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  • Kendrick Lamar's reign continues with 9 noms

    Topline:

    Kendrick Lamar's reign continues: The Los Angeles rapper has received nine Grammy nominations for the 2026 awards, following a triumphant sweep earlier this year in which he took home more golden Gramophones than any other artist — including record of the year and song of the year for his mic-dropping "Not Like Us."

    The context: On Friday, Lamar received nods in three major categories. He could repeat in record of the year and song of the year and add album of the year to his trophy case in 2026, with potential wins in the rap and pop duo/group performance categories, too. At the 68th annual Grammy Awards, which will be presented at a ceremony on February 1, 2026 in Los Angeles, competition for the top awards will also include Lady Gaga, Sabrina Carpenter and Bad Bunny.

    What's in store: The 68th annual Grammy Awards will feature 95 categories total, highlighting a multitude of genres as well as behind-the-scenes figures like songwriters and producers. This year, the Recording Academy will introduce two new categories. The first is for best album cover. Nominees include Bad Bunny (DeBÍ TiRAR MáS FOToS), alt-rocker Djo (The Crux) and the English band Wet Leg (moisturizer). The second debuting category is for best traditional country album. The first nominees include father and son Lukas Nelson (American Romance) and Willie Nelson (Oh What A Beautiful World), as well as Zach Top (Ain't In It For My Health), Charley Crockett (Dollar A Day) and Margo Price (Hard Headed Woman).
    Read on... for the complete list of nominees.

    Kendrick Lamar's reign continues: The Los Angeles rapper has received nine Grammy nominations for the 2026 awards, following a triumphant sweep earlier this year in which he took home more golden Gramophones than any other artist — including record of the year and song of the year for his mic-dropping "Not Like Us." On Friday, Lamar received nods in three major categories. He could repeat in record of the year and song of the year and add album of the year to his trophy case in 2026, with potential wins in the rap and pop duo/group performance categories, too.

    The bulk of Lamar's nominations are for his record-breaking album GNX and the single "Luther (feat. SZA)," both of which topped multiple Billboard charts. Beyond his own album and singles, the Recording Academy also recognized the rapper for additional collaborations with SZA and Clipse. At this time last year, Lamar was in the midst of a remarkable run that culminated in his Super Bowl halftime performance, multiple Grammy wins and a victory in his rap beef with Drake by unanimous decision.

    At the 68th annual Grammy Awards, which will be presented at a ceremony on February 1, 2026 in Los Angeles, competition for the top awards will also include Lady Gaga, Sabrina Carpenter and Bad Bunny. Gaga trails behind Lamar with seven nominations, including best pop solo performance ("Disease") and best pop vocal album (MAYHEM). Canadian record producer Cirkut, who co-produced Gaga's album, also has seven nominations, as does Jack Antonoff, who's recognized for his work with Lamar and Carpenter. Bad Bunny has six nominations. So does the breakout star of last year's Grammys — Carpenter — and the newcomer with most nominations this year, including best new artist — Leon Thomas.

    The 32-year-old Thomas — who just landed his first Top 10 hit on Billboard's Hot 100 chart this week — is in the running for several R&B categories (including for a song recorded during his NPR Tiny Desk concert), as well as album of the year (MUTT). Joining Thomas among the nominees for best new artist are girl group KATSEYE, soul-pop singer Olivia Dean (who also cracked the Top 10 this week), indie-pop band The Marías, English singer Lola Young, Gen-Z rocker sombr and two TikTok creators turned pop stars: Alex Warren and Addison Rae.

    In the rap categories, the Recording Academy embraced the highly-touted return of the duo Clipse, following a 16-year hiatus. The Thornton brothers, a.k.a. Malice and Pusha T, received five nominations for their album Let God Sort Em Out. Doechii, who delivered one of last year's most electric Grammys performances, also received five nominations for her single "Anxiety." (Although the song originally came out in 2019, the Swamp Princess re-recorded and re-released "Anxiety" this year after it went viral on TikTok). Tyler, the Creator — who has publicly called out the Academy for how it categorizes rap — is once again nominated for best rap album (CHROMAKOPIA) and best rap song ("Sticky feat. GloRilla, Lil Wayne, Sexyy Red"). He's also up for best alternative album (DON'T TAP THE GLASS), album of the year (CHROMAKOPIA) and best album cover (CHROMAKOPIA).

    The 68th annual Grammy Awards will feature 95 categories total, highlighting a multitude of genres as well as behind-the-scenes figures like songwriters and producers. This year, the Recording Academy will introduce two new categories. The first is for best album cover. Nominees include Bad Bunny (DeBÍ TiRAR MáS FOToS), alt-rocker Djo (The Crux) and the English band Wet Leg (moisturizer). The second debuting category is for best traditional country album. The first nominees include father and son Lukas Nelson (American Romance) and Willie Nelson (Oh What A Beautiful World), as well as Zach Top (Ain't In It For My Health), Charley Crockett (Dollar A Day) and Margo Price (Hard Headed Woman).

    Read the complete list of nominees below:

    1. Record of the Year
    • "DtMF" by Bad Bunny
    • "Manchild" by Sabrina Carpenter
    • "Anxiety" by Doechii
    • "WILDFLOWER" by Billie Eilish
    • "Abracadabra" by Lady Gaga
    • "luther" by Kendrick Lamar with SZA
    • "The Subway" by Chappell Roan
    • "APT." by ROSÉ & Bruno Mars
    1. Album of the Year
    • DeBÍ TiRAR MáS FOToS by Bad Bunny
    • SWAG by Justin Bieber
    • Man's Best Friend by Sabrina Carpenter
    • Let God Sort Em Out by Clipse, Pusha T & Malice
    • MAYHEM by Lady Gaga 
    • GNX by Kendrick Lamar
    • MUTT by Leon Thomas
    • CHROMAKOPIA by Tyler, The Creator
    1. Song of the Year
    • "Abracadabra" – Henry Walter, Lady Gaga & Andrew Watt, songwriters (Lady Gaga)
    • "Anxiety" – Jaylah Hickmon, songwriter (Doechii)
    • "APT." – Amy Allen, Christopher Brody Brown, Rogét Chahayed, Henry Walter, Omer Fedi, Philip Lawrence, Bruno Mars, Chae Young Park & Theron Thomas, songwriters (ROSÉ, Bruno Mars)
    • "DtMF" – Benito Antonio Martínez Ocasio, Scott Dittrich, Benjamin Falik, Roberto José Rosado Torres, Marco Daniel Borrero, Hugo René Sención Sanabria & Tyler Thomas Spry, songwriters (Bad Bunny)
    • "Golden" [From KPop Demon Hunters] — EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
    • "luther" — Jack Antonoff, Roshwita Larisha Bacha, Matthew Bernard, Ink, Scott Bridgeway, Sam Dew, Kendrick Lamar, Mark Anthony Spears, Solána Rowe & Kamasi Washington, songwriters (Kendrick Lamar With SZA)
    • "Manchild" — Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
    • "WILDFLOWER" — Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)
    1. Best New Artist
    • Olivia Dean
    • KATSEYE
    • The Marias
    • Addison Rae
    • sombr
    • Leon Thomas 
    • Alex Warren
    • Lola Young
    1. Producer of the Year, Non-Classical
    • Dan Auerbach
    • Cirkut
    • Dijon
    • Blake Mills
    • Sounwave
    1. Songwriter of the Year, Non-Classical
    • Amy Allen
    • Edgar Barrera
    • Jessie Jo Dillon
    • Tobias Jesso Jr.
    • Laura Veltz
    1. Best Pop Solo Performance
    • "DAISIES" by Justin Bieber
    • "Manchild" by Sabrina Carpenter
    • "Disease" by Lady Gaga
    • "The Subway" by Chappell Roan
    • "Messy" by Lola Young
    1. Best Pop Duo/Group Performance
    • "Defying Gravity" by Cynthia Erivo & Ariana Grande
    • "Golden" [From KPop Demon Hunters] by HUNTR/X: EJAE, Audrey Nuna, REI AMI
    • "Gabriela" by KATSEYE
    • "APT." by ROSÉ & Bruno Mars
    • "30 For 30" by SZA with Kendrick Lamar
    1. Best Pop Vocal Album
    • SWAG by Justin Bieber
    • Man's Best Friend by Sabrina Carpenter
    • Something Beautiful by Miley Cyrus
    • MAYHEM by Lady Gaga 
    • I've Tried Everything But Therapy (Part 2) by Teddy Swims
    1. Best Dance/Electronic Recording
    • "No Cap" by Disclosure & Anderson .Paak
    • "Victory Lap" by Fred Again.., Skepta, & PlaqueBoyMax
    • "SPACE INVADER" by KAYTRANADA
    • "VOLTAGE" by Skrillex
    • "End of Summer" by Tame Impala
    1. Best Dance Pop Recording
    • "Bluest Flame" by Selena Gomez & benny blanco
    • "Abracadabra" by Lady Gaga
    • "Midnight Sun" by Zara Larsson
    • "Just Keep Watching" [From F1 The Movie] by Tate McRae
    • "Illegal" by PinkPantheress
      1. Best Dance/Electronic Album
      • EUSEXUA by FKA twigs
      • Ten Days by Fred Again..
      • Fancy That by PinkPantheress
      • Inhale / Exhale by RÜFÜS DU SOL
      • F*** U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 by Skrillex
      1. Best Remixed Recording
      • "Abracadabra (Gesaffelstein Remix)"  – Gesaffelstein, remixer (Lady Gaga, Gesaffelstein)
      • "Don't Forget About Us" – KAYTRANADA, remixer (Mariah Carey & KAYTRANADA)
      • "A Dreams A Dream - Ron Trent Remix" – Ron Trent, remixer (Soul II Soul)
      • "Galvanize" – Chris Lake, remixer (The Chemical Brothers & Chris Lake)
      • "Golden - David Guetta REM/X" – David Guetta, remixer (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
      1. Best Rock Performance 
      • "U Should Not Be Doing That" by Amyl and The Sniffers
      • "The Emptiness Machine" by Linkin Park
      • "NEVER ENOUGH" by Turnstile
      • "Mirtazapine" by Hayley Williams
      • "Changes (Live From Villa Park/ Back To The Beginning)" by YUNGBLUD feat. Nuno Bettencourt, Frank Bello, Adam Wakeman, II
      1. Best Metal Performance
      • "Night Terror" by Dream Theater
      • "Lachryma" by Ghost
      • "Emergence" by Sleep Token
      • "Soft Spine" by Spiritbox
      • "BIRDS" by Turnstile 
      1. Best Rock Song
      • "As Alive As You Need Me To Be" – Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)
      • "Caramel" – Vessel1 & Vessel2, songwriters (Sleep Token)
      • "Glum" – Daniel James & Hayley Williams, songwriters (Hayley Williams)
      • "NEVER ENOUGH" – Daniel Fang, Franz Lyons, Pat McCrory, Meg Mills & Brendan Yates, songwriters (Turnstile)
      • "Zombie" – Dominic Harrison & Matt Schwartz, songwriters (YUNGBLUD)
      1. Best Rock Album
      • private music by Deftones
      • I quit by HAIM
      • From Zero by Linkin Park
      • NEVER ENOUGH by Turnstile
      • Idols by YUNGBLUD
      1. Best Alternative Music Performance
      • "Everything Is Peaceful Love" by Bon Iver
      • "Alone" by The Cure
      • "SEEIN' STARS" by Turnstile 
      • "mangetout" by Wet Leg
      • "Parachute" by Hayley Williams
      1. Best Alternative Music Album
      • SABLE, fABLE by Bon Iver
      • Songs Of A Lost World by The Cure
      • DON'T TAP THE GLASS by Tyler, The Creator
      • moisturizer by Wet Leg
      • Ego Death At A Bachelorette Party by Hayley Williams
      1. Best R&B Performance
      • "YUKON" by Justin Bieber
      • "It Depends" by Chris Brown feat. Bryson Tiller
      • "Folded" by Kehlani
      • "MUTT" (Live from NPR's Tiny Desk) by Leon Thomas
      • "Heart Of A Woman" by Summer Walker
      1. Best Traditional R&B Performance
      • "Here We Are" by Durand Bernarr
      • "UPTOWN" by Lalah Hathaway
      • "LOVE YOU TOO" by Ledisi
      • "Crybaby" by SZA
      • "VIBES DON'T LIE" by Leon Thomas 
      1. Best R&B Song
      • "Folded" – Darius Dixson, Andre Harris, Kehlani Parrish, Donovan Knight, Don Mills, Khris Riddick-Tynes & Dawit Kamal Wilson, songwriters (Kehlani)
      • "Heart Of A Woman" – David Bishop & Summer Walker, songwriters (Summer Walker)
      • "It Depends" – Nico Baran, Chris Brown, Ant Clemons, Ephrem Lopez Jr., Ryan Press, Bryson Tiller, Elliott Trent & Dewain Whitmore Jr., songwriters (Chris Brown feat. Bryson Tiller)
      • "Overqualified" – James John Abrahart Jr & Durand Bernarr, songwriters (Durand Bernarr)
      • "YES IT IS" – Jariuce Banks, Lazaro Andres Camejo, Mike Hector, Peter Lee Johnson, Rodney Jones Jr., Ali Prawl & Leon Thomas, songwriters (Leon Thomas)
      1. Best Progressive R&B Album
      • BLOOM by Durand Bernarr
      • Adjust Brightness by Bilal 
      • LOVE ON DIGITAL by Destin Conrad
      • Access All Areas by FLO
      • Come As You Are by Terrace Martin & Kenyon Dixon
      1. Best R&B Album
      • BELOVED by GIVĒON
      • Why Not More? by Coco Jones
      • The Crown by Ledisi
      • Escape Room by Teyana Taylor
      • MUTT by Leon Thomas
      1. Best Rap Performance
      • "Outside" by Cardi B
      • "Chains & Whips" by Clipse, Pusha T & Malice feat. Kendrick Lamar & Pharrell Williams
      • "Anxiety" by Doechii
      • "tv off" by Kendrick Lamar feat. Lefty Gunplay
      • "Darling, I" by Tyler, The Creator feat. Teezo Touchdown
      1. Best Melodic Rap Performance
      • "Proud Of Me" by Fridayy feat. Meek Mill
      • "Wholeheartedly" by JID feat. Ty Dolla $ign & 6Lack
      • "luther" by Kendrick Lamar with SZA
      • "WeMaj" by Terrace Martin & Kenyon Dixon Featuring Rapsody
      • "SOMEBODY LOVES ME" by PARTYNEXTDOOR & Drake
      1. Best Rap Song
      • "Anxiety" – Jaylah Hickmon, songwriter (Doechii)
      • "The Birds Don't Sing" – Gene Elliott Thornton Jr., Terrence Thornton, Pharrell
      • Williams & Stevie Wonder, songwriters (Clipse, Pusha T & Malice feat. John Legend & Voices Of Fire)
      • "Sticky" – Aaron Bolton, Dudley Alexander Duverne, Gloria Woods, Dwayne Carter, Jr., Janae Wherry, Tyler Okonma & Rex Zamor, songwriters (Tyler, The Creator feat. GloRilla, Sexyy Red & Lil Wayne)
      • "TGIF" – Lucas Alegria, Dillon Brophy, Yakki Davis, Gloria Woods, Jess Jackson, Ronnie Jackson, Mario Mims & Jorge M. Taveras, songwriters (GloRilla)
      • "tv off" –  Jack Antonoff, Larry Jayy, Kendrick Lamar, Dijon McFarlane, Sean Momberger, Mark Anthony Spears & Kamasi Washington, songwriters (Kendrick Lamar feat. Lefty Gunplay)
      1. Best Rap Album
      • Let God Sort Em Out by Clipse, Pusha T & Malice
      • GLORIOUS by GloRilla
      • God Does Like Ugly by JID
      • GNX by Kendrick Lamar
      • CHROMAKOPIA by Tyler, The Creator
      1. Best Spoken Word Poetry Album
      • A Hurricane in Heels: healed people don't act like that (partially recorded live @City Winery & other places) by Queen Sheba
      • Black Shaman by Marc Marcel
      • Pages by Omari Hardwick & Anthony Hamilton
      • Saul Williams meets Carlos Niño & Friends At Treepeople by Saul Williams, Carlos Niño & Friends 
      • Words For Days Vol. 1 by Mad Skillz
      1. Best Jazz Performance
      • "Noble Rise" by Lakecia Benjamin Featuring Immanuel Wilkins & Mark Whitfield
      • "Windows - Live" by Chick Corea, Christian McBride & Brian Blade
      • "Peace Of Mind/Dreams Come True" bySamara Joy
      • "Four" by Michael Mayo
      • "All Stars Lead To You - Live" by Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth
      1. Best Jazz Vocal Album
      • Elemental by Dee Dee Bridgewater & Bill Charlap
      • We Insist 2025! by Terri Lyne Carrington & Christie Dashiell
      • Portrait by Samara Joy
      • Fly by Michael Mayo
      • Live at Vic's Las Vegas by Nicole Zuraitis, Dan Pugach, Tom Scott, Idan Morim, Keyon Harrold & Rachel Eckroth
      1. Best Jazz Instrumental Album
      • Trilogy 3 (Live) by Chick Corea, Christian McBride & Brian Blade
      • Southern Nights by Sullivan Fortner Featuring Peter Washington & Marcus Gilmore
      • Belonging by Branford Marsalis Quartet
      • Spirit Fall by John Patitucci Featuring Chris Potter & Brian Blade
      • Fasten Up by Yellowjackets
      1. Best Large Jazz Ensemble Album
      • Orchestrator Emulator by The 8-Bit Big Band
      • Without Further Ado, Vol 1 by Christian McBride Big Band
      • Lumen by Danilo Pérez & Bohuslän Big Band
      • Basie Rocks! by Deborah Silver & The Count Basie Orchestra
      • Lights on a Satellite by Sun Ra Arkestra
      • Some Days Are Better: The Lost Scores by Kenny Wheeler Legacy Featuring The Royal Academy of Music Jazz Orchestra & Frost Jazz Orchestra
      1. Best Latin Jazz Album
      • La Fleur de Cayenne by Paquito D'Rivera & Madrid-New York Connection Band
      • The Original Influencers: Dizzy, Chano & Chico by Arturo O'Farrill & The Afro Latin Jazz Orchestra feat. Pedrito Martinez, Daymé Arocena, Jon Faddis, Donald Harrison & Melvis Santa
      • Mundoagua - Celebrating Carla Bley by Arturo O'Farrill & The Afro Latin Jazz Orchestra
      • A Tribute to Benny Moré and Nat King Cole by Gonzalo Rubalcaba, Yainer Horta & Joey Calveiro
      •  Vanguardia Subterránea: Live at The Village Vanguard by Miguel Zenón Quartet
      1. Best Alternative Jazz Album
      • honey from a winter stone by Ambrose Akinmusire
      • Keys To The City Volume One by Robert Glasper
      • Ride into the Sun by Brad Mehldau
      • LIVE-ACTION by Nate Smith
      • Blues Blood by Immanuel Wilkins
      1. Best Traditional Pop Vocal Album
      • Wintersongs by Laila Biali
      • The Gift Of Love by Jennifer Hudson
      • Who Believes In Angels? by Elton John & Brandi Carlile
      • Harlequin by Lady Gaga
      • A Matter Of Time by Laufey
      • The Secret Of Life: Partners, Volume 2 by Barbra Streisand
      1. Best Contemporary Instrumental Album
      • Brightside by ARKAI
      • Ones & Twos by Gerald Clayton
      • BEATrio by Béla Fleck, Edmar Castañeda, Antonio Sánchez
      • Just Us by Bob James & Dave Koz
      • Shayan by Charu Suri
      1. Best Musical Theater Album
      • Buena Vista Social Club
      • Death Becomes Her
      • Gypsy
      • Just In Time
      • Maybe Happy Ending
      1. Best Country Solo Performance 
      • "Nose On The Grindstone" by Tyler Childers
      • "Good News" by Shaboozey
      • "Bad As I Used To Be" [From F1 The Movie] by Chris Stapleton
      • "I Never Lie" by Zach Top
      • "Somewhere Over Laredo" by Lainey Wilson
      1. Best Country Duo/Group Performance 
      • "A Song To Sing" by Miranda Lambert And Chris Stapleton
      • "Trailblazer" by Reba McEntire, Miranda Lambert, Lainey Wilson
      • "Love Me Like You Used To Do" by Margo Price & Tyler Childers
      • "Amen" by Shaboozey & Jelly Roll
      • "Honky Tonk Hall Of Fame" by George Strait, Chris Stapleton
      1. Best Country Song
      • "Bitin' List" – Tyler Childers, songwriter (Tyler Childers)
      • "Good News" – Michael Ross Pollack, Sam Elliot Roman & Jacob Torrey, songwriters (Shaboozey)
      • "I Never Lie" – Carson Chamberlain, Tim Nichols & Zach Top, songwriters (Zach Top)
      • "Somewhere Over Laredo" – Andy Albert, Trannie Anderson, Dallas Wilson & Lainey Wilson, songwriters (Lainey Wilson)
      • "A Song To Sing" – Jenee Fleenor, Jesse Frasure, Miranda Lambert & Chris Stapleton, songwriters (Miranda Lambert and Chris Stapleton)
      1. Best Traditional Country Album
      • Dollar A Day by Charley Crockett
      • American Romance by Lukas Nelson
      • Oh What A Beautiful World by Willie Nelson
      • Hard Headed Woman by Margo Price
      • Ain't In It For My Health by Zach Top
      1. Best Contemporary Country Album
      • Patterns by Kelsea Ballerini
      • Snipe Hunter by Tyler Childers
      • Evangeline Vs. The Machine by Eric Church
      • Beautifully Broken by Jelly Roll
      • Postcards From Texas by Miranda Lambert
      1. Best American Roots Performance 
      • "LONELY AVENUE" by Jon Batiste feat. Randy Newman
      • "Ancient Light" by I'm With Her
      • "Crimson And Clay" by Jason Isbell
      • "Richmond On The James" by Alison Krauss & Union Station
      • "Beautiful Strangers" by Mavis Staples
      1. Best Americana Performance
      • "Boom" by Sierra Hull
      • "Poison In My Well" by Maggie Rose & Grace Potter
      • "Godspeed" by Mavis Staples
      • "That's Gonna Leave A Mark" by Molly Tuttle
      • "Horses" by Jesse Welles
      1. Best American Roots Song
      • "Ancient Light" – Sarah Jarosz, Aoife O'Donovan & Sara Watkins, songwriters (I'm With Her)
      • "BIG MONEY" – Jon Batiste, Mike Elizondo & Steve McEwan, songwriters (Jon Batiste)
      • "Foxes In The Snow" – Jason Isbell, songwriter (Jason Isbell)
      • "Middle" – Jesse Welles, songwriter (Jesse Welles)
      • "Spitfire" – Sierra Hull, songwriter (Sierra Hull)
      1. Best Americana Album
      • BIG MONEY by Jon Batiste
      • Bloom by Larkin Poe
      • Last Leaf On The Tree by Willie Nelson 
      • So Long Little Miss Sunshine by Molly Tuttle
      • Middle by Jesse Welles
      1. Best Bluegrass Album
      • Carter & Cleveland by Michael Cleveland & Jason Carter
      • A Tip Toe High Wire by Sierra Hull
      • Arcadia by Alison Krauss & Union Station
      • Outrun byThe Steeldrivers
      • Highway Prayers by Billy Strings
      1. Best Traditional Blues Album
      • Ain't Done With The Blues by Buddy Guy
      • Room On The Porch by Taj Mahal & Keb' Mo
      • One Hour Mama: The Blues Of Victoria Spivey by Maria Muldaur
      • Look Out Highway by Charlie Musselwhite
      • Young Fashioned Ways by Kenny Wayne Shepherd & Bobby Rush
      1. Best Contemporary Blues Album
      • Breakthrough by Joe Bonamassa
      • Paper Doll by Samantha Fish
      • A Tribute to LJK by Eric Gales
      • Preacher Kids by Robert Randolph
      • Family by Southern Avenue
      1. Best Folk Album
      • What Did The Blackbird Say To The Crow by Rhiannon Giddens & Justin Robinson
      • Crown Of Roses by Patty Griffin
      • Wild And Clear And Blue by I'm With Her
      • Foxes In The Snow by Jason Isbell
      • Under The Powerlines (April 24 – September 24) by Jesse Welles
      1. Best Regional Roots Music Album
      • Live At Vaughan's by Corey Henry & The Treme Funktet
      • For Fat Man by Preservation Brass & Preservation Hall Jazz Band
      • Church Of New Orleans by Kyle Roussel
      • Second Line Sunday by Trombone Shorty And New Breed Brass Band
      • A Tribute To The King Of Zydeco by (Various Artists)
      1. Best Gospel Performance/Song
      • "Do It Again" by Kirk Franklin; Kirk Franklin, songwriter 
      • "Church" by Tasha Cobbs Leonard, John Legend; Anthony S. Brown, Brunes Charles, Annatoria Chitapa, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Jonas Myrin, songwriters
      • "Still (Live)" by Jonathan McReynolds & Jamal Roberts; Britney Delagraentiss, Jonathan McReynolds, David Lamar Outing III, Orlando Joel Palmer & Terrell Demetrius Wilson, songwriters
      • "Amen" by Pastor Mike Jr.; Adia Andrews, Michael McClure Jr., David Lamar Outing II & Terrell Anthony Pettus, songwriters
      • "Come Jesus Come" by Cece Winans Featuring Shirley Caesar
      1. Best Contemporary Christian Music Performance/Song
      • "I Know A Name" by Elevation Worship, Chris Brown, Brandon Lake; Hank Bentley, Steven Furtick, Brandon Lake & Jacob Sooter, songwriters
      • "YOUR WAY'S BETTER" by Forrest Frank; Forrest Frank & PERA, songwriters
      • "Hard Fought Hallelujah" by Brandon Lake With Jelly Roll; Chris Brown, Steven Furtick, Benjamin William Hastings, Jason Bradley Deford & Brandon Lake, songwriters
      • "Headphones" by Lecrae, Killer Mike, T.I.; Tyshane Thompson, Bongo ByTheWay, Michael Render, Lecrae Moore, William Roderick Miller & Clifford Harris, songwriters
      • "Amazing" by Darrel Walls, PJ Morton; PJ Morton & Darrel Walls, songwriters
      1. Best Gospel Album
      • Sunny Days by Yolanda Adams
      • Tasha by Tasha Cobbs Leonard
      • Live Breathe Fight by Tamela Mann
      • Only On The Road (Live) by Tye Tribbett
      • Heart of Mine by Darrel Walls, PJ Morton
      1. Best Contemporary Christian Music Album
      • CHILD OF GOD II by Forrest Frank
      • Coritos Vol. 1 by Israel & New Breed
      • King Of Hearts by Brandon Lake
      • Reconstruction by Lecrae
      • Let The Church Sing by Tauren Wells
      1. Best Roots Gospel Album
      • I Will Not Be Moved (Live) by The Brooklyn Tabernacle Choir
      • Then Came The Morning by Gaither Vocal Band
      • Praise & Worship: More Than A Hollow Hallelujah by The Isaacs
      • Good Answers by Karen Peck & New River
      • Back To My Roots by Candi Staton
      1. Best Latin Pop Album
      • Cosa Nuestra by Rauw Alejandro 
      • BOGOTÁ (DELUXE) by Andrés Cepeda
      • Tropicoqueta by Karol G
      • Cancionera by Natalia Lafourcade
      • ¿Y ahora qué? by Alejandro Sanz
      1. Best Música Urbana Album
      • DeBÍ TiRAR MáS FOToS by Bad Bunny
      • Mixteip by J Balvin
      • FERXXO VOL X: Sagrado by Feid
      • NAIKI by Nicki Nicole
      • EUB DELUXE by Trueno
      • SINFÓNICO (En Vivo) by Yandel
      1. Best Latin Rock or Alternative Album
      • Genes Rebeldes by Aterciopelados
      • ASTROPICAL by Bomba Estéreo, Rawayana, ASTROPICAL
      • PAPOTA by CA7RIEL & Paco Amoroso
      • ALGORHYTHM by Los Wizzards
      • Novela by Fito Paez
      1. Best Música Mexicana Album (Including Tejano)
      • MALA MÍA by Fuerza Regida, Grupo Frontera
      • Y Lo Que Viene by Grupo Frontera
      • Sin Rodeos by Paola Jara
      • Palabra De To's (Seca) by Carín León
      • Bobby Pulido & Friends Una Tuya Y Una Mía - Por La Puerta Grande (En Vivo) by Bobby Pulido
      1. Best Tropical Latin Album
      • Fotografías by Rubén Blades, Roberto Delgado & Orquesta
      • Raíces by Gloria Estefan
      • Clásicos 1.0 by Grupo Niche
      • Bingo by Alain Pérez
      • Debut y Segunda Tanda, Vol. 2 by Gilberto Santa Rosa
      1. Best Global Music Performance 
      • "EoO" by Bad Bunny
      • "Cantando en el Camino" by Ciro Hurtado
      • "JERUSALEMA" by Angélique Kidjo
      • "Inmigrante Y Que?" by Yeisy Rojas
      • "Shrini's Dream (Live)" by Shakti
      • "Daybreak" by Anoushka Shankar Featuring Alam Khan & Sarathy Korwar
      1. Best African Music Performance
      • "Love" by Burna Boy
      • "With You" Davido feat. Omah Lay
      • "Hope & Love" by Eddy Kenzo & Mehran Matin
      • "Gimme Dat" by Ayra Starr feat. Wizkid
      • "PUSH 2 START" by Tyla
      1. Best Global Music Album
      • Sounds of Kumbha by Siddhant Bhatia
      • No Sign of Weakness by Burna Boy
      • Eclairer le monde - Light the World by Youssou N'Dour
      • Mind Explosion (50th Anniversary Tour Live) by Shakti
      • Chapter III: We Return to Light by Anoushka Shankar feat. Alam Khan & Sarathy Korwar
      • Caetano e Bethânia Ao Vivo by Caetano Veloso And Maria Bethânia
      1. Best Reggae Album 
      • Treasure Self Love by Lila Iké
      • Heart & Soul by Vybz Kartel
      • BLXXD & FYAH by Keznamdi
      • From Within by Mortimer
      • No Place Like Home by Jesse Royal
      1. Best New Age, Ambient or Chant Album
      • Kuruvinda by Kirsten Agresta-Copely
      • According To The Moon by Cheryl B. Engelhardt, GEM, Dallas String Quartet
      • Into The Forest by Jahnavi Harrison
      • Nomadica by Carla Patullo Featuring The Scorchio Quartet & Tonality
      • The Colors In My Mind by Chris Redding
      1. Best Children's Music Album
      • Ageless: 100 Years Young by Joanie Leeds & Joya
      • Buddy's Magic Tree House by Mega Ran
      • Harmony by FYÜTCH & Aura V
      • Herstory by Flor Bromley
      • The Music Of Tori And The Muses by Tori Amos
      1. Best Comedy Album 
      • Drop Dead Years by Bill Burr
      • PostMortem by Sarah Silverman
      • Single Lady by Ali Wong
      • What Had Happened Was… by Jamie Foxx
      • Your Friend, Nate Bargatze by Nate Bargatze
      1. Best Audio Book, Narration, and Storytelling Recording
      • Elvis, Rocky & Me: The Carol Connors Story – Kathy Garver
      • Into The Uncut Grass – Trevor Noah
      • Lovely One: A Memoir – Ketanji Brown Jackson
      • Meditations: The Reflections Of His Holiness The Dalai Lama – Dalai Lama
      • You Know It's True: The Real Story Of Milli Vanilli – Fab Morvan
      1. Best Compilation Soundtrack For Visual Media
      • A Complete Unknown (Timothée Chalamet)
      • F1 The Album (Various Artists)
      • KPop Demon Hunters (Various Artists)
      • Sinners (Various Artists)
      • Wicked (Various Artists)
      1. Best Score Soundtrack For Visual Media (Includes Film And Television)
      • How To Train Your Dragon – John Powell, composer
      • Severance: Season 2 – Theodore Shapiro, composer
      • Sinners – Ludwig Göransson, composer
      • Wicked – John Powell & Stephen Schwartz, composers
      • The Wild Robot – Kris Bowers, composer
      1. Best Score Soundtrack for Video Games and Other Interactive Media
      • Avatar: Frontiers of Pandora - Secrets of the Spires – Pinar Toprak, composer
      • Helldivers 2 – Wilbert Roget, II, composer
      • Indiana Jones And The Great Circle – Gordy Haab, composer
      • Star Wars Outlaws: Wild Card & A Pirate's Fortune – Cody Matthew Johnson & Wilbert Roget, II, composers
      • Sword of the Sea – Austin Wintory, composer
      1. Best Song Written for Visual Media
      • "As Alive As You Need Me To Be" [From TRON: Ares] – Trent Reznor & Atticus Ross, songwriters (Nine Inch Nails)
      • "Golden" [From KPop Demon Hunters] –  EJAE & Mark Sonnenblick, songwriters (HUNTR/X: EJAE, Audrey Nuna, REI AMI)
      • "I Lied to You" [From Sinners] – Ludwig Göransson & Raphael Saadiq, songwriters (Miles Caton)
      • "Never Too Late" [From Elton John: Never Too Late] – Brandi Carlile, Elton John, Bernie Taupin & Andrew Watt, songwriters (Elton John, Brandi Carlile)
      • "Pale, Pale Moon" [From Sinners] – Ludwig Göransson & Brittany Howard, songwriters (Jayme Lawson)
      • "Sinners" [From Sinners] – Leonard Denisenko, Rodarius Green, Travis Harrington, Tarkan Kozluklu, Kyris Mingo & Darius Povilinus, songwriters (Rod Wave)
      1. Best Music Video
      • "Young Lion" by Sade; Sophie Muller, video director; Sade & Aaron Taylor Dean, video producers
      • "Manchild" by Sabrina Carpenter; Vania Heymann & Gal Muggia, video directors; Aiden Magarian, Nathan Scherrer & Natan Schottenfels, video producers
      • "So Be It" by Clipse; Hannan Hussain, video director; Daniel Order, video producer
      • "Anxiety" by Doechii; James Mackel, video director; Pablo Feldman, Jolene Mendes & Sophia Sabella, video producers
      • "Love" by OK Go; Aaron Duffy, Miguel Espada & Damian Kulash Jr., video directors; Petra Ahmann, video producer
      1. Best Music Film
      • Devo (Devo) – Chris Smith, video director; Danny Gabai, Anita Greenspan, Chris Holmes & Chris Smith, video producers
      • Live At The Royal Albert Hall (RAYE) – Paul Dugdale, video director; Stefan Demetriou & Amy James, video producers
      • Relentless (Diane Warren) – Bess Kargman, video director; Peggy Drexler, Michele, Farinola & Kat Nguyen, video producers
      • Music By John Williams (John Williams) – Laurent Bouzereau, video director; Sara Bernstein, Laurent Bouzereau, Justin Falvey, Darryl Frank, Brian Grazer, Ron Howard, Meredith Kaulfers, Kathleen Kennedy, Frank Marshall, Steven Spielberg & Justin Wilkes, video producers
      • Piece By Piece (Pharrell Williams) – Morgan Neville, video director; Morgan Neville, Caitrin Rogers, Mimi Valdes & Pharrell Williams, video producers
      1. Best Recording Package
      • And The Adjacent Possible – Hà Trinh Quoc Bao, Damian Kulash, Jr., Claudio Ripol, Wombi Rose & Yuri Suzuki, art directors (OK Go)
      • Balloonerism – Bráulio Amado & Alim Smith, art directors (Mac Miller)
      • Danse Macabre: De Luxe – Rory McCartney, art director (Duran Duran)
      • Loud Is As – Farbod Kokabi & Emily Sneddon, art directors (Tsunami)
      • Sequoia – Tim Breen & Ken Shipley, art directors (Various Artists)
      • The Spins (Picture Disc Vinyl) – Miller McCormick, art director (Mac Miller)
      • Tracks II: The Lost Albums – Meghan Foley & Michelle Holme, art directors (Bruce Springsteen)
      1. Best Album Cover
      • CHROMAKOPIA – Shaun Llewellyn & Luis "Panch" Perez, art directors (Tyler, The Creator)
      • The Crux – William Wesley II, art director (Djo)
      • DeBÍ TiRAR MáS FOToS – Benito Antonio Martinez Ocasio, art director (Bad Bunny)
      • Glory – Cody Critcheloe & Andrew J.S., art directors (Perfume Genius)
      • moisturizer – Hester Chambers, Ellis Durand, Henry Holmes, Matt de Jong, Jamie-James Medina, Joshua Mobaraki & Rhian Teasdale, art directors (Wet Leg)
      1. Best Album Notes
      • Adios, Farewell, Goodbye, Good Luck, So Long: On Stage 1964-1974 – Scott B. Bomar, album notes writer (Buck Owens And His Buckaroos)
      • After The Last Sky – Adam Shatz, album notes writer (Anouar Brahem, Anja Lechner, Django Bates, Dave Holland)
      • Árabe – Amanda Ekery, album notes writer (Amanda Ekery)
      • The First Family: Live At Winchester Cathedral 1967 – Alec Palao, album notes writer (Sly & The Family Stone)
      • A Ghost Is Born (20th Anniversary Deluxe Edition) – Bob Mehr, album notes writer (Wilco)
      • Miles '55: The Prestige Recordings – Ashley Kahn, album notes writer (Miles Davis)
      1. Best Historical Album
      • Joni Mitchell Archives - Volume 4: The Asylum Years (1976-1980) — Patrick Milligan & Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)
      • The Making Of Five Leaves Left — Cally Callomon & Johnny Chandler, compilation producers; Simon Heyworth & John Wood, mastering engineers (Nick Drake)
      • Roots Rocking Zimbabwe - The Modern Sound Of Harare' Townships 1975-1980 (Analog Africa No.41) — Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)
      • Super Disco Pirata - De Tepito Para El Mundo 1965-1980 (Analog Africa No. 39) – Samy Ben Redjeb, compilation producer; Michael Graves, mastering engineer (Various Artists)
      • You Can't Hip A Square: The Doc Pomus Songwriting Demos – Will Bratton,Sharyn Felder & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Doc Pomus)
      1. Best Engineered Album, Non-Classical
      • All Things Light – Jesse Brock, Jon Castelli, Tyler Johnson, Nick Lobel, Simon Maartensson, Lawrence "Boo" Mitchell, Anders Mouridsen, Ryan Nasci, Ernesto Olivera-Lapier, Ethan Schneiderman & Owen Stoutt, engineers; Dale Becker, mastering engineer (Cam)
      • Arcadia – Neal Cappellino & Gary Paczosa, engineers; Brad Blackwood, mastering engineer (Alison Krauss & Union Station)
      • For Melancholy Brunettes (& sad women) – Joseph Lorge, Blake Mills & Sebastian Reunert, engineers; Patricia Sullivan, mastering engineer (Japanese Breakfast)
      • That Wasn't A Dream – Joseph Lorge & Blake Mills, engineers; Patricia Sullivan, mastering engineer (Pino Palladino, Blake Mills)
      1. Best Engineered Album, Classical
      • Cerrone: Don't Look Down – Mike Tierney, engineer; Alan Silverman, mastering engineer (Sandbox Percussion)
      • Eastman: Symphony No. 2; Tchaikovsky: Symphony No. 2 – Gintas Norvila, engineer; Jennifer Nulsen, mastering engineer (Franz Welser-Möst & The Cleveland Orchestra)
      • Shostakovich: Lady Macbeth Of The Mtsensk District – Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons, Kristine Opolais, Günther Groissböck, Peter Hoare, Brenden Gunnell & Boston Symphony Orchestra)
      • Standard Stoppages – Sean Connors, Robert Dillon, Peter Martin, Bill Maylone, Judith Sherman & David Skidmore, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)
      • Yule – Morten Lindberg, engineer; Morten Lindberg, mastering engineer (Trio Mediæval)
      1. Producer of the Year, Classical
      • Blanton Alspaugh
      • Sergei Kvitko
      • Morten Lindberg
      • Dmitriy Lipay 
      • Elaine Martone
      1. Best Immersive Audio Album
      • All American F***boy – Andrew Law, immersive mix engineer (Duckwrth)
      • Immersed – Justin Gray, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Justin Gray, Drew Jurecka & Morten Lindberg, immersive producers (Justin Gray)
      • An Immersive Tribute To Astor Piazzolla (Live) – Andrés Mayo & Martín Muscatello, immersive mix engineers; Andrés Mayo & Martín Muscatello, immersive producers (Various Artists)
      • Tearjerkers – Hans-Martin Buff, immersive mix engineer; Hans-Martin Buff, immersive producer (Tearjerkers)
      • Yule – Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Arve Henriksen & Morten Lindberg, immersive producers (Trio Mediæval)
      1. Best Instrumental Composition
      • "First Snow" – Remy Le Boeuf, composer (Nordkraft Big Band, Remy Le Boeuf & Danielle Wertz)
      • "Live Life This Day: Movement I" – Miho Hazama, composer (Miho Hazama, Danish Radio Big Band & Danish National Symphony Orchestra)
      • "Lord, That's A Long Way" – Sierra Hull, composer (Sierra Hull)
      • "Opening" – Zain Effendi, composer (Zain Effendi)
      • "Train To Emerald City" – John Powell & Stephen Schwartz, composers (John Powell & Stephen Schwartz)
      • "Why You Here / Before The Sun Went Down" – Ludwig Göransson, composer (Ludwig Göransson feat. Miles Caton)
      1. Best Arrangement, Instrumental or A Cappella
      • "Be Okay" – Cynthia Erivo, arranger (Cynthia Erivo)
      • "A Child Is Born" – Remy Le Boeuf, arranger (Nordkraft Big Band & Remy Le Boeuf)
      • "Fight On" – Andy Clausen, Addison Maye-Saxon, Riley Mulherkar & Chloe Rowlands, arrangers (The Westerlies)
      • "Super Mario Praise Break" – Bryan Carter, Charlie Rosen & Matthew Whitaker, arrangers (The 8-Bit Big Band)
      1. Best Arrangement, Instruments and Vocals
      • "Big Fish" – Erin Bentlage, Sara Gazarek, Johnaye Kendrick, Nate Smith & Amanda Taylor, arrangers (Nate Smith feat. säje)
      • "How Did She Look?" – Nelson Riddle, arranger (Seth MacFarlane)
      • "Keep An Eye On Summer" – Jacob Collier, arranger (Jacob Collier)
      • "Something In The Water (Acoustic-Ish)" – Clyde Lawrence, Gracie Lawrence & Linus Lawrence, arrangers (Lawrence)
      • "What A Wonderful World" – Cody Fry, arranger (Cody Fry)
      1. Best Orchestral Performance
      • Coleridge-Taylor: Toussaint L'Ouverture; Ballade Op. 4; Suites From '24 Negro Melodies' – Michael Repper, conductor (National Philharmonic)
      • Messiaen: Turangalîla-Symphonie – Andris Nelsons, conductor (Boston Symphony Orchestra)
      • Ravel: Boléro, M. 81 – Gustavo Dudamel, conductor (Simón Bolívar Symphony Orchestra Of Venezuela)
      • Still & Bonds – Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
      • Stravinsky: Symphony In Three Movements – Esa-Pekka Salonen, conductor (San Francisco Symphony)
      1. Best Opera Recording
      • Heggie: Intelligence – Kwamé Ryan, conductor; Jamie Barton, J'Nai Bridges & Janai Brugger; Blanton Alspaugh, producer (Houston Grand Opera; Gene Scheer)
      • Huang Ruo: An American Soldier – Carolyn Kuan, conductor; Hannah Cho, Alex DeSocio, Nina Yoshida Nelsen & Brian Vu; Adam Abeshouse, Silas Brown & Doron Schachter, producers (American Composers Orchestra; David Henry Hwang
      • Kouyoumdjian: Adoration – Alan Pierson, conductor; Miriam Khalil, Marc Kudisch, David Adam Moore, Omar Najmi, Naomi Louisa O'Connell & Karim Sulayman; Mary Kouyoumdjian, producer (Silvana Quartet; The Choir Of Trinity Wall Street)
      • O'Halloran: Trade & Mary Motorhead – Elaine Kelly, conductor; Oisín Ó Dálaigh & John Molloy; Alex Dowling & Emma O'Halloran, producers (Irish National Opera Orchestra; Mark O'Halloran)
      • Tesori: Grounded – Yannick Nézet-Séguin, conductor; Ben Bliss, Emily D'Angelo, Greer Grimsley & Kyle Miller; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus; George Brant)
      1. Best Choral Performance
      • Advena - Liturgies For A Broken World – Craig Hella Johnson, conductor (Simon Barrad, Emily Yocum Black & Michael Hawes; Conspirare)
      • Childs: In The Arms Of The Beloved – Grant Gershon, conductor (Billy Childs, Dan Chmlellnskl, Christian Euman, Larry Koonse, Lyris Quartet, Anne Akiko Meyers, Carol Robbins & Luciana Souza; Los Angeles Master Chorale)
      • Lang: Poor Hymnal – Donald Nally, conductor (Steven Bradshaw, Michael Hawes, Lauren Kelly, Rebecca Siler & Elisa Sutherland; The Crossing)
      • Ortiz: Yanga – Gustavo Dudamel, conductor; Grant Gershon, chorus master (Los Angeles Philharmonic & Tambuco Percussion Ensemble; Los Angeles Master Chorale)
      • Requiem Of Light – Steven Fox, conductor; Emily Drennan & Patti Drennan, chorus masters (Brian Giebler & Sangeeta Kaur; The Clarion Choir)
      1. Best Chamber Music/Small Ensemble Performance
      • Dennehy: Land Of Winter – Alan Pierson & Alarm Will Sound
      • La Mer - French Piano Trios – Neave Trio
      • Lullabies For The Brokenhearted – Lili Haydn & Paul Cantelon 
      • Slavic Sessions – Mak Grgić & Mateusz Kowalski
      • Standard Stoppages – Third Coast Percussion
      1. Best Classical Instrumental Solo
      • Coleridge-Taylor: 3 Selections From '24 Negro Melodies' by Curtis Stewart; Michael Repper, conductor (National Philharmonic)
      • Hope Orchestrated by Mary Dawood Catlin; Jesús David Medina & Raniero Palm, conductors (Venezuela Strings Recording Ensemble)
      • Inheritances by Adam Tendler
      • Price: Piano Concerto In One Movement In D Minor by Han Chen; John Jeter, conductor (Malmö Opera Orchestra)
      • Shostakovich: The Cello Concertos by Yo-Yo Ma; Andris Nelsons, conductor (Boston Symphony Orchestra)
      • Shostakovich: The Piano Concertos; Solo Works by Yuja Wang; Andris Nelsons, conductor (Boston Symphony Orchestra)
      1. Best Classical Solo Album
      • Alike - My Mother's Dream – Allison Charney, soloist; Benjamin Loeb, conductor (National Symphonia Orchestra)
      • Black Pierrot – Sidney Outlaw, soloist; Warren Jones, pianist
      • In This Short Life – Devony Smith, soloist; Danny Zelibor, pianist; Michael Nicolas, accompanist
      • Kurtág: Kafka Fragments – Susan Narucki, soloist; Curtis Macomber, accompanist
      • Schubert Beatles – Theo Hoffman, soloist; Steven Blier, pianist (Rupert Boyd, Julia Bullock, Alex Levine, Andrew Owens, Rubén Rengel & Sam Weber)
      • Telemann: Ino - Opera Arias For Soprano – Amanda Forsythe, soloist; Robert Mealy, Paul O'Dette & Stephen Stubbs, conductors (Boston Early Music Festival Orchestra)
      1. Best Classical Compendium
      • Cerrone: Don't Look Down – Sandbox Percussion; Jonathan Allen, Victor Caccese, Christopher Cerrone, Ian Rosenbaum, Terry Sweeney & Mike Tierney, producers
      • The Dunbar/Moore Sessions, Vol. II – Will Liverman; Jonathan Estabrooks, producer
      • Ortiz: Yanga – Gustavo Dudamel, conductor; Dmitriy Lipay, producer
      • Seven Seasons – Janai Brugger, Isolde Fair, MB Gordy & Starr Parodi; Nicholas Dodd, conductor; Jeff Fair, Starr Parodi & Kitt Wakeley, producers
      • Tombeaux – Christina Sandsengen; Shaun Drew & Christina Sandsengen, producers
      1. Best Contemporary Classical Composition
      • Cerrone: Don't Look Down – Christopher Cerrone, composer (Conor Hanick & Sandbox Percussion)
      • Dennehy: Land Of Winter – Donnacha Dennehy, composer (Alan Pierson & Alarm Will Sound)
      • León: Raíces (Origins) – Tania León, composer (Edward Gardner & London Philharmonic Orchestra)
      • Okpebholo: Songs In Flight – Shawn E. Okpebholo, composer (Will Liverman, Paul Sánchez & Various Artists)
      • Ortiz: Dzonot – Gabriela Ortiz, composer (Alisa Weilerstein, Gustavo Dudamel & Los Angeles Philharmonic)

      Copyright 2025 NPR

    • What he's saying to the world at all hours

      Topline:

      President Donald Trump is now communicating with the public sometimes dozens of times a day on a social media platform that he himself created, and most Americans (and perhaps even journalists) never see most of those posts.

      How we got here: During his first presidential campaign, Trump's constant stream of seemingly unvetted tweets was a sideshow that quickly became inescapable — the boasts, insults, and lies at times hijacked news cycles. Once he was elected, they presented a new frontier in American politics: a real-time view into a president's mind.

      Why it matters: Ten years, one Twitter ejection, one Twitter return, and a move to Truth Social later, Trump's posts still make news — like when he announces a war or tries to pick a fight with the pope — but for many have become the background noise of American politics.

      Keep reading... for a picture of exactly what, in the aggregate, the president of the United States is thinking about and saying to the world at all hours.

      Stay up to date with our Politics newsletter, sent weekly.


      On March 1, the day after U.S. forces bombed Iran and began a war that's now more than nine weeks long, President Donald Trump posted 30 times on Truth Social.

      Just after midnight, he posted about the bombing campaign, including a threat to retaliate if Iran itself retaliated ("THEY BETTER NOT DO THAT").

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      But he soon had a lot more on his mind; mid-morning, he posted a video portraying Senator Mitch McConnell as the floppy, deceased Bernie from Weekend at Bernie's.

      He posted a Tiktok video praising his State of the Union — a speech he had given five days prior — then reposted that video, along with a screenshot of a post on the social media site X. Just after noon, he posted an update on the war ("we have destroyed and sunk 9 Iranian Naval Ships, some of them relatively large and important"). Mid-afternoon, he posted a string of Trump-friendly news coverage, including a New York Post article from September 2024 about how Lady Gaga's father endorsed Trump in the presidential race. Shortly thereafter, in the span of five minutes, he posted 10 times, all of them lists of screenshots of praise from X users for his State of the Union address. He later posted a video update about the war in Iran, followed by a video marked as being from an Instagram user called @truthaboutfluoride, purporting to show San Francisco as a run-down city filled with poverty.

      During his first presidential campaign, Trump's constant stream of seemingly unvetted tweets was a sideshow that quickly became inescapable — the boasts, insults, and lies at times hijacked news cycles. Once he was elected, they presented a new frontier in American politics: a real-time view into a president's mind.

      Ten years, one Twitter ejection, one Twitter return, and a move to Truth Social later, Trump's posts still make news — like when he announces a war or tries to pick a fight with the pope — but for many have become the background noise of American politics.

      The president of the United States is now communicating with the public sometimes dozens of times a day on a social media platform that he himself created, and most Americans (and perhaps even journalists) never see most of those posts. Of course, most of those posts are not individually newsworthy. But looking at them together provides a picture of exactly what, in the aggregate, the president of the United States is thinking about and saying to the world at all hours.

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      To try to grasp that, NPR analyzed the first four months of Trump's Truth Social posts this year. What emerged is a portrait of an extremely online president with scattered focus — who, even while he dealt with fallout from his policies such as war in Iran and immigration enforcement in Minneapolis, was also busy insulting his critics, posting pictures of his proposed ballroom, and continuing to insist on the lie that he won the 2020 election. The president also has unorthodox posting habits that illustrate that, even as arguably the most powerful person on earth, he remains focused on how he is seen.

      What the president is posting about

      To quantitatively analyze the president's posts, NPR compiled the president's first four months of posts, using a data scraper maintained by CNN. We then classified each post based on its topic (tariffs, the war in Iran, Greenland) and the type of post it was (sharing a news story, reposting someone else, making a threat).

      Trump posted 2,249 times in the first four months of 2026, an average of just under 19 posts per day.

      The most common topic Trump posted about – at about 14% of his posts – was 2026 elections. These posts — more than 300 of them — consist largely of either candidate endorsements or posts touting a Trump-backed candidate's win.

      However, Trump at times did not give a simple endorsement, instead adding attacks on an endorsee's opponents. For example, in endorsing Republican candidates for the Indiana state Senate, the posts became paragraph-long screeds as Trump attacked sitting senators as "RINOs" (Republicans in name only) if they voted against a Trump-backed redistricting plan.

      The next most common topics after elections were Iran (247 posts) and the economy (177). He also posted dozens of times about alleged fraud in Minnesota's safety net programs, the SAVE Act, and his belief that the justice system was weaponized against him.

      To the degree that his posts measure what he's thinking about, the president's social media feed suggests he is as preoccupied — or even more so — with his personal projects and vendettas than he is with pressing policy matters.

      President Trump posted about the 2020 election 71 times in the first four months of 2026, more than he posted even about tariffs (57 times — all of which we coded as a subset of posts about the economy). Those 2020 election posts all promoted the lie that via massive voter fraud or other malfeasance, Joe Biden stole that election.

      Trump posted 68 times about his various Washington, D.C., building projects, including his White House ballroom and a proposed massive arch across the Potomac near Arlington National Cemetery. That's slightly more than he posted about Venezuela, more than he posted about the SAVE Act he's promoting, and more than he posted about protesters and federal agents in Minneapolis, including federal agents killing two U.S. citizens.

      He posted more than six times as often (105) about his various legal grievances than he did about healthcare policy (17).

      Also notable are the topics that get little attention. While tariffs and the war in Iran do affect, for example, the farm economy, Trump posted just four times specifically about American farming during the first four months of the year — less than half as many times as he posted (nine times) about his anger at comedian Bill Maher.

      As for the top types of posts, the largest category – at just under one-quarter of his posts – are social media reshares. These take several formats — some are screenshots of posts from X, and others are videos reposted from other social media sites, such as TikTok.

      This emphasizes the technological differences between now and Trump's first term.

      Near the end of his first term, the videos Trump posted were largely from Fox News or other right-leaning news outlets, or they were videos produced by the White House.

      Now, there's an endless array of TikTok and Instagram videos and memes the president can repost, many of them from amateurs or generated by AI. Some have been outright offensive, as when he posted a racist video that depicted former President Obama and Michelle Obama as apes. The White House initially defended the video, with White House press secretary Karoline Leavitt telling reporters, "Please stop the fake outrage." Trump later said he hadn't seen the full video, telling reporters, "I looked at the beginning of it. It was fine." He did not apologize, and the post was later deleted.

      Other posts have promoted conspiracy theories, as with a video that baselessly proposed that Democratic Minnesota Gov. Tim Walz was involved in the 2025 killing of Minnesota Democratic State Rep. Melissa Hortman.

      Occasionally, those videos have nothing to do with current events, or even Trump, but are the kind of inane posts littering many people's Facebook feeds. Around 11 p.m. one night in February, Trump posted a TikTok video of a person's pet corgi reacting to a can of Reddi-wip. A minute later, he reposted that video along with a screenshot of a supporter's X post ("Good Night Patriot Friends!"). A minute after that, he posted a 15-second video of Bruce Lee fighting, which he similarly reposted alongside another X screenshot seconds later.

      Reposting material from X

      This posting-then-reposting pattern is one of the more notable oddities of the president's Truth Social posts. It appears to be a makeshift way of reposting things from X. The president regularly grabs, for example, a video someone else has posted on X, posts it without attribution on Truth Social, then immediately quote-posts his own post along with a screenshot of the original X post.

      Some of these reposts are about current events, but they cover many other topics as well – they include a variety of amateur-made videos praising Trump, attacking his enemies, and (incorrectly) concurring with his false claim that he in fact won the 2020 election. In recent months, Trump has reposted a video compilation of moments with his grandkids, a video about his loyalty to Michael Jackson over the years, a montage of Trump moments set to a choral arrangement of "Like a Prayer," and an apparently AI-generated video of Trump playing hockey against Canadian hockey players – and punching the bejeezus out of one of them.

      The pattern of snagging content from X highlights two important facts about Truth Social.

      One is that X appears to dwarf it in size. The Center for Campaign Innovation, a right-leaning political strategy organization, provided NPR with polling from around the 2024 election, finding that only 6% of people used Truth Social for news on even a weekly basis. That's compared to 30% who used X.

      Trump may therefore go to X to get material because there are just more users there, and especially more big names like politicians, news organizations, and MAGA influencers.

      Secondly, Truth Social's smaller size means it serves a different purpose for Trump than Twitter ever did, before Trump was kicked off of the platform after the January 6 riot. (His account was eventually reinstated.)

      "I think really the best way to understand it is this is where you get your marching orders if you're MAGA," said Eric James Wilson, a Republican strategist and executive director of the Center for Campaign Innovation. "And too, it is direct communication from him, in the way that maybe a statement, an administration policy or a press release would have to go through multiple layers of, if not revisions, certainly approvals."

      Leavitt told NPR in a statement that Truth Social is "the most powerful and popular social media platform in the world because it serves as President Trump's authentic voice."

      One restriction has kept Trump from simply posting on X when he wants a bigger audience – according to details about a licensing agreement in a 2023 SEC filing, he is "generally obligated to make any social media post on TruthSocial and may not make the same post on another social media site for 6 hours." This gives the site "limited time to benefit from" his postings.

      NPR emailed Truth Social's press team to check if this agreement is still in effect, but the email bounced back.

      It's not entirely clear how many of the posts on the president's Truth Social account come directly from him. Leavitt also told NPR that some posts are made by staffers.

      "President Trump posts at all hours because he is constantly working, but sometimes these posts are also published by staff who are simply catching up on the many articles and reading materials President Trump approves the day prior," she said in another statement.

      It's not just news articles that the White House says Trump isn't personally posting; after backlash to the racist video depicting the Obamas the White House also said a staffer "erroneously" posted the video.

      Old news

      One of the most telling indicators of what's on Trump's mind can be found in the news articles he posts — more than 1 in 5 of the president's social media posts in the first four months of this year were news articles, op-eds, and videos. Those news pieces almost uniformly praise the president or promote administration-friendly storylines, including persecuting his perceived enemies.

      On March 29, in a span of six minutes, his account posted 10 news pieces about criminal referrals against New York Attorney General Letitia James, who prosecuted Trump in a civil business fraud case.

      A substantial number of the news stories Trump's account posts are not current. At least 1 in 4 of the news stories posted were more than 10 days old at the time he posted them (the dates of some TV news clips could not be easily verified).

      In some cases, such as the article about Lady Gaga's father, the news pieces were months old. At other times, he posted several older articles in rapid succession about the same event. On March 16, Trump posted three January articles in a row about the crowd at the College Football National Championship game cheering for him.

      Leavitt told NPR in a statement: "The President is extraordinarily well read, and he likes to share stories or content that he finds interesting on his account."

      The problem with bluster

      In the first four months of the year, President Trump made 98 posts we classified as "announcements" — which we defined as the president purporting to give the public new information.

      These covered a range of topics — there was the video announcing the U.S. had bombed Iran. There was the announcement of a new DHS secretary nominee — Markwayne Mullin. There were announcements about disaster aid to states affected by a massive winter storm. There were notifications of upcoming interviews or press conferences. Not all of these announcement posts turned out to be accurate, however, as with an April 17 post declaring the Strait of Hormuz to be "COMPLETELY OPEN AND READY FOR BUSINESS AND FULL PASSAGE."

      He also made 29 posts we classified as "threats." These range from the specific ("If Canada makes a deal with China, it will immediately be hit with a 100% Tariff") to the vague ("I wonder what would happen if we 'finished off' what's left of the Iranian Terror State"). The president hasn't followed through on all of these threats with concrete action.

      Altogether, that's 127 of Trump's most newsmaking posts — around one per day. Those posts have introduced an unprecedented unpredictability into presidential policymaking. His tariff policy posts, for example, have created widespread uncertainty in the business world.

      This can make life in a Trump White House particularly difficult, especially in the realm of foreign policy. John Bolton, who served as National Security Advisor in Trump's first term, tells a story about Trump's chaotic posts.

      "My deputy was there when [Trump] was shown — this is in 2019 — overhead pictures of a failed Iranian missile launch," Bolton says. "And he said to the intelligence briefer, can I keep this picture? And she said, 'Well, yes, but it's very sensitive, Mr. President.' He said, 'Okay.' And about 20 minutes after they left, he tweeted the picture out with some of the markings still on the picture."

      As NPR later reported, the photo was revealed to be classified. Experts told NPR that tweeting the picture potentially helped America's adversaries, including Iran and Russia, because it revealed U.S. satellite capabilities.

      Since his time in the first Trump administration, Bolton has been willing to sharply criticize the president. In October, the Trump Department of Justice obtained indictments against Bolton on 18 charges alleging that he unlawfully retained and transmitted classified documents. Bolton pleaded not guilty.

      Bolton sees Trump tweeting the picture as part of a larger pattern: to attempt maximum bluster and in the process reveal more than he intends to. Trump's recent posts about the war in Iran are another example.

      "The very ferocity of his tweets or the outrage you can hear just tell the Iranians 'If we just stay, if we just be patient a little while longer, he's just going to flip right out entirely, and he wants out. So we're going to drag it out and get every concession we can from him,'" Bolton said. "I don't understand why he can't see that."

      Pundits have theorized that with his threatening posts about Iran, President Trump is practicing the "madman theory" of foreign relations. H.R. Haldeman, who served as chief of staff to President Nixon wrote that Nixon's strategy was to make the U.S.S.R. and the government in North Vietnam think that the fervently anticommunist president was willing to go to even extreme lengths, such as dropping a nuclear bomb, to end the Vietnam War.

      "Nixon had credibility. He was strongly anti-communist," Bolton said, adding that communist adversaries might have thought, "Good God, that guy is crazy enough that he would drop a nuclear weapon."

      "Just being generically crazy does not give you an advantage," Bolton added.

      A president's id on display

      To some degree, the president's posting can be seen as an extension of his communications strategy of simply communicating a lot. Trump regularly does lengthy press gaggles in the Oval Office, and he also has the unprecedented habit of fielding calls directly from reporters who have his phone number.

      However, with posts, unlike interviews, the president is not having a conversation. Rather than being prompted by a reporter, the president in his posts seemingly reveals what is on his mind at any given time. On April 2, the day he announced that Pam Bondi would be leaving her post as attorney general, President Trump was also thinking about Bruce Springsteen. He insulted the singer in two posts shared at 7:58 a.m. and 9:21 p.m. that day.

      Indeed, the president's insults and tirades have become so commonplace that they at times don't get much notice. Some of these posts go on at length. On April 9, he wrote a more than 2,700-character post that insulted a series of right-wing commentators but also veered into the topics of Iran, election results, media outlets he dislikes, and his approval rating.

      This kind of naked fury from the president of the United States toward his perceived opponents ("NUT JOBS," "TROUBLEMAKERS," "low IQs," "nasty") might once have made headlines.

      In 2026, it's a Thursday.

      (
      Truth Social
      /
      Screenshot by NPR
      )

      NPR also analyzed the length of Trump's posts this year through the end of April. He wrote 93 posts of 1,500 characters or more in that time period, accounting for around 4% of all his posts. About half of those are endorsements, in which the president praises his chosen candidates and at times rails against the opponent ("DEFEAT Third Rate Congressman Thomas Massie, a Weak and Pathetic RINO"). Many of these endorsements appear to be variations on boilerplate language as Trump endorses a string of candidates in a short timeframe.

      The rest of these long posts are anything but boilerplate – they are often attacks ("Pope Leo is WEAK ON CRIME") and occasionally announcements ("I am nominating Kevin Warsh to be the CHAIRMAN OF THE BOARD OF GOVERNORS OF THE FEDERAL RESERVE SYSTEM").

      Trump had more of those ultra-long posts in April than in any other month. And if you take out endorsements, it's even more stark. In April, Trump posted 22 extra-long posts about things other than endorsements — slamming Supreme Court justices, repeatedly promoting his ballroom, and railing against particular media outlets. That's twice as many such posts, or more, as he had in any other month.

      To the degree, then, that the length of his posts correlates to Trump's anger, or perhaps enthusiasm, April was a particularly enthusiastic month for the president.

      The president's Truth Social account primarily gets wide attention when the president either makes an announcement or writes something particularly coarse or offensive.

      That was the case on Easter morning this year, at around 8:00 a.m., when President Trump threatened Iran.

      "Tuesday will be Power Plant Day, and Bridge Day, all wrapped up in one, in Iran. There will be nothing like it!!! Open the F*****' Strait, you crazy bastards, or you'll be living in Hell - JUST WATCH! Praise be to Allah," he wrote.

      A threat of massive violence — and potentially war crimes — along with an obscenity and a tongue-in-cheek praise to Allah, all on one of Christianity's holiest days, together were stunning choices for a president whose core supporters are white evangelical Christians.

      In a recent NPR focus group of Georgia swing voters — people who voted for Joe Biden in 2020 and Trump in 2024 — no one reacted positively to that post. Participants were identified by their first names as a condition of their participation. One voter named Joe said that posts like that one inspire fear.

      "It's not presidential. They're supposed to be doing diplomatic negotiations. You know, he's the agent of chaos when it comes to this kind of thing. It just – it scares me," he said. "He's a loose cannon, in my opinion, when it comes to this kind of stuff."

      Brent Jones contributed to this report.

      Copyright 2026 NPR

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    • Dozens have hit Imperial City of Brawley
      A bunch of orange spots on a map
      A series of earthquakes has struck the Imperial Valley city of Brawley.

      Topline:

      A swarm of earthquakes has hit the Imperial Valley city of Brawley, ranging in magnitude from 2 to 4.6.


      Why now: At least 40 quakes have struck in the last 24 hours, according to the U.S. Geological Survey. No injuries or significant damage have been reported.

      The backstory: The jolts are concentrated around the Brawley Fault Zone, an area connecting the Imperial and San Andreas faults known for frequent earthquake swarms.

      A swarm of earthquakes has hit the Imperial Valley city of Brawley, ranging in magnitude from 2 to 4.6.

      No injuries or significant damage have been reported.

      At least 40 quakes have struck in the last 24 hours, according to the U.S. Geological Survey.

      The first, a magnitude 3.4, struck around 4 p.m. Saturday. The latest was a magnitude 2.9 that hit at 4 a.m. Sunday.

      The biggest was a magnitude 4.6 that struck shortly after midnight Sunday.

      The jolts are concentrated around the Brawley Fault Zone, an area known for earthquake swarms connecting the Imperial and San Andreas faults.

      Brawley sits about 115 miles east of San Diego.

      Listen to our podcast to get ready:

      Listen 31:11
      The Big One: The Earthquake
      You’re at Union Station when the big one hits. The next two minutes are terrifying. By the time you make your way outside, the Los Angeles you know is gone. In Episode One, you experience what the first hours after a massive earthquake could be like.

      Earthquake prep resources

    • Fatal accident involved LA-bound flight

      Topline:

      A Frontier Airlines plane bound for Los Angeles on Friday night struck and killed a pedestrian who was crossing the runway, according to Denver International Airport.

      What we know: The collision happened around 11:19 p.m. local time as the aircraft prepared to take off to California.

      What we know: 224 passengers and seven crew members were aboard and evacuated with minor injuries. Airport authorities said the majority of those passengers have since taken off for Los Angeles on a new Frontier flight.

      A Frontier Airlines plane bound for Los Angeles on Friday night struck and killed a pedestrian who was crossing the runway, according to Denver International Airport.

      The collision happened around 11:19 p.m. local time as the aircraft prepared to take off to California.

      "Smoke was reported in the cabin and the pilots aborted takeoff," Frontier said in a statement.

      "Passengers were then safely evacuated via slides as a matter of precaution."

      The airline said it was "deeply saddened" by the event.

      ABC News reported that the person struck was "at least partially consumed" by one of the craft's engines, leading to a brief fire.

      Denver International said the person was not believed to have been an onsite worker.


      "DEN can confirm the pedestrian jumped the perimeter fence and was hit just two minutes later while crossing the runway," the airport said in a statement.

      "The pedestrian is deceased, and is not believed to be an employee of the airport nor have they been identified. The airport has examined the fenceline and found it to be intact."

      The airport said 12 people reported minor injuries, with five of those individuals taken to local hospitals for treatment.

      The Airbus A321 was at the time carrying 224 passengers and seven crew members. Airport authorities said the majority of those passengers have since taken off for Los Angeles on a new Frontier flight.
      Copyright 2026 NPR

    • Boyle Heights moms start a movement
      Maria Flores hugs Martha Cifuentes at Proyecto Pastoral in Boyle Heights
      They would walk every Friday evening from one public housing project to another, chanting, “Paz, queremos paz y libertad en nuestro barrio!” — peace, we want peace and freedom in our neighborhood — inviting their neighbors to join them along the way.
      Topline:
      For the mothers of Pico Gardens and Aliso Village, a pair of housing projects in Boyle Heights, the peace walks in the 1980s and 1990s were an act of protest and survival.

      Violence had become a fact of daily life. Middle school students were joining gangs. Shootings happened in the morning and at night. Father Greg Boyle of Dolores Mission Catholic Church later recalled burying eight kids in a three-week period in 1988. About nine gangs were active near the parish.
      Background: Rooted in Dolores Mission’s Christian Base Communities, the women organized weekly peace walks at the height of gang violence in Boyle Heights. They held candles and prayed their rosaries as they walked with each other and their children. Formally, they were known as Comité Pro Paz en el Barrio (Committee for Peace in the Neighborhood). They sought to end the violence and demand respect for one another.

      Read on ... for more on the history of the peace walks.

      They would walk every Friday evening from one public housing project to another, chanting, “Paz, queremos paz y libertad en nuestro barrio!” — peace, we want peace and freedom in our neighborhood — inviting their neighbors to join them along the way. 

      For the mothers of Pico Gardens and Aliso Village, a pair of housing projects in Boyle Heights, the peace walks in the 1980s and 1990s were an act of protest and survival. 

      Violence had become a fact of daily life. Middle school students were joining gangs. Shootings happened in the morning and at night. Father Greg Boyle of Dolores Mission Catholic Church later recalled burying eight kids in a three-week period in 1988. About nine gangs were active near the parish.

      The women decided there was no other choice but to face the violence head-on. 

      “We wanted peace,” Leticia Galvan, now 74, told Boyle Heights Beat. “We wanted to spread a message to the youngsters to be united, to not fight, to respect themselves and the people.”

      Father Greg Boyle with the women of Proyecto Pastoral’s Comunidad en Movimiento community group. The group promotes safe streets, civic engagement and community leadership for its members. (Laura Anaya-Morga/Boyle Heights Beat)
      They would walk every Friday evening from one public housing project to another, chanting, “Paz, queremos paz y libertad en nuestro barrio!” — peace, we want peace and freedom in our neighborhood — inviting their neighbors to join them along the way.
      (
      Courtesy Proyecto Pastoral
      /
      Reproduced by Laura Anaya-Morga/Boyle Heights Beat
      )

      Rooted in Dolores Mission’s Christian Base Communities, the women organized weekly peace walks at the height of gang violence in Boyle Heights. They held candles and prayed their rosaries as they walked with each other and their children. Formally, they were known as Comité Pro Paz en el Barrio (Committee for Peace in the Neighborhood). They sought to end the violence and demand respect for one another. 

      Their activism helped shape the foundation for Boyle’s anti-gang work, which later developed into Homeboy Industries, the largest gang-intervention and rehabilitation program in the world. Four decades later, these mothers find it crucial to continue talking about those violent years in Boyle Heights as a reminder of how far they’ve come and how hard they fought to get here. 

      Some of the women from Aliso Village affectionately called themselves La UVA, or Union de Viejas Arguenderas — the Old Gossips Union. 

      “Éramos la pandilla de La UVA,” Galvan joked. “Nuestros hijos decían, ‘Vámonos, llegó La UVA.” 

      Though years have passed, many of the women remember the violence of those days as if it were yesterday. 

      They would walk every Friday evening from one public housing project to another, chanting, “Paz, queremos paz y libertad en nuestro barrio!” — peace, we want peace and freedom in our neighborhood — inviting their neighbors to join them along the way.
      (
      Raquel Norris
      /
      Boyle Heights Beat
      )

      Amada Holguin, now 86, a mother of seven, recalled being caught in the middle of gunfire between two rival gangs after stepping out of the bus on 4th Street more than 30 years ago. “No había dado ni cuatro pasos cuando empezó la balacera,” Holguin said. I hadn’t even taken four steps when the shootout began.

      Holguin, who took part in the peace walks, said a young man shielded her face with his jacket and rushed her into a nearby house as gunshots flew past her from all sides. Inside, she stood in shock in a stranger’s living room, eating bread to calm her nerves.

      Although traumatic, Holguin now laughs about the shooting, remembering how Dolores Mission parishioners prayed for her that night, mistakenly believing she had been killed. 

      “Por la gracia de Dios a mi no me pasó nada,” she said. 

      Galvan, a mother of two daughters, also faced violent encounters herself.

      On one occasion, she remembered fighting back when she was being robbed. Galvan said she kicked the perpetrator and yelled at him until he left her alone.

      “Tenias que estar a la defensiva,” Galvan said. “Nunca pensé yo en (que me mataran).” (You had to be on the defense. I never thought I would be killed.)

      Galvan said much of their courage was inspired by Father Boyle. “El Padre Gregorio nos enseñó mucho valor,” Galvan said. (He taught us great courage.)

      In an interview with Boyle Heights Beat, Boyle recalled the Thanksgiving dinners the women would host for gang members in the neighborhood. 

      “They didn’t want to demonize gang members,” Boyle said. 

      “The dinner said, ‘You’re not the enemy. You’re our sons, whether we brought you into the world or not.’ It was very beautiful,” Boyle said.

      Amada Holguin (left) sits with two women who formed part of the Dolores Mission Christian Base Community group at the Pico Gardens housing project in the 1980s. (Photo courtesy of Proyecto Pastoral; reproduced by Laura Anaya-Morga/Boyle Heights Beat)
      They would walk every Friday evening from one public housing project to another, chanting, “Paz, queremos paz y libertad en nuestro barrio!” — peace, we want peace and freedom in our neighborhood — inviting their neighbors to join them along the way.
      (
      Courtesy Proyecto Pastoral
      /
      Reproduced by Laura Anaya-Morga/Boyle Heights Beat
      )

      Life may have been chaotic outside, but the mothers said enforcing household rules went a long way. 

      That meant forbidding their kids from wearing Nikes because “the cholos wore them,” or barring their children from being outside past a certain time, even if others their age were out past midnight.

      “We raised our children here, but there were rules,” said Maria Flores, now 73, a mother of three, who enforced a strict curfew and participated in the peace walks. 

      Flores and her husband required their children to eat meals together as a family. They also ensured their daughter and two sons kept up with household chores. Each had to take turns washing dishes and cleaning the kitchen.

      “These chores were important because it taught them to be self-reliant,” Flores said. 

      To Flores, running a strict household is what helped steer her children away from gangs. 

      “They would have become cholos if I allowed them to come home at all hours of the night,” she said.

      In 1986, Boyle and parishioners at Dolores Mission founded Proyecto Pastoral in response to the poverty and gang violence around them. Now, the organization focuses on community-building and social justice.

      Angela Gutierrez, 58, a community organizing coordinator at Proyecto Pastoral, points to a photo of Stephanie Raygoza that hangs by her desk. Raygoza was 10 when she was struck by a stray bullet while riding her scooter in front of her Boyle Heights home in 2002. (Laura Anaya-Morga/Boyle Heights Beat)
      They would walk every Friday evening from one public housing project to another, chanting, “Paz, queremos paz y libertad en nuestro barrio!” — peace, we want peace and freedom in our neighborhood — inviting their neighbors to join them along the way.
      (
      Laura Anaya-Morga
      /
      Boyle Heights Beat
      )

      Angela Gutierrez, 58, a community organizing coordinator at Proyecto Pastoral, was part of the peace walks as a young mother living in Boyle Heights. She continues to find strength and inspiration from the activism of the women she saw as motherly figures. 

      “Many people don’t know everything we endured. But we lived here. We know,” Gutierrez said. “… As I always say, the women fought and continue to fight against these injustices.”

      That fighting spirit remains alive even if gang violence is not what it was before, Gutierrez said. While quality of life in Boyle Heights may have improved, Gutierrez said there is still a lot to do when it comes to pedestrian safety, street cleanliness and homelessness. 

      Now, it’s about advocating through forums with community members and local politicians, Gutierrez said. 

      Mothers and grandmothers continue to help lead those efforts.

      Just recently, Proyecto Pastoral hosted a community meeting informing residents and business owners about a proposed Business Improvement District in Boyle Heights. They also held a forum for candidates seeking to replace Sen. Maria Elena Durazo in California’s 26th Senate District.

      “This is the work we need to continue doing,” Gutierrez said.