Kendrick Lamar's reign continues: The Los Angeles rapper has received nine Grammy nominations for the 2026 awards, following a triumphant sweep earlier this year in which he took home more golden Gramophones than any other artist — including record of the year and song of the year for his mic-dropping "Not Like Us."
The context: On Friday, Lamar received nods in three major categories. He could repeat in record of the year and song of the year and add album of the year to his trophy case in 2026, with potential wins in the rap and pop duo/group performance categories, too. At the 68th annual Grammy Awards, which will be presented at a ceremony on February 1, 2026 in Los Angeles, competition for the top awards will also include Lady Gaga, Sabrina Carpenter and Bad Bunny.
What's in store: The 68th annual Grammy Awards will feature 95 categories total, highlighting a multitude of genres as well as behind-the-scenes figures like songwriters and producers. This year, the Recording Academy will introduce two new categories. The first is for best album cover. Nominees include Bad Bunny (DeBÍ TiRAR MáS FOToS), alt-rocker Djo (The Crux) and the English band Wet Leg (moisturizer). The second debuting category is for best traditional country album. The first nominees include father and son Lukas Nelson (American Romance) and Willie Nelson (Oh What A Beautiful World), as well as Zach Top (Ain't In It For My Health), Charley Crockett (Dollar A Day) and Margo Price (Hard Headed Woman).
Read on... for the complete list of nominees.
Kendrick Lamar's reign continues: The Los Angeles rapper has received nine Grammy nominations for the 2026 awards, following a triumphant sweep earlier this year in which he took home more golden Gramophones than any other artist — including record of the year and song of the year for his mic-dropping "Not Like Us." On Friday, Lamar received nods in three major categories. He could repeat in record of the year and song of the year and add album of the year to his trophy case in 2026, with potential wins in the rap and pop duo/group performance categories, too.
The bulk of Lamar's nominations are for his record-breaking album GNX and the single "Luther (feat. SZA)," both of which topped multiple Billboard charts. Beyond his own album and singles, the Recording Academy also recognized the rapper for additional collaborations with SZA and Clipse. At this time last year, Lamar was in the midst of a remarkable run that culminated in his Super Bowl halftime performance, multiple Grammy wins and a victory in his rap beef with Drake by unanimous decision.
At the 68th annual Grammy Awards, which will be presented at a ceremony on February 1, 2026 in Los Angeles, competition for the top awards will also include Lady Gaga, Sabrina Carpenter and Bad Bunny. Gaga trails behind Lamar with seven nominations, including best pop solo performance ("Disease") and best pop vocal album (MAYHEM). Canadian record producer Cirkut, who co-produced Gaga's album, also has seven nominations, as does Jack Antonoff, who's recognized for his work with Lamar and Carpenter. Bad Bunny has six nominations. So does the breakout star of last year's Grammys — Carpenter — and the newcomer with most nominations this year, including best new artist — Leon Thomas.
The 32-year-old Thomas — who just landed his first Top 10 hit on Billboard's Hot 100 chart this week — is in the running for several R&B categories (including for a song recorded during his NPR Tiny Desk concert), as well as album of the year (MUTT). Joining Thomas among the nominees for best new artist are girl group KATSEYE, soul-pop singer Olivia Dean (who also cracked the Top 10 this week), indie-pop band The Marías, English singer Lola Young, Gen-Z rocker sombr and two TikTok creators turned pop stars: Alex Warren and Addison Rae.
In the rap categories, the Recording Academy embraced the highly-touted return of the duo Clipse, following a 16-year hiatus. The Thornton brothers, a.k.a. Malice and Pusha T, received five nominations for their album Let God Sort Em Out. Doechii, who delivered one of last year's most electric Grammys performances, also received five nominations for her single "Anxiety." (Although the song originally came out in 2019, the Swamp Princess re-recorded and re-released "Anxiety" this year after it went viral on TikTok). Tyler, the Creator — who has publicly called out the Academy for how it categorizes rap — is once again nominated for best rap album (CHROMAKOPIA) and best rap song ("Sticky feat. GloRilla, Lil Wayne, Sexyy Red"). He's also up for best alternative album (DON'T TAP THE GLASS), album of the year (CHROMAKOPIA) and best album cover (CHROMAKOPIA).
The 68th annual Grammy Awards will feature 95 categories total, highlighting a multitude of genres as well as behind-the-scenes figures like songwriters and producers. This year, the Recording Academy will introduce two new categories. The first is for best album cover. Nominees include Bad Bunny (DeBÍ TiRAR MáS FOToS), alt-rocker Djo (The Crux) and the English band Wet Leg (moisturizer). The second debuting category is for best traditional country album. The first nominees include father and son Lukas Nelson (American Romance) and Willie Nelson (Oh What A Beautiful World), as well as Zach Top (Ain't In It For My Health), Charley Crockett (Dollar A Day) and Margo Price (Hard Headed Woman).
Read the complete list of nominees below:
Record of the Year
"DtMF" by Bad Bunny
"Manchild" by Sabrina Carpenter
"Anxiety" by Doechii
"WILDFLOWER" by Billie Eilish
"Abracadabra" by Lady Gaga
"luther" by Kendrick Lamar withSZA
"The Subway" by Chappell Roan
"APT." by ROSÉ & Bruno Mars
Album of the Year
DeBÍ TiRAR MáS FOToS by Bad Bunny
SWAG by Justin Bieber
Man's Best Friend by Sabrina Carpenter
Let God Sort Em Out by Clipse, Pusha T & Malice
MAYHEM by Lady Gaga
GNX by Kendrick Lamar
MUTT by Leon Thomas
CHROMAKOPIA by Tyler, The Creator
Song of the Year
"Abracadabra" – Henry Walter, Lady Gaga & Andrew Watt, songwriters (Lady Gaga)
"Anxiety" – Jaylah Hickmon, songwriter (Doechii)
"APT." – Amy Allen, Christopher Brody Brown, Rogét Chahayed, Henry Walter, Omer Fedi, Philip Lawrence, Bruno Mars, Chae Young Park & Theron Thomas, songwriters (ROSÉ, Bruno Mars)
"DtMF" – Benito Antonio Martínez Ocasio, Scott Dittrich, Benjamin Falik, Roberto José Rosado Torres, Marco Daniel Borrero, Hugo René Sención Sanabria & Tyler Thomas Spry, songwriters (Bad Bunny)
"Golden" [From KPop Demon Hunters] — EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
"luther" — Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Ink, Scott Bridgeway, Sam Dew, Kendrick Lamar, Mark Anthony Spears, Solána Rowe & Kamasi Washington, songwriters (Kendrick Lamar With SZA)
"Glum" – Daniel James & Hayley Williams, songwriters (Hayley Williams)
"NEVER ENOUGH" – Daniel Fang, Franz Lyons, Pat McCrory, Meg Mills & Brendan Yates, songwriters (Turnstile)
"Zombie" – Dominic Harrison & Matt Schwartz, songwriters (YUNGBLUD)
Best Rock Album
private music by Deftones
I quit by HAIM
From Zero by Linkin Park
NEVER ENOUGH by Turnstile
Idols by YUNGBLUD
Best Alternative Music Performance
"Everything Is Peaceful Love" by Bon Iver
"Alone" by The Cure
"SEEIN' STARS" by Turnstile
"mangetout" by Wet Leg
"Parachute" by Hayley Williams
Best Alternative Music Album
SABLE, fABLE by Bon Iver
Songs Of A Lost World by The Cure
DON'T TAP THE GLASS by Tyler, The Creator
moisturizer by Wet Leg
Ego Death At A Bachelorette Party by Hayley Williams
Best R&B Performance
"YUKON" by Justin Bieber
"It Depends" by Chris Brown feat. Bryson Tiller
"Folded" by Kehlani
"MUTT" (Live from NPR's Tiny Desk) by Leon Thomas
"Heart Of A Woman" by Summer Walker
Best Traditional R&B Performance
"Here We Are" by Durand Bernarr
"UPTOWN" by Lalah Hathaway
"LOVE YOU TOO" by Ledisi
"Crybaby" by SZA
"VIBES DON'T LIE" by Leon Thomas
Best R&B Song
"Folded" – Darius Dixson, Andre Harris, Kehlani Parrish, Donovan Knight, Don Mills, Khris Riddick-Tynes & Dawit Kamal Wilson, songwriters (Kehlani)
"Heart Of A Woman" – David Bishop & Summer Walker, songwriters (Summer Walker)
"It Depends" – Nico Baran, Chris Brown, Ant Clemons, Ephrem Lopez Jr., Ryan Press, Bryson Tiller, Elliott Trent & Dewain Whitmore Jr., songwriters (Chris Brown feat. Bryson Tiller)
"Overqualified" – James John Abrahart Jr & Durand Bernarr, songwriters (Durand Bernarr)
"YES IT IS" – Jariuce Banks, Lazaro Andres Camejo, Mike Hector, Peter Lee Johnson, Rodney Jones Jr., Ali Prawl & Leon Thomas, songwriters (Leon Thomas)
Best Progressive R&B Album
BLOOM by Durand Bernarr
Adjust Brightness by Bilal
LOVE ON DIGITAL by Destin Conrad
Access All Areas by FLO
Come As You Are by Terrace Martin & Kenyon Dixon
Best R&B Album
BELOVED by GIVĒON
Why Not More? by Coco Jones
The Crown by Ledisi
Escape Room by Teyana Taylor
MUTT by Leon Thomas
Best Rap Performance
"Outside" by Cardi B
"Chains & Whips" by Clipse, Pusha T & Malice feat. Kendrick Lamar & Pharrell Williams
"Anxiety" by Doechii
"tv off" by Kendrick Lamar feat. Lefty Gunplay
"Darling, I" by Tyler, The Creator feat. Teezo Touchdown
Best Melodic Rap Performance
"Proud Of Me" by Fridayy feat. Meek Mill
"Wholeheartedly" by JID feat. Ty Dolla $ign & 6Lack
"luther" by Kendrick Lamar with SZA
"WeMaj" by Terrace Martin & Kenyon Dixon Featuring Rapsody
Williams & Stevie Wonder, songwriters (Clipse, Pusha T & Malice feat. John Legend & Voices Of Fire)
"Sticky" – Aaron Bolton, Dudley Alexander Duverne, Gloria Woods, Dwayne Carter, Jr., Janae Wherry, Tyler Okonma & Rex Zamor, songwriters (Tyler, The Creator feat. GloRilla, Sexyy Red & Lil Wayne)
"TGIF" – Lucas Alegria, Dillon Brophy, Yakki Davis, Gloria Woods, Jess Jackson, Ronnie Jackson, Mario Mims & Jorge M. Taveras, songwriters (GloRilla)
"tv off" – Jack Antonoff, Larry Jayy, Kendrick Lamar, Dijon McFarlane, Sean Momberger, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar feat. Lefty Gunplay)
Best Rap Album
Let God Sort Em Out by Clipse, Pusha T & Malice
GLORIOUS by GloRilla
God Does Like Ugly by JID
GNX by Kendrick Lamar
CHROMAKOPIA by Tyler, The Creator
Best Spoken Word Poetry Album
A Hurricane in Heels: healed people don't act like that (partially recorded live @City Winery & other places) by Queen Sheba
Black Shaman by Marc Marcel
Pages by Omari Hardwick & Anthony Hamilton
Saul Williams meets Carlos Niño & Friends At Treepeople by Saul Williams, Carlos Niño & Friends
Words For Days Vol. 1 by Mad Skillz
Best Jazz Performance
"Noble Rise" by Lakecia Benjamin Featuring Immanuel Wilkins & Mark Whitfield
"Windows - Live" by Chick Corea, Christian McBride & Brian Blade
"Peace Of Mind/Dreams Come True" bySamara Joy
"Four" by Michael Mayo
"All Stars Lead To You - Live" by Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth
Best Jazz Vocal Album
Elemental by Dee Dee Bridgewater & Bill Charlap
We Insist 2025! by Terri Lyne Carrington & Christie Dashiell
Portrait by Samara Joy
Fly by Michael Mayo
Live at Vic's Las Vegas by Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth
Best Jazz Instrumental Album
Trilogy 3 (Live) by Chick Corea, Christian McBride & Brian Blade
Southern Nights by Sullivan Fortner Featuring Peter Washington & Marcus Gilmore
Belonging by Branford Marsalis Quartet
Spirit Fall by John Patitucci Featuring Chris Potter & Brian Blade
Fasten Up by Yellowjackets
Best Large Jazz Ensemble Album
Orchestrator Emulator by The 8-Bit Big Band
Without Further Ado, Vol 1 by Christian McBride Big Band
Lumen by Danilo Pérez & Bohuslän Big Band
Basie Rocks! by Deborah Silver & The Count Basie Orchestra
Lights on a Satellite by Sun Ra Arkestra
Some Days Are Better: The Lost Scores by Kenny Wheeler Legacy Featuring The Royal Academy of Music Jazz Orchestra & Frost Jazz Orchestra
Best Latin Jazz Album
La Fleur de Cayenne by Paquito D'Rivera & Madrid-New York Connection Band
The Original Influencers: Dizzy, Chano & Chico by Arturo O'Farrill & The Afro Latin Jazz Orchestra feat. Pedrito Martinez, Daymé Arocena, Jon Faddis, Donald Harrison & Melvis Santa
Mundoagua - Celebrating Carla Bley byArturo O'Farrill & The Afro Latin Jazz Orchestra
A Tribute to Benny Moré and Nat King Cole by Gonzalo Rubalcaba, Yainer Horta & Joey Calveiro
Vanguardia Subterránea: Live at The Village Vanguard by Miguel Zenón Quartet
Best Alternative Jazz Album
honey from a winter stone by Ambrose Akinmusire
Keys To The City Volume One by Robert Glasper
Ride into the Sun by Brad Mehldau
LIVE-ACTION by Nate Smith
Blues Blood by Immanuel Wilkins
Best Traditional Pop Vocal Album
Wintersongs by Laila Biali
The Gift Of Love by Jennifer Hudson
Who Believes In Angels? by Elton John & Brandi Carlile
Harlequin by Lady Gaga
A Matter Of Time by Laufey
The Secret Of Life: Partners, Volume 2 by Barbra Streisand
Best Contemporary Instrumental Album
Brightside by ARKAI
Ones & Twos by Gerald Clayton
BEATrio by Béla Fleck, Edmar Castañeda, Antonio Sánchez
Just Us by Bob James & Dave Koz
Shayan by Charu Suri
Best Musical Theater Album
Buena Vista Social Club
Death Becomes Her
Gypsy
Just In Time
Maybe Happy Ending
Best Country Solo Performance
"Nose On The Grindstone" by Tyler Childers
"Good News" by Shaboozey
"Bad As I Used To Be" [From F1 The Movie] by Chris Stapleton
"I Never Lie" by Zach Top
"Somewhere Over Laredo" by Lainey Wilson
Best Country Duo/Group Performance
"A Song To Sing" by Miranda Lambert And Chris Stapleton
"Trailblazer" by Reba McEntire, Miranda Lambert, Lainey Wilson
"Love Me Like You Used To Do" by Margo Price & Tyler Childers
"Amen" by Shaboozey & Jelly Roll
"Honky Tonk Hall Of Fame" by George Strait, Chris Stapleton
"Spitfire" – Sierra Hull, songwriter (Sierra Hull)
Best Americana Album
BIG MONEY by Jon Batiste
Bloom by Larkin Poe
Last Leaf On The Tree by Willie Nelson
So Long Little Miss Sunshine by Molly Tuttle
Middle by Jesse Welles
Best Bluegrass Album
Carter & Cleveland by Michael Cleveland & Jason Carter
A Tip Toe High Wire by Sierra Hull
Arcadia by Alison Krauss & Union Station
Outrun byThe Steeldrivers
Highway Prayers by Billy Strings
Best Traditional Blues Album
Ain't Done With The Blues by Buddy Guy
Room On The Porch by Taj Mahal & Keb' Mo
One Hour Mama: The Blues Of Victoria Spivey by Maria Muldaur
Look Out Highway by Charlie Musselwhite
Young Fashioned Ways by Kenny Wayne Shepherd & Bobby Rush
Best Contemporary Blues Album
Breakthrough by Joe Bonamassa
Paper Doll by Samantha Fish
A Tribute to LJK by Eric Gales
Preacher Kids by Robert Randolph
Family by Southern Avenue
Best Folk Album
What Did The Blackbird Say To The Crow by Rhiannon Giddens & Justin Robinson
Crown Of Roses by Patty Griffin
Wild And Clear And Blue by I'm With Her
Foxes In The Snow by Jason Isbell
Under The Powerlines (April 24 – September 24) by Jesse Welles
Best Regional Roots Music Album
Live At Vaughan's by Corey Henry & The Treme Funktet
For Fat Man by Preservation Brass & Preservation Hall Jazz Band
Church Of New Orleans by Kyle Roussel
Second Line Sunday by Trombone Shorty And New Breed Brass Band
A Tribute To The King Of Zydeco by (Various Artists)
Best Gospel Performance/Song
"Do It Again" by Kirk Franklin; Kirk Franklin, songwriter
"Church" by Tasha Cobbs Leonard, John Legend; Anthony S. Brown, Brunes Charles, Annatoria Chitapa, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Jonas Myrin, songwriters
"Still (Live)" by Jonathan McReynolds & Jamal Roberts; Britney Delagraentiss, Jonathan McReynolds, David Lamar Outing III, Orlando Joel Palmer & Terrell Demetrius Wilson, songwriters
"Amen" by Pastor Mike Jr.; Adia Andrews, Michael McClure Jr., David Lamar Outing II & Terrell Anthony Pettus, songwriters
"Come Jesus Come" by Cece Winans Featuring Shirley Caesar
Best Contemporary Christian Music Performance/Song
"I Know A Name" by Elevation Worship, Chris Brown, Brandon Lake; Hank Bentley, Steven Furtick, Brandon Lake & Jacob Sooter, songwriters
"YOUR WAY'S BETTER" by Forrest Frank; Forrest Frank & PERA, songwriters
"Hard Fought Hallelujah" by Brandon Lake With Jelly Roll; Chris Brown, Steven Furtick, Benjamin William Hastings, Jason Bradley Deford & Brandon Lake, songwriters
"Headphones" by Lecrae, Killer Mike, T.I.; Tyshane Thompson, Bongo ByTheWay, Michael Render, Lecrae Moore, William Roderick Miller & Clifford Harris, songwriters
I Will Not Be Moved (Live) by The Brooklyn Tabernacle Choir
Then Came The Morning by Gaither Vocal Band
Praise & Worship: More Than A Hollow Hallelujah by The Isaacs
Good Answers by Karen Peck & New River
Back To My Roots by Candi Staton
Best Latin Pop Album
Cosa Nuestra by Rauw Alejandro
BOGOTÁ (DELUXE) by Andrés Cepeda
Tropicoqueta by Karol G
Cancionera by Natalia Lafourcade
¿Y ahora qué? by Alejandro Sanz
Best Música Urbana Album
DeBÍ TiRAR MáS FOToS by Bad Bunny
Mixteip by J Balvin
FERXXO VOL X: Sagrado by Feid
NAIKI by Nicki Nicole
EUB DELUXE by Trueno
SINFÓNICO (En Vivo) by Yandel
Best Latin Rock or Alternative Album
Genes Rebeldes by Aterciopelados
ASTROPICAL by Bomba Estéreo, Rawayana, ASTROPICAL
PAPOTA by CA7RIEL & Paco Amoroso
ALGORHYTHM by Los Wizzards
Novela by Fito Paez
Best Música Mexicana Album (Including Tejano)
MALA MÍA by Fuerza Regida, Grupo Frontera
Y Lo Que Viene by Grupo Frontera
Sin Rodeos by Paola Jara
Palabra De To's (Seca) by Carín León
Bobby Pulido & Friends Una Tuya Y Una Mía - Por La Puerta Grande (En Vivo) by Bobby Pulido
Best Tropical Latin Album
Fotografías by Rubén Blades, Roberto Delgado & Orquesta
Raíces by Gloria Estefan
Clásicos 1.0 by Grupo Niche
Bingo by Alain Pérez
Debut y Segunda Tanda, Vol. 2 by Gilberto Santa Rosa
Best Global Music Performance
"EoO" by Bad Bunny
"Cantando en el Camino" by Ciro Hurtado
"JERUSALEMA" by Angélique Kidjo
"Inmigrante Y Que?" by Yeisy Rojas
"Shrini's Dream (Live)" by Shakti
"Daybreak" by Anoushka Shankar Featuring Alam Khan & Sarathy Korwar
Best African Music Performance
"Love" by Burna Boy
"With You" Davido feat. Omah Lay
"Hope & Love" by Eddy Kenzo & Mehran Matin
"Gimme Dat" by Ayra Starr feat. Wizkid
"PUSH 2 START" by Tyla
Best Global Music Album
Sounds of Kumbha by Siddhant Bhatia
No Sign of Weakness by Burna Boy
Eclairer le monde - Light the World by Youssou N'Dour
Mind Explosion (50th Anniversary Tour Live) by Shakti
Chapter III: We Return to Light by Anoushka Shankar feat. Alam Khan & Sarathy Korwar
Caetano e Bethânia Ao Vivo by Caetano Veloso And Maria Bethânia
Best Reggae Album
Treasure Self Love by Lila Iké
Heart & Soul by Vybz Kartel
BLXXD & FYAH by Keznamdi
From Within by Mortimer
No Place Like Home by Jesse Royal
Best New Age, Ambient or Chant Album
Kuruvinda by Kirsten Agresta-Copely
According To The Moon by Cheryl B. Engelhardt, GEM, Dallas String Quartet
Into The Forest by Jahnavi Harrison
Nomadica by Carla Patullo Featuring The Scorchio Quartet & Tonality
The Colors In My Mind by Chris Redding
Best Children's Music Album
Ageless: 100 Years Young by Joanie Leeds & Joya
Buddy's Magic Tree House by Mega Ran
Harmony by FYÜTCH & Aura V
Herstory by Flor Bromley
The Music Of Tori And The Muses by Tori Amos
Best Comedy Album
Drop Dead Years by Bill Burr
PostMortem by Sarah Silverman
Single Lady by Ali Wong
What Had Happened Was… by Jamie Foxx
Your Friend, Nate Bargatze by Nate Bargatze
Best Audio Book, Narration, and Storytelling Recording
Elvis, Rocky & Me: The Carol Connors Story – Kathy Garver
Into The Uncut Grass – Trevor Noah
Lovely One: A Memoir – Ketanji Brown Jackson
Meditations: The Reflections Of His Holiness The Dalai Lama – Dalai Lama
You Know It's True: The Real Story Of Milli Vanilli – Fab Morvan
Best Compilation Soundtrack For Visual Media
A Complete Unknown (Timothée Chalamet)
F1 The Album (Various Artists)
KPop Demon Hunters (Various Artists)
Sinners (Various Artists)
Wicked (Various Artists)
Best Score Soundtrack For Visual Media (Includes Film And Television)
How To Train Your Dragon – John Powell, composer
Severance: Season 2 – Theodore Shapiro, composer
Sinners – Ludwig Göransson, composer
Wicked – John Powell & Stephen Schwartz, composers
The Wild Robot – Kris Bowers, composer
Best Score Soundtrack for Video Games and Other Interactive Media
Avatar: Frontiers of Pandora - Secrets of the Spires – Pinar Toprak, composer
Helldivers 2 – Wilbert Roget, II, composer
Indiana Jones And The Great Circle – Gordy Haab, composer
Star Wars Outlaws: Wild Card & A Pirate's Fortune – Cody Matthew Johnson & Wilbert Roget, II, composers
Sword of the Sea – Austin Wintory, composer
Best Song Written for Visual Media
"As Alive As You Need Me To Be" [From TRON: Ares] – Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)
"Golden" [From KPop Demon Hunters] – EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
"I Lied to You" [From Sinners] – Ludwig Göransson & Raphael Saadiq, songwriters (Miles Caton)
"Never Too Late" [From Elton John: Never Too Late] – Brandi Carlile, Elton John, Bernie Taupin & Andrew Watt, songwriters (Elton John, Brandi Carlile)
"Pale, Pale Moon" [From Sinners] – Ludwig Göransson & Brittany Howard, songwriters (Jayme Lawson)
"Sinners" [From Sinners] – Leonard Denisenko, Rodarius Green, Travis Harrington, Tarkan Kozluklu, Kyris Mingo & Darius Povilinus, songwriters (Rod Wave)
Best Music Video
"Young Lion" by Sade; Sophie Muller, video director; Sade & Aaron Taylor Dean, video producers
"Manchild" by Sabrina Carpenter; Vania Heymann & Gal Muggia, video directors; Aiden Magarian, Nathan Scherrer & Natan Schottenfels, video producers
"So Be It" by Clipse; Hannan Hussain, video director; Daniel Order, video producer
"Anxiety" by Doechii; James Mackel, video director; Pablo Feldman, Jolene Mendes & Sophia Sabella, video producers
"Love" by OK Go; Aaron Duffy, Miguel Espada & Damian Kulash Jr., video directors; Petra Ahmann, video producer
Best Music Film
Devo (Devo) – Chris Smith, video director; Danny Gabai, Anita Greenspan, Chris Holmes & Chris Smith, video producers
Live At The Royal Albert Hall (RAYE) – Paul Dugdale, video director; Stefan Demetriou & Amy James, video producers
Relentless (Diane Warren) – Bess Kargman, video director; Peggy Drexler, Michele, Farinola & Kat Nguyen, video producers
Music By John Williams (John Williams) – Laurent Bouzereau, video director; Sara Bernstein, Laurent Bouzereau, Justin Falvey, Darryl Frank, Brian Grazer, Ron Howard, Meredith Kaulfers, Kathleen Kennedy, Frank Marshall, Steven Spielberg & Justin Wilkes, video producers
Piece By Piece (Pharrell Williams) – Morgan Neville, video director; Morgan Neville, Caitrin Rogers, Mimi Valdes & Pharrell Williams, video producers
Best Recording Package
And The Adjacent Possible – Hà Trinh Quoc Bao, Damian Kulash, Jr., Claudio Ripol, Wombi Rose & Yuri Suzuki, art directors (OK Go)
Balloonerism – Bráulio Amado & Alim Smith, art directors (Mac Miller)
Danse Macabre: De Luxe – Rory McCartney, art director (Duran Duran)
Loud Is As – Farbod Kokabi & Emily Sneddon, art directors (Tsunami)
Sequoia – Tim Breen & Ken Shipley, art directors (Various Artists)
The Spins (Picture Disc Vinyl) – Miller McCormick, art director (Mac Miller)
Tracks II: The Lost Albums – Meghan Foley & Michelle Holme, art directors (Bruce Springsteen)
Best Album Cover
CHROMAKOPIA – Shaun Llewellyn & Luis "Panch" Perez, art directors (Tyler, The Creator)
The Crux – William Wesley II, art director (Djo)
DeBÍ TiRAR MáS FOToS – Benito Antonio Martinez Ocasio, art director (Bad Bunny)
Glory – Cody Critcheloe & Andrew J.S., art directors (Perfume Genius)
moisturizer – Hester Chambers, Ellis Durand, Henry Holmes, Matt de Jong, Jamie-James Medina, Joshua Mobaraki & Rhian Teasdale, art directors (Wet Leg)
Best Album Notes
Adios, Farewell, Goodbye, Good Luck, So Long: On Stage 1964-1974 – Scott B. Bomar, album notes writer (Buck Owens And His Buckaroos)
After The Last Sky – Adam Shatz, album notes writer (Anouar Brahem, Anja Lechner, Django Bates, Dave Holland)
Árabe – Amanda Ekery, album notes writer (Amanda Ekery)
The First Family: Live At Winchester Cathedral 1967 – Alec Palao, album notes writer (Sly & The Family Stone)
A Ghost Is Born (20th Anniversary Deluxe Edition) – Bob Mehr, album notes writer (Wilco)
Miles '55: The Prestige Recordings – Ashley Kahn, album notes writer (Miles Davis)
Best Historical Album
Joni Mitchell Archives - Volume 4: The Asylum Years (1976-1980) — Patrick Milligan & Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)
The Making Of Five Leaves Left — Cally Callomon & Johnny Chandler, compilation producers; Simon Heyworth & John Wood, mastering engineers (Nick Drake)
Roots Rocking Zimbabwe - The Modern Sound Of Harare' Townships 1975-1980 (Analog Africa No.41) — Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)
Super Disco Pirata - De Tepito Para El Mundo 1965-1980 (Analog Africa No. 39) – Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)
You Can't Hip A Square: The Doc Pomus Songwriting Demos – Will Bratton,Sharyn Felder & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Doc Pomus)
Best Engineered Album, Non-Classical
All Things Light – Jesse Brock, Jon Castelli, Tyler Johnson, Nick Lobel, Simon Maartensson, Lawrence "Boo" Mitchell, Anders Mouridsen, Ryan Nasci, Ernesto Olivera-Lapier, Ethan Schneiderman & Owen Stoutt, engineers; Dale Becker, mastering engineer (Cam)
Arcadia – Neal Cappellino & Gary Paczosa, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)
For Melancholy Brunettes (& sad women) – Joseph Lorge, Blake Mills & Sebastian Reunert, engineers; Patricia Sullivan, mastering engineer (Japanese Breakfast)
That Wasn't A Dream – Joseph Lorge & Blake Mills, engineers; Patricia Sullivan, mastering engineer (Pino Palladino, Blake Mills)
Best Engineered Album, Classical
Cerrone: Don't Look Down – Mike Tierney, engineer; Alan Silverman, mastering engineer (Sandbox Percussion)
Shostakovich: Lady Macbeth Of The Mtsensk District – Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons, Kristine Opolais, Günther Groissböck, Peter Hoare, Brenden Gunnell & Boston Symphony Orchestra)
Standard Stoppages – Sean Connors, Robert Dillon, Peter Martin, Bill Maylone, Judith Sherman & David Skidmore, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)
Huang Ruo: An American Soldier – Carolyn Kuan, conductor; Hannah Cho, Alex DeSocio, Nina Yoshida Nelsen & Brian Vu; Adam Abeshouse, Silas Brown & Doron Schachter, producers (American Composers Orchestra; David Henry Hwang
Kouyoumdjian: Adoration – Alan Pierson, conductor; Miriam Khalil, Marc Kudisch, David Adam Moore, Omar Najmi, Naomi Louisa O'Connell & Karim Sulayman; Mary Kouyoumdjian, producer (Silvana Quartet; The Choir Of Trinity Wall Street)
O'Halloran: Trade & Mary Motorhead – Elaine Kelly, conductor; Oisín Ó Dálaigh & John Molloy; Alex Dowling & Emma O'Halloran, producers (Irish National Opera Orchestra; Mark O'Halloran)
Tesori: Grounded – Yannick Nézet-Séguin, conductor; Ben Bliss, Emily D'Angelo, Greer Grimsley & Kyle Miller; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus; George Brant)
Best Choral Performance
Advena - Liturgies For A Broken World – Craig Hella Johnson, conductor (Simon Barrad, Emily Yocum Black & Michael Hawes; Conspirare)
Childs: In The Arms Of The Beloved – Grant Gershon, conductor (Billy Childs, Dan Chmlellnskl, Christian Euman, Larry Koonse, Lyris Quartet, Anne Akiko Meyers, Carol Robbins & Luciana Souza; Los Angeles Master Chorale)
Lang: Poor Hymnal – Donald Nally, conductor (Steven Bradshaw, Michael Hawes, Lauren Kelly, Rebecca Siler & Elisa Sutherland; The Crossing)
Ortiz: Yanga – Gustavo Dudamel, conductor; Grant Gershon, chorus master (Los Angeles Philharmonic & Tambuco Percussion Ensemble; Los Angeles Master Chorale)
Requiem Of Light – Steven Fox, conductor; Emily Drennan & Patti Drennan, chorus masters (Brian Giebler & Sangeeta Kaur; The Clarion Choir)
Best Chamber Music/Small Ensemble Performance
Dennehy: Land Of Winter – Alan Pierson & Alarm Will Sound
La Mer - French Piano Trios – Neave Trio
Lullabies For The Brokenhearted – Lili Haydn & Paul Cantelon
Slavic Sessions – Mak Grgić & Mateusz Kowalski
Standard Stoppages – Third Coast Percussion
Best Classical Instrumental Solo
Coleridge-Taylor: 3 Selections From '24 Negro Melodies' by Curtis Stewart; Michael Repper, conductor (National Philharmonic)
Hope Orchestrated by Mary Dawood Catlin; Jesús David Medina & Raniero Palm, conductors (Venezuela Strings Recording Ensemble)
Inheritances by Adam Tendler
Price: Piano Concerto In One Movement In D Minor by Han Chen; John Jeter, conductor (Malmö Opera Orchestra)
Shostakovich: The Cello Concertos by Yo-Yo Ma; Andris Nelsons, conductor (Boston Symphony Orchestra)
Shostakovich: The Piano Concertos; Solo Works by Yuja Wang; Andris Nelsons, conductor (Boston Symphony Orchestra)
Best Classical Solo Album
Alike - My Mother's Dream – Allison Charney, soloist; Benjamin Loeb, conductor (National Symphonia Orchestra)
Black Pierrot – Sidney Outlaw, soloist; Warren Jones, pianist
In This Short Life – Devony Smith, soloist; Danny Zelibor, pianist; Michael Nicolas, accompanist
Kurtág: Kafka Fragments – Susan Narucki, soloist; Curtis Macomber, accompanist
Schubert Beatles – Theo Hoffman, soloist; Steven Blier, pianist (Rupert Boyd, Julia Bullock, Alex Levine, Andrew Owens, Rubén Rengel & Sam Weber)
Telemann: Ino - Opera Arias For Soprano – Amanda Forsythe, soloist; Robert Mealy, Paul O'Dette & Stephen Stubbs, conductors (Boston Early Music Festival Orchestra)
Best Classical Compendium
Cerrone: Don't Look Down – Sandbox Percussion; Jonathan Allen, Victor Caccese, Christopher Cerrone, Ian Rosenbaum, Terry Sweeney & Mike Tierney, producers
The Dunbar/Moore Sessions, Vol. II – Will Liverman; Jonathan Estabrooks, producer
DA Hochman promises park will be safer by Olympics
Jordan Rynning
holds local government accountable, covering city halls, law enforcement and other powerful institutions.
Published October 14, 2026 4:54 PM
L.A. County District Attorney Nathan Hochman speaks at a town hall held at a church near MacArthur Park in Los Angeles, on Oct. 13, 2026.
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Jordan Rynning
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LAist
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Topline:
L.A. County District Attorney Nathan Hochman promised attendees of a town hall Tuesday night that MacArthur Park will see “amazing progress” in public safety before the 2028 Olympic Games.
The backstory: Joint drug enforcement operations by the LAPD and federal agencies targeted the area for months earlier this year. Law enforcement officials and community members told LAist they saw improvements after the operations but have seen crime return to the park in recent weeks.
Call for community involvement: Hochman told residents to “feel free to put the fire under the feet of our politicians” to keep their attention on safety issues at the park. He also urged community organizations to hold regular events there to “take the park back,” making it known as a place for families rather than open-air drug use.
Read on ... for more about issues discussed at the town hall.
Los Angeles County District Attorney Nathan Hochman promised at a Tuesday night town hall that MacArthur Park will see “amazing progress” in public safety before the 2028 Olympic Games.
Several community members told LAist they have seen crime return to the Los Angeles park after months of joint drug enforcement operations by the Los Angeles Police Department and federal agencies. Those efforts led to dozens of arrests for alleged drug sales in the area.
An LAPD captain attending the town hall confirmed to LAist that the department is aware of renewed safety problems.
Hochman acknowledged those concerns and said the recent operations made progress and created an opportunity for lasting change.
“If we keep this focus and the energy on this area, MacArthur Park, Skid Row and everything in between,” Hochman said, “then we will see amazing progress before the Olympics, and that is actually a promise.”
Hochman previously promised, during a drug enforcement operation on June 4, to have a picnic at the park on Labor Day. Hochman told attendees he kept that promise when he held an event at the park on Sept. 5 with other local and federal law enforcement officials.
As district attorney, Hochman works with law enforcement agencies to prosecute criminal cases in L.A. County. He said that it will take more work from policymakers and community members to remove the open-air drug market that has been entrenched there for decades.
The area is represented by L.A. City Councilmember Eunisses Hernandez, County Supervisor Hilda Solis, state Assemblymember Mark González and state Sen. María Elena Durazo. Staff members from some of those offices, and the mayor’s office, sat in on the town hall organized by the local nonprofit California Rising.
“Feel free to put the fire under the feet of our politicians,” Hochman told about two dozen residents who attended. “All too often it is easy to spend some effort on something and then get distracted and spend some effort somewhere else.”
'Temporary' relief
Some residents and business owners agreed with Hochman that the large-scale drug enforcement operations from March through June made the area feel safer, at least for a while.
“It was temporary, but we got to see, actually, families at the bus stops with their kids — before it wasn't like that,” Elaine Alaniz told LAist Tuesday. “I think it does help us, but on the other hand I still think that we need more help. It's not just a one, two, three-day thing.”
Alaniz lives nearby and is the president of the Westlake North Neighborhood Council, which begins a block northeast of MacArthur Park.
She said she has seen some crime move away from the park and into the surrounding neighborhoods.
Capt. Ben Fernandes, who leads LAPD’s Rampart Division, said the earlier operations were successful, but there have been some setbacks.
“We made a lot of headway in the beginning,” he said. “There are some issues that we've had some repopulation, especially with addicts.”
Fernandes said that the department will continue to arrest people suspected of selling drugs near the park, while connecting people who are addicted with services to help them get sober and off the streets.
A call for community involvement
Hochman and Fernandes each emphasized that making MacArthur Park a safe and welcoming place can’t be done by law enforcement alone.
“My advice: take the park back — it's your park,” Hochman said at the town hall, calling for community organizations to plan regular outings there. “That starts to send a message that the community really cares about this park.”
He asked that performers like Justin Bieber, who played an impromptu set in the park last month, have more events there as well.
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Fernandes said people can get involved to change perceptions about MacArthur Park so it's no longer thought of as a place to go to score drugs.
“What we need to do is — we as a community — come together and show [people using drugs] that it's not their place to go,” he said. “That you're going to be there with your children, with your parishioners, with your friends, with your family.”
Makenna Cramer
has been covering space shuttle Endeavour's journey at the California Science Center for nearly three years.
Published October 14, 2026 4:36 PM
The California Science Center’s expansion in Exposition Park will open to the public on Nov. 13.
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Makenna Cramer
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LAist
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Topline:
Early reservations for the Samuel Oschin Air and Space Center open to the public next week, the California Science Center announced Wednesday. The center is space shuttle Endeavour’s new permanent home in Exposition Park.
When: Members of the museum will get first access starting at 9:30 a.m. Monday, Oct. 19. The general public can make reservations starting at 9:30 a.m. Wednesday, Oct. 21.
The details: You’ll be able to make a reservation online here or by calling 213-744-2019 when the time comes. You can make up to 19 individual reservations for each entry time. Guests with 20 or more people need to call the number above for a group reservation.
The entrance to the Samuel Oschin Air and Space Center in the California Science Center on Saturday, Oct. 10.
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Makenna Cramer
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LAist
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Endeavour is the centerpiece of the Samuel Oschin Shuttle Gallery.
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Makenna Cramer
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LAist
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With Endeavour in vertical launch position, guests can see all the intricate details of the space shuttle, including the engines and thermal tiles that protected it when it came back through Earth's atmosphere.
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Makenna Cramer
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LAist
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Endeavour spans about 20 stories tall.
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Makenna Cramer
/
LAist
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The exterior of the Samuel Oschin Air and Space Center in November 2025.
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Makenna Cramer
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LAist
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The cost: General admission is free, but reservations are strongly encouraged. A $4 reservation service fee will be applied per person. The fee is waived for California Science Center members, which you can learn more about here.
The backstory: The new center is a 200,000-square-foot addition to the California Science Center. Endeavour is the towering centerpiece — standing about 20 stories tall in the Samuel Oschin Shuttle Gallery, one of three main galleries filled with hands-on exhibits and authentic aerospace artifacts.
“The Samuel Oschin Air and Space Center fulfills a decades-long dream and provides us with our biggest platform yet to stimulate curiosity and inspire science learning in everyone,” Jeff Rudolph, president and CEO of the California Science Center, said in a statement.
What's next: The Samuel Oschin Air and Space Center officially opens Nov. 13.
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By Isaiah Murtaugh Barish and Christopher Damien | The LA Local
Published October 14, 2026 3:30 PM
Locals can now dial into Inglewood City Council meetings by phone and Zoom to comment on issues affecting them.
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Isaiah Murtaugh Barish
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The LA Local
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Topline:
Inglewood city officials are launching an audit of their financial relationship with SoFi Stadium and claiming the stadium could owe years of ticket taxes, one month after a judge voided the 2015 contract that brought the stadium to Inglewood.
Why it matters: Millions of dollars are at stake for both the city and the stadium businesses. City officials say that the ruling means a cap that limited the amount of admissions tax that Inglewood could collect no longer applies. They also plan to investigate the authenticity of $376 million worth of infrastructure bills Hollywood Park claims the city owes. The findings of the audit could also factor into discussions of how the city will address its current $30.8 million deficit. Admissions tax has been a sizable revenue stream for the city — bringing in an average $20 million a year since SoFi Stadium opened — but city officials have said it could be significantly bigger. A city analysis of Measure AT estimated that getting rid of the cap could bring in as much as an extra $50 million in future years. The city did not estimate how much admissions tax revenue it has missed out on while the development agreement was in effect.
The backstory: Since last summer, the city and stadiums have been slugging it out in a complex series of court cases over the stadium’s contract and Inglewood’s network of video billboards. The conflict has spilled over into the Nov. 3 election via ballot measures that would change the city’s commercial advertising and ticket tax rules.
Inglewood city officials are launching an audit of their financial relationship with SoFi Stadium and claiming the stadium could owe years of ticket taxes, one month after a judge voided the 2015 contract that brought the stadium to Inglewood.
The Inglewood City Council voted unanimously Tuesday to commission the audit. Mayor James Butts said the move is a necessary next step after the court ruling, which threw the terms of the financial relationship between the city and Hollywood Park stadium development into question.
Millions of dollars are at stake for both the city and the stadium businesses. City officials say that the ruling means a cap that limited the amount of admissions tax that Inglewood could collect no longer applies. They also plan to investigate the authenticity of $376 million worth of infrastructure bills Hollywood Park claims the city owes. The findings of the audit could also factor into discussions of how the city will address its current $30.8 million deficit.
The City Council motion — put forward by Butts and co-sponsored by Councilmember Dionne Faulk — requires the city attorney to retain an accounting firm to conduct the audit and report back to the public on its findings within 30 days. It set aside $325,000 from the city’s General Fund to pay for the audit. You can read the city’s full explanation of the audit here.
Butts, who was at the city’s helm a decade ago when developer Stan Kroenke brought his Hollywood Park pitch to Inglewood, said city officials built what they thought was a partnership with their stadium counterparts.
But that partnership has crumbled. Since last summer, the city and stadiums have been slugging it out in a complex series of court cases over the stadium’s contract and Inglewood’s network of video billboards. The conflict has spilled over into the Nov. 3 election via ballot measures that would change the city’s commercial advertising and ticket tax rules.
The audit approved by the City Council on Tuesday will dig into the entire financial relationship between the stadium and city since 2015, unpacking what is owed and what was received from taxes on everything from tickets to parking. City officials plan to continue auditing the taxes on a quarterly basis into the future.
Still, it’s not guaranteed the city would be able to force the stadium development to pay any debt the audit does claim. Hollywood Park could still appeal the court ruling that voided its contract with Inglewood, while Butts said the city wants to negotiate a new contract to replace it.
A Hollywood Park spokesperson said the stadium development has lived up to its financial obligations, including paying all of its taxes.
“This is yet another thinly veiled attempt to distract from scrutiny surrounding the City’s own fiscal mismanagement and the questionable actions of its Mayor,” the spokesperson wrote in a statement.
Some locals at Tuesday’s meeting said during public comments they were baffled why the city hadn’t set up an audit process earlier.
“We have needed an audit from day one. We can’t sit here and claim we didn’t know or have an inkling what we were doing with Hollywood Park,” Diane Sambrano said.
Exterior of Sofi Stadium in Inglewood
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Gary Coronado
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The LA Local
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Speaking during the meeting, Butts said the audit was triggered because of the void left by the development agreement and because major events including the 2027 Super Bowl and 2028 Olympics are about to hit Inglewood.
After the judge ruled in agreement with the city, Butts told The LA Local that city officials were still researching the specific implications of the court’s ruling. In Tuesday’s council motion, city staff highlighted what they say is one major change they’ve discovered: There’s no longer a limit on how much admissions tax the city can collect.
Inglewood collects a 10% tax on tickets sold at SoFi Stadium, but the 2015 initiative that brought the stadium to the city put a cap on that revenue, starting at $15 million a year and increasing annually with inflation.
Admissions tax has been a sizable revenue stream for the city — bringing in an average $20 million a year since SoFi Stadium opened — but city officials have said it could be significantly bigger. A city analysis of Measure AT estimated that getting rid of the cap could bring in as much as an extra $50 million in future years. The city did not estimate how much admissions tax revenue it has missed out on while the development agreement was in effect.
The Inglewood audit seeks to clarify basic questions about how taxes are assessed on ticket sales and whether those taxes are actually forwarded to the city. Officials say it will provide transparency about ticket sales, pricing and fees, which have been heavily scrutinized in recent years across the state.
Gray gets support on proposal for future billboard revenue audit
Councilmember Gloria Gray attempted to amend the audit motion Tuesday, asking the city manager to also audit the revenue the city gets from billboard fees.
“I believe the same standard of financial transparency should apply to every city agreement,” Gray said.
Though her motion didn’t receive a second, Councilmember Eloy Morales said he’d support putting a billboard revenue audit on the council’s agenda in the future.
“I think we all support all those audits,” Morales said.
Gray’s move was a rarity for a council that seldom debates motions during public meetings and almost always votes unanimously. The councilmember is currently running for mayor against Butts.
Inglewood pulls in as much as $8 million a year from billboards, according to budget records. Much of that comes from a series of deals the city cut with WOW Media, allowing the billboard company to construct and operate the billboards on public medians and sidewalks. In return, WOW gives the city a cut of ad revenue along with other concessions.
Frank Stoltze
is a veteran reporter who covers local politics and examines how democracy is and, at times, is not working.
Published October 14, 2026 2:53 PM
Los Angeles Mayor Karen Bass (left) and L.A. City Councilmember Nithya Raman.
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Myung J. Chun (left) and Genaro Molina (right)
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Los Angeles Times via Getty Images
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Topline
The Downtown Los Angeles Residents Association will host a mayoral forum Thursday night. It's open to the public.
The details: Incumbent L.A. Mayor Karen Bass and her challenger, City Councilmember Nithya Raman, will appear separately. Each will have 40 minutes to answer questions “directly sourced from downtown residents about the future of our neighborhood,” according to an announcement.
The backstory: Bass is seeking a second four-year term leading the nation’s second largest city. Raman, a one-time Bass ally, is looking to topple her.
Bass has said Raman is too extreme for L.A. — a “risky choice” for voters. Raman has countered that Bass has mismanaged the city and should be ousted.
The event: Organizers say this is a nonpartisan community civic engagement event with a goal of helping downtown voters make informed decisions at the polls. It's also designed to “ensure the Mayor of LA is developing and executing a resident-centered vision for a vibrant, thriving DTLA.”
The forum will be held at Clifton’s at 648 S. Broadway in Los Angeles. It starts at 6 p.m.
RSVP: Space is limited. You can RSVP here. RSVPs close Thursday at noon.