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  • Kendrick Lamar's reign continues with 9 noms

    Topline:

    Kendrick Lamar's reign continues: The Los Angeles rapper has received nine Grammy nominations for the 2026 awards, following a triumphant sweep earlier this year in which he took home more golden Gramophones than any other artist — including record of the year and song of the year for his mic-dropping "Not Like Us."

    The context: On Friday, Lamar received nods in three major categories. He could repeat in record of the year and song of the year and add album of the year to his trophy case in 2026, with potential wins in the rap and pop duo/group performance categories, too. At the 68th annual Grammy Awards, which will be presented at a ceremony on February 1, 2026 in Los Angeles, competition for the top awards will also include Lady Gaga, Sabrina Carpenter and Bad Bunny.

    What's in store: The 68th annual Grammy Awards will feature 95 categories total, highlighting a multitude of genres as well as behind-the-scenes figures like songwriters and producers. This year, the Recording Academy will introduce two new categories. The first is for best album cover. Nominees include Bad Bunny (DeBÍ TiRAR MáS FOToS), alt-rocker Djo (The Crux) and the English band Wet Leg (moisturizer). The second debuting category is for best traditional country album. The first nominees include father and son Lukas Nelson (American Romance) and Willie Nelson (Oh What A Beautiful World), as well as Zach Top (Ain't In It For My Health), Charley Crockett (Dollar A Day) and Margo Price (Hard Headed Woman).
    Read on... for the complete list of nominees.

    Kendrick Lamar's reign continues: The Los Angeles rapper has received nine Grammy nominations for the 2026 awards, following a triumphant sweep earlier this year in which he took home more golden Gramophones than any other artist — including record of the year and song of the year for his mic-dropping "Not Like Us." On Friday, Lamar received nods in three major categories. He could repeat in record of the year and song of the year and add album of the year to his trophy case in 2026, with potential wins in the rap and pop duo/group performance categories, too.

    The bulk of Lamar's nominations are for his record-breaking album GNX and the single "Luther (feat. SZA)," both of which topped multiple Billboard charts. Beyond his own album and singles, the Recording Academy also recognized the rapper for additional collaborations with SZA and Clipse. At this time last year, Lamar was in the midst of a remarkable run that culminated in his Super Bowl halftime performance, multiple Grammy wins and a victory in his rap beef with Drake by unanimous decision.

    At the 68th annual Grammy Awards, which will be presented at a ceremony on February 1, 2026 in Los Angeles, competition for the top awards will also include Lady Gaga, Sabrina Carpenter and Bad Bunny. Gaga trails behind Lamar with seven nominations, including best pop solo performance ("Disease") and best pop vocal album (MAYHEM). Canadian record producer Cirkut, who co-produced Gaga's album, also has seven nominations, as does Jack Antonoff, who's recognized for his work with Lamar and Carpenter. Bad Bunny has six nominations. So does the breakout star of last year's Grammys — Carpenter — and the newcomer with most nominations this year, including best new artist — Leon Thomas.

    The 32-year-old Thomas — who just landed his first Top 10 hit on Billboard's Hot 100 chart this week — is in the running for several R&B categories (including for a song recorded during his NPR Tiny Desk concert), as well as album of the year (MUTT). Joining Thomas among the nominees for best new artist are girl group KATSEYE, soul-pop singer Olivia Dean (who also cracked the Top 10 this week), indie-pop band The Marías, English singer Lola Young, Gen-Z rocker sombr and two TikTok creators turned pop stars: Alex Warren and Addison Rae.

    In the rap categories, the Recording Academy embraced the highly-touted return of the duo Clipse, following a 16-year hiatus. The Thornton brothers, a.k.a. Malice and Pusha T, received five nominations for their album Let God Sort Em Out. Doechii, who delivered one of last year's most electric Grammys performances, also received five nominations for her single "Anxiety." (Although the song originally came out in 2019, the Swamp Princess re-recorded and re-released "Anxiety" this year after it went viral on TikTok). Tyler, the Creator — who has publicly called out the Academy for how it categorizes rap — is once again nominated for best rap album (CHROMAKOPIA) and best rap song ("Sticky feat. GloRilla, Lil Wayne, Sexyy Red"). He's also up for best alternative album (DON'T TAP THE GLASS), album of the year (CHROMAKOPIA) and best album cover (CHROMAKOPIA).

    The 68th annual Grammy Awards will feature 95 categories total, highlighting a multitude of genres as well as behind-the-scenes figures like songwriters and producers. This year, the Recording Academy will introduce two new categories. The first is for best album cover. Nominees include Bad Bunny (DeBÍ TiRAR MáS FOToS), alt-rocker Djo (The Crux) and the English band Wet Leg (moisturizer). The second debuting category is for best traditional country album. The first nominees include father and son Lukas Nelson (American Romance) and Willie Nelson (Oh What A Beautiful World), as well as Zach Top (Ain't In It For My Health), Charley Crockett (Dollar A Day) and Margo Price (Hard Headed Woman).

    Read the complete list of nominees below:

    1. Record of the Year
    • "DtMF" by Bad Bunny
    • "Manchild" by Sabrina Carpenter
    • "Anxiety" by Doechii
    • "WILDFLOWER" by Billie Eilish
    • "Abracadabra" by Lady Gaga
    • "luther" by Kendrick Lamar with SZA
    • "The Subway" by Chappell Roan
    • "APT." by ROSÉ & Bruno Mars
    1. Album of the Year
    • DeBÍ TiRAR MáS FOToS by Bad Bunny
    • SWAG by Justin Bieber
    • Man's Best Friend by Sabrina Carpenter
    • Let God Sort Em Out by Clipse, Pusha T & Malice
    • MAYHEM by Lady Gaga 
    • GNX by Kendrick Lamar
    • MUTT by Leon Thomas
    • CHROMAKOPIA by Tyler, The Creator
    1. Song of the Year
    • "Abracadabra" – Henry Walter, Lady Gaga & Andrew Watt, songwriters (Lady Gaga)
    • "Anxiety" – Jaylah Hickmon, songwriter (Doechii)
    • "APT." – Amy Allen, Christopher Brody Brown, Rogét Chahayed, Henry Walter, Omer Fedi, Philip Lawrence, Bruno Mars, Chae Young Park & Theron Thomas, songwriters (ROSÉ, Bruno Mars)
    • "DtMF" – Benito Antonio Martínez Ocasio, Scott Dittrich, Benjamin Falik, Roberto José Rosado Torres, Marco Daniel Borrero, Hugo René Sención Sanabria & Tyler Thomas Spry, songwriters (Bad Bunny)
    • "Golden" [From KPop Demon Hunters] — EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
    • "luther" — Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Ink, Scott Bridgeway, Sam Dew, Kendrick Lamar, Mark Anthony Spears, Solána Rowe & Kamasi Washington, songwriters (Kendrick Lamar With SZA)
    • "Manchild" — Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
    • "WILDFLOWER" — Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)
    1. Best New Artist
    • Olivia Dean
    • KATSEYE
    • The Marias
    • Addison Rae
    • sombr
    • Leon Thomas 
    • Alex Warren
    • Lola Young
    1. Producer of the Year, Non-Classical
    • Dan Auerbach
    • Cirkut
    • Dijon
    • Blake Mills
    • Sounwave
    1. Songwriter of the Year, Non-Classical
    • Amy Allen
    • Edgar Barrera
    • Jessie Jo Dillon
    • Tobias Jesso Jr.
    • Laura Veltz
    1. Best Pop Solo Performance
    • "DAISIES" by Justin Bieber
    • "Manchild" by Sabrina Carpenter
    • "Disease" by Lady Gaga
    • "The Subway" by Chappell Roan
    • "Messy" by Lola Young
    1. Best Pop Duo/Group Performance
    • "Defying Gravity" by Cynthia Erivo & Ariana Grande
    • "Golden" [From KPop Demon Hunters] by HUNTR/X: EJAE, Audrey Nuna, REI AMI
    • "Gabriela" by KATSEYE
    • "APT." by ROSÉ & Bruno Mars
    • "30 For 30" by SZA with Kendrick Lamar
    1. Best Pop Vocal Album
    • SWAG by Justin Bieber
    • Man's Best Friend by Sabrina Carpenter
    • Something Beautiful by Miley Cyrus
    • MAYHEM by Lady Gaga 
    • I've Tried Everything But Therapy (Part 2) by Teddy Swims
    1. Best Dance/Electronic Recording
    • "No Cap" by Disclosure & Anderson .Paak
    • "Victory Lap" by Fred Again.., Skepta, & PlaqueBoyMax
    • "SPACE INVADER" by KAYTRANADA
    • "VOLTAGE" by Skrillex
    • "End of Summer" by Tame Impala
    1. Best Dance Pop Recording
    • "Bluest Flame" by Selena Gomez & benny blanco
    • "Abracadabra" by Lady Gaga
    • "Midnight Sun" by Zara Larsson
    • "Just Keep Watching" [From F1 The Movie] by Tate McRae
    • "Illegal" by PinkPantheress
      1. Best Dance/Electronic Album
      • EUSEXUA by FKA twigs
      • Ten Days by Fred Again..
      • Fancy That by PinkPantheress
      • Inhale / Exhale by RÜFÜS DU SOL
      • F*** U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 by Skrillex
      1. Best Remixed Recording
      • "Abracadabra (Gesaffelstein Remix)"  – Gesaffelstein, remixer (Lady Gaga, Gesaffelstein)
      • "Don't Forget About Us" – KAYTRANADA, remixer (Mariah Carey & KAYTRANADA)
      • "A Dreams A Dream - Ron Trent Remix" – Ron Trent, remixer (Soul II Soul)
      • "Galvanize" – Chris Lake, remixer (The Chemical Brothers & Chris Lake)
      • "Golden - David Guetta REM/X" – David Guetta, remixer (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
      1. Best Rock Performance 
      • "U Should Not Be Doing That" by Amyl and The Sniffers
      • "The Emptiness Machine" by Linkin Park
      • "NEVER ENOUGH" by Turnstile
      • "Mirtazapine" by Hayley Williams
      • "Changes (Live From Villa Park/ Back To The Beginning)" by YUNGBLUD feat. Nuno Bettencourt, Frank Bello, Adam Wakeman, II
      1. Best Metal Performance
      • "Night Terror" by Dream Theater
      • "Lachryma" by Ghost
      • "Emergence" by Sleep Token
      • "Soft Spine" by Spiritbox
      • "BIRDS" by Turnstile 
      1. Best Rock Song
      • "As Alive As You Need Me To Be" – Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)
      • "Caramel" – Vessel1 & Vessel2, songwriters (Sleep Token)
      • "Glum" – Daniel James & Hayley Williams, songwriters (Hayley Williams)
      • "NEVER ENOUGH" – Daniel Fang, Franz Lyons, Pat McCrory, Meg Mills & Brendan Yates, songwriters (Turnstile)
      • "Zombie" – Dominic Harrison & Matt Schwartz, songwriters (YUNGBLUD)
      1. Best Rock Album
      • private music by Deftones
      • I quit by HAIM
      • From Zero by Linkin Park
      • NEVER ENOUGH by Turnstile
      • Idols by YUNGBLUD
      1. Best Alternative Music Performance
      • "Everything Is Peaceful Love" by Bon Iver
      • "Alone" by The Cure
      • "SEEIN' STARS" by Turnstile 
      • "mangetout" by Wet Leg
      • "Parachute" by Hayley Williams
      1. Best Alternative Music Album
      • SABLE, fABLE by Bon Iver
      • Songs Of A Lost World by The Cure
      • DON'T TAP THE GLASS by Tyler, The Creator
      • moisturizer by Wet Leg
      • Ego Death At A Bachelorette Party by Hayley Williams
      1. Best R&B Performance
      • "YUKON" by Justin Bieber
      • "It Depends" by Chris Brown feat. Bryson Tiller
      • "Folded" by Kehlani
      • "MUTT" (Live from NPR's Tiny Desk) by Leon Thomas
      • "Heart Of A Woman" by Summer Walker
      1. Best Traditional R&B Performance
      • "Here We Are" by Durand Bernarr
      • "UPTOWN" by Lalah Hathaway
      • "LOVE YOU TOO" by Ledisi
      • "Crybaby" by SZA
      • "VIBES DON'T LIE" by Leon Thomas 
      1. Best R&B Song
      • "Folded" – Darius Dixson, Andre Harris, Kehlani Parrish, Donovan Knight, Don Mills, Khris Riddick-Tynes & Dawit Kamal Wilson, songwriters (Kehlani)
      • "Heart Of A Woman" – David Bishop & Summer Walker, songwriters (Summer Walker)
      • "It Depends" – Nico Baran, Chris Brown, Ant Clemons, Ephrem Lopez Jr., Ryan Press, Bryson Tiller, Elliott Trent & Dewain Whitmore Jr., songwriters (Chris Brown feat. Bryson Tiller)
      • "Overqualified" – James John Abrahart Jr & Durand Bernarr, songwriters (Durand Bernarr)
      • "YES IT IS" – Jariuce Banks, Lazaro Andres Camejo, Mike Hector, Peter Lee Johnson, Rodney Jones Jr., Ali Prawl & Leon Thomas, songwriters (Leon Thomas)
      1. Best Progressive R&B Album
      • BLOOM by Durand Bernarr
      • Adjust Brightness by Bilal 
      • LOVE ON DIGITAL by Destin Conrad
      • Access All Areas by FLO
      • Come As You Are by Terrace Martin & Kenyon Dixon
      1. Best R&B Album
      • BELOVED by GIVĒON
      • Why Not More? by Coco Jones
      • The Crown by Ledisi
      • Escape Room by Teyana Taylor
      • MUTT by Leon Thomas
      1. Best Rap Performance
      • "Outside" by Cardi B
      • "Chains & Whips" by Clipse, Pusha T & Malice feat. Kendrick Lamar & Pharrell Williams
      • "Anxiety" by Doechii
      • "tv off" by Kendrick Lamar feat. Lefty Gunplay
      • "Darling, I" by Tyler, The Creator feat. Teezo Touchdown
      1. Best Melodic Rap Performance
      • "Proud Of Me" by Fridayy feat. Meek Mill
      • "Wholeheartedly" by JID feat. Ty Dolla $ign & 6Lack
      • "luther" by Kendrick Lamar with SZA
      • "WeMaj" by Terrace Martin & Kenyon Dixon Featuring Rapsody
      • "SOMEBODY LOVES ME" by PARTYNEXTDOOR & Drake
      1. Best Rap Song
      • "Anxiety" – Jaylah Hickmon, songwriter (Doechii)
      • "The Birds Don't Sing" – Gene Elliott Thornton Jr., Terrence Thornton, Pharrell
      • Williams & Stevie Wonder, songwriters (Clipse, Pusha T & Malice feat. John Legend & Voices Of Fire)
      • "Sticky" – Aaron Bolton, Dudley Alexander Duverne, Gloria Woods, Dwayne Carter, Jr., Janae Wherry, Tyler Okonma & Rex Zamor, songwriters (Tyler, The Creator feat. GloRilla, Sexyy Red & Lil Wayne)
      • "TGIF" – Lucas Alegria, Dillon Brophy, Yakki Davis, Gloria Woods, Jess Jackson, Ronnie Jackson, Mario Mims & Jorge M. Taveras, songwriters (GloRilla)
      • "tv off" –  Jack Antonoff, Larry Jayy, Kendrick Lamar, Dijon McFarlane, Sean Momberger, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar feat. Lefty Gunplay)
      1. Best Rap Album
      • Let God Sort Em Out by Clipse, Pusha T & Malice
      • GLORIOUS by GloRilla
      • God Does Like Ugly by JID
      • GNX by Kendrick Lamar
      • CHROMAKOPIA by Tyler, The Creator
      1. Best Spoken Word Poetry Album
      • A Hurricane in Heels: healed people don't act like that (partially recorded live @City Winery & other places) by Queen Sheba
      • Black Shaman by Marc Marcel
      • Pages by Omari Hardwick & Anthony Hamilton
      • Saul Williams meets Carlos Niño & Friends At Treepeople by Saul Williams, Carlos Niño & Friends 
      • Words For Days Vol. 1 by Mad Skillz
      1. Best Jazz Performance
      • "Noble Rise" by Lakecia Benjamin Featuring Immanuel Wilkins & Mark Whitfield
      • "Windows - Live" by Chick Corea, Christian McBride & Brian Blade
      • "Peace Of Mind/Dreams Come True" bySamara Joy
      • "Four" by Michael Mayo
      • "All Stars Lead To You - Live" by Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth
      1. Best Jazz Vocal Album
      • Elemental by Dee Dee Bridgewater & Bill Charlap
      • We Insist 2025! by Terri Lyne Carrington & Christie Dashiell
      • Portrait by Samara Joy
      • Fly by Michael Mayo
      • Live at Vic's Las Vegas by Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth
      1. Best Jazz Instrumental Album
      • Trilogy 3 (Live) by Chick Corea, Christian McBride & Brian Blade
      • Southern Nights by Sullivan Fortner Featuring Peter Washington & Marcus Gilmore
      • Belonging by Branford Marsalis Quartet
      • Spirit Fall by John Patitucci Featuring Chris Potter & Brian Blade
      • Fasten Up by Yellowjackets
      1. Best Large Jazz Ensemble Album
      • Orchestrator Emulator by The 8-Bit Big Band
      • Without Further Ado, Vol 1 by Christian McBride Big Band
      • Lumen by Danilo Pérez & Bohuslän Big Band
      • Basie Rocks! by Deborah Silver & The Count Basie Orchestra
      • Lights on a Satellite by Sun Ra Arkestra
      • Some Days Are Better: The Lost Scores by Kenny Wheeler Legacy Featuring The Royal Academy of Music Jazz Orchestra & Frost Jazz Orchestra
      1. Best Latin Jazz Album
      • La Fleur de Cayenne by Paquito D'Rivera & Madrid-New York Connection Band
      • The Original Influencers: Dizzy, Chano & Chico by Arturo O'Farrill & The Afro Latin Jazz Orchestra feat. Pedrito Martinez, Daymé Arocena, Jon Faddis, Donald Harrison & Melvis Santa
      • Mundoagua - Celebrating Carla Bley by Arturo O'Farrill & The Afro Latin Jazz Orchestra
      • A Tribute to Benny Moré and Nat King Cole by Gonzalo Rubalcaba, Yainer Horta & Joey Calveiro
      •  Vanguardia Subterránea: Live at The Village Vanguard by Miguel Zenón Quartet
      1. Best Alternative Jazz Album
      • honey from a winter stone by Ambrose Akinmusire
      • Keys To The City Volume One by Robert Glasper
      • Ride into the Sun by Brad Mehldau
      • LIVE-ACTION by Nate Smith
      • Blues Blood by Immanuel Wilkins
      1. Best Traditional Pop Vocal Album
      • Wintersongs by Laila Biali
      • The Gift Of Love by Jennifer Hudson
      • Who Believes In Angels? by Elton John & Brandi Carlile
      • Harlequin by Lady Gaga
      • A Matter Of Time by Laufey
      • The Secret Of Life: Partners, Volume 2 by Barbra Streisand
      1. Best Contemporary Instrumental Album
      • Brightside by ARKAI
      • Ones & Twos by Gerald Clayton
      • BEATrio by Béla Fleck, Edmar Castañeda, Antonio Sánchez
      • Just Us by Bob James & Dave Koz
      • Shayan by Charu Suri
      1. Best Musical Theater Album
      • Buena Vista Social Club
      • Death Becomes Her
      • Gypsy
      • Just In Time
      • Maybe Happy Ending
      1. Best Country Solo Performance 
      • "Nose On The Grindstone" by Tyler Childers
      • "Good News" by Shaboozey
      • "Bad As I Used To Be" [From F1 The Movie] by Chris Stapleton
      • "I Never Lie" by Zach Top
      • "Somewhere Over Laredo" by Lainey Wilson
      1. Best Country Duo/Group Performance 
      • "A Song To Sing" by Miranda Lambert And Chris Stapleton
      • "Trailblazer" by Reba McEntire, Miranda Lambert, Lainey Wilson
      • "Love Me Like You Used To Do" by Margo Price & Tyler Childers
      • "Amen" by Shaboozey & Jelly Roll
      • "Honky Tonk Hall Of Fame" by George Strait, Chris Stapleton
      1. Best Country Song
      • "Bitin' List" – Tyler Childers, songwriter (Tyler Childers)
      • "Good News" – Michael Ross Pollack, Sam Elliot Roman & Jacob Torrey, songwriters (Shaboozey)
      • "I Never Lie" – Carson Chamberlain, Tim Nichols & Zach Top, songwriters (Zach Top)
      • "Somewhere Over Laredo" – Andy Albert, Trannie Anderson, Dallas Wilson & Lainey Wilson, songwriters (Lainey Wilson)
      • "A Song To Sing" – Jenee Fleenor, Jesse Frasure, Miranda Lambert & Chris Stapleton, songwriters (Miranda Lambert and Chris Stapleton)
      1. Best Traditional Country Album
      • Dollar A Day by Charley Crockett
      • American Romance by Lukas Nelson
      • Oh What A Beautiful World by Willie Nelson
      • Hard Headed Woman by Margo Price
      • Ain't In It For My Health by Zach Top
      1. Best Contemporary Country Album
      • Patterns by Kelsea Ballerini
      • Snipe Hunter by Tyler Childers
      • Evangeline Vs. The Machine by Eric Church
      • Beautifully Broken by Jelly Roll
      • Postcards From Texas by Miranda Lambert
      1. Best American Roots Performance 
      • "LONELY AVENUE" by Jon Batiste feat. Randy Newman
      • "Ancient Light" by I'm With Her
      • "Crimson And Clay" by Jason Isbell
      • "Richmond On The James" by Alison Krauss & Union Station
      • "Beautiful Strangers" by Mavis Staples
      1. Best Americana Performance
      • "Boom" by Sierra Hull
      • "Poison In My Well" by Maggie Rose & Grace Potter
      • "Godspeed" by Mavis Staples
      • "That's Gonna Leave A Mark" by Molly Tuttle
      • "Horses" by Jesse Welles
      1. Best American Roots Song
      • "Ancient Light" – Sarah Jarosz, Aoife O'Donovan & Sara Watkins, songwriters (I'm With Her)
      • "BIG MONEY" – Jon Batiste, Mike Elizondo & Steve McEwan, songwriters (Jon Batiste)
      • "Foxes In The Snow" – Jason Isbell, songwriter (Jason Isbell)
      • "Middle" – Jesse Welles, songwriter (Jesse Welles)
      • "Spitfire" – Sierra Hull, songwriter (Sierra Hull)
      1. Best Americana Album
      • BIG MONEY by Jon Batiste
      • Bloom by Larkin Poe
      • Last Leaf On The Tree by Willie Nelson 
      • So Long Little Miss Sunshine by Molly Tuttle
      • Middle by Jesse Welles
      1. Best Bluegrass Album
      • Carter & Cleveland by Michael Cleveland & Jason Carter
      • A Tip Toe High Wire by Sierra Hull
      • Arcadia by Alison Krauss & Union Station
      • Outrun byThe Steeldrivers
      • Highway Prayers by Billy Strings
      1. Best Traditional Blues Album
      • Ain't Done With The Blues by Buddy Guy
      • Room On The Porch by Taj Mahal & Keb' Mo
      • One Hour Mama: The Blues Of Victoria Spivey by Maria Muldaur
      • Look Out Highway by Charlie Musselwhite
      • Young Fashioned Ways by Kenny Wayne Shepherd & Bobby Rush
      1. Best Contemporary Blues Album
      • Breakthrough by Joe Bonamassa
      • Paper Doll by Samantha Fish
      • A Tribute to LJK by Eric Gales
      • Preacher Kids by Robert Randolph
      • Family by Southern Avenue
      1. Best Folk Album
      • What Did The Blackbird Say To The Crow by Rhiannon Giddens & Justin Robinson
      • Crown Of Roses by Patty Griffin
      • Wild And Clear And Blue by I'm With Her
      • Foxes In The Snow by Jason Isbell
      • Under The Powerlines (April 24 – September 24) by Jesse Welles
      1. Best Regional Roots Music Album
      • Live At Vaughan's by Corey Henry & The Treme Funktet
      • For Fat Man by Preservation Brass & Preservation Hall Jazz Band
      • Church Of New Orleans by Kyle Roussel
      • Second Line Sunday by Trombone Shorty And New Breed Brass Band
      • A Tribute To The King Of Zydeco by (Various Artists)
      1. Best Gospel Performance/Song
      • "Do It Again" by Kirk Franklin; Kirk Franklin, songwriter 
      • "Church" by Tasha Cobbs Leonard, John Legend; Anthony S. Brown, Brunes Charles, Annatoria Chitapa, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Jonas Myrin, songwriters
      • "Still (Live)" by Jonathan McReynolds & Jamal Roberts; Britney Delagraentiss, Jonathan McReynolds, David Lamar Outing III, Orlando Joel Palmer & Terrell Demetrius Wilson, songwriters
      • "Amen" by Pastor Mike Jr.; Adia Andrews, Michael McClure Jr., David Lamar Outing II & Terrell Anthony Pettus, songwriters
      • "Come Jesus Come" by Cece Winans Featuring Shirley Caesar
      1. Best Contemporary Christian Music Performance/Song
      • "I Know A Name" by Elevation Worship, Chris Brown, Brandon Lake; Hank Bentley, Steven Furtick, Brandon Lake & Jacob Sooter, songwriters
      • "YOUR WAY'S BETTER" by Forrest Frank; Forrest Frank & PERA, songwriters
      • "Hard Fought Hallelujah" by Brandon Lake With Jelly Roll; Chris Brown, Steven Furtick, Benjamin William Hastings, Jason Bradley Deford & Brandon Lake, songwriters
      • "Headphones" by Lecrae, Killer Mike, T.I.; Tyshane Thompson, Bongo ByTheWay, Michael Render, Lecrae Moore, William Roderick Miller & Clifford Harris, songwriters
      • "Amazing" by Darrel Walls, PJ Morton; PJ Morton & Darrel Walls, songwriters
      1. Best Gospel Album
      • Sunny Days by Yolanda Adams
      • Tasha by Tasha Cobbs Leonard
      • Live Breathe Fight by Tamela Mann
      • Only On The Road (Live) by Tye Tribbett
      • Heart of Mine by Darrel Walls, PJ Morton
      1. Best Contemporary Christian Music Album
      • CHILD OF GOD II by Forrest Frank
      • Coritos Vol. 1 by Israel & New Breed
      • King Of Hearts by Brandon Lake
      • Reconstruction by Lecrae
      • Let The Church Sing by Tauren Wells
      1. Best Roots Gospel Album
      • I Will Not Be Moved (Live) by The Brooklyn Tabernacle Choir
      • Then Came The Morning by Gaither Vocal Band
      • Praise & Worship: More Than A Hollow Hallelujah by The Isaacs
      • Good Answers by Karen Peck & New River
      • Back To My Roots by Candi Staton
      1. Best Latin Pop Album
      • Cosa Nuestra by Rauw Alejandro 
      • BOGOTÁ (DELUXE) by Andrés Cepeda
      • Tropicoqueta by Karol G
      • Cancionera by Natalia Lafourcade
      • ¿Y ahora qué? by Alejandro Sanz
      1. Best Música Urbana Album
      • DeBÍ TiRAR MáS FOToS by Bad Bunny
      • Mixteip by J Balvin
      • FERXXO VOL X: Sagrado by Feid
      • NAIKI by Nicki Nicole
      • EUB DELUXE by Trueno
      • SINFÓNICO (En Vivo) by Yandel
      1. Best Latin Rock or Alternative Album
      • Genes Rebeldes by Aterciopelados
      • ASTROPICAL by Bomba Estéreo, Rawayana, ASTROPICAL
      • PAPOTA by CA7RIEL & Paco Amoroso
      • ALGORHYTHM by Los Wizzards
      • Novela by Fito Paez
      1. Best Música Mexicana Album (Including Tejano)
      • MALA MÍA by Fuerza Regida, Grupo Frontera
      • Y Lo Que Viene by Grupo Frontera
      • Sin Rodeos by Paola Jara
      • Palabra De To's (Seca) by Carín León
      • Bobby Pulido & Friends Una Tuya Y Una Mía - Por La Puerta Grande (En Vivo) by Bobby Pulido
      1. Best Tropical Latin Album
      • Fotografías by Rubén Blades, Roberto Delgado & Orquesta
      • Raíces by Gloria Estefan
      • Clásicos 1.0 by Grupo Niche
      • Bingo by Alain Pérez
      • Debut y Segunda Tanda, Vol. 2 by Gilberto Santa Rosa
      1. Best Global Music Performance 
      • "EoO" by Bad Bunny
      • "Cantando en el Camino" by Ciro Hurtado
      • "JERUSALEMA" by Angélique Kidjo
      • "Inmigrante Y Que?" by Yeisy Rojas
      • "Shrini's Dream (Live)" by Shakti
      • "Daybreak" by Anoushka Shankar Featuring Alam Khan & Sarathy Korwar
      1. Best African Music Performance
      • "Love" by Burna Boy
      • "With You" Davido feat. Omah Lay
      • "Hope & Love" by Eddy Kenzo & Mehran Matin
      • "Gimme Dat" by Ayra Starr feat. Wizkid
      • "PUSH 2 START" by Tyla
      1. Best Global Music Album
      • Sounds of Kumbha by Siddhant Bhatia
      • No Sign of Weakness by Burna Boy
      • Eclairer le monde - Light the World by Youssou N'Dour
      • Mind Explosion (50th Anniversary Tour Live) by Shakti
      • Chapter III: We Return to Light by Anoushka Shankar feat. Alam Khan & Sarathy Korwar
      • Caetano e Bethânia Ao Vivo by Caetano Veloso And Maria Bethânia
      1. Best Reggae Album 
      • Treasure Self Love by Lila Iké
      • Heart & Soul by Vybz Kartel
      • BLXXD & FYAH by Keznamdi
      • From Within by Mortimer
      • No Place Like Home by Jesse Royal
      1. Best New Age, Ambient or Chant Album
      • Kuruvinda by Kirsten Agresta-Copely
      • According To The Moon by Cheryl B. Engelhardt, GEM, Dallas String Quartet
      • Into The Forest by Jahnavi Harrison
      • Nomadica by Carla Patullo Featuring The Scorchio Quartet & Tonality
      • The Colors In My Mind by Chris Redding
      1. Best Children's Music Album
      • Ageless: 100 Years Young by Joanie Leeds & Joya
      • Buddy's Magic Tree House by Mega Ran
      • Harmony by FYÜTCH & Aura V
      • Herstory by Flor Bromley
      • The Music Of Tori And The Muses by Tori Amos
      1. Best Comedy Album 
      • Drop Dead Years by Bill Burr
      • PostMortem by Sarah Silverman
      • Single Lady by Ali Wong
      • What Had Happened Was… by Jamie Foxx
      • Your Friend, Nate Bargatze by Nate Bargatze
      1. Best Audio Book, Narration, and Storytelling Recording
      • Elvis, Rocky & Me: The Carol Connors Story – Kathy Garver
      • Into The Uncut Grass – Trevor Noah
      • Lovely One: A Memoir – Ketanji Brown Jackson
      • Meditations: The Reflections Of His Holiness The Dalai Lama – Dalai Lama
      • You Know It's True: The Real Story Of Milli Vanilli – Fab Morvan
      1. Best Compilation Soundtrack For Visual Media
      • A Complete Unknown (Timothée Chalamet)
      • F1 The Album (Various Artists)
      • KPop Demon Hunters (Various Artists)
      • Sinners (Various Artists)
      • Wicked (Various Artists)
      1. Best Score Soundtrack For Visual Media (Includes Film And Television)
      • How To Train Your Dragon – John Powell, composer
      • Severance: Season 2 – Theodore Shapiro, composer
      • Sinners – Ludwig Göransson, composer
      • Wicked – John Powell & Stephen Schwartz, composers
      • The Wild Robot – Kris Bowers, composer
      1. Best Score Soundtrack for Video Games and Other Interactive Media
      • Avatar: Frontiers of Pandora - Secrets of the Spires – Pinar Toprak, composer
      • Helldivers 2 – Wilbert Roget, II, composer
      • Indiana Jones And The Great Circle – Gordy Haab, composer
      • Star Wars Outlaws: Wild Card & A Pirate's Fortune – Cody Matthew Johnson & Wilbert Roget, II, composers
      • Sword of the Sea – Austin Wintory, composer
      1. Best Song Written for Visual Media
      • "As Alive As You Need Me To Be" [From TRON: Ares] – Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)
      • "Golden" [From KPop Demon Hunters] –  EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
      • "I Lied to You" [From Sinners] – Ludwig Göransson & Raphael Saadiq, songwriters (Miles Caton)
      • "Never Too Late" [From Elton John: Never Too Late] – Brandi Carlile, Elton John, Bernie Taupin & Andrew Watt, songwriters (Elton John, Brandi Carlile)
      • "Pale, Pale Moon" [From Sinners] – Ludwig Göransson & Brittany Howard, songwriters (Jayme Lawson)
      • "Sinners" [From Sinners] – Leonard Denisenko, Rodarius Green, Travis Harrington, Tarkan Kozluklu, Kyris Mingo & Darius Povilinus, songwriters (Rod Wave)
      1. Best Music Video
      • "Young Lion" by Sade; Sophie Muller, video director; Sade & Aaron Taylor Dean, video producers
      • "Manchild" by Sabrina Carpenter; Vania Heymann & Gal Muggia, video directors; Aiden Magarian, Nathan Scherrer & Natan Schottenfels, video producers
      • "So Be It" by Clipse; Hannan Hussain, video director; Daniel Order, video producer
      • "Anxiety" by Doechii; James Mackel, video director; Pablo Feldman, Jolene Mendes & Sophia Sabella, video producers
      • "Love" by OK Go; Aaron Duffy, Miguel Espada & Damian Kulash Jr., video directors; Petra Ahmann, video producer
      1. Best Music Film
      • Devo (Devo) – Chris Smith, video director; Danny Gabai, Anita Greenspan, Chris Holmes & Chris Smith, video producers
      • Live At The Royal Albert Hall (RAYE) – Paul Dugdale, video director; Stefan Demetriou & Amy James, video producers
      • Relentless (Diane Warren) – Bess Kargman, video director; Peggy Drexler, Michele, Farinola & Kat Nguyen, video producers
      • Music By John Williams (John Williams) – Laurent Bouzereau, video director; Sara Bernstein, Laurent Bouzereau, Justin Falvey, Darryl Frank, Brian Grazer, Ron Howard, Meredith Kaulfers, Kathleen Kennedy, Frank Marshall, Steven Spielberg & Justin Wilkes, video producers
      • Piece By Piece (Pharrell Williams) – Morgan Neville, video director; Morgan Neville, Caitrin Rogers, Mimi Valdes & Pharrell Williams, video producers
      1. Best Recording Package
      • And The Adjacent Possible – Hà Trinh Quoc Bao, Damian Kulash, Jr., Claudio Ripol, Wombi Rose & Yuri Suzuki, art directors (OK Go)
      • Balloonerism – Bráulio Amado & Alim Smith, art directors (Mac Miller)
      • Danse Macabre: De Luxe – Rory McCartney, art director (Duran Duran)
      • Loud Is As – Farbod Kokabi & Emily Sneddon, art directors (Tsunami)
      • Sequoia – Tim Breen & Ken Shipley, art directors (Various Artists)
      • The Spins (Picture Disc Vinyl) – Miller McCormick, art director (Mac Miller)
      • Tracks II: The Lost Albums – Meghan Foley & Michelle Holme, art directors (Bruce Springsteen)
      1. Best Album Cover
      • CHROMAKOPIA – Shaun Llewellyn & Luis "Panch" Perez, art directors (Tyler, The Creator)
      • The Crux – William Wesley II, art director (Djo)
      • DeBÍ TiRAR MáS FOToS – Benito Antonio Martinez Ocasio, art director (Bad Bunny)
      • Glory – Cody Critcheloe & Andrew J.S., art directors (Perfume Genius)
      • moisturizer – Hester Chambers, Ellis Durand, Henry Holmes, Matt de Jong, Jamie-James Medina, Joshua Mobaraki & Rhian Teasdale, art directors (Wet Leg)
      1. Best Album Notes
      • Adios, Farewell, Goodbye, Good Luck, So Long: On Stage 1964-1974 – Scott B. Bomar, album notes writer (Buck Owens And His Buckaroos)
      • After The Last Sky – Adam Shatz, album notes writer (Anouar Brahem, Anja Lechner, Django Bates, Dave Holland)
      • Árabe – Amanda Ekery, album notes writer (Amanda Ekery)
      • The First Family: Live At Winchester Cathedral 1967 – Alec Palao, album notes writer (Sly & The Family Stone)
      • A Ghost Is Born (20th Anniversary Deluxe Edition) – Bob Mehr, album notes writer (Wilco)
      • Miles '55: The Prestige Recordings – Ashley Kahn, album notes writer (Miles Davis)
      1. Best Historical Album
      • Joni Mitchell Archives - Volume 4: The Asylum Years (1976-1980) — Patrick Milligan & Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)
      • The Making Of Five Leaves Left — Cally Callomon & Johnny Chandler, compilation producers; Simon Heyworth & John Wood, mastering engineers (Nick Drake)
      • Roots Rocking Zimbabwe - The Modern Sound Of Harare' Townships 1975-1980 (Analog Africa No.41) — Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)
      • Super Disco Pirata - De Tepito Para El Mundo 1965-1980 (Analog Africa No. 39) – Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)
      • You Can't Hip A Square: The Doc Pomus Songwriting Demos – Will Bratton,Sharyn Felder & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Doc Pomus)
      1. Best Engineered Album, Non-Classical
      • All Things Light – Jesse Brock, Jon Castelli, Tyler Johnson, Nick Lobel, Simon Maartensson, Lawrence "Boo" Mitchell, Anders Mouridsen, Ryan Nasci, Ernesto Olivera-Lapier, Ethan Schneiderman & Owen Stoutt, engineers; Dale Becker, mastering engineer (Cam)
      • Arcadia – Neal Cappellino & Gary Paczosa, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)
      • For Melancholy Brunettes (& sad women) – Joseph Lorge, Blake Mills & Sebastian Reunert, engineers; Patricia Sullivan, mastering engineer (Japanese Breakfast)
      • That Wasn't A Dream – Joseph Lorge & Blake Mills, engineers; Patricia Sullivan, mastering engineer (Pino Palladino, Blake Mills)
      1. Best Engineered Album, Classical
      • Cerrone: Don't Look Down – Mike Tierney, engineer; Alan Silverman, mastering engineer (Sandbox Percussion)
      • Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2 – Gintas Norvila, engineer; Jennifer Nulsen, mastering engineer (Franz Welser-Möst & The Cleveland Orchestra)
      • Shostakovich: Lady Macbeth Of The Mtsensk District – Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons, Kristine Opolais, Günther Groissböck, Peter Hoare, Brenden Gunnell & Boston Symphony Orchestra)
      • Standard Stoppages – Sean Connors, Robert Dillon, Peter Martin, Bill Maylone, Judith Sherman & David Skidmore, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)
      • Yule – Morten Lindberg, engineer; Morten Lindberg, mastering engineer (Trio Mediæval)
      1. Producer of the Year, Classical
      • Blanton Alspaugh
      • Sergei Kvitko
      • Morten Lindberg
      • Dmitriy Lipay 
      • Elaine Martone
      1. Best Immersive Audio Album
      • All American F***boy – Andrew Law, immersive mix engineer (Duckwrth)
      • Immersed – Justin Gray, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Justin Gray, Drew Jurecka & Morten Lindberg, immersive producers (Justin Gray)
      • An Immersive Tribute To Astor Piazzolla (Live) – Andrés Mayo & Martín Muscatello, immersive mix engineers; Andrés Mayo & Martín Muscatello, immersive producers (Various Artists)
      • Tearjerkers – Hans-Martin Buff, immersive mix engineer; Hans-Martin Buff, immersive producer (Tearjerkers)
      • Yule – Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Arve Henriksen & Morten Lindberg, immersive producers (Trio Mediæval)
      1. Best Instrumental Composition
      • "First Snow" – Remy Le Boeuf, composer (Nordkraft Big Band, Remy Le Boeuf & Danielle Wertz)
      • "Live Life This Day: Movement I" – Miho Hazama, composer (Miho Hazama, Danish Radio Big Band & Danish National Symphony Orchestra)
      • "Lord, That's A Long Way" – Sierra Hull, composer (Sierra Hull)
      • "Opening" – Zain Effendi, composer (Zain Effendi)
      • "Train To Emerald City" – John Powell & Stephen Schwartz, composers (John Powell & Stephen Schwartz)
      • "Why You Here / Before The Sun Went Down" – Ludwig Göransson, composer (Ludwig Göransson feat. Miles Caton)
      1. Best Arrangement, Instrumental or A Cappella
      • "Be Okay" – Cynthia Erivo, arranger (Cynthia Erivo)
      • "A Child Is Born" – Remy Le Boeuf, arranger (Nordkraft Big Band & Remy Le Boeuf)
      • "Fight On" – Andy Clausen, Addison Maye-Saxon, Riley Mulherkar & Chloe Rowlands, arrangers (The Westerlies)
      • "Super Mario Praise Break" – Bryan Carter, Charlie Rosen & Matthew Whitaker, arrangers (The 8-Bit Big Band)
      1. Best Arrangement, Instruments and Vocals
      • "Big Fish" – Erin Bentlage, Sara Gazarek, Johnaye Kendrick, Nate Smith & Amanda Taylor, arrangers (Nate Smith feat. säje)
      • "How Did She Look?" – Nelson Riddle, arranger (Seth MacFarlane)
      • "Keep An Eye On Summer" – Jacob Collier, arranger (Jacob Collier)
      • "Something In The Water (Acoustic-Ish)" – Clyde Lawrence, Gracie Lawrence & Linus Lawrence, arrangers (Lawrence)
      • "What A Wonderful World" – Cody Fry, arranger (Cody Fry)
      1. Best Orchestral Performance
      • Coleridge-Taylor: Toussaint L'Ouverture; Ballade Op. 4; Suites From '24 Negro Melodies' – Michael Repper, conductor (National Philharmonic)
      • Messiaen: Turangalîla-Symphonie – Andris Nelsons, conductor (Boston Symphony Orchestra)
      • Ravel: Boléro, M. 81 – Gustavo Dudamel, conductor (Simón Bolívar Symphony Orchestra Of Venezuela)
      • Still & Bonds – Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
      • Stravinsky: Symphony In Three Movements – Esa-Pekka Salonen, conductor (San Francisco Symphony)
      1. Best Opera Recording
      • Heggie: Intelligence – Kwamé Ryan, conductor; Jamie Barton, J'Nai Bridges & Janai Brugger; Blanton Alspaugh, producer (Houston Grand Opera; Gene Scheer)
      • Huang Ruo: An American Soldier – Carolyn Kuan, conductor; Hannah Cho, Alex DeSocio, Nina Yoshida Nelsen & Brian Vu; Adam Abeshouse, Silas Brown & Doron Schachter, producers (American Composers Orchestra; David Henry Hwang
      • Kouyoumdjian: Adoration – Alan Pierson, conductor; Miriam Khalil, Marc Kudisch, David Adam Moore, Omar Najmi, Naomi Louisa O'Connell & Karim Sulayman; Mary Kouyoumdjian, producer (Silvana Quartet; The Choir Of Trinity Wall Street)
      • O'Halloran: Trade & Mary Motorhead – Elaine Kelly, conductor; Oisín Ó Dálaigh & John Molloy; Alex Dowling & Emma O'Halloran, producers (Irish National Opera Orchestra; Mark O'Halloran)
      • Tesori: Grounded – Yannick Nézet-Séguin, conductor; Ben Bliss, Emily D'Angelo, Greer Grimsley & Kyle Miller; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus; George Brant)
      1. Best Choral Performance
      • Advena - Liturgies For A Broken World – Craig Hella Johnson, conductor (Simon Barrad, Emily Yocum Black & Michael Hawes; Conspirare)
      • Childs: In The Arms Of The Beloved – Grant Gershon, conductor (Billy Childs, Dan Chmlellnskl, Christian Euman, Larry Koonse, Lyris Quartet, Anne Akiko Meyers, Carol Robbins & Luciana Souza; Los Angeles Master Chorale)
      • Lang: Poor Hymnal – Donald Nally, conductor (Steven Bradshaw, Michael Hawes, Lauren Kelly, Rebecca Siler & Elisa Sutherland; The Crossing)
      • Ortiz: Yanga – Gustavo Dudamel, conductor; Grant Gershon, chorus master (Los Angeles Philharmonic & Tambuco Percussion Ensemble; Los Angeles Master Chorale)
      • Requiem Of Light – Steven Fox, conductor; Emily Drennan & Patti Drennan, chorus masters (Brian Giebler & Sangeeta Kaur; The Clarion Choir)
      1. Best Chamber Music/Small Ensemble Performance
      • Dennehy: Land Of Winter – Alan Pierson & Alarm Will Sound
      • La Mer - French Piano Trios – Neave Trio
      • Lullabies For The Brokenhearted – Lili Haydn & Paul Cantelon 
      • Slavic Sessions – Mak Grgić & Mateusz Kowalski
      • Standard Stoppages – Third Coast Percussion
      1. Best Classical Instrumental Solo
      • Coleridge-Taylor: 3 Selections From '24 Negro Melodies' by Curtis Stewart; Michael Repper, conductor (National Philharmonic)
      • Hope Orchestrated by Mary Dawood Catlin; Jesús David Medina & Raniero Palm, conductors (Venezuela Strings Recording Ensemble)
      • Inheritances by Adam Tendler
      • Price: Piano Concerto In One Movement In D Minor by Han Chen; John Jeter, conductor (Malmö Opera Orchestra)
      • Shostakovich: The Cello Concertos by Yo-Yo Ma; Andris Nelsons, conductor (Boston Symphony Orchestra)
      • Shostakovich: The Piano Concertos; Solo Works by Yuja Wang; Andris Nelsons, conductor (Boston Symphony Orchestra)
      1. Best Classical Solo Album
      • Alike - My Mother's Dream – Allison Charney, soloist; Benjamin Loeb, conductor (National Symphonia Orchestra)
      • Black Pierrot – Sidney Outlaw, soloist; Warren Jones, pianist
      • In This Short Life – Devony Smith, soloist; Danny Zelibor, pianist; Michael Nicolas, accompanist
      • Kurtág: Kafka Fragments – Susan Narucki, soloist; Curtis Macomber, accompanist
      • Schubert Beatles – Theo Hoffman, soloist; Steven Blier, pianist (Rupert Boyd, Julia Bullock, Alex Levine, Andrew Owens, Rubén Rengel & Sam Weber)
      • Telemann: Ino - Opera Arias For Soprano – Amanda Forsythe, soloist; Robert Mealy, Paul O'Dette & Stephen Stubbs, conductors (Boston Early Music Festival Orchestra)
      1. Best Classical Compendium
      • Cerrone: Don't Look Down – Sandbox Percussion; Jonathan Allen, Victor Caccese, Christopher Cerrone, Ian Rosenbaum, Terry Sweeney & Mike Tierney, producers
      • The Dunbar/Moore Sessions, Vol. II – Will Liverman; Jonathan Estabrooks, producer
      • Ortiz: Yanga – Gustavo Dudamel, conductor; Dmitriy Lipay, producer
      • Seven Seasons – Janai Brugger, Isolde Fair, MB Gordy & Starr Parodi; Nicholas Dodd, conductor; Jeff Fair, Starr Parodi & Kitt Wakeley, producers
      • Tombeaux – Christina Sandsengen; Shaun Drew & Christina Sandsengen, producers
      1. Best Contemporary Classical Composition
      • Cerrone: Don't Look Down – Christopher Cerrone, composer (Conor Hanick & Sandbox Percussion)
      • Dennehy: Land Of Winter – Donnacha Dennehy, composer (Alan Pierson & Alarm Will Sound)
      • León: Raíces (Origins) – Tania León, composer (Edward Gardner & London Philharmonic Orchestra)
      • Okpebholo: Songs In Flight – Shawn E. Okpebholo, composer (Will Liverman, Paul Sánchez & Various Artists)
      • Ortiz: Dzonot – Gabriela Ortiz, composer (Alisa Weilerstein, Gustavo Dudamel & Los Angeles Philharmonic)

      Copyright 2025 NPR

    • 3,000 vinyls for fire survivors
      A record shop interior with shelves stocked with vinyl records. The words "Record Shop" are overlaid on the image in large red and white script, with a stylized vinyl record graphic and a heart-shaped location pin in the center.

      Topline:

      A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

      The backstory: After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost gear in the fires. Now he’s doing that with vinyl records, too.

      Read on ... to find details.

      A new free record shop for survivors of last year’s Eaton and Palisades fires is celebrating with a grand opening party Saturday night.

      After losing his home in the Eaton Fire, Brandon Jay founded Altadena Musicians to get instruments back into the hands of musicians who lost their gear in fires.

      Now he’s doing that with vinyl records, too.

      Record Shop grand opening
      Altadena Music Center
      1260 Lincoln Ave., Suite 1300, Pasadena
      Saturday, May 30
      Record donations starting at 1 p.m. Grand opening party is 6 - 9 p.m.
      For more info and to register a free ticket, check out the Altadena Music Center event page.
      LAist is a media sponsor for the event. 

      “We want to be here to help replace those items and support music in people’s lives that can’t necessarily afford it right now because they’re saving all their pennies just to live and also just to rebuild their homes,” Jay told LAist.

      Jay says they’ve seen roughly 3,000 records donated so far. Now they have a dedicated space on Lincoln Avenue where fire survivors can sign up for time slots and shop for up to 10 records a month.

      “It’s a really lovely distraction but it kind of keeps me going as well just to know that we’re trying to build something great for the community and keep us all moving forward,” Jay said.

      The store will carry copies of the benefit album, Gimme Shelter: Songs for LA Fire Relief. The compilation features cover art by Shepard Fairey and L.A. specific tracks from artists like Elliott Smith ("Angeles" of course), Norah Jones, The Flaming Lips, as well as a cover of "Burning Down the House" by Talking Heads performed by Jay and about 50 other fire-impacted musicians.

    • Sponsored message
    • New album, new NoHo studio
      Close-up of Ziggy Marley smiling, wearing a burgundy knit hat and a matching burgundy suit jacket.
      Ziggy Marley breaks emotional and creative ground in his new album Brightside

      Topline:

      Ziggy Marley is back with a new solo album that includes the first song he's written about his father, Bob Marley. Brightside also marks Marley's experimentation with recording at a different frequency.

      What's the frequency: Marley said he recorded Brightside at 432 hertz — a departure from mainstream music recorded at 440 hertz — to change the emotional listening experience.

      His own space: Marley recorded at Rebel Lion Studio, his newly-built facility in North Hollywood. After more than two decades in L.A., Marley said the city's concentration of creatives has played a major role in his own growth as an artist.

      What's next: Marley says he's already working on his next album, a children's book and a return to film production of some kind, saying he wants to explore his creativity next in a visual medium.

      Reggae star Ziggy Marley has spent decades carrying one of music’s most celebrated legacies. But until now, he had never written a song directly about his father, Bob Marley.

      That’s changed with “Many Mourn for Bob,” a track on Marley’s ninth solo album Brightside, his first release recorded in his new studio in North Hollywood.

      Marley was just 12 when his father died of cancer in 1981. Now 57, Marley says the song instinctually emerged after years of life experience and producing the biopic One Love, which revisited his father’s struggles like an assassination attempt amid political violence in Jamaica.

      “He went through some things that was really tough on a human being – and just understanding him in that light is to have a little bit more emotional, deeper connection to his experience,” Marley said in an interview at his studio.

      Searching for the bright side

      The deeply personal track is part of a splashy return for Marley, who's touring behind Brightside and will perform at the Hollywood Bowl on June 21.

      Reggae Night XXIV featuring Ziggy Marley and Burning Spear, with a DJ set by Zuri Marley

      When: Sunday, June 21, 7 p.m.

      Where: Hollywood Bowl, 2301 N. Highland Ave., Los Angeles

      The new album blends political themes, optimism and musical experimentation.

      Its lead single, “Racism Is a Killa,” featuring Big Boi, pairs the heavy topic with an upbeat groove that he hopes will make the song more accessible to young people.

      “We just wanna come out straightforward, like I never want to come out tiptoeing,” Marley said. “I want to say something that can catch your ears or catch your thoughts.”

      That tension between darkness and hope runs throughout Brightside. Marley described the album as a reflection on enduring difficult periods – from the pandemic to the Los Angeles wildfires – without losing sight of optimism.

      “Sometimes we get lost in that so much that we don't realize that there is always a bright side,” Marley said.

      The 432 Hz experiment

      The album also experiments sonically: Marley recorded Brightside using 432 hertz tuning instead of the standard 440 hertz in most mainstream music. Advocates of 432 hertz believe it produces a warmer, more meditative sound better synced to the natural world. (You can hear the difference for yourself here.)

      “It's a lower musical frequency, but it's a higher frequency in a next sense of your spirituality and emotion,” he said. “So even though the numbers go down, the frequency actually go up.”

      Marley sees the move as part of a larger search for new creative approaches.

      “I'm very open-minded and always trying to evolve and just experiment with life and music,” Marley said.

      The Grammy winner, who joins James Blake and Ed O’Brien of Radiohead as the most high-profile artists to record at the lower frequency, floated the idea of a larger movement among artists.

      “Let's just have a revolution in the music industry,” he said. “Let's change the frequency.”

      Building a dream

      Marley works out of his Rebel Lion Studio in North Hollywood, its name a nod to his 2018 album Rebellion Rises while also a play on the word “rebellion.”

      He described the studio as an extension of the independent spirit his father built with Tuff Gong Studio in Jamaica.

      A spacious rehearsal studio or recording room filled with musical instruments, including guitars, keyboards, a drum kit, and congas, set up on patterned rugs.
      Musicians set up for rehearsal ahead of the next leg of Ziggy Marley's tour.
      (
      Josie Huang
      /
      LAist
      )

      “My father had a dream, and I had a dream too,” Marley said.

      Like with Tuff Gong, Marley also plans to expand the studio operation to include vinyl pressing as records continue their resurgence in the streaming era.

      “There’s always gonna be a vinyl present going on,” Marley said. “A thousand years from now, people that we're still gonna need vinyl records to listen to music.”

      A smiling Ziggy Marley in a black-and-white knit beanie stands next to a framed, colorful, vintage-style concert poster.
      Ziggy Marley in the hallway of his new studio in North Hollywood.
      (
      Josie Huang
      /
      LAist
      )

      For years, Marley said, he worked out of smaller home setups and rented facilities before deciding to build a larger permanent space in L.A.

      Marley said the city has become central to his own creative evolution over the last two decades of living and working here.

      Drawn initially by music, friends and the city's small but tight-knit Jamaican community, he says being surrounded by creatives from different backgrounds helped push his artistry in new directions.

      “I left my safety and my community, my tribe, and come out by myself to L.A.,” he said. “But it's a great experience. It really helped my growth as a human being being here.”

      What’s next

      Fresh off the release of Brightside, Marley says he’s already working on another album – a notably quicker turnaround since his last album, the family-music release More Family Time in 2020,

      “We're doing back to back,” he said.

      Ziggy Marley sings into a microphone with his eyes closed while playing an electric guitar on a brightly lit stage.
      Ziggy Marley will be performing at the Hollywood Bowl on June 21 as part of a tour supporting his new album Brightside.
      (
      Astrida Valigorsky
      /
      Getty Images
      )

      He’s also busy writing a children’s book based on his feel-good hit anthem “True to Myself” and eyeing opportunities in front – or behind the camera – inspired by his time working on One Love and making the video for “Racism Is A Killa.”

      “Same philosophy, same message, but within visuals, you know?” Marley said excitedly. “I want to create some stories and try out. I feel it coming. I can feel it.”

    • Path to Measure ULA reforms remains muddled
      A woman with medium-light skin tone with shoulder length dark hair wearing a dark blue blazer and beige blouse leans into a mic from behind a wooden dais with a sign that reads "Jurado."
      Los Angeles City Councilmember Ysabel J. Jurado at a council meeting in April, 2025.

      Topline:

      A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half. Ysabel Jurado, chair of the ad hoc committee on Measure ULA, said it's too early to determine the tax's long-term effects on housing and revenue.

      Why it matters: The proposal by Councilmembers John Lee and Marqueece Harris-Dawson would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

      How we got here: L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department. Critics say the tax has suppressed housing development.

      What's next?: In its final meeting, the committee instead advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects. The ULA committee dissolves this weekend, but the ballot measure proposal was also referred to the City Council's rules committee, which could decide to take it up in the coming months.

      A City Council committee voted Friday to shelve a proposed ballot measure aimed at cutting L.A.'s “mansion tax” nearly in half.

      The ad hoc committee on Measure ULA voted 2-1 to set aside a proposal by Councilmembers John Lee and Marqueece Harris-Dawson that would have asked voters in November to reduce the ULA transfer tax rate for multifamily and mixed-use properties to somewhere between 2% and 3.5%, down from the current rate of up to 5.5%.

      However, the ballot measure proposal was also referred to the City Council’s rules, elections, and intergovernmental relations committee, which could still choose to move it forward.

      Instead, the ad hoc committee advanced a narrower pilot program that would reduce the property transfer tax only for newly built affordable housing projects.

      The pilot program won't need voter approval in the form of a ballot measure. Committee Chair Ysabel Jurado, who introduced the substitute language, said she believes the city should avoid a ULA ballot measure because it’s still too early to evaluate the measure’s long-term effects.

      “ I'm against going to the ballot, but I'm for making fixes that make this better,” Jurado said.

      Voters will see a separate proposal on their ballots by the Howard Jarvis Taxpayers Association to effectively repeal Measure ULA.

      If the L.A. City Council does not approve reforming the measure, the only decision on the ballot in November may be whether to keep the mansion tax in its current form or end it.

      About the mansion tax

      L.A. voters approved Measure ULA in 2022 to fund affordable housing and homelessness prevention. The measure taxes real estate sales over about $5 million. Since taking effect in April 2023, ULA has raised just over $1.1 billion from 1,633 real estate transactions, according to the city’s housing department.

      The city projects it will generate about $500 million in the coming fiscal year — about half of what proponents initially promised. It has funded about 800 new affordable units and helped stabilize thousands of renters facing eviction, according to the housing department.

      But critics say the tax has suppressed housing development. Several studies link the tax to a slowdown in apartment construction in Los Angeles, but ULA supporters say high interest rates and broader economic conditions are to blame.

      The City Council's ad hoc committee on Measure ULA was formed earlier this year to study how the measure is working and develop potential reforms. That work took on more urgency inside L.A. city hall after the Howard Jarvis Taxpayers Association qualified a statewide ballot measure for November that would effectively repeal Measure ULA entirely.

      Joe Donlin, director of the United to House LA coalition, which campaigned for the original measure, said the City Council committee made the right call by rejecting broader exemptions.

      “By not taking up the extreme calls for broad, 15-year waivers that could cost the program about a third of its revenue, the committee acknowledged that ULA is working,” Donlin said in a statement.

      A separate group of housing developers, union workers and advocacy groups calling itself the “Mend It, Don’t End It” coalition has been urging city hall to make changes to ULA. On Friday, the group said it supports the measure, but believes targeted reforms are still needed.

      “Independent research shows that Measure ULA has slowed housing production in Los Angeles at a time when we need more housing, not less,” said Melanie Mendoza, a coalition spokesperson.

      What the data show

      The debate over ULA's impact played out in the committee room Friday morning. The city's chief legislative analyst reviewed seven independent studies on ULA’s impact. Three of those studies concluded ULA had suppressed housing production and reduced property tax revenues, while four found no meaningful negative impact.

      Before ULA took effect, Los Angeles collected about $22 million a month in transfer tax. After that, it dropped to about $13 million. But city legislative analyst Henry Flatt told the committee a similar decline happened in cities without the tax, including Glendale, Long Beach, Pasadena and Santa Clarita.

      “We are not currently convinced that Measure ULA has had an extremely negative impact on general fund revenues,” Flatt told the committee.

      The county assessor's office read the same period differently. Scott Thornberry, an assistant assessor with L.A. County, told the committee that commercial and industrial property sales are falling in the city but not elsewhere in the county.

      “We are seeing, we believe, a trend line of impact to property tax revenue growth in the city of L.A. specifically," Thornberry said.

      What the committee did

      Instead of the ballot measure, the committee voted to develop a five-year pilot program cutting the ULA tax to 1.5% for newly constructed affordable housing projects that meet specific requirements.

      Lee, whose ballot measure was replaced with language advancing the pilot program, said he hadn't seen the substitute prior to Friday’s meeting and voted against it.

      “This was just placed in front of me,” he said. Lee objected to a provision in the substitute recommendations calling for $30 million in new spending on homelessness support.

      “Without knowing where this money's coming from, I'm going to have to vote no,” he said.

      Lee told LAist he supports stronger oversight and technical improvements to Measure ULA, but believes a ballot measure is the right approach.

      “Voters deserve the opportunity to consider targeted changes that would preserve the intent of the measure while addressing its unintended impacts on housing production and real estate activity in Los Angeles,” the councilmember said, in a statement.

      Friday's meeting was the committee's final scheduled hearing. The committee, which is set to dissolve June 1, also voted to advance a narrower nonprofit tax refund limited to organizations that can prove all sale proceeds went directly to affordable housing.

      The committee continued a separate motion on fire exemptions for Palisades fire victims, which will be heard by another council committee. A motion to loosen eligibility rules for the ULA Citizens Oversight Committee was noted and filed.

      Councilmember Imelda Padilla, who introduced several of the committee's motions, said the process had been guided by a commitment to protect the measure.

      "My goal has always been to listen carefully, bring people into the conversation, and protect ULA while honoring the voters' intent," she said at Friday’s meeting.

      In her closing remarks, Jurado reflected on the three-member committee’s past work.

      “We released $14 million in rental assistance to the most vulnerable Angelenos and $300 million for affordable housing,” she said. “We did in six or seven meetings what others couldn't do in five years.”

      The ad hoc committee's recommendations now move to the full City Council.

      Harris-Dawson and Lee’s ballot measure motion will be considered by the City Council’s rules committee at a later date, officials said.

    • Celebrate movie monsters in Pasadena this weekend
      A light skinned woman wearing eerie makeup that makes her look like a green and pink tinged elf. She's wearing a headpiece made of grass and flowers. Another light skinned woman with tatooed arms, wearing a grey T shirt, is helping to put on the costume and make up.
      L.A.-based Makeup Designory School designs a fantasy woodland creature at a past Monsterpalooza.

      Topline:

      The annual movie-monster bash for horror fans returns to the Pasadena Convention Center this weekend. The event features panel discussions, celebrity photo ops, a monster museum, live makeup demos and over 400 exhibitors.

      What can I expect: Rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at the practical effects that’ll make your flesh creep.

      What should I wear: Cosplay as your favorite filmic haunts or don a classic tee celebrating genre history. Just come ready to adore all things that gnaw and gash.

      Read on... for more details about the event.

      Monsterpalooza, the annual movie-monster bash for horror fans, returns to the Pasadena Convention Center this weekend, starting Friday night (May 29) and lasting through Sunday.

      What to expect

      Now in its 18th year, devotees can rub elbows with legendary beastie creators, browse hundreds of vendors who traffic in the weird and unsettling, and marvel at practical effects that’ll make your flesh creep.

      Dozens of panels and presentations are scheduled, including a deep-dive into the 95th anniversary of the Dracula and Frankenstein movies by writer Julian David Stone.

      Bright classic horror movie posters for The Vampire and the Bride of Frankenstein make a lively background for a light skinned bald headed man who sits on the stage talking into a microphone.
      Writer Julian David Stone gives a presentation at a past Monsterpalooza event.
      (
      Perry Shields
      /
      Courtesy Julian David Stone
      )

      Stone said that the two classic movies have left a lasting impact.

      Dracula is a movie about supernatural horror..... and Frankenstein is about technological or man-made horror," he said. "You can just trace those two themes all the way forward to this past year with Sinners and Megan 2.0."

      A light skinned man in a baseball hat, blue polo shirt and jeans stands next to "armageddon rat", a hideous human sized rat in medievel armor.
      Richard Redlefsen's Armageddon Rat at the PPI Booth at a past Monsterpalooza.
      (
      Steve Jennings Photography
      /
      Courtesy Visit Pasadena
      )

      Stone first attended the convention in 2008, returning over the years as a fan, spectator and presenter.

      “It’s just a terrific convention that celebrates all things horror,” Stone said. “There’s a lot of celebrities you can meet who were in these horror films and you can get pictures with them." He added that he’ll never forget when he met Carla Laemmle in 2010 — the last living cast member of the original 1931 Dracula.

      Two men with light tone with grey hair and beards stand either side of a clown with grotesque features wearing a filthy clown costume.
      Mike Mekash and Chris Nelson re-created Twisty the Clown on Dan Gilbert at the PPI Booth at a past Monsterpalooza.
      (
      Steve Jennings
      /
      Courtesy Visit Pasadena
      )

      Who's attending

      If you’re jonesing to be photographed with high-profile entertainers (expect a fee for many), this year's event has a line-up that includes musician Alice Cooper, actress Lin Shaye from the Insidious movie franchise and David Howard Thornton, who plays Art the Clown in the popular Terrifier movie series.

      Cosplay and crazy costumes are encouraged, although a T-shirt celebrating a classic horror movie will also do. Just come ready to adore all things that gnaw and gash.

      MONSTERPALOOZA details

      Location: 300 E. Green St., Pasadena

      Ticket prices at the door: Friday $50, Saturday $55, Sunday $55, 3-day pass $99

      Hours: Friday 6 p.m. - 11 p.m., Saturday 11 a.m. - 6 p.m., Sunday 11 a.m. - 6 p.m.

      More details >