius and Rémi Grellety
    • Sugarcane | Julian Brave NoiseCat, Emily Kassie and Kellen Quinn

    Documentary Short

    • Death by Numbers | Kim A. Snyder and Janique L. Robillard
    • I Am Ready, Warden | Smriti Mundhra and Maya Gnyp
    • Incident | Bill Morrison and Jamie Kalven
    • Instruments of a Beating Heart | Ema Ryan Yamazaki and Eric Nyari
    • The Only Girl in the Orchestra | Molly O’Brien and Lisa Remington

    Film Editing

    • Anora | Sean Baker
    • The Brutalist | David Jancso
    • Conclave | Nick Emerson
    • Emilia Pérez | Juliette Welfling
    • Wicked | Myron Kerstein

    International Feature

    • Brazil | I'm Still Here
    • Denmark | The Girl with the Needle
    • France | Emilia Pérez
    • Germany | The Seed of the Sacred Fig
    • Latvia | Flow

    Makeup and Hairstyling

    • A Different Man | Mike Marino, David Presto and Crystal Jurado
    • Emilia Pérez | Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini
    • Nosferatu | David White, Traci Loader and Suzanne Stokes-Munton
    • The Substance | Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli
    • Wicked | Frances Hannon, Laura Blount and Sarah Nuth

    Music (Original Score)

    • The Brutalist | Daniel Blumberg
    • Conclave | Volker Bertelmann
    • Emilia Pérez | Clément Ducol and Camille
    • Wicked | John Powell and Stephen Schwartz
    • The Wild Robot | Kris Bowers

    Music (Original Song)

    • El Mal from Emilia Pérez; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard
    • The Journey from The Six Triple Eight; Music and Lyric by Diane Warren
    • Like A Bird from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada
    • Mi Camino from Emilia Pérez; Music and Lyric by Camille and Clément Ducol
    • Never Too Late from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

    Production Design

    • The Brutalist | Production Design: Judy Becker; Set Decoration: Patricia Cuccia
    • Conclave | Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter
    • Dune: Part Two | Production Design: Patrice Vermette; Set Decoration: Shane Vieau
    • Nosferatu | Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová
    • Wicked | Production Design: Nathan Crowley; Set Decoration: Lee Sandales

    Live Action Short

    • A Lien | Sam Cutler-Kreutz and David Cutler-Kreutz
    • Anuja | Adam J. Graves and Suchitra Mattai
    • I'm Not a Robot | Victoria Warmerdam and Trent
    • The Last Ranger | Cindy Lee and Darwin Shaw
    • The Man Who Could Not Remain Silent | Nebojša Slijepčević and Danijel Pek

    Sound

    • A Complete Unknown | Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco
    • Dune: Part Two | Gareth John, Richard King, Ron Bartlett and Doug Hemphill
    • Emilia Pérez | Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta
    • Wicked | Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis
    • The Wild Robot | Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts

    Visual Effects

    • Alien: Romulus | Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan
    • Better Man | Luke Millar, David Clayton, Keith Herft and Peter Stubbs
    • Dune: Part Two | Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer
    • Kingdom of the Planet of the Apes | Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke
    • Wicked | Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould

    Writing (Adapted Screenplay)

    • A Complete Unknown | Screenplay by James Mangold and Jay Cocks
    • Conclave | Screenplay by Peter Straughan
    • Emilia Pérez | Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
    • Nickel Boys | Screenplay by RaMell Ross & Joslyn Barnes
    • Sing Sing | Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John "Divine G" Whitfield

    Writing (Original Screenplay)

    • Anora | Written by Sean Baker
    • The Brutalist | Written by Brady Corbet, Mona Fastvold
    • A Real Pain | Written by Jesse Eisenberg
    • September 5 | Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David
    • The Substance | Written by Coralie Fargeat
  • 'Equipment issue' during upgrade to blame
    Topline:
    Friday's nationwide ground stop started when a contractor updated old Federal Aviation Administration telecommunication lines, Transportation Secretary Sean Duffy said Saturday.
    Why it matters: Tens of thousands of passengers across the U.S. are still stranded Saturday after the rare ground stop. Bryan Bedford, the FAA administrator who joined Duffy at Saturday's media briefing, said schedule problems should be resolved by Sunday evening.

    What happened: L3Harris, a long time contractor for the FAA, was doing routine maintenance in at least one remote location changing copper wire to fiber optics, Duffy said. "When I tell you that we're using old equipment, we're using old equipment," he said. He said the FAA is still investigating the exact error that started flooding other routers in the air traffic control system, and if L3Harris was at all responsible.

    Updated November 14, 2026 at 13:52 PM ET

    WASHINGTON— Friday's nationwide ground stop started when a contractor updated old Federal Aviation Administration telecommunication lines, Transportation Secretary Sean Duffy said Saturday.

    Tens of thousands of passengers across the U.S. are still stranded Saturday after the rare ground stop. Bryan Bedford, the FAA administrator who joined Duffy at Saturday's media briefing, said schedule problems should be resolved by Sunday evening.

    Nearly 25,000 flights were delayed, and over 9,000 were cancelled on Friday, according to FlightAware, a flight tracking site. The disruption seeped into Saturday morning with more than 4,000 cancellations recorded, which is 18% of flights departing the U.S., according to data from Cirium, an aviation analytics company.

    L3Harris, a long time contractor for the FAA, was doing routine maintenance in at least one remote location changing copper wire to fiber optics, Duffy said. "When I tell you that we're using old equipment, we're using old equipment," he said.

    He said the FAA is still investigating the exact error that started flooding other routers in the air traffic control system, and if L3Harris was at all responsible.

    "It's pretty straightforward work that we were doing yesterday at, again, a very remote location. So what we're working to determine was whether we had incompetence, meaning was it user error, installator error from L3Harris, or did they install a faulty router?"

    L3Harris did not immediately respond to NPR's request for comment.

    These updates have been happening in American institutions for decades, Duffy said.

    "Virtually every single institution in America has gone from copper to fiber, from analog to digital," Duffy said. "Just maybe the FAA is the last one to be doing this work because the investments haven't been made, but this is not complicated."

    Bedford said there was no evidence of anything nefarious happening or any AI-related issues.

    Since his time in office, Duffy said he's been asking Congress for money to make more upgrades. In July 2025, Congress approved $12.5 billion to modernize the nation's aging air traffic control system.

    With that money, 70% of copper communications have been replaced to high-speed fiber, Bedford said. Duffy called the innovations and the need for more a "bipartisan moment."

    "This is the moment, if we don't start to switch out our systems, when, how long are we going to wait, America, and Congress?" Duffy asked.

    Thousands of passengers miss flights

    Passengers wait at boarding gates at Ronald Reagan Washington National Airport in Washington, DC on November 13, 2026.
    (
    Zina Desmazes
    /
    AFP via Getty Images
    )

    For about four hours on Friday, thousands of flights at U.S. airports were grounded in one of the biggest disruptions of the nation's air travel system since the terrorist attacks on September 11, 2001.

    The aviation system is back online and slowly returning to normal Saturday morning, but delays and cancellations will continue, Duffy said. Bedford said all passengers will be put on new flights or they'll get a full refund, but that people should reach out to their airlines directly.

    Flight boards at airports across the country Saturday morning continued to be riddled with red cancelled marks. At Tampa International Airport in Florida, people in the main terminal area before security curled up in chairs to grab a wink of sleep.

    On Friday night, a flight board at Ronald Reagan Washington National Airport in D.C. showed dozens of flights delayed into the early morning hours or cancelled.

    Passengers Erin and Jake Britt spent half the day at the airport in D.C. on Friday. Their plane to Fort Lauderdale, Fla. boarded at 3 p.m. By 5:30 p.m., they were getting off the plane — but they were still in D.C.

    "Overall, our plane was definitely annoyed, but reasonable," Erin Britt said, as the couple left the airport at 8 p.m. "People being upset and asking like, 'Well, how are you not prepared for this?' And it was like, 'Well, no one was prepared.'"

    She said neither the pilot nor flight attendants had any more information than passengers."They seem just as in the dark," she said.

    The pair decided to cancel their weekend trip, but the night didn't end there. They spent over nine hours overnight waiting on the JetBlue customer service call line to be reimbursed. "I was setting alarms in 20 minute intervals in case I fell asleep," Erin Britt said.

    For people who had events or plans over the weekend – the delay added an extra layer of stress. Joe Romano and Maddie Cabana had a cruise leaving Orlando, Fla. Saturday afternoon.

    "It was a big eye roll. I mean, I travel a lot for work already, so I'm constantly dealing with flight delays," Romano said. "When this happened, I was just like, 'Of course, it always happens to me.'"

    "Just rather inconvenient and frustrating," Cabana added, as the pair contemplated checking their bags or going home. They even thought about driving to Florida. "Hopefully, everything will be fine. It'll all work out. It always does."

    And it did— eventually. After their JetBlue flight was ultimately cancelled, they quickly booked another one on Southwest Airlines and made it early Saturday morning.

    Others, like Suze DiPietro decided flying wasn't worth it anymore. Her husband drove about four hours down from Ocean City, New Jersey to pick her up in D.C. Luckily, they had friends in the area where they spent the night.

    "My husband, my hero, is driving down from New Jersey to come get me," DiPietro said.

    Other alternatives included people switching to Amtrak trains as they struggled to get to their destination. Although, even Amtrak's system had a brief outage Friday night.

    This was only the second nationwide ground stop since September 11, 2001. The U.S. last issued a ground stop of this scale in 2023, when all U.S. airports were shut down due to an outage in the NOTAM (Notice to Air Missions) system, which alerts pilots and airports of real-time hazards.

    That outage prompted fears of a cyberattack, but the FAA later determined the issue was caused when contract workers inadvertently deleted critical files.

    The FAA has recently begun rolling out an AI-enhanced software tool known as the SMART system as part of its ambitious overhaul of the nation's air traffic control system. But Air Space Intelligence, the company that makes the tool, quickly dismissed speculation that its product could be connected to the flight disruptions.

    "The current ground stop is not based on or a result of the SMART system, any product of ASI or our integration with FAA and ATC," the company said on social media.

    Ava Pukatch contributed to reporting.

    Copyright 2026 NPR

  • Sponsored message
  • Rare eggs laid on SoCal beaches have hatched!
    A photo of a baby sea turtle
    A number of rare sea turtle eggs laid on Southern California beaches in September have hatched.

    Topline:

    Eggs from the first confirmed sea turtle nests found on the U.S. West Coast have hatched.

    Why it matters: The Long Beach-based aquarium has been keeping watch over 204 Olive Ridley Sea Turtle eggs, laid on Seal Beach and Huntington Beach in September.

    Why now: The aquarium said the hatchlings were released early this morning in a coastal area with little light and human disturbances.

    Read on to check out a video of the baby turtles.

    Eggs from the first confirmed sea turtle nests found on the U.S. West Coast have hatched.

    "We are excited to share that some of the olive ridley sea turtle eggs from Seal Beach successfully hatched after a 58-day incubation period," said the Aquarium of the Pacific in a social media post.

    The Long Beach-based aquarium has been keeping watch over 204 olive ridley sea turtle eggs, laid on Seal Beach and Huntington Beach in September. A second set of eggs found on Huntington Beach is still incubating

    The aquarium said the hatchlings were released early Saturday morning in a coastal area with little light and human disturbances.

    Baby turtles, the aquarium said, go through a “frenzy period” after hatching, where they swim nonstop for up to two days

    The eggs came from the first confirmed sea turtle nests found on the U.S. West Coast. Scientists say unusually warming water tied to El Niño likely drew the rare turtles to the Southern California coast.

    PSA

    If you see a stranded sea turtle, immediately notify a local lifeguard. If a lifeguard is unavailable, contact the NOAA California Sea Turtle Stranding Line at (562) 506-4315.

  • I faced the fear and did it anyway
    A light skinned dark haired woman is standing on a stage under the lights. In the background is an image of a giant moth, the logo of The Moth series.
    LAist Senior Editor Suzanne Levy pushing herself to feel the fear and do it anyway.

    Topline:

    LAist Senior Editor Suzanne Levy had held a dream for years to go on stage at The Moth, but fears had always fearheld herself back. But when she heard about an event in Los Angeles, she had to decide whether to let her fear stop her — or to feel the fear and do it anyway.

    Why it matters: The Moth (of which LAist is a media sponsor) holds open mic story StorySLAMs in Los Angeles throughout the year. If you've thought about doing it, but have held back, Levy wants her experience to motivate you to fulfil your dream. "Life's too short," she says. "If you want to do something you just have to do it."

    Why now: The next StorySlam is on Wednesday, Nov. 18, in Culver City and Tuesday, Dec. 1, in Silver Lake.

    A couple of decades ago, a friend in New York told me about something happening that was kinda underground and just getting traction. It was called “The Moth.” People took turns telling a true, personal story, with no notes, named after the Southern tradition of sitting on front porches and sharing spellbinding tales — with moths flying mesmerized around the porchlight.

    It sounded amazing. And terrifying. I filed it under the same list as bungee jumping — no doubt exhilarating but something I’d never do — and got on with my life. Over the years, as it grew bigger and bigger, I went to several Moth events in different cities, and was always so impressed with the storytellers — and equally adamant I’d never do it.

    Cut to this September, when a message went out to all the staff at LAist. We’re a media sponsor of The Moth, and an event, a open mike StorySLAM, was coming up in Silver Lake. There were a few tickets available. Did anyone want one? The theme was "Divas." Sure, I thought. I’d go watch. It's always fun.

    Nagging thought

    As the days went by, the same thought kept nagging at me. How about getting on stage yourself? No, I thought. Too risky. But this time there was another thought, even more vehement. Why are you being held hostage by fear? Life is too short. If you want to do something, you just have to do it. And this opportunity has just fallen into your lap.

    So when the day came, I went to the event, and put my name in the hat. Would I be picked? I sat there with sweaty palms as the show started and people came up tell their own funny, moving, poignant stories.

    Finally, near the end of the show, my name was called out. Gulp. I walked on stage to the mic, and began telling my story.

    “Some years ago I was a BBC radio producer. A show host and I were at Albuquerque airport, on our way to Los Alamos to do interviews about the Manhattan project. But when we got to the gate, it was closed. They’d boarded the plane 15 minutes early. We couldn't believe it. There was only one plane per day and we'd flown in from London and were on a tight schedule. What should we do?”

    Holding their breath

    It was a strange experience, simultaneously storytelling while looking at the audience and scanning for their reactions. They seemed to be enjoying themselves.... and were holding their breath, waiting to see what came next.

    “I could see the plane on the tarmac, one of those regional planes with propellers, on the other side of an alarmed emergency exit door. So I decided, in the heat of the moment, to push it open, and started dashing across the tarmac, yelling for the host to follow me. Security men began running towards me from every direction as the alarm blared loudly.”

    The audience was laughing with delight and disbelief, and I was laughing, too, at the recollection. What on earth had made me do that? Ah, my young, impulsive, determined self. Just as well it wasn’t today, post 9/11. I’d be dead.

    “As I reached the plane, the security men were shouting 'What are you doing? You can’t run onto the tarmac!' That’s when the diva part came in. I drew myself up to my full 5’ 2” and said, determinedly, 'No, YOU were the ones who boarded the plane early. We did everything right! We have our tickets, we have interviews to do and we are going to get on this plane.'"

    The security men looked at each other, unsure what to do. Maybe it was the British accent, or not being used to a woman giving them a dressing down. But one of them shrugged, moved out of the way, and they let us get on the plane. "Hurray! And we made it to Los Alamos, in time to do our interviews. Thank you.”

    The audience went crazy, clapping and whooping. I was standing there grinning stupidly. I couldn’t believe I’d done it.

    Yes, the story went down well. And the audience hadn't eaten me alive. But there was something bigger, something even more satisfying in my reaction. I’d had made myself do something I was scared of. I'd faced my demons.... and survived.

    A lesson for us all.

    HEAD TO THE MOTH

    Next StorySLAMs:
    Culver City: Wednesday Nov. 18
    Silver Lake: Tuesday Dec. 1
    More details: here.

  • Hundreds set to walk Santa Monica Blvd.
    A guy in a hat in the front of a long line of walkers raises his hands and smiling at the camera.
    The 2025 edition of Great L.A. Walk down Wilshire Boulevard.

    Topline:

    Topline: Hundreds of people will walk the entire 14 miles of Santa Monica Boulevard on Saturday, Nov. 21, in the latest expedition of the Great Los Angeles Walk.

    What is it: The annual event started in 2006 by Michael Schneider, who wanted to mark 10 years of living in L.A.

    Now: Some 600 people join Schneider the Saturday before Thanksgiving for the walk. This year, the theme is Route 66.

    Read on for details and how to join.

    If you happen to see 600 people snaking down 14.3 miles of Santa Monica Boulevard (and then some) on Saturday, Nov. 21 — their sole purpose is just to … walk.

    “For years people were asking us, ‘What are you doing?’” said Michael Schneider, founder of the Great Los Angeles Walk.

    These strolls are maximalist in nature, usually covering the entire length of a given thoroughfare. Sunset Boulevard. Melrose Avenue. Ventura Boulevard.

    A group of people standing in front of an old theater with a Swap Meet marquee.
    The inaugural Great L.A. Walk in 2006 along Wilshire Boulevard.
    (
    Courtesy Great Los Angeles Walk
    )

    How the walk began 

    The pre-Thanksgiving tradition started in 2006 with Wilshire Boulevard. Schneider, who had reached the milestone of living in L.A. for a decade, was inspired by a book about the street’s history to walk its entire 15.8 miles on foot. He asked others to join on his blog Franklin Avenue.

    About two dozen people showed up. That day, they popped into storefronts, stopped by restaurants, sneaked into the Park Plaza Hotel near MacArthur Park and shot up to the roof. “That kind of unearthed a whole new side of Los Angeles as we walked down Wilshire,” he said.

    By the time the trek reached the ocean, folks were asking Schneider about next year. Now, it's always on the Saturday before Thanksgiving.

    “I inadvertently turned it into an annual tradition,” he said.

    A small group of people walking in front of a mural of Muhammad Ali.
    The 2016 edition of Great L.A. Walk along Pico Boulevard.
    (
    Courtesy Great Los Angeles Walk
    )

    The 2007 installment was Pico Boulevard — with restaurant recommendations along the route handpicked by the late Pulitzer-winning food critic Jonathan Gold.

    Eventually, Schneider included themed walks. March of Los Pobladores — which retraces the final leg of the 1781 journey taken by the original founders of L.A. — from the San Gabriel Mission to downtown. And USC to UCLA when the rivals faced off on game day.

    This year’s route: Route 66 

    A map with a highlighted route from Echo Park to Santa Monica
    This year's theme is Route 66.
    (
    Google map screengrab
    )

    This year’s focus is Route 66, marking the centennial of the iconic road. Saturday's walk will start in Echo Park, then go the whole way down Santa Monica Boulevard and end at the pier, totaling about 16 miles.

    “You see so many different versions of Los Angeles,” he said.

    A man in a hat holding up a sign. It says, "The Great Los Angeles Walk."
    Michael Schneider, founder of the Great L.A. Walk, at last year's trot along Wilshire Boulevard.
    (
    Courtesy Great Los Angeles Walk
    )

    Celebrity sightings and a marquee shout-out 

    One year, he said, the group walked by Magic Johnson.

    “He waved at us," Schneider said. "Probably was wondering why [there were] hundreds of people walking past where he was."

    As many as 600 people now join the walk, he said. As the number grows, so too has its legend.

    “Now we find a lot of people who know who we are,” he said. “You hear people say, ‘Hey, it's the Great L.A. Walk.”

    Walk the walk

    The Great Los Angeles Walk
    When: Saturday, Nov. 21, starting at 9 a.m.
    Starting point: Meet up at Echo Park Lake near the Lady of the Lake statue
    End point: “End of Route 66” marker at the Santa Monica Pier
    Cost: Free, just show up
    More info: greatlawalk.blogspot.com/

    Pro-tip: Schneider said the walk is meant to be leisurely and everyone walks at their own pace. “ I try to tell people every year, ‘Take your time,’” he said. “Your body will thank you, too.”