The Brief

Stage and screen actor Alfred Molina is no stranger to performing characters with dimension, subtly, and humor in such roles as Inspector Gamache in the Three Pines, Diego Rivera in Frida, Tevye in Fiddler On The Roof, and even as the villainous Doctor Octavius in the Spider-Man movies.

Molina now takes on the part of big-shot attorney Henry Drummond in Inherit the Wind, now staged at the Pasadena Playhouse.

Originally created as a commentary on McCarthyism in the 1950’s, playwrights Jerome Lawrence and Robert E. Lee used a fictional version of the real 1925 Scopes Monkey trial as a proxy for their message.

In the landmark case, a high school science teacher was prosecuted for teaching evolution. Molina’s character comes to the defense of the high school teacher in a trial that shakes a small, religious town to its core.

Molina spoke with LAist Weekend Edition host Julia Paskin about taking on the role. The interview has been edited for brevity and clarity.

Julia Paskin: Your character states he is not there for the money, so why does Drummond take on the case?

Alfred Molina: He's there to defend the Constitution, I think, in some way.

[The play] was striking at something that was very, very deep in the American democracy, which is the much vaunted separation of church and state. And here we had laws being passed which were kind of faith-based that were controlling the education of people in the United States.

And [Drummond] is a warrior wanting to make sure that you know that the laws and people's freedom of thought — in particular, freedom of speech — are protected and cherished.

JP: Here we are in 2023 with some states still debating what can be taught in schools. Perhaps the subject matter has shifted, but the debate in Inherit The Wind feels current. What does it mean to you to perform the story today? 

AM: These idea and topics — they're still part of the national discourse.

It's what theater does best in a way. It's able to illuminate these ideas in a dramatic way that is hopefully going to keep an audience hooked on the arguments. And we've had a lot of excited conversations after the play with members of the audience who are responding very energetically to the questions that the play brings up.

JP: Your character is going up against Matthew Harris Brady (played by John Douglas Thompson), and despite having very deep disagreements, there is still a respect and reverence between them. That was refreshing to me in today's political climate. How do they maintain a humanity while thinking the other is entirely wrong? 

AM: That relationship, which has gone through lots of mutations over a period of years, is mentioned quite early on in the play. So you understand that there's a real history here. In fact, Brady says at one point, this friendship was based on a mutuality of admiration. They were clearly on different sides of the fence, but there was still this civility between them and an ability to discuss without rancor, without becoming sort of just angry with each other.

And I think that gives the relationship a depth which pays off later in the play.

John Douglas Thompson, Alfred Molina, and Cast in Inherit the Wind

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Jeff Lorch

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Pasadena Playhouse

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JP: Your character even comes to Brady’s defense — or in defense of how we just speak about people. What’s happening for Drummond in that moment and how do you see a connection to discourse today? 

AM: From a personal point of view, as the actor playing the part, it made me realize that you can disagree with people but that doesn't mean you have to hate them.

I remember many years ago, having a really serious discussion with a relative. And then we both said, you know what, we're never going to convince the other. So let's just leave this aside and enjoy the rest of the relationship which is the vast majority of it.

And I think that's something we've lost, particularly in this age of social media. And just the decent thing of, you might have disagreed with someone, [but] when they're no longer in a position to argue their case, that doesn't mean you dismiss their whole life.

Drummond actually says at one point, “I refuse to erase a man's lifetime.” And then he goes on to say “we all have the same right, which is the right to be wrong.”

JP: You last performed at the Pasadena Playhouse in The Father in early 2020. What keeps bringing you back to the Pasadena Playhouse? 

AM: Apart from the fact that it's a 10-minute commute, you mean?

But no, It's a lovely theater. It's got so much history.

And we're now under the leadership of Danny Feldman, our producing artistic director. We're in a kind of golden age at the theater, in [that] he's really channeled a lot of his energy and creative energy into making it truly a theater that belongs to the community.

I joined the board about a year or so ago, and we've now created an education committee.

The Pasadena Playhouse had a very healthy, very vibrant accredited school attached to it. Some of the alumni include people like Gene Hackman and Dustin Hoffman. The school closed down in the late 1960s’s, due to kind of financial restrictions. The theater was going through a bad time.

But we're hopefully in the next few years trying to resuscitate that side of the theater. And Danny's already started moves towards that, you know, we've had productions involving local school kids.

So for me, it's lovely to be part of an institution that is truly part of this community.

Inherit the Wind is directed by Michael Michetti and is being staged at the Pasadena Playhouse through Sunday, November 26th.

Protip: You can enter a lottery to watch the show from special seating onstage.

Jen Egan is still dealing with the aftermath of the Palisades Fire that damaged the home of her 83-year-old father, Paul, last January.

That has meant more than a year of going back and forth with State Farm, which has assigned three different claims adjusters to their case. Egan also hired a public adjuster to help her navigate the process, who she says has been a “saving grace.”

Egan and her father have received some payouts and are preparing to make repairs to the home. But this week, they received an estimate for compensation that falls tens of thousands of dollars short of what Egan said they have already paid out of pocket to address a brush violation issued by the fire department, and to conduct soil testing.

She is growing more frustrated. “No one’s asking for a new jacuzzi,” Egan said. “We want my father to be able to return to a safe and habitable home.”

Stories like the Egans’ are all too common after last year’s deadly Los Angeles County fires. State Farm says it has paid $5 billion so far on more than 13,500 claims. But survivors express frustration over insurers’ poor and delayed communication.

State Farm customer Rebecca McGrew has no outstanding complaints about her claims after her Altadena home burned down — except that she was “drastically under-insured by hundreds of thousands of dollars.” Many others like her have realized — too late — that their insurance payouts won’t cover all of their rebuilding costs.

Survivors and community organizations that have formed after the fires have asked their local and state elected officials for help in dealing with these varied issues. Some of the bills introduced in response to survivors’ experiences include attempts to address the transparency and timeliness related to insurers’ handling of fire claims.

More stringent requirements for insurers

Senate Bill 876 is a wide-ranging bill that seeks to make various amendments to the state’s insurance code. They include getting insurance companies to share their disaster-recovery plans with the insurance department; doubling penalties from $5,000 to $10,000 for each violation of fair claims practices during declared emergencies; and requiring insurers to notify policyholders within five days when they’re assigned a new adjuster.

In addition, the legislation, proposed by new Senate Insurance Committee Chair Steve Padilla and sponsored by Insurance Commissioner Ricardo Lara:

• Expands policy limits for required payments for additional living expenses by 100% in case of a total loss. 
• Requires upfront, cash-value payments be made within 30 days of a contract to buy or rebuild a home. 
• Requires insurers to offer extended and guaranteed replacement cost coverage when writing policies.
• Applies building-code upgrade coverage at the time of a rebuild.  

“People need a sense, particularly when they face tragedy, that the underwriters they’ve relied on and paid into for decades, will want to help and not get in the way (of recovery),” said Padilla, a Democrat from Chula Vista, in an interview with CalMatters.

He acknowledged that the insurance industry will have objections to his bill, but said the companies know that they need to provide adequate coverage for the health of the insurance market.

Padilla is right about the industry’s opposition. “It appears these measures would worsen the current affordability and availability crisis for Californians just as we are starting to implement the Commissioner’s Sustainable Insurance Strategy to restore a healthy and competitive market,” said Seren Taylor, vice president at Personal Insurance Federation of California, in an email.

Lara’s strategy, which went into effect last January just days before the L.A.-area fires, aims to get insurance companies to start writing policies in the state again, especially in areas at high risk of fires. Many insurers had pulled back from the state in the past few years, complaining of increasing fire risks and state regulations that they said slowed down their ability to match prices to those risks.

Tornadoes and drones

Meanwhile, Senate Bill 877 would require insurance companies to provide claims-related documents to policyholders within 15 days. Co-authored by Democratic Sens. Sasha Renée Pérez of Pasadena and Ben Allen of El Segundo, the legislation would also require insurers to disclose changes to repair estimates, who approved them and why.

Senate Bill 878 would require insurers to pay interest of 20% annually if they fail to meet deadlines for claims payments. The bill, also written by Pérez and Allen, will compel companies to submit to the state’s insurance department a report, signed by a corporate officer under penalty of perjury, that shows the company’s compliance with prompt payments requirements.

In the Assembly, lawmakers plan to introduce bills that will “continue to make sure we have oversight (of insurers),” said Assemblymember Lisa Calderon, the Los Angeles-area Democrat who also chairs the Assembly Insurance Committee, in an interview. She said she expects bills to address strengthening and modernizing the FAIR Plan, as well as mitigation efforts for natural disasters.

She mentioned that California has to deal with fires, floods, earthquakes and, last year, something rare: “Last year, we had two small tornadoes in urban Los Angeles. I can’t remember another year when it’s happened.”

A large housing development near Pittsburg on Sept, 2, 2021.

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Anne Wernikoff

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CalMatters

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Calderon is trying again to regulate insurers’ use of drone images by introducing Assembly Bill 1559. Her similar effort last year passed the Assembly and made it through some Senate committees but ultimately didn’t advance. This year’s bill would require companies to notify consumers about when they plan to take aerial images of their properties; ban insurers from ending coverage based on drone images taken more than 180 days before sending notice of that decision to policyholders; and require companies to provide the images to policyholders, allowing them to dispute accuracy and to take action if needed before having their policies terminated.

“We’ve been hearing from consumers that they’ve been blindsided by these images that were inaccurate,” she said. “I believe homeowners should have the right to request an in-person inspection.”

She also intends to introduce legislation to implement recommendations from a forthcoming report about the California Wildfire Fund that she expects to include provisions related to the availability and affordability of property insurance in the state.

This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

Nominations for the 2026 Oscars are out, with Sinners leading the pack with a record 16 nominations for an individual movie. Star Michael B. Jordan, who played twins Smoke and Stack in the horror film set in 1930s Mississippi, was nominated for his first time. The film also garnered nods for best picture, best original screenplay, best directing and more.

First-time acting nominees this year also include Jacob Elordi (Frankenstein), Delroy Lindo and Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another), and much of the cast of the Norwegian drama Sentimental Value, including Elle Fanning, Inga Ibsdotter Lilleaas, Renate Reinsve and Stellan Skarsgård.

One Battle After Another follows Sinners with 13 nods, including for best picture and a best actor nomination for Leonardo DiCaprio.

Timothée Chalamet, the star of frenetic table tennis story Marty Supreme, was nominated for best actor for his second year in a row. Last year, he got a nod for A Complete Unknown.  

The Oscars will be hosted by Conan O'Brien on Sunday, March 15 at 7 p.m. ET/4 p.m. PT, airing on ABC and streaming on Hulu.
Best picture

Bugonia
F1
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
The Secret Agent
Sentimental Value
Sinners
Train Dreams

Performance by an actor in a leading role

Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Ethan Hawke, Blue Moon
Michael B. Jordan, Sinners
Wagner Moura, The Secret Agent

Performance by an actor in a supporting role

Benicio del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Delroy Lindo, Sinners
Sean Penn, One Battle After Another
Stellan Skarsgård, Sentimental Value

Performance by an actress in a leading role

Jessie Buckley, Hamnet
Rose Byrne, If I Had Legs I'd Kick You
Kate Hudson, Song Sung Blue
Renate Reinsve, Sentimental Value
Emma Stone, Bugonia

Performance by an actress in a supporting role

Elle Fanning, Sentimental Value
Inga Ibsdotter Lilleaas, Sentimental Value
Amy Madigan, Weapons
Wunmi Mosaku, Sinners
Teyana Taylor, One Battle After Another

Best animated feature film

Arco
Elio
KPop Demon Hunters
Little Amélie or the Character of Rain
Zootopia 2

Best animated short film

Butterfly
Forevergreen
The Girl Who Cried Pearls
Retirement Plan
The Three Sisters

Achievement in cinematography

Frankenstein
Marty Supreme
One Battle After Another
Sinners
Train Dreams

Achievement in costume design

Avatar: Fire and Ash
Frankenstein
Hamnet
Marty Supreme
Sinners

Achievement in directing

Chloé Zhao, Hamnet
Josh Safdie, Marty Supreme
Paul Thomas Anderson, One Battle After Another
Joachim Trier, Sentimental Value
Ryan Coogler, Sinners

Best documentary feature film

The Alabama Solution
Come See Me in the Good Light
Cutting Through Rocks
Mr. Nobody Against Putin
The Perfect Neighbor

Best documentary short film

All the Empty Rooms
Armed Only With a Camera: The Life and Death of Brent Renaud
Children No More: Were and Are Gone
The Devil Is Busy
Perfectly a Strangeness

Achievement in film editing
F1
Marty Supreme
One Battle After Another
Sentimental Value
Sinners

Best international feature film

The Secret Agent, Brazil
It Was Just an Accident, France
Sentimental Value, Norway
Sirāt, Spain
The Voice of Hind Rajab, Tunisia

Achievement in casting

Hamnet, Nina Gold
Marty Supreme, Jennifer Venditti
One Battle after Another, Cassandra Kulukundis
The Secret Agent, Gabriel Domingues
Sinners, Francine Maisler

Achievement in makeup and hairstyling

Frankenstein, Mike Hill, Jordan Samuel and Cliona Furey
Kokuho, Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
Sinners, Ken Diaz, Mike Fontaine and Shunika Terry
The Smashing Machine, Kazu Hiro, Glen Griffin and Bjoern Rehbein
The Ugly Stepsister, Thomas Foldberg and Anne Cathrine Sauerberg

Original Score

Bugonia, Jerskin Fendrix
Frankenstein, Alexandre Desplat
Hamnet, Max Richter
One Battle after Another, Jonny Greenwood
Sinners, Ludwig Goransson

Original Song

"Dear Me" from Diane Warren: Relentless; music and lyric by Diane Warren
"Golden" from KPop Demon Hunters; music and lyric by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park
"I Lied to You" from Sinners; music and lyric by Raphael Saadiq and Ludwig Goransson
"Sweet Dreams of Joy" from Viva Verdi!; music and lyric by Nicholas Pike
"Train Dreams" from Train Dreams; music by Nick Cave and Bryce Dessner; lyric by Nick Cave

Achievement in production design

Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners

Best live action short film
Butcher's Stain
A Friend of Dorothy
Jane Austen's Period Drama
The Singers
Two People Exchanging Saliva

Achievement in sound

F1
Frankenstein
One Battle After Another
Sinners
Sirāt

Achievement in visual effects

Avatar: Fire and Ash
F1
Jurassic World Rebirth
The Lost Bus
Sinners

Writing (Adapted Screenplay)

Bugonia, screenplay by Will Tracy
Frankenstein, written for the screen by Guillermo del Toro
Hamnet, screenplay by Chloé Zhao and Maggie O'Farrell
One Battle after Another, written by Paul Thomas Anderson
Train Dreams, screenplay by Clint Bentley & Greg Kwedar

Writing (Original Screenplay)
Blue Moon, written by Robert Kaplow
It Was Just an Accident, written by Jafar Panahi; script collaborators: Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian
Marty Supreme, written by Ronald Bronstein and Josh Safdie
Sentimental Value, written by Eskil Vogt, Joachim Trier
Sinners, written by Ryan Coogler

Copyright 2026 NPR

After a warm spell, winter weather has returned to Southern California.

Thursday's rainfall will be on the drizzly, scattered end of things. The National Weather Service forecasts around a quarter inch of rainfall through Friday. Any snowfall will stick to the 8,000-foot elevation range Thursday, and drop down to around 6,000 feet by Friday.

As for temperatures, it's going to be another relatively cool day.

We're looking at highs in the mid 60s from the coasts to the valleys, and up to 68 degrees in the Inland Empire. In the Antelope Valley, temperatures will range from 54 to 63 degrees. And in Coachella Valley, expect daytime highs from 69 to 74 degrees and dry conditions.

The Sundance Film Festival begins for the last time in Park City, Utah, before heading to Boulder, Colo., next year. It's a bittersweet finale for the country's premier independent film festival, founded by Robert Redford in 1978.

With a gala, the festival plans to pay tribute to the late actor and director, who died of natural causes in September.

"Before he passed earlier this year, [Redford] shared with us this quote: 'Everybody has a story,'" says the festival's director, Eugene Hernandez. "This notion is such a great framing for a festival that has always been about finding and sharing with audiences the stories that come from all over the world."

This year, the festival will screen films that got their starts at Sundance, including Little Miss Sunshine, which went on to be nominated for best picture at the 2007 Oscars.

The festival will also screen a remastered print of the 1969 movie Downhill Racer, in which Redford plays a champion skier. Redford was also a producer on this indie film.

"He would tell this story year after year about getting Downhill Racer made," recalls Sundance senior programmer John Nein. "It became a way that he understood the notion of protecting independence and protecting the artistic voice of a film. He often used that when he talked to emerging filmmakers, to relate to the struggles that they had in getting their films made the way that they wanted to."

Nein says one way to recognize that legacy is by programming 40 percent of the slate from first-time filmmakers. More than 16,200 films were submitted from 164 countries. Throughout the year, the Sundance Institute hosts labs and programs and provides grants and fellowships for independent filmmakers.

Over the years, Sundance has been a launching pad for filmmakers such as Quentin Tarantino, Ava DuVernay, The Coen brothers, Ryan Coogler, Chloe Zhao and Paul Thomas Anderson.

Another filmmaker whose career Sundance supported is Rachel Lambert, who says she was inspired by a film Redford directed: Ordinary People.

"It's a profound legacy a single human being can leave an entire nation's culture," she says of Redford. "It's remarkable."

Lambert will premiere her newest film, Carousel, a love story starring Chris Pine and Jenny Slate.

Also showing at Sundance: documentaries about Chicano theater pioneer Luis Valdez, singer Courtney Love, tennis star Billie Jean King, and South African leader Nelson Mandela.

Among the features in competition is The Gallerist with Natalie Portman and Jenna Ortega.

Another is The Invite, with Olivia Wilde, Seth Rogen, Penélope Cruz and Edward Norton. The Invite's producer, David Permut, has been faithfully attending Sundance since the late 1980s, when he was in the audience for Steven Soderbergh's breakout Sex, Lies, and Videotape. 

"I never miss Sundance. I've been going every year since," says Permut. "I stay for 10 days, I'm not in and out like a lot of people from Hollywood when they're there with their film. I love the second week because it's basically cinephiles from all over the world."

Permut showed his first film at Sundance — Three of Hearts — in 1993. Last year, his film Twinless won the festival's audience award.

"I have 57 movies I want to see this coming Sundance," he says. "For me, it's about discovery."

Actress Hana Mana in <em>The Friend's House Is Here</em>. The film was smuggled out of Iran to premiere at this year's Sundance Film Festival.

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Alma Linda Films

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Some filmmakers have gone to great lengths to get their work screened this year — including the Iranian film The Friend's House is Here.

The drama—set in Tehran's underground art scene — was shot under the radar of Iranian authorities. Amid the country's recent political turmoil, members of the film's crew had to drive 11 hours to smuggle the film over the Turkish border to get it to the festival. According to the film's publicist, the film's two main actresses were not heard from for weeks during Iran's recent unrest. The publicist says the women are now safe but have been denied visas by the United States to attend Sundance.
Copyright 2026 NPR