Topline:
Rom-coms, heist flicks, a sports/horror mashup, a pair of Broadway musicals, a biopic of The Boss, festival award winners and lots of showbiz sagas — here's what NPR critics are watching this fall.
Why now: The weather's turning cooler, back-to-school shopping's all done and, sure, you could rake the leaves, but wouldn't it be more fun to escape to your local cinema?
Keep reading... for 28 films to watch for in the coming months.
The weather's turning cooler, back-to-school shopping's all done and, sure, you could rake the leaves, but wouldn't it be more fun to escape to your local cinema?
We've got you covered. Everything from rom-coms to heist flicks, a sports/horror mashup, a pair of Broadway musicals, a biopic of The Boss, festival award winners, and lots of showbiz sagas — all curated by NPR critics.
We'll see you at the movies.
Twinless, Sept. 5 (out now)
The second film from writer/director James Sweeney vindicates my admiration for his first film, Straight Up, which was funny, smart and sweet — but not too sweet. In Twinless, two young men (Sweeney and Dylan O'Brien) meet in a support group for people who have lost a twin. There's more to the story, of course, and Sweeney handles the various revelations adroitly, but he knows that stories like this live or die not by their twists alone, but in what happens after the truth comes out. — Glen Weldon
Riefenstahl, in limited theaters across the country this fall
Arguably the most controversial director in film history, Nazi propagandist Leni Riefenstahl always denied having known about the Holocaust. She repeated those denials to producer Sandra Maischberger in a 2002 interview. When she died at 101 in 2003, Riefenstahl left 700 boxes of letters, film excerpts and other material to a foundation, and Maischberger offered to organize and catalog them if she could use them in a documentary. This more complete portrait also serves as a commentary on current events. — Bob Mondello
The History of Sound, Sept. 12
Music conservatory students Lionel (Paul Mescal) and David (Josh O'Connor) meet in 1917, bond over folk songs, and fall into a passionate, life-altering affair in Oliver Hermanus' elegiac period romance. Based on a short story by Ben Shattuck, the film shares narrative DNA with Annie Proulx's short story "Brokeback Mountain," but sings an altogether different tune, as the music-besotted pair traipse through ravishingly-shot hill country to capture folk songs before they disappear using wax cylinders. — Bob Mondello
The Long Walk, Sept. 12
One of Stephen King's bleakest stories is this 1979 tale (published under his pseudonym, Richard Bachman) of a competition in which a group of young men starts out walking, each having only one goal: walk longer than everybody else, because when you slow down, fall down, or misbehave, you'll be executed. An impressive cast including Cooper Hoffman, David Jonsson and Mark Hamill seems promising, even though the story itself could not be more hopeless. Even for Stephen King, this one is dark. — Linda Holmes
Downton Abbey: The Grand Finale, Sept. 12
The bustling saga that seemed destined to go on forever is apparently coming to an end, which is not to say the Crawleys will go out with a whimper. Lady Mary (Michelle Dockery) is handed the reins of the household, but is also involved in a public scandal; there's bad news from the American side of the family, and to add a bit of spectacle, the whole crowd heads for the races at Ascot. — Bob Mondello
A Big Bold Beautiful Journey, Sept. 19
Colin Farrell and Margot Robbie play strangers who connect and take a road trip, only to stumble upon a door in the middle of the woods. That door, and others, lead them to revisit their respective memories and, presumably, confront some heavy emotional baggage. If anyone can make this work, it's director Kogonada, whose previous films Columbus and After Yang proved him adept at finding moments of poignancy and resonance. — Aisha Harris
Him, Sept. 19
Selling point 1: Exec-producer Jordan Peele who, based on promos, is not just slapping his name on here for visibility — he seems genuinely excited about it. Selling point 2: Marlon Wayans as a football legend who's now, apparently, the mentor from hell. He runs a training camp that looks grueling and creepy, and like the kind of place you might not make it out of alive. Is this Suspiria for football? The protagonist, a rising quarterback (Tyriq Withers), is about to find out.. — Aisha Harris
One Battle After Another, Sept. 26
Paul Thomas Anderson loosely adapts another Thomas Pynchon novel; this time it's Vineland. The movie's official logline reads: "When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunites to rescue one of their own's daughter." It stars Leonardo DiCaprio, Teyana Taylor, Regina Hall, and Benicio del Toro. I don't need any more convincing. Do you? — Aisha Harris
Plainclothes, Sept. 19
Plainclothes, the debut feature from writer/director Carmen Emmi, features Tom Blyth as a closeted undercover cop in '90s New York City who's part of a sting operation that entraps and arrests gay men cruising for sex. He finds himself drawn to one of his potential targets, played by Russell Tovey. Critics out of Sundance were split on the film — some found Emmi's stylistic flourishes distracting — but Tovey and Blyth reportedly keep things grounded, emotional ... and sexy. That, too. — Glen Weldon
All of You, Sept. 26
It seems like the perfect moment for a Brett Goldstein rom-com, given his strong and funny showings in Ted Lasso and Shrinking. Here, Goldstein and Imogen Poots play best friends who think they might just want to be more, but a futuristic test that can identify soul mates tells them no — they are not meant to be. For years, they wonder whether to take the machine's word for it. With more and more people turning decisions over to robots, expect more and more stories like this. — Linda Holmes
The Smashing Machine, Oct. 3
Dwayne Johnson stars as the champion MMA fighter Mark Kerr, whose professional moniker gives the film its title. But the name that sets this biopic apart is that of Benny Safdie, the occasional actor and (with his brother Josh) director of the Adam Sandler stunner Uncut Gems. This solo directing effort is, if reviews from the Venice Film Festival are to be believed, more nuanced and intriguing than a conventional biopic. — Bob Mondello
Kiss of the Spider Woman, Oct. 10
This is the second film to adapt Manuel Puig's 1976 novel — although this latest version is technically an adaptation of the Tony-winning musical with a book by Terrence McNally, and music and lyrics by writing team Kander and Ebb. Two political prisoners in Argentina (Diego Luna and Tonatiuh) bond amid fantasies of a silver screen diva (Jennifer Lopez)(!). I'm hopeful, but keep in mind that writer/director Bill Condon wrote Chicago (great) and directed the live-action Beauty and the Beast (inert) — so this could go either way. — Glen Weldon
The Woman in Cabin 10, Oct. 10
Keira Knightley stars in the Netflix adaptation of Ruth Ware's thriller about a travel writer who finds herself trapped on a fancy yacht where something is very wrong. Specifically, she is certain a passenger was thrown overboard in the middle of the night, but no one seems to be missing. Ware just published a sequel called The Woman in Suite 11 (and both books are a lot of fun), so if this goes over well, expect to see Knightley back in this role before long. — Linda Holmes
Roofman, Oct. 10
Whenever Channing Tatum's wielding power tools, I'm interested — so count me in for this dramedy where he plays a real-life man who robbed dozens of restaurants by drilling holes in their roofs. By most accounts he was an amiable thief and no one was physically hurt, and the film's tone appears to be on the lighter side. Throw in a stacked supporting cast — Kirsten Dunst, Peter Dinklage, Uzo Aduba — and the chances of an entertaining time at the movies are through the (ahem) roof. — Aisha Harris
After the Hunt, in limited theaters Oct. 10, wide release Oct. 17
A popular college professor (Andrew Garfield) is accused of sexual assault by a promising grad student (Ayo Edebiri), in Luca Guadagnino's #MeToo drama. But the lynchpin in the drama is the student's mentor who is also the professor's closest friend (Julia Roberts). She's angling for tenure, and must decide what the optics are before she decides where to throw her support. — Bob Mondello
The Mastermind, Oct. 17
According to the positive reviews out of Cannes, the title of Kelly Reichardt's new heist movie is meant to be wry — Josh O'Connor plays an out-of-work suburbanite in the 1970s who turns to stealing art for cash, but has zero aptitude for thievery. With Reichardt though, we're always in capable hands, so this — along with a cast that includes Alana Haim, Bill Camp, Gabby Hoffman, and John Magaro — is a must-watch. — Aisha Harris
Blue Moon, in limited theaters Oct. 17, wide release Oct. 24
Lyricist Lorenz Hart (Ethan Hawke), who'd penned many Broadway shows (Pal Joey, Babes in Arms) and hundreds of songs ("My Funny Valentine," "The Lady Is a Tramp") with composer Richard Rodgers, is drowning his sorrows at the legendary showbiz hangout Sardi's on March 31, 1943. Why sorrows? Because it's opening night of Oklahoma!, the start of Rodgers' new partnership with Oscar Hammerstein II, and the birth of a new breed of musical that will eclipse everything Hart's ever done. Richard Linklater's been mulling this one for years. — Bob Mondello
Hedda, in theaters Oct. 22, on Prime Video Oct. 29
The actress Tessa Thompson starred in Nia DaCosta's impressive feature debut, Little Woods, and afterwards she appeared in DaCosta's The Marvels. It's nice to see them link up again in a non-superhero project. For this pairing they reimagine Henrik Ibsen's classic play Hedda Gabler, in which a general's daughter feels suffocated by her marriage and acts out in destructive, messy ways. Thompson's played a stifled wife in a period drama brilliantly before (the criminally underseen Passing), so we're almost certainly in for a treat. — Aisha Harris
Bugonia, in limited theaters Oct. 24, wide release Oct. 31
This U.S. remake of 2003's Save the Green Planet!, an incredibly dark, violent and twisted sci-fi comedy from Korea, will be directed by ... (checks notes) ... Yorgos Lanthimos. Which, you know. Makes sense. Two conspiracy theorists, convinced that a powerful CEO (Emma Stone) is an alien bent on destroying the Earth, kidnap and torture her. Dunno how, or if, the film will work once the truly unhinged original story gets filtered through Lanthimos' chilly aesthetic. But I'll be there to see. — Glen Weldon
Springsteen: Deliver Me from Nowhere, Oct. 24
If Timothée Chalamet can learn to play guitar and sing as Bob Dylan, how could The Bear's Jeremy Allen White to do anything less while prepping to play New Jersey's blue-collar troubadour. Scott Cooper's biopic centers on the creation of Springsteen's iconic 1982 album Nebraska, during what was a troubled period for the singer. White reportedly spent months training with music coaches, and his efforts earned him a "sings very well" from the Boss himself after an on-set visit. — Bob Mondello
Nouvelle Vague, in theaters Oct. 31, on Netflix Nov. 14
It doesn't always go great when someone decides to make a movie about the making of a widely beloved and iconic movie (see: Hitchcock), but Richard Linklater's projects are consistently intriguing, at the very least, and quite often, great. The inventive filmmaker turns his focus to Jean Luc-Godard's Breathless, with Guillaume Marbeck playing the influential director, and Zoey Deutch and Aubrey Dullin as Jean Seberg and Jean-Paul Belmondo. And of course, it's shot in gorgeous black and white. — Aisha Harris
Nuremberg, Nov. 7
In this drama based on Jack El-Hai's nonfiction book The Nazi and the Psychiatrist, Russell Crowe plays Hitler confidant and Nazi leader Hermann Göring, and Rami Malek is Dr. Douglas Kelley, the U.S. army shrink tasked with determining whether Göring is mentally fit to stand trial. Director James Vanderbilt, having penned scripts for David Fincher's Zodiac and the crowd-pleasers White House Down and The Amazing Spider-Man, is turning a page here — appropriate, as the book is a page turner. — Bob Mondello
Sentimental Value, Nov. 7
Filmmaker Joachim Trier's follow up to the clear-eyed and unsparing The Worst Person in the World re-teams him with that film's co-screenwriter (Eskil Vogt) and its star (Renate Reinsve). Reinsve plays the estranged daughter of a filmmaker (Stellan Skarsgård) who reenters her life to offer her a starring role in his next movie. The catch: She'd be playing her own grandmother, who died by suicide. It's a lot, but I trust Trier to pilot these emotional waters without sliding into sentimentality. — Glen Weldon
Now You See Me: Now You Don't, Nov. 14
The cast keeps expanding in this magic-centric rob-from-the-rich-give-to-the-poor heist franchise, as if the writers saw Ocean's 11-13 and thought, "we could do that." New kids Justice Smith, Dominic Sessa and Ariana Greenblatt join original Horsemen (and hangers-on) Jesse Eisenberg, Woody Harrelson, Dave Franco, Morgan Freeman and Isla Fisher in pursuit of a priceless diamond. — Bob Mondello
Keeper, Nov. 14
We don't know much about director Osgood Perkins' follow-up to Longlegs and The Monkey, but what we do know is creepy as hell. Tatania Maslany and Rossif Sutherland play a couple who repair to a secluded cabin in the woods on their anniversary in a desperate attempt to reignite the romantic spark. What could possibly go wrong? I'm not as sold on Perkins as a lot of my fellow critics are, but I'm always intrigued by his command of the bones of horror — the infrastructure of a good scare. — Glen Weldon
Jay Kelly, Nov. 14
Director Noah Baumbach has surrounded George Clooney's title character with some heavyweight supporting talent — Laura Dern, Billy Crudup, Adam Sandler, Patrick Wilson, Riley Keough, and Stacy Keach among others — but the film is all Clooney's from start to finish. It's about a movie star in his 60s who's suave, relaxed, always seems to be playing himself, and gives off a definite Cary Grant vibe — who is, in short, a lot like George Clooney. — Bob Mondello
Wicked: For Good, Nov. 21
The longest intermission in the history of musical comedy comes to an end Thanksgiving weekend when the second half of this Wizard of Oz origin story finally arrives at cinemas. Broadway audiences wait 15 minutes; movie audiences will have waited a year to find out what happens to Elphaba (Cynthia Erivo), Glinda (Ariana Grande) and assorted hangers-on. To make it worth the wait, composer-lyricist Stephen Schwartz has crafted two new songs. — Bob Mondello
Hamnet, in limited theaters Nov. 27, wide release Dec. 12
This movie comes with a serious pedigree: The terrific 2020 novel it's based on won the National Critics Book Circle Award. Author Maggie O'Farrell co-wrote the screenplay with director Chloé Zhao. It stars Jesse Buckley and Paul Mescal as Agnes and William Shakespeare as they grieve the death of their young son. Zhao's films are quiet and meditative — two words that may not slot easily into Eternals' superhero action but that resonate strongly with the emotional topography of loss. — Glen Weldon
Copyright 2025 NPR
Topline:
Less than 24 hours before season opener, longtime Dodgers fans demand the team divest from immigration detention centers and decline the White House visit.
More details: More than 30 people joined Richard Santillan on Wednesday morning for a press conference held near 1000 Vin Scully Drive to convey a message directly to the team. “We are demanding that the Dodgers stop participating in funding of inhumane treatment of families and do not go to the White House to celebrate with the criminal in chief,” Evelyn Escatiola told the crowd. “Together we have the power to make a change.”
The backstory: The team’s 2025’s visit to the White House drew ire from the largely Latino fan base, citing the Trump administration’s ongoing attacks on immigrants. In June, the team came under further scrutiny when rumors swirled online that federal immigration agents were using the stadium’s parking, which immigration authorities later denied in statements posted on social media accounts.
Read on ... for more on how some fans are feeling leading up to Opening Day.
This story first appeared on The LA Local.
Since 1977, Richard Santillan has been to every Opening Day game at Dodger Stadium.
“The tradition goes from my father, to me, to my children and grandchildren. Some of my best memories are with my father and children here at Dodger Stadium,” Santillan told The LA Local, smiling under the shade of palm trees near the entrance to the ballpark Wednesday morning. He was there to protest the team less than 24 hours before Opening Day.
Santillan, like countless other loyal Dodgers fans, is grappling with his fan identity over the team’s decision to accept an invitation to the White House and owner Mark Walter’s ties to ICE detention facilities.
More than 30 people joined Santillan on Wednesday morning for a press conference held near 1000 Vin Scully Drive to convey a message directly to the team.
“We are demanding the Dodgers stop participating in funding of inhumane treatment of families and do not go to the White House to celebrate with the criminal in chief,” Evelyn Escatiola told the crowd. “Together, we have the power to make a change.”
Escatiola, a former dean of East Los Angeles College and longtime community organizer, urged fans to flex their economic power by “letting the Dodgers know that we do not support repression.”
Jorge “Coqui” Rodriguez, a lifelong Dodgers fan, spoke to the crowd and called on Dodgers ownership to divest from immigration detention centers owned and operated by GEO Group and CoreCivic.
In a phone interview a day before the protest, Rodriguez told The LA Local he did not want the Dodgers using his “cheve” or beer money to fund detention centers.
“They can’t take our parking money, our cacahuate money, our cheve money, our Dodger Dog money and invest those funds into corporations that are imprisoning people. It’s wrong,” Rodriguez said.
Rodriguez considers the Dodgers one of the most racially diverse teams and said the players need to support fans at a time when heightened immigration enforcement has become more common across L.A.
The team’s 2025’s visit to the White House drew ire from the largely Latino fan base, citing the Trump administration’s ongoing attacks on immigrants.
In June, the team came under further scrutiny when rumors swirled online that federal immigration agents were using the stadium’s parking, which immigration authorities later denied in statements posted on social media accounts.
The team again came under fire after not releasing a statement on the impacts of ICE raids on its mostly Latino fan base at the height of immigration enforcement last summer. The team later agreed to invest $1 million to support families affected by immigration enforcement.
When he learned the Dodgers were pledging only $1 million to families in need, Rodriguez called the amount a “slap in the face.”
“These guys just bought the Lakers for billions of dollars and they give a million dollars to fight for legal services? That’s a joke,” Rodriguez said. “They need to have a moral backbone and not be investing in those companies.”
According to reporting from the Los Angeles Times, former Dodgers pitcher Clayton Kershawsaid last week that he is looking forward to the trip.
“I went when President [Joe] Biden was in office. I’m going to go when President [Donald] Trump is in office,” Kershaw said. “To me, it’s just about getting to go to the White House. You don’t get that opportunity every day, so I’m excited to go.”
The Dodgers have yet to announce when their planned visit will take place.
Santillan sometimes laments his decision to give up his season tickets in protest of the team. His connection to the stadium and the memories he has made there with family and friends will last a lifetime, he said. On Thursday, he will uphold his tradition and be there for the first pitch of the season, but with a heavy heart.
“It’s a family tradition, but the Dodgers have a lot of work to do,” he said.
Topline:
The warmer weather and high water flow are causing an early outbreak of black flies in the San Gabriel Valley, according to officials.
What are black flies? Black flies are tiny, pesky insects that often get mistaken for mosquitoes. The biting flies breed near foothill communities like Altadena, Azusa, San Dimas and Glendora. They also thrive near flowing water.
What you need to know: Black flies fly in large numbers and long distances. When they bite both humans and pets, they aim around the eyes and the neck. While the bites can be painful, they don’t transmit diseases in L.A. County.
A population spike: Anais Medina Diaz, director of communications at the SGV Mosquito and Vector Control District, told LAist that at this time last year, surveillance traps had single-digit counts of adult black flies, but this year those traps are collecting counts above 500.
So, why is the population growing? Diaz said the surge is unusual for this time of year.
“We are experiencing them now because of the warmer temperatures we've been having,” Diaz said. “And of course, all the water that's going down through the river, we have a high flow of water that is not typical for this time of year.”
What officials are doing: Officials say teams are identifying and treating public sources where black flies can thrive, but that many of these sites are influenced by natural or infrastructure conditions outside their control.
How to protect yourself: Black flies can be hard to avoid outside in dense vegetation, but you can reduce the chance of a bite by:
SGV Mosquito and Vector Control District
Submit a tip here
You can also send a tip to district@sgvmosquito.org
(626) 814-9466
Greater Los Angeles Vector Control District
Submit a service request here
You can also send a service request to info@GLAmosquito.org
(562) 944-9656
Orange County Mosquito and Vector Control
Submit a report here
You can also send a report to ocvcd@ocvector.org
(714) 971-2421 or (949) 654-2421
Local favorite mom and pop shop READ Books in Eagle Rock is facing displacement due to a steep rent hike. The owners say they’re just one of several small businesses along Eagle Rock Boulevard struggling to keep up with lease increases.
What happened? The building where Kaplan and his wife Debbie rent was recently sold and the rent increased by more than 130% to $2,805 a month, Kaplan said. He told LAist it was an increase his small business simply could not absorb.
What's next? While he looks for a new spot, Kaplan says he’s forming a coalition of local businesses and activist groups to see what can be done to help other small businesses facing similar displacement. He wants to address the displacement issue for businesses like his, which have made Eagle Rock the distinctive neighborhood that it is today.
Read on... for what small businesses can do.
A local favorite mom-and-pop bookshop in Eagle Rock is facing displacement due to a steep rent hike. The owners say theirs is just one of several small businesses along Eagle Rock Boulevard struggling to keep up with lease increases.
Over the past 19 years, many in the neighborhood have come to love READ Books for its eclectic collection of used titles and shop dog Florence.
Co-owner Jeremy Kaplan said it’s been a delight to grow with the community over the years.
“Like seeing kids come back in, who were in grade school and now they’re in college,” Kaplan said.
But the building where Kaplan and wife Debbie rent was recently sold, and the rent increased by more than 130% to $2,805 a month, Kaplan said. He told LAist it was an increase his small business simply could not absorb.
Kaplan said he originally was given 30 days notice of the rent increase. After some research, assistance from Councilmember Ysabel Jurado’s office and some pro-bono legal help, Kaplan said he pushed back and got the 90-day notice he’s afforded by state law.
California Senate Bill 1103 requires landlords to give businesses with five or less employees 90 days’ notice for rent increases exceeding 10%, among other protections.
Systems Real Estate, the property management company, did not immediately respond to LAist’s request for comment.
Nadia Segura, directing attorney of the Small Business Program at pro bono legal aid non-profit Bet Tzedek said California law does not currently allow for rent control for commercial tenancies.
Outside of the protections under SB 1103, Segura said small businesses like READ Books don’t have much other recourse. And even then, commercial landlords are not required to inform their tenants of their protections under the law.
“There’s still a lot of people that don’t know about SB 1103. And then it’s very sad that they tell them they have these rent increases and within a month they have to leave,” Segura said.
She said her group is seeing steep rent hikes like this for commercial tenants across the city.
“We are seeing this even more with the World Cup coming up, the Olympics coming up. And I will say it was very sad to see that also after the wildfires,” Segura said.
Part of Bet Tzedek’s ongoing work is to advocate for small businesses, working with landlords who are increasing rents to see if they are willing to give business owners longer leases that lock in rents.
After READ Books posted about their situation on social media, commenters chimed in to express their outrage and love for the little shop.
While he looks for a new spot, Kaplan says he’s forming a coalition of local businesses and activist groups to see what can be done to help other small businesses facing similar displacement. He wants to address the displacement issue for businesses like his, which have made Eagle Rock the distinctive neighborhood that it is today.
Owl Talk, a longtime Eagle Rock staple selling clothing and accessories in a unit in the same building as READ Books, is facing a “more than double” rent increase, according to a post on their Instagram account.
Kaplan said he’s been in touch with the office of state Assemblywoman Jessica Caloza and wants to explore the possibility of introducing legislation to set up protections for small businesses like his, including rent-control measures or a vacancy tax for landlords. Kaplan said he also reached out to the office of state Sen. Maria Durazo.
By his count, Kaplan said there are about a dozen businesses within surrounding blocks that are at risk of closing their doors or have shuttered due to rent increases or other struggles.
When READ Books was founded during the Great Recession, Kaplan said he knew it was a longshot to open a bookstore at the same time so many were struggling to stay in business.
“It was kind of interesting to be doing something that neighborhoods needed. That was important to me growing up, that was important to my children, that was important to my wife growing up,” Kaplan said.
“And then somebody comes in and says, ‘We’re gonna over double your rent.”
Topline:
The Los Angeles City Council approved a plan in a 13-1 vote on Tuesday to send ballots to more than half a million property owners asking if they are willing to pay more per year to fortify the city’s streetlight repair budget, most of which has essentially been frozen since the 1990s. The item still requires L.A. Mayor Karen Bass’ signature, but her office confirmed to LAist on Wednesday that she’ll approve it.
Frozen budget: Most of the city’s Bureau of Street Lighting budget comes from an assessment that people who own property illuminated by lights pay on their county property tax bill. The amount people pay depends on the kind of property they own and how much they benefit from lighting. A typical single-family home currently pays $53 annually, and in total, the assessments bring in about $45 million annually for the city to repair and maintain streetlights. Changing the amount the Bureau of Street Lighting gets from the assessment requires a vote among property owners who benefit from the lights.
Ballots: L.A. City Council’s vote gives city staff the green light to prepare and send out those ballots. Miguel Sangalang, who oversees the bureau, said at a committee meeting earlier this month that he expects to send out ballots by April 17. Notices about the ballots will be sent out prior to the ballots themselves.
Near unanimous vote: L.A. City Councilmember Monica Rodriguez was the only “No” vote on Tuesday, saying she wanted to see a more current strategic plan for the bureau. Sangalang said the bureau developed a plan in 2022 that lays out how money will be spent. Councilmember Imelda Padilla was absent for the vote.
Vote count: Votes will be weighted according to the assessment amount. Basically, the more you’re asked to pay yearly to maintain streetlights, the more your vote will count. Ballots received before June 2 will be tabulated by the L.A. City Clerk.
How much more money: According to a report, the amount needed in assessments from property owners to meet the repair and maintenance needs of the city’s streetlighting in the next fiscal year is nearly $112 million.
Use of the money: Sangalang said at a March 11 committee meeting that the extra funds would be used to double the number of staff to handle repairs and procure solar streetlights, which don’t face the threat of copper wire theft. That would all potentially reduce the time it takes to repair simple fixes down to a week. Currently, city residents wait for months to see broken streetlights repaired.The assessment would come with a three-year auditing mechanism.
Topline:
The Los Angeles City Council approved a plan in a 13-1 vote Tuesday to send ballots to more than a half-million property owners asking if they are willing to pay more per year to fortify the city’s streetlight repair budget, most of which essentially has been frozen since the 1990s. The item still requires L.A. Mayor Karen Bass’ signature, but her office confirmed to LAist on Wednesday that she’ll approve it.
Frozen budget: Most of the city’s Bureau of Street Lighting budget comes from an assessment that people who own property illuminated by lights pay on their county property tax bill. The amount people pay depends on the kind of property they own and how much they benefit from lighting. A typical single-family home currently pays $53 annually, and in total, the assessments bring in about $45 million annually for the city to repair and maintain streetlights. Changing the amount the Bureau of Street Lighting gets from the assessment requires a vote among property owners who benefit from the lights.
Ballots: L.A. City Council’s vote gives city staff the green light to prepare and send out those ballots. Miguel Sangalang, who oversees the bureau, said at a committee meeting earlier this month that he expects to send out ballots by April 17. Notices about the ballots will be sent out prior to the ballots themselves.
Near unanimous vote: L.A. City Councilmember Monica Rodriguez was the only “No” vote Tuesday, saying she wanted to see a more current strategic plan for the bureau. Sangalang said the bureau developed a plan in 2022 that lays out how money will be spent. Councilmember Imelda Padilla was absent for the vote.
Vote count: Votes will be weighted according to the assessment amount. Basically, the more you’re asked to pay yearly to maintain streetlights, the more your vote will count. Ballots received before June 2 will be tabulated by the L.A. City Clerk.
How much more money: According to a report, the amount needed in assessments from property owners to meet the repair and maintenance needs of the city’s streetlighting in the next fiscal year is nearly $112 million.
Use of the money: Sangalang said at a March 11 committee meeting that the extra funds would be used to double the number of staff to handle repairs and procure solar streetlights, which don’t face the threat of copper wire theft. That would all potentially reduce the time it takes to repair simple fixes down to a week. Currently, city residents wait for months to see broken streetlights repaired. The assessment would come with a three-year auditing mechanism.
