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The Brief

The most important stories for you to know today
  • Beyonce and Kendrick Lamar take top honors

    Topline:

    Beyoncé led all artists this year with 11 nominations. She was up for album of the year for Cowboy Carter as well as song and record of the year for "Texas Hold 'Em." Other major nominees included Chappell Roan, Charli xcx, Sabrina Carpenter, Billie Eilish, Kendrick Lamar, Post Malone and Taylor Swift. Roan and Carpenter were both nominated for all four of the major general categories — album, song and record of the year, plus best new artist.

    A first for Beyoncé: Beyoncé, the most nominated artist in Grammy history, won her first album of the year at last night's show.

    Kendrick Lamar: Compton's own won record of the year for "They Not Like Us."

    Read on . . . for a complete list of winners

    The complete list of nominees and winners presented at the 67th Grammy Awards Sunday, Feb. 2, 2025, is below. Winners are noted in bold below.

    Beyoncé led all artists this year with 11 nominations. She was up for album of the year for Cowboy Carter as well as song and record of the year for "Texas Hold 'Em." Other major nominees included Chappell Roan, Charli xcx, Sabrina Carpenter, Billie Eilish, Kendrick Lamar, Post Malone and Taylor Swift. Roan and Carpenter were both nominated for all four of the major general categories — album, song and record of the year, plus best new artist.

    1. Record of the Year

    • "Now And Then" by The Beatles
    • "TEXAS HOLD 'EM" by Beyoncé
    • "Espresso" by Sabrina Carpenter
    • "360" by Charli xcx
    • "BIRDS OF A FEATHER" by Billie Eilish
    • "Not Like Us" by Kendrick Lamar
    • "Good Luck, Babe!" by Chappell Roan
    • "Fortnight" by Taylor Swift feat. Post Malone


    2. Album of the Year

    • New Blue Sun by André 3000
    • COWBOY CARTER by Beyoncé
    • Short n' Sweet by Sabrina Carpenter
    • BRAT by Charli xcx
    • Djesse Vol. 4 by Jacob Collier
    • HIT ME HARD AND SOFT by Billie Eilish
    • The Rise And Fall Of A Midwest Princess by Chappell Roan
    • THE TORTURED POETS DEPARTMENT by Taylor Swift


    3. Song of the Year

    • "A Bar Song (Tipsy)" – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)"
    • BIRDS OF A FEATHER" – Billie Eilish O'Connell & FINNEAS, songwriters (Billie Eilish)
    • "Die With A Smile" – Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars & Andrew Watt, songwriters (Lady Gaga & Bruno Mars)
    • "Fortnight" – Jack Antonoff, Austin Post & Taylor Swift, songwriters (Taylor Swift feat. Post Malone)
    • "Good Luck, Babe!" – Kayleigh Rose Amstutz, Daniel Nigro & Justin Tranter, songwriters (Chappell Roan)
    • "Not Like Us" – Kendrick Lamar, songwriter (Kendrick Lamar)
    • "Please Please Please" – Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
    • "TEXAS HOLD 'EM" – Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)


    4. Best New Artist

    • Benson Boone
    • Sabrina Carpenter
    • Doechii
    • Khruangbin
    • RAYE
    • Chappell Roan
    • Shaboozey
    • Teddy Swims


    5. Producer of the Year, Non-Classical

    • Alissia
    • Dernst "D'Mile" Emile II
    • Ian Fitchuk
    • Mustard
    • Daniel Nigro


    6. Songwriter of the Year, Non-Classical

    • Jessi Alexander
    • Amy Allen
    • Edgar Barrera
    • Jessie Jo Dillon
    • RAYE


    7. Best Pop Solo Performance

    • "BODYGUARD" by Beyoncé
    • "Espresso" by Sabrina Carpenter
    • "Apple" by Charli xcx
    • "BIRDS OF A FEATHER" by Billie Eilish
    • "Good Luck, Babe!" by Chappell Roan


    8. Best Pop Duo/Group Performance

    • "us." by Gracie Abrams feat. Taylor Swift
    • "LEVII'S JEANS" by Beyoncé feat. Post Malone
    • "Guess" by Charli xcx & Billie Eilish
    • "the boy is mine" by Ariana Grande, Brandy & Monica
    • "Die With A Smile" by Lady Gaga & Bruno Mars


    9. Best Pop Vocal Album

    • Short n' Sweet by Sabrina Carpenter
    • HIT ME HARD AND SOFT by Billie Eilish
    • eternal sunshine by Ariana Grande
    • The Rise And Fall Of A Midwest Princess by Chappell Roan
    • THE TORTURED POETS DEPARTMENT by Taylor Swift

    10. Best Dance/Electronic Recording

    • "She's Gone, Dance On" by Disclosure
    • "Loved" by Four Tet
    • "leavemealone" by Fred Again.. & Baby Keem
    • "Neverender" by Justice & Tame Impala
    • "Witchy" by KAYTRANADA

    11. Best Pop Dance Recording

    • "Make You Mine" by Madison Beer
    • "Von Dutch" by Charli xcx
    • "L'AMOUR DE MA VIE [OVER NOW EXTENDED EDIT]" by Billie Eilish
    • "yes, and?" by Ariana Grande
    • "Got Me Started" by Troye Sivan


    12. Best Dance/Electronic Album

    • BRAT by Charli xcx
    • Three by Four Tet
    • Hyperdrama by Justice
    • Timeless by KAYTRANADA
    • Telos by Zedd


    13. Best Remixed Recording

    • "Alter Ego (KAYTRANADA remix)" – KAYTRANADA, remixer (Doechii)
    • "A Bar Song (Tipsy) (Remix)" – David Guetta, remixer (Shaboozey)
    • "Espresso" (Mark Ronson x FNZ Working Late Remix) – FNZ & Mark Ronson, remixers (Sabrina Carpenter)
    • "Jah Sees Them - Amapiano Remix" – Alexx Antaeus, Footsteps & MrMyish, remixers (Julian Marley & Antaeus)
    • "Von Dutch" – A.G. Cook, remixer (Charli xcx & A.G. Cook feat. Addison Rae)"


    14. Best Rock Performance

    • "Now And Then" by The Beatles
    • "Beautiful People (Stay High)" by The Black Keys
    • "The American Dream Is Killing Me" by Green Day
    • "Gift Horse" by IDLES
    • "Dark Matter" by Pearl Jam
    • "Broken Man" by St. Vincent


    15. Best Metal Performance

    • "Mea Culpa (Ah! Ça ira!)" by Gojira, Marina Viotti & Victor Le Masne
    • "Crown of Horns" by Judas Priest
    • "Suffocate" by Knocked Loose feat. Poppy
    • "Screaming Suicide" by Metallica
    • "Cellar Door" by Spiritbox


    16. Best Rock Song

    • "Beautiful People (Stay High)" – Dan Auerbach, Patrick Carney, Beck Hansen & Daniel Nakamura, songwriters (The Black Keys)
    • "Broken Man" – Annie Clark, songwriter (St. Vincent)
    • "Dark Matter" – Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder & Andrew Watt, songwriters (Pearl Jam)
    • "Dilemma" – Billie Joe Armstrong, Mike Dirnt & Tré Cool, songwriters (Green Day)
    • "Gift Horse" – Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan & Joe Talbot, songwriters (IDLES)


    17. Best Rock Album

    • Happiness Bastards by The Black Crowes
    • Romance by Fontaines D.C.
    • Saviors by Green Day
    • TANGK by IDLES
    • Dark Matter by Pearl Jam
    • Hackney Diamonds by The Rolling Stones
    • No Name by Jack White


    18. Best Alternative Music Performance

    • "Neon Pill" Cage by The Elephant
    • "Song Of The Lake" by Nick Cave & The Bad Seeds
    • "Starburster" by Fontaines D.C.
    • "BYE BYE" by Kim Gordon
    • "Flea" by St. Vincent


    19. Best Alternative Music Album

    • Wild God by Nick Cave & The Bad Seeds
    • Charm by Clairo
    • The Collective by Kim Gordon
    • What Now by Brittany Howard
    • All Born Screaming by St. Vincent


    20. Best R&B Performance

    • "Guidance" by Jhené Aiko
    • "Residuals" by Chris Brown
    • "Here We Go (Uh Oh)" by Coco Jones
    • "Made For Me (Live On BET)" by Muni Long
    • "Saturn" by SZA


    21. Best Traditional R&B Performance

    • "Wet" by Marsha Ambrosius
    • "Can I Have This Groove" by Kenyon Dixon
    • "No Lie" by Lalah Hathaway feat. Michael McDonald
    • "Make Me Forget" by Muni Long
    • "That's You" by Lucky Daye

    22. Best R&B Song

    • "After Hours" – Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes & Daniel Upchurch, songwriters (Kehlani)
    • "Burning" – Ronald Banful & Temilade Openiyi, songwriters (Tems)
    • "Here We Go (Uh Oh)" – Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick & Kelvin Wooten, songwriters (Coco Jones)
    • "Ruined Me" – Jeff Gitelman, Priscilla Renea & Kevin Theodore, songwriters (Muni Long)
    • "Saturn" – Rob Bisel, Carter Lang, Solána Rowe, Jared Solomon & Scott Zhang, songwriters (SZA)


    23. Best Progressive R&B Album

    • TIE: So Glad To Know You by Avery*Sunshine
    • En Route by Durand Bernarr
    • Bando Stone And The New World by Childish Gambino
    • Crash by Kehlani
    • TIE: Why Lawd? by NxWorries (Anderson .Paak & Knxwledge)


    24. Best R&B Album

    • 11:11 (Deluxe) by Chris Brown
    • Vantablack by Lalah Hathaway
    • Revenge by Muni Long
    • Algorithm by Lucky Daye
    • Coming Home by Usher


    25. Best Rap Performance

    • "Enough (Miami)" by Cardi B
    • "When The Sun Shines Again" by Common & Pete Rock feat. Posdnuos
    • "NISSAN ALTIMA" by Doechii
    • "Houdini" by Eminem
    • "Like That" by Future & Metro Boomin feat. Kendrick Lamar
    • "Yeah Glo!" by GloRilla
    • "Not Like Us" by Kendrick Lamar


    26. Best Melodic Rap Performance

    • "KEHLANI" by Jordan Adetunji feat. Kehlani
    • "SPAGHETTII" by Beyoncé feat. Linda Martell & Shaboozey
    • "We Still Don't Trust You" by Future & Metro Boomin feat. The Weeknd
    • "Big Mama" by Latto
    • "3:AM" by Rapsody feat. Erykah Badu


    27. Best Rap Song

    • "Asteroids" – Marlanna Evans, songwriter (Rapsody feat. Hit-Boy)
    • "Carnival" – Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West & Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West & Ty Dolla $Ign) feat. Rich The Kid & Playboi Carti)
    • "Like That" – Kendrick Lamar Duckworth, Kobe "BbyKobe" Hood, Leland Wayne & Nayvadius Wilburn, songwriters (Future & Metro Boomin feat. Kendrick Lamar)
    • "Not Like Us" – Kendrick Lamar, songwriter (Kendrick Lamar)
    • "Yeah Glo!" – Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III & Gloria Woods, songwriters (GloRilla)


    28. Best Rap Album

    • Might Delete Later by J. Cole
    • The Auditorium, Vol. 1 by Common & Pete Rock
    • Alligator Bites Never Heal by Doechii
    • The Death Of Slim Shady (Coup De Grâce) by Eminem
    • We Don't Trust You by Future & Metro Boomin


    29. Best Spoken Word Poetry Album

    • CIVIL WRITES: The South Got Something To Say by Queen Sheba
    • cOncrete & wHiskey Act II Part 1: A Bourbon 30 Series by Omari Hardwick
    • Good M.U.S.I.C. Universe Sonic Sinema: Episode 1 In The Beginning Was The Word by Malik Yusef
    • The Heart, The Mind, The Soul by Tank And The Bangas
    • The Seven Number Ones by Mad Skillz


    30. Best Jazz Performance

    • "Walk With Me, Lord (SOUND | SPIRIT)" by The Baylor Project
    • "Phoenix Reimagined (Live)" by Lakecia Benjamin feat. Randy Brecker, Jeff "Tain" Watts & John Scofield
    • "Juno" by Chick Corea & Béla Fleck
    • "Twinkle Twinkle Little Me" by Samara Joy feat. Sullivan Fortner
    • "Little Fears" by Dan Pugach Big Band feat. Nicole Zuraitis & Troy Roberts

    31. Best Jazz Vocal Album

    • Journey In Black by Christie Dashiell
    • Wildflowers Vol. 1 by Kurt Elling & Sullivan Fortner
    • A Joyful Holiday by Samara Joy
    • Milton + esperanza by Milton Nascimento & esperanza spalding
    • My Ideal by Catherine Russell & Sean Mason

    32. Best Jazz Instrumental Album

    • Owl Song by Ambrose Akinmusire feat. Bill Frisell & Herlin Riley
    • Beyond This Place by Kenny Barron feat. Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins & Steve Nelson
    • Phoenix Reimagined (Live) by Lakecia Benjamin
    • Remembrance by Chick Corea & Béla Fleck
    • Solo Game by Sullivan Fortner

    33. Best Large Jazz Ensemble Album

    • Returning To Forever by John Beasley & Frankfurt Radio Big Band
    • And So It Goes by The Clayton-Hamilton Jazz Orchestra
    • Walk A Mile In My Shoe by Orrin Evans & The Captain Black Big Band
    • Bianca Reimagined: Music For Paws And Persistence by Dan Pugach Big Band
    • Golden City by Miguel Zenón

    34. Best Latin Jazz Album

    • Spain Forever Again by Michel Camilo & Tomatito
    • Cubop Lives! by Zaccai Curtis
    • COLLAB by Hamilton de Holanda & Gonzalo Rubalcaba
    • Time And Again by Eliane Elias
    • El Trio: Live in Italy by Horacio 'El Negro' Hernández, John Beasley & José Gola
    • Cuba And Beyond by Chucho Valdés & Royal Quartet
    • As I Travel by Donald Vega feat. Lewis Nash, John Patitucci & Luisito Quintero

    35. Best Alternative Jazz Album

    • Night Reign by Arooj Aftab
    • New Blue Sun by André 3000
    • Code Derivation by Robert Glasper
    • Foreverland by Keyon Harrold
    • No More Water: The Gospel Of James Baldwin by Meshell Ndegeocello


    36. Best Traditional Pop Vocal Album

    • À Fleur De Peau by Cyrille Aimée
    • Visions by Norah Jones
    • Good Together by Lake Street Dive
    • Impossible Dream by Aaron Lazar
    • Christmas Wish by Gregory Porter


    37. Best Contemporary Instrumental Album

    • Plot Armor by Taylor Eigsti
    • Rhapsody In Blue by Béla Fleck
    • Orchestras (Live) by Bill Frisell feat. Alexander Hanson, Brussels Philharmonic, Rudy Royston & Thomas Morgan
    • Mark by Mark Guiliana
    • Speak To Me by Julian Lage

    38. Best Musical Theater Album

    • Hell's Kitchen
    • Merrily We Roll Along
    • The Notebook
    • The Outsiders
    • Suffs
    • The Wiz

    39. Best Country Solo Performance

    • "16 CARRIAGES" by Beyoncé
    • "I Am Not Okay" by Jelly Roll
    • "The Architect" by Kacey Musgraves
    • "A Bar Song (Tipsy)" by Shaboozey
    • "It Takes A Woman" by Chris Stapleton

    40. Best Country Duo/Group Performance

    • "Cowboys Cry Too" by Kelsea Ballerini With Noah Kahan
    • "II MOST WANTED" by Beyoncé feat. Miley Cyrus
    • "Break Mine" by Brothers Osborne
    • "Bigger Houses" by Dan + Shay
    • "I Had Some Help" by Post Malone feat. Morgan Wallen

    41. Best Country Song

    • "The Architect" – Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
    • "A Bar Song (Tipsy)" – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
    • "I Am Not Okay" – Casey Brown, Jason DeFord, Ashley Gorley & Taylor Phillips, songwriters (Jelly Roll)
    • "I Had Some Help" – Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen & Chandler Paul Walters, songwriters (Post Malone feat. Morgan Wallen)
    • "TEXAS HOLD 'EM" – Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)

    42. Best Country Album

    • COWBOY CARTER by Beyoncé
    • F-1 Trillion by Post Malone
    • Deeper Well by Kacey Musgraves
    • Higher by Chris Stapleton
    • Whirlwind by Lainey Wilson

    43. Best American Roots Performance

    • "Blame It On Eve" by Shemekia Copeland
    • "Nothing In Rambling" by The Fabulous Thunderbirds feat. Bonnie Raitt, Keb' Mo', Taj Mahal & Mick Fleetwood
    • "Lighthouse" by Sierra Ferrell
    • "The Ballad Of Sally Anne" by Rhiannon Giddens


    44. Best Americana Performance

    • "YA YA" by Beyoncé
    • "Subtitles" by Madison Cunningham
    • "Don't Do Me Good" by Madi Diaz feat. Kacey Musgraves
    • "American Dreaming" by Sierra Ferrell
    • "Runaway Train" by Sarah Jarosz
    • "Empty Trainload Of Sky" by Gillian Welch & David Rawlings

    45. Best American Roots Song

    • "Ahead Of The Game" – Mark Knopfler, songwriter (Mark Knopfler)
    • "All In Good Time" – Sam Beam, songwriter (Iron & Wine feat. Fiona Apple)
    • "All My Friends" – Aoife O'Donovan, songwriter (Aoife O'Donovan)
    • "American Dreaming" – Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell)
    • "Blame It On Eve" – John Hahn & Will Kimbrough, songwriters (Shemekia Copeland)


    46. Best Americana Album

    • The Other Side by T Bone Burnett
    • $10 Cowboy by Charley Crockett
    • Trail Of Flowers by Sierra Ferrell
    • Polaroid Lovers by Sarah Jarosz
    • No One Gets Out Alive by Maggie Rose
    • Tigers Blood by Waxahatchee

    47. Best Bluegrass Album

    • I Built A World by Bronwyn Keith-Hynes
    • Songs Of Love And Life by The Del McCoury Band
    • No Fear by Sister Sadie
    • Live Vol. 1 by Billy Strings
    • Earl Jam by Tony Trischka
    • Dan Tyminski: Live From The Ryman by Dan Tyminski

    48. Best Traditional Blues Album

    • Hill Country Love by Cedric Burnside
    • Struck Down by The Fabulous Thunderbirds
    • One Guitar Woman by Sue Foley
    • Sam's Place by Little Feat
    • Swingin' Live At The Church In Tulsa by The Taj Mahal Sextet

    49. Best Contemporary Blues Album

    • Blues Deluxe Vol. 2 by Joe Bonamassa
    • Blame It On Eve by Shemekia Copeland
    • Friendlytown by Steve Cropper & The Midnight Hour
    • Mileage by Ruthie Foster
    • The Fury by Antonio Vergara

    50. Best Folk Album

    • American Patchwork Quartet by American Patchwork Quartet
    • Weird Faith by Madi Diaz
    • Bright Future by Adrianne Lenker
    • All My Friends by Aoife O'Donovan
    • Woodland by Gillian Welch & David Rawlings

    51. Best Regional Roots Music Album

    • 25 Back To My Roots by Sean Ardoin And Kreole Rock And Soul
    • Live At The 2024 New Orleans Jazz & Heritage Festival by Big Chief Monk Boudreaux & The Golden Eagles feat. J'Wan Boudreaux
    • Live At The 2024 New Orleans Jazz & Heritage Festival by New Breed Brass Band feat. Trombone Shorty
    • Kuini by Kalani Pe'a
    • Stories From The Battlefield by The Rumble feat. Chief Joseph Boudreaux Jr.

    52. Best Gospel Performance/Song

    • "Church Doors" by Yolanda Adams; Donald Lawrence & Sir William James Baptist, songwriters
    • "Yesterday" by Melvin Crispell III
    • "Hold On (Live)" by Ricky Dillard
    • "Holy Hands" by DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord & Juan Winans, songwriters
    • "One Hallelujah" by Tasha Cobbs Leonard, Erica Campbell & Israel Houghton feat. Jonathan McReynolds & Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Naomi Raine, songwriters

    53. Best Contemporary Christian Music Performance/Song

    • "Holy Forever (Live)" by Bethel Music, Jenn Johnson feat. CeCe Winans
    • "Praise" by Elevation Worship feat. Brandon Lake, Chris Brown & Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake & Chandler Moore, songwriters
    • "Firm Foundation (He Won't)" by Honor & Glory feat. Disciple
    • "In The Name Of Jesus" by JWLKRS Worship & Maverick City Music feat. Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky & Ilya Toshinskiy, songwriters
    • "In The Room" by Maverick City Music, Naomi Raine & Chandler Moore feat. Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard & Naomi Raine, songwriters
    • "That's My King" CeCe Winans; Taylor Agan, Kellie Gamble, Lloyd Nicks & Jess Russ, songwriters

    54. Best Gospel Album

    • Covered Vol. 1 by Melvin Crispell III
    • Choirmaster II (Live) by Ricky Dillard
    • Father's Day by Kirk Franklin
    • Still Karen by Karen Clark Sheard
    • More Than This by CeCe Winans


    55. Best Contemporary Christian Music Album

    • Heart Of A Human by DOE
    • When Wind Meets Fire by Elevation Worship
    • Child Of God by Forrest Frank
    • Coat Of Many Colors by Brandon Lake
    • The Maverick Way Complete by Maverick City Music, Naomi Raine & Chandler Moore

    56. Best Roots Gospel Album

    • The Gospel Sessions, Vol 2 by Authentic Unlimited
    • The Gospel According To Mark by Mark D. Conklin
    • Rhapsody by The Harlem Gospel Travelers
    • Church by Cory Henry
    • Loving You by The Nelons

    57. Best Latin Pop Album

    • Funk Generation by Anitta
    • El Viaje by Luis Fonsi
    • GARCÍA by Kany García
    • Las Mujeres Ya No Lloran by Shakira
    • ORQUÍDEAS by Kali Uchis

    58. Best Música Urbana Album

    • nadie sabe lo que va a pasar mañana by Bad Bunny
    • Rayo by J Balvin
    • FERXXOCALIPSIS by Feid
    • LAS LETRAS YA NO IMPORTAN by Residente
    • att. by Young Miko

    59. Best Latin Rock or Alternative Album

    • Compita del Destino by El David Aguilar
    • Pa' Tu Cuerpa by Cimafunk
    • Autopoiética by Mon Laferte
    • GRASA by NATHY PELUSO
    • ¿Quién trae las cornetas? by Rawayana

    60. Best Música Mexicana Album (Including Tejano)

    • Diamantes by Chiquis
    • Boca Chueca, Vol. 1 by Carín León
    • ÉXODO by Peso Pluma
    • De Lejitos by Jessi Uribe

    61. Best Tropical Latin Album

    • MUEVENSE by Marc Anthony
    • Bailar by Sheila E.
    • Radio Güira by Juan Luis Guerra 4.40
    • Alma, Corazón y Salsa (Live at Gran Teatro Nacional) by Tony Succar, Mimy Succar
    • Vacilón Santiaguero by Kiki Valera

    62. Best Global Music Performance

    • "Raat Ki Rani" by Arooj Aftab
    • "A Rock Somewhere" by Jacob Collier feat. Anoushka Shankar & Varijashree Venugopal
    • "Rise" by Rocky Dawuni
    • "Bemba Colorá" by Sheila E. feat. Gloria Estefan & Mimy Succar
    • "Sunlight To My Soul" by Angélique Kidjo feat. Soweto Gospel Choir
    • "Kashira" by Masa Takumi feat. Ron Korb, Noshir Mody & Dale Edward Chung

    63. Best African Music Performance

    • "Tomorrow" by Yemi Alade
    • "MMS" by Asake & Wizkid
    • "Sensational" by Chris Brown feat. Davido & Lojay
    • "Higher" by Burna Boy
    • "Love Me JeJe" by Tems

    64. Best Global Music Album

    • Alkebulan II by Matt B feat. Royal Philharmonic Orchestra
    • Paisajes by Ciro Hurtado
    • Heis by Rema
    • Historias De Un Flamenco by Antonio Rey
    • Born In The Wild by Tems


    65. Best Reggae Album

    • Take It Easy by Collie Buddz
    • Party With Me by Vybz Kartel
    • Never Gets Late Here by Shenseea
    • Bob Marley: One Love - Music Inspired By The Film (Deluxe) (Various Artists)
    • Evolution by The Wailers


    66. Best New Age, Ambient or Chant Album

    • Break Of Dawn by Ricky Kej
    • Triveni by Wouter Kellerman, Éru Matsumoto & Chandrika Tandon
    • Visions Of Sounds De Luxe by Chris Redding
    • Opus by Ryuichi Sakamoto
    • Chapter II: How Dark It Is Before Dawn by Anoushka Shankar
    • Warriors Of Light by Radhika Vekaria

    67. Best Children's Music Album

    • Brillo, Brillo! by Lucky Diaz And The Family Jam Band
    • Creciendo by Lucy Kalantari & The Jazz Cats
    • My Favorite Dream by John Legend
    • Solid Rock Revival by Rock For ChildrenWorld Wide Playdate by Divinity Roxx and Divi Roxx Kids

    68. Best Comedy Album

    • Armageddon by Ricky Gervais
    • The Dreamer by Dave Chappelle
    • The Prisoner by Jim Gaffigan
    • Someday You'll Die by Nikki Glaser
    • Where Was I by Trevor Noah

    69. Best Audio Book, Narration and Storytelling Recording

    • All You Need Is Love: The Beatles In Their Own Words – Guy Oldfield, producer
    • …And Your Ass Will Follow – George Clinton
    • Behind The Seams: My Life In Rhinestones – Dolly Parton
    • Last Sundays In Plains: A Centennial Celebration – Jimmy Carter
    • My Name Is Barbra – Barbra Streisand

    70. Best Compilation Soundtrack For Visual Media

    • The Color Purple (Various Artists)
    • Deadpool & Wolverine (Various Artists)
    • Maestro: Music by Leonard Bernstein – London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper
    • Saltburn (Various Artists)
    • Twisters: The Album (Various Artists)

    71. Best Score Soundtrack For Visual Media (Includes Film And Television)

    • American Fiction – Laura Karpman, composer
    • Challengers – Trent Reznor & Atticus Ross, composers
    • The Color Purple – Kris Bowers, composer
    • Dune: Part Two – Hans Zimmer, composer
    • Shōgun – Nick Chuba, Atticus Ross & Leopold Ross, composers

    72. Best Score Soundtrack for Video Games and Other Interactive Media

    • Avatar: Frontiers of Pandora – Pinar Toprak, composer
    • God of War Ragnarök: Valhalla – Bear McCreary, composer
    • Marvel's Spider-Man 2 – John Paesano, composer
    • Star Wars Outlaws – Wilbert Roget, II, composer
    • Wizardry: Proving Grounds of the Mad Overlord – Winifred Phillips, composer

    73. Best Song Written For Visual Media

    • "Ain't No Love In Oklahoma" [from Twisters: The Album] – Jessi Alexander, Luke Combs & Jonathan Singleton, songwriters (Luke Combs)
    • "Better Place" [from TROLLS Band Together] – Amy Allen, Shellback & Justin Timberlake, songwriters (*NSYNC & Justin Timberlake)
    • "Can't Catch Me Now" [from The Hunger Games: The Ballad of Songbirds & Snakes] – Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
    • "It Never Went Away" [from American Symphony] – Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
    • "Love Will Survive" [from The Tattooist of Auschwitz] – Walter Afanasieff, Charlie Midnight, Kara Talve & Hans Zimmer, songwriters (Barbra Streisand)

    74. Best Music Video

    • "Tailor Swif" by A$AP Rocky; Vania Heymann & Gal Muggia, video directors
    • "360" by Charli xcx; Aidan Zamiri, video director; Jami Arceo & Evan Thicke, video producers
    • "Houdini" by Eminem; Rich Lee, video director; Kathy Angstadt, Lisa Arianna & Justin Diener, video producers
    • "Not Like Us" by Kendrick Lamar; Dave Free & Kendrick Lamar, video directors; Jack Begert, Sam Canter & Jamie Rabineau, video producers
    • "Fortnight" by Taylor Swift feat. Post Malone; Taylor Swift, video director; Jil Hardin, video producer

    75. Best Music Film

    • American Symphony (Jon Batiste) – Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers
    • June (June Carter Cash) – Kristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson & Kristen Vaurio, video producers
    • Kings From Queens (Run DMC) – Kirk Fraser, video director; William H. Masterson III, video producer
    • Stevie Van Zandt: Disciple (Steven Van Zandt) – Bill Teck, video director; Robert Cotto, David Fisher & Bill Teck, video producers
    • The Greatest Night In Pop (Various Artists) – Bao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie & Harriet Sternberg, video producers

    76. Best Recording Package

    • The Avett Brothers – Jonny Black & Giorgia Sage, art directors (The Avett Brothers)
    • Baker Hotel – Sarah Dodds & Shauna Dodds, art directors (William Clark Green)
    • BRAT – Brent David Freaney & Imogene Strauss, art directors (Charli xcx)
    • F-1 Trillion – Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon & Ana Cecilia Thompson Motta, art directors (Post Malone)
    • Hounds Of Love The Baskerville Edition – Kate Bush & Albert McIntosh, art directors (Kate Bush)
    • Jug Band Millionaire – Andrew Wong & Julie Yeh, art directors (The Muddy Basin Ramblers)
    • Pregnancy, Breakdown, And Disease – Lee Pei-Tzu, art director (iWhoiWhoo)

    77. Best Boxed or Special Limited Edition Package

    • Half Living Things – Patrick Galvin, art director (Alpha Wolf)
    • Hounds Of Love The Boxes Of Lost At Sea – Kate Bush & Albert McIntosh, art directors (Kate Bush)
    • In Utero – Doug Cunningham & Jason Noto, art directors (Nirvana)
    • Mind Games – Simon Hilton & Sean Ono Lennon, art directors (John Lennon)
    • Unsuk Chin – Takahiro Kurashima & Marek Polewski, art directors (Unsuk Chin & Berliner Philharmoniker)
    • We Blame Chicago – Rebeka Arce & Farbod Kokabi, art directors (90 Day Men)

    78. Best Album Notes

    • After Midnight – Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)
    • The Carnegie Hall Concert – Lauren Du Graf, album notes writer (Alice Coltrane)
    • Centennial – Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band & Various Artists)
    • John Culshaw - The Art Of The Producer - The Early Years 1948-55 Dominic Fyfe, album notes writer (John Culshaw)
    • SONtrack Original De La Película "Al Son De Beno" – Josh Kun, album notes writer (Various Artists)

    79. Best Historical Album

    • Centennial – Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists)
    • Diamonds And Pearls: Super Deluxe Edition – Charles F. Spicer, Jr. & Duane Tudahl, compilation producers; Brad Blackwood & Bernie Grundman, mastering engineers (Prince & The New Power Generation)
    • Paul Robeson – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings – Tom Laskey & Robert Russ, compilation producers; Nancy Conforti & Andreas K. Meyer, mastering engineers (Paul Robeson)
    • Pepito Y Paquito – Pepe De Lucía & Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)
    • The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition) – Mike Matessino & Mark Piro, compilation producers; Steve Genewick & Mike Matessino, mastering engineers (Rodgers & Hammerstein & Julie Andrews)

    80. Best Engineered Album, Non-Classical

    • Algorithm – Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz & Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)
    • Cyan Blue – Jack Emblem, Jack Rochon & Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)
    • Deeper Well – Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder & Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)
    • empathogen – Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti & Mitch McCarthy, engineers; Joe La Porta, mastering engineer (WILLOW)
    • i/o – Tchad Blake, Oli Jacobs, Katie May & Dom Shaw, engineers; Matt Colton, mastering engineer (Peter Gabriel)
    • Short n' Sweet – Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan & Laura Sisk, engineers; Nathan Dantzler & Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)

    81. Best Engineered Album, Classical

    • Adams: Girls Of The Golden West – Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic & Los Angeles Master Chorale)
    • Andres: The Blind Banister – Silas Brown, Doron Schachter & Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev & Metropolis Ensemble)
    • Bruckner: Symphony No. 7; Bates: Resurrexit – Mark Donahue & John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
    • Clear Voices In The Dark – Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard & Skylark Vocal Ensemble)
    • Ortiz: Revolución Diamantina – Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic & Los Angeles Master Chorale)

    82. Producer Of The Year, Classical

    • Erica Brenner
    • Christoph Franke
    • Morten Lindberg
    • Dmitriy Lipay
    • Elaine Martone
    • Dirk Sobotka

    83. Best Immersive Audio Album

    • Avalon – Bob Clearmountain, immersive mix engineer; Rhett Davies & Bryan Ferry, immersive producers (Roxy Music)
    • Genius Loves Company – Michael Romanowski, Eric Schilling & Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)
    • Henning Sommerro: Borders – Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)
    • i/o (In-Side Mix) – Hans-Martin Buff, immersive mix engineer; Brian Eno, Peter Gabriel & Richard Russell, immersive producers (Peter Gabriel)
    • Pax – Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 & Current Saxophone Quartet)

    84. Best Instrumental Composition

    • At Last – Shelton G. Berg, composer (Shelly Berg)
    • Communion – Christopher Zuar, composer (Christopher Zuar Orchestra)
    • "I Swear, I Really Wanted To Make A "Rap" Album But This Is Literally The Way The Wind Blew Me This Time" – André 3000, Surya Botofasina, Nate Mercereau & Carlos Niño, composers (André 3000)
    • "Remembrance" – Chick Corea, composer (Chick Corea & Béla Fleck)
    • Strands – Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman)

    85. Best Arrangement, Instrumental or A Cappella

    • "Baby Elephant Walk – Encore" – Michael League, arranger (Snarky Puppy)
    • "Bridge Over Troubled Water" – Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier feat. John Legend & Tori Kelly)
    • "Rhapsody In Blue(Grass)" – Béla Fleck & Ferde Grofé, arrangers (Béla Fleck feat. Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz & Bryan Sutton)
    • "Rose Without The Thorns" – Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy & Amanda Taylor, arrangers (Scott Hoying feat. säje & Tonality)
    • "Silent Night" – Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje)

    86. Best Arrangement, Instruments and Vocals

    • "Alma" – Erin Bentlage, Sara Gazarek, Johanye Kendrick & Amanda Taylor, arrangers (säje feat. Regina Carter)
    • "Always Come Back" – Matt Jones, arranger (John Legend)
    • "b i g f e e l i n g s" – Willow, arranger (WILLOW)
    • "Last Surprise" (from Persona 5) – Charlie Rosen & Jake Silverman, arrangers (The 8-Bit Big Band feat. Jonah Nilsson & Button Masher)
    • "The Sound Of Silence" – Cody Fry, arranger (Cody Fry feat. Sleeping At Last)

    87. Best Orchestral Performance

    • Adams: City Noir, Fearful Symmetries & Lola Montez Does The Spider Dance – Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)
    • Kodály: Háry János Suite; Summer Evening & Symphony In C Major – JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)
    • Ortiz: Revolución Diamantina – Gustavo Dudamel, conductor (Los Angeles Philharmonic)
    • Sibelius: Karelia Suite, Rakastava, & Lemminkäinen – Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)
    • Stravinsky: The Firebird – Esa-Pekka Salonen, conductor (San Francisco Symphony)

    88. Best Opera Recording

    • Adams: Girls Of The Golden West – John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny & Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)
    • Catán: Florencia En El Amazonas – Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez & Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
    • Moravec: The Shining – Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce & Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)
    • Puts: The Hours – Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming & Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)
    • Saariaho: Adriana Mater – Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan & Christopher Purves; Jason O'Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)

    89. Best Choral Performance

    • Clear Voices In The Dark – Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski & Clare McNamara; Skylark Vocal Ensemble)
    • A Dream So Bright - Choral Music Of Jake Runestad – Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)
    • Handel: Israel In Egypt – Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry & Edward Vogel; Apollo's Fire; Apollo's Singers)
    • Ochre – Donald Nally, conductor (The Crossing)
    • Sheehan: Akathist – Elaine Kelly, conductor; Melissa Attebury, Stephen Sands & Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan & Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices & Trinity Youth Chorus)

    90. Best Chamber Music/Small Ensemble Performance

    • Adams, J.L.: Waves & Particles by JACK Quartet
    • Beethoven For Three: Symphony No. 4 And Op. 97, 'Archduke' by Yo-Yo Ma, Leonidas Kavakos & Emanuel Ax
    • Cerrone: Beaufort Scales by Beth Willer, Christopher Cerrone & Lorelei EnsembleHome by Miró Quartet
    • Rectangles And Circumstance by Caroline Shaw & Sō Percussion

    91. Best Classical Instrumental Solo

    • Akiho: Longing by Andy Akiho
    • Bach: Goldberg Variations by Víkingur Ólafsson
    • Eastman: The Holy Presence Of Joan D'Arc by Seth Parker Woods; Christopher Rountree, conductor (Wild Up)
    • Entourer by Mak Grgić (Ensemble Dissonance)
    • Perry: Concerto For Violin & Orchestra by Curtis Stewart; James Blachly, conductor (Experiential Orchestra)

    92. Best Classical Solo Vocal Album

    • Beyond The Years - Unpublished Songs Of Florence Price – Karen Slack, soloist; Michelle Cann, pianist
    • A Change Is Gonna Come – Nicholas Phan, soloist; Palaver Strings, ensembles
    • Newman: Bespoke Songs – Fotina Naumenko, soloist; Marika Bournaki, pianist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña & Garrick Zoeter)
    • Show Me The Way – Will Liverman, soloist; Jonathan King, pianist
    • Wagner: Wesendonck Lieder – Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)

    93. Best Classical Compendium

    • Akiho: BeLonging – Andy Akiho & Imani Winds; Andy Akiho, Sean Dixon & Mark Dover, producers
    • American Counterpoints – Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer
    • Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode – JoAnn Falletta, conductor; Bernd Gottinger, producer
    • Mythologies II – Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies & Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse & Kitt Wakeley, producers
    • Ortiz: Revolución Diamantina – Gustavo Dudamel, conductor; Dmitriy Lipay, producer

    94. Best Contemporary Classical Composition

    • Casarrubios: Seven For Solo Cello – Andrea Casarrubios, composer (Andrea Casarrubios)
    • Coleman: Revelry – Valerie Coleman, composer (Decoda)
    • Lang: Composition As Explanation – David Lang, composer (Eighth Blackbird)
    • Ortiz: Revolución Diamantina – Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale)
    • Saariaho: Adriana Mater – Kaija Saariaho, composer (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus & Orchestra)

    Copyright 2025 NPR

  • Highs to reach mid 90s in some areas
    Areas around Griffith Park will see low clouds in the morning followed by afternoon highs in the mid 80s.

    QUICK FACTS

    • Today’s weather: Morning clouds then partly cloudy
    • Beaches: 67 to 72 degrees
    • Mountains: Mid-70s to mid-80s
    • Inland: 87 to 96 degrees
    • Warnings and advisories: None today

    What to expect: Another day of low morning clouds followed by afternoon sun and warm temperatures.

    Where it will be the warmest: The valleys, dessert communities and Inland Empire will see highs in the 90s, with some areas hitting the low 100s.

    Read on...for more details.

    QUICK FACTS

    • Today’s weather: Morning clouds then partly cloudy
    • Beaches: 67 to 72 degrees
    • Mountains: Mid-70s to mid-80s
    • Inland: 87 to 96 degrees
    • Warnings and advisories: None today

    Today and Friday will be the warmest days of the week here in Southern California followed by cooler weather this weekend.

    Where it's going to be the warmest: Coachella Valley temperatures will range from 104 to 109 degrees. In the Antelope Valley, afternoon highs will reach 103 degrees. Meanwhile, in the Inland Empire, afternoon highs will reach 96 degrees and in L.A. County valleys, temperatures could reach 93 degrees.

    Where it's going to be the coolest: Head to the coast if you want to beat the heat. L.A. County beaches will see highs from 67 to 72 degrees, while in Orange County, coastal temps will range from 71 to 79 degrees.

  • Sponsored message
  • More than 1 in 3 matches face dangerous heat risk

    Topline:

    The men's soccer World Cup kicks off next week at 16 stadiums across North America, just as summer weather arrives in many of the host cities. Millions of fans, players and workers could be exposed to potentially harmful heat, an NPR analysis finds.

    More details: NPR looked at two decades of temperature data for each host city, as well as the time each World Cup match is scheduled to start, and checked those temperatures against heat hazard guidelines from the Occupational Safety and Health Administration and the American College of Sports Medicine.

    Which matches? The high-risk events identified in NPR's analysis include multiple high-profile matches, such as the game that determines which team takes home third place in the World Cup, and the World Cup final.

    Read on... for more on the high-risk events identified in this analysis.

    The men's soccer World Cup kicks off next week at 16 stadiums across North America, just as summer weather arrives in many of the host cities. Millions of fans, players and workers could be exposed to potentially harmful heat, an NPR analysis finds.

    More than one-third of World Cup matches are at high risk for dangerously hot, humid conditions, NPR found, and dozens more matches come with moderate heat risk.

    NPR looked at two decades of temperature data for each host city, as well as the time each World Cup match is scheduled to start, and checked those temperatures against heat hazard guidelines from the Occupational Safety and Health Administration and the American College of Sports Medicine.

    The high-risk events identified in NPR's analysis include multiple high-profile matches, such as the game that determines which team takes home third place in the World Cup, and the World Cup final.

    "Players can overheat, and match officials as well," says Donal Mullan, a climate scientist at Queen's University Belfast, who co-authored a study last year about heat risk at the 2026 World Cup.


    "They can also overheat and collapse," Mullan warns. "This has happened to people."

    Loading...

    In an email to NPR, a spokesperson for FIFA, the governing body for international soccer, wrote that the organization "is committed to protecting the health and safety of players, referees, fans, volunteers and staff."

    FIFA scheduled many games for cooler afternoon and evening hours, added extra water breaks for players and referees and installed air conditioning on the sidelines for those who are sitting on the benches, the email states.

    "Outdoor matches during the hottest parts of the day have been strategically limited, kick-off times adjusted in certain markets, and matches expected in warmer windows prioritized for covered stadiums where possible," the email also states. FIFA did not respond to further questions about why some matches were nonetheless scheduled for high-risk locations and times.

    When the weather is especially hot, "spectators will be permitted to bring one factory-sealed water bottle, and venues will activate additional cooling capacity, including shaded areas, misting systems, cooling buses and expanded water distribution," the FIFA spokesperson wrote to NPR.

    FIFA did not respond to questions about how hot it would need to be to trigger protections, whether every venue has misting systems available or whether workers at stadiums would have the same access as spectators.

    Dangerous heat and limited cooling

    Out of the 104 games, 67 of them are being held at locations and times that come with potential danger for heat illnesses, with 39 of those at high risk, according to their historical wet bulb globe temperature (WBGT). The WBGT measurement is a strong indicator of overall heat risk because it takes into account humidity, shade and solar radiation to calculate the temperature.

    "All hot weather is dangerous, but hot, humid weather tends to be more dangerous," says Jennifer Vanos, who studies heat policy at Arizona State University.

    Miami, Houston, Dallas and Atlanta rank near the top in temperature for their games, with averages as high as 84 degrees Fahrenheit. Attendees and workers in those stadiums will have air conditioning.

    Stadiums in other parts of the U.S. don't have the same infrastructure, with games in Philadelphia, New Jersey and Kansas City, Mo., averaging as high as 79 F with no roofs covering their stadiums.

    Miami's stadium is the hottest venue without air conditioning. The historical average temperature this time of year is around 80 F. That threatens multiple matches with dangerously hot weather, including the match that determines which team wins third place in the tournament.

    Multiple scientific studies have come to similar conclusions, including one published last month by researchers at Imperial College London and collaborators, who found that about a quarter of World Cup games this summer are likely to be held while temperatures exceed 79 F.

    It is possible that individual matches in Miami and other high-risk cities will get lucky and see overcast skies and cooler-than-average temperatures. But climate change makes such luck less likely. Overall summer temperatures across North America are steadily rising, as global warming drives longer, hotter heat waves. The last 10 years were the hottest decade ever recorded on Earth.

    The risk is not theoretical

    The dangers of hot, humid weather are not new to professional soccer players and tournament organizers, though the risks are getting more pronounced as the planet warms.

    The last men's World Cup tournament was held in the winter because of concerns about dangerously hot, humid weather in the host country of Qatar. Summer weather in Qatar's capital is often so hot and muggy that the human body can no longer cool itself by sweating.

    Many North American cities also get extremely hot and humid, and heat emergencies have happened at professional soccer matches in the United States in the past.

    Two years ago, hot, humid weather caused a health emergency at a stadium in Kansas City, Kansas. During a June 25, 2024, international soccer match, referee Humberto Panjoj collapsed on the field due to heat illness and had to be rushed to the hospital.

    A nearby stadium in Kansas City, Mo., will host the World Cup match between Tunisia and the Netherlands exactly two years later, on June 25, 2026, raising concerns about the safety of conditions during that upcoming game.

    At another 2024 match, held in Miami, a star player for Uruguay left the game at halftime and later told The Athletic that he suffered from dizziness and dehydration.

    In 2017, professional soccer player Rachel Daly collapsed due to heat exhaustion during a match in Houston, despite additional water breaks during the game. She recovered and later posted on X: "those conditions are not safe to play at your maximum."

    The sport's largest players union, FIFPRO, has expressed concern about player safety at the 2026 World Cup. FIFPRO did not respond to specific questions from NPR about heat safety at the tournament.

    The reasons for avoiding the heat of the day go beyond protecting player and fan health. Soccer is a more dynamic game when it's played in cooler weather, studies have found, because players run faster and cover more ground.

    Evening games are safer than afternoon ones

    One of the simplest ways to protect people from hot weather during the World Cup is to schedule games for the evening, when temperatures are slightly cooler and there is less direct sunlight.

    Loading...

    "The heat risk goes down significantly after about 6 o'clock in the evening, typically," Mullan says. "FIFA have by and large avoided the worst times of the day."

    In an email to NPR, a FIFA spokesperson wrote that the organization took such considerations into account when it created the World Cup schedule.

    FIFA did not answer questions about why the World Cup final is scheduled for the heat of the day, 3 p.m., on July 19 at an uncovered stadium outside New York City.

    That start time, during the hottest part of the day, may have been chosen to maximize the global audience, much of which is located in later time zones. An evening start time would have required fans in Europe, Africa and Asia to tune in late at night or in the very early morning.

    But the heat risk at that match is clear, Mullan says. "Obviously, if you schedule these matches for the midafternoon at some of these hottest locations, then that's your recipe for disaster," he explains. NPR's analysis found that the World Cup final match is likely to see wet bulb globe temperatures of 79 F, putting players and fans at risk for dangerously hot, humid weather.

    World Cup fans and workers are also at risk for heat illness

    The players and referees running around on the field are not the only ones at risk from very hot weather. Spectators and workers are also threatened.

    That's because you don't need to be exercising to be affected by heat illness.

    "I think about the person dying at the Taylor Swift concert in Brazil," says Vanos, of Arizona State University. In 2023, a Brazilian university student died while waiting for a brutally hot concert by the pop star.

    In 2024, more than 1,300 people died during the Hajj, when that pilgrimage coincided with very hot weather in Saudi Arabia.

    Both of those tragedies occurred during heat waves, when temperatures exceeded 100 F. While average summer temperatures in World Cup host cities generally remain lower than that, North American heat waves in recent years have led to triple-digit temperatures. And climate change means record-breaking heat waves are happening more often.

    Vanos says large gatherings, like concerts, pilgrimages and sporting events, exacerbate the threat posed by heat because people are in large crowds, often visiting areas they are unfamiliar with. "Understanding the local context of the climate, where you can go to get water, where the water is safe, where you can go to find air conditioning — all of these things that sometimes it's easy to take for granted, but that can actually be really hard to find and get if you're in a really different context that you've never been in before," Vanos explains.

    More than 6 million tickets are available for World Cup matches, according to FIFA, although the organization is not disclosing exactly how many it has sold.

    Such a large event requires thousands of extra workers and overtime hours for local employees, many of whom will be working outside. The federal government is spending $625 million on local security in U.S. host cities — for example, NPR member station KCUR reports that Kansas City is using $59 million of that funding to cover police overtime at matches and extra officers from other locations.

    Vanos says such workers could face dangerously hot conditions, especially if they're exposed to the sun during the hottest part of the day. The Occupational Safety and Health Administration recommends that workers be given water and shade breaks to prevent heat illness, but some states, including Florida, do not have laws on the books to enforce such recommendations.

    This story was edited by Neela Banerjee. The graphics were edited by Alyson Hurt.
    Copyright 2026 NPR

  • WeHo Pride, a tarot festival and more
    Several people dressed mostly in pink hold fans in the air and dance at a Pride Parade.
    The WeHo Pride Parade is the apotheosis of Pride celebrations.

    In this edition:

    West Hollywood Pride, a tarot festival, Primary Trust at the Mark Taper Forum and more of the best things to do this weekend.

    Highlights:

    • Pride kicks off big time in the mother of all Pride hubs, West Hollywood. This year’s street fair features free performances and appearances by Meg Stalter, Willa Ford, Cailin Russo, Say Now, Elio and more along Santa Monica Boulevard.
    • Knud Adams, who just recently directed the fab production of English at The Wallis, returns for the L.A. premiere of Eboni Booth’s 2024 Pulitzer Prize-winning play, Primary Trust, at the Mark Taper Forum. The one-act play tells the story of a young man who has to find his way on his own after losing his bookstore job in upstate New York.
    • Hear from architects and art experts about the new LACMA building at the LACMA Therapy Session, brought to you by our friends at L.A. Material, Punch List and the New York Review of Architecture. Bring your own Erewhon smoothie.
    • Your weekend plans are in the cards. Meet tarot experts, take a card reading workshop, find your favorite new deck and get special readings with the best card readers in Los Angeles at the L.A. Festival of Tarot.

    What better way to welcome L.A.’s newest resident than with a fruit cart, paletas, pastries from Porto’s, Philippe’s French dip sandwiches and Kogi tacos passed out by Roy Choi himself? That’s exactly how the L.A. Philharmonic heralded new music director Daniel Harding at a conversation and reception last week, and I don’t think you can top it. Well, maybe only with the big sendoff happening for Gustavo Dudamel, who conducts his final shows at the big “Gracias Gustavo” celebration at Disney Hall this weekend after a glorious 17-year run. Bravo, maestros!

    For more music, Licorice Pizza has your picks. On Friday, Secondhand Serenade is at the Roxy, Latin rock stars Maná play their first of two nights at the Honda Center and Scottish indie-pop darlings Belle & Sebastian perform their album Tigermilk in full at the Palladium with special guests Beachwood Sparks — they’ll be there Saturday, too, doing If You’re Feeling Sinister, with Tyler Ballgame opening.

    Saturday, Alex Warren and Nat and Alex Wolff are at Crypto.com Arena, Snoop Dogg and Friends play a hometown show at the Long Beach Amphitheater and Mongolian folk metal band the Hu are at the Wiltern.

    Sunday, Paul Simon plays the Hollywood Bowl and “School’s Out, ICE Out: An All-Ages Celebration of Community” hits the Echoplex with the Linda Lindas, Starcrawler, Illuminati Hotties, Allison Wolfe and more. But perhaps THE biggest concert tour of the year, the reunion of Rush, kicks off that night at the Forum.

    Elsewhere on LAist, you can learn about the weird things people leave behind in L.A. Ubers and check out our interview with Ziggy Marley.

    Events

    WeHo Pride Street Fair, Parade and Outloud Festival

    Friday to Sunday, June 5 to 7
    West Hollywood 
    COST: VARIES, MANY FREE EVENTS; MORE INFO

    Pride kicks off big time in the mother of all Pride hubs: West Hollywood. This year’s street fair features free performances and appearances by Meg Stalter, Willa Ford, Cailin Russo, Say Now, Elio and more along Santa Monica Boulevard. Sunday’s parade starts at noon and is grand marshalled by Kathy Hilton; the weekend’s big Outloud Festival is ticketed and includes headliners Ashlee Simpson and Confidence Man, drag performances and much more


    Primary Trust

    Through Sunday, June 28
    Mark Taper Forum 
    135 N. Grand Ave., Downtown L.A.
    COST: $40.25; MORE INFO

    A Black man stands onstage; in the foreground a cellist plays with his back to the camera, and in the background two men work on a set that resembles a small town.
    (
    Jeff Lorch
    /
    Center Theatre Group
    )

    Knud Adams, who just recently directed the fab production of English at the Wallis, returns for the L.A. premiere of Eboni Booth’s 2024 Pulitzer Prize-winning play, Primary Trust. The one-act play tells the story of a young man (played with a light touch by Petey McGee) who has to find his way on his own after losing his bookstore job in upstate New York. It’s a tight, moving look at the changes in small-town America (the set gives Mr. Rogers vibes) and the challenges of moving through the world and finding your community — kind of an Our Town for our times.


    Sound Pedro

    Saturday, June 6, 7 p.m. to 1 p.m.
    Angels Gate Cultural Center
    3601 South Gaffey St., San Pedro
    COST: FREE; MORE INFO

    Sound Pedro is one of my favorite immersive art events of the year. Perched up on the hill overlooking the harbor, art installations featuring sound echo across the former Army barracks at Angels Gate. This year, the event celebrates its 10th anniversary with a riff on the traditional gift, tin. The one-night-only event includes sculptures, environments, installations, timed and ongoing performances, interactions and more throughout the site.


    LACMA Therapy Session 

    Sunday, June 7, 4 p.m.
    Barnsdall Gallery Theater
    4800 Hollywood Blvd., Los Feliz 
    COST: $15; MORE INFO 

    A couple dozen people mill around and wait in line out side the new concrete and glass David Geffen Galleries building. Recessed lights shine down from the underside of the large, circular concrete roof that extends over the floor to ceiling glass windows that wrap around the building.
    Share your love (or hate) of LACMA's new galleries at a "therapy session."
    (
    James Chow / LAist
    )

    I got many, many emails from you all after the first previews of the David Geffen Galleries, and everyone had strong feelings. So if you sent us a note, this event is for you. Get your hot takes out and hear from architects and art experts about the new LACMA building at the LACMA Therapy Session, brought to you by our friends at L.A. Material, Punch List and the New York Review of Architecture. Bring your own Erewhon smoothie.


    L.A. Festival of Tarot

    Through Sunday, June 7 
    Philosophical Research Society, 3910 Los Feliz Blvd., Los Feliz 
    Tarot Arts, 1017 Mission St., South Pasadena
    COST: FROM $39; MORE INFO

    Your weekend plans are in the cards. Meet tarot experts, take a card-reading workshop, find your favorite new deck and get special readings with the best card readers in Los Angeles at the L.A. Festival of Tarot.


    Cut Chemist: Expert of None

    Sunday, June 7, 5 p.m. 
    Only the Wild Ones 
    1031 Abbot Kinney, Venice 
    COST: $39.66; MORE INFO 

    A group of people sit outside on a deck watching a DJ play music.
    (
    Courtesy Dust & Grooves
    )

    Cut Chemist (Lucas MacFadden) has to be in the running for coolest Angeleno. The accomplished DJ and producer has worked with Jurassic 5, Ozomatli and so many more. He’s hosting a series of intimate conversations and music sessions on the back patio of natural wine and vinyl bar Only the Wild Ones in Venice all summer long. Part VH1 Storytellers, part living room hang, it’s a really fun, low-key Sunday-night party. This week, the focus is Tuned In, Comped Out, about McFadden’s musical education; there will also be events on July 5 and August 2.


    Venice Hike Club

    Saturdays, 10 a.m.
    Westridge Trail, Brentwood
    COST: FREE; MORE INFO 

    Put on your hiking boots and head up to Westridge Trail above Brentwood to make some new friends and get some exercise with the Venice Hike Club. The group heads out weekly, so make this Saturday your week! Can’t promise there won’t be a rattlesnake sighting.


    Ocean of Sound 

    Saturday, June 6, 5 p.m. to 8 p.m. 
    Annenberg Community Beach House
    415 Pacific Coast Highway, Santa Monica
    COST: FREE; MORE INFO

    Swimmers at the Annenberg Beach House pool, which sits next to the Pacific Ocean
    Ocean of Sound comes to Annenberg Beach House Saturday.
    (
    Courtesy Annenberg Beach House
    )

    Clearly, sound is the theme this week. Dublab is hosting Ocean of Sound, a free event at Santa Monica’s Annenberg Community Beach House. It’s currently sold out, but check back to see if you can score a ticket to this evening of restorative listening. Periphone, a sound installation by Nina Keith, will be presented alongside Light & Air Studies, a textile installation by Faith-Ann Kiwa Young. Find a spot poolside or hop in to listen to work by Meg Duffy and Qur’an Shaheed via underwater speakers.

  • How ‘New Girl’ and ‘Fargo’ led to the MCU
    A dark-skinned man in a plaid trench coat and brown hat stands in the middle of the photo looking beyond. There are people dressed in early 1900s clothing on his left and right side.
    Robbie Robertson (Lamorne Morris) in "Spider-Noir."

    Topline:

    Actor/comedian Lamorne Morris is best known for his roles in the 2010s sitcom New Girl and the dramatic Fargo TV series, which earned him an Emmy. In Spider-Noir, Morris says he got to borrow from both experiences, and “play in both the levity and the stakes.” 

    Read on... for his take on Marvel fans and working with Nicolas Cage.

    In the new live-action Prime Video series Spider-Noir, based on the Marvel comic Spider-Man Noir, actor and comedian Lamorne Morris plays a reporter named Robbie Robertson who is best friends with Ben Reilly (played by Nicolas Cage), a private investigator grappling with his superhero past.

    Morris is best known for his roles as Winston in the 2010s sitcom New Girl (which he currently co-hosts a rewatch podcast about called The Mess Around), and more recently as a North Dakota deputy in FX’s Fargo, which earned him an Emmy.

    In Spider-Noir, Morris told LAist host Julia Paskin that he got to borrow from both experiences, and “play in both the levity and the stakes.”

    And while the show is set in a version of 1930s New York City, it was filmed in Los Angeles. Morris noted, “ Downtown L.A. looks probably more like 1930s New York than New York does,” and confirmed a fun tidbit — a real-life bar used as a filming location in the series, The Prince in Koreatown, was also regularly featured in New Girl.

    Morris stars alongside Nicolas Cage who Spiderman fans will remember as the voice of a version of Spider-Noir in the 2018 animated film Into the Spider-Verse. The Amazon Prime series does blend in some original comic book characters like Joseph “Robbie” Robertson, played by Morris.

    Some highlights of their conversation are below, including why the anticipation of comic book fans’ reactions to the show made him more nervous than meeting Nicolas Cage for the first time.

    Entering the MCU, where fans are ‘serious’

    While Morris said he welcomes fan reactions to his work, going back to his New Girl days (“ I love when I read fan feedback [...] I'm one of those actors that can appreciate it”) entering the Marvel Cinematic Universe, where fans can be “ real precious about their characters,” did intimidate him a bit.

     ”It being a comic book genre, that's where I feel the pressure because the fans are serious. The fans are like, ‘Hey, don't f--- this up.’ And you're just like, "Okay. I'm sorry. I'm so sorry.’ So that pressure is there. We've gotten some pretty cool reviews so far, [but] the ultimate test is what the fans are saying. That's the final boss right there.”

    Morris said the advantage of portraying the character of Robbie Robertson was that while there is some information about him in the comic books, and a portrayal of Robertson by the late actor Bill Nunn (who Wilson called “one of the greats”) in the 2000s Spider-Man trilogy of films by director Sam Raimi — there still was some room for Morris to make his own interpretations of the character.

    “I got a chance to really make Robbie my own,” Morris said. “Which is all you can ask for.”

    A real-life and a fictional inspiration

    In doing some research on real-life Black reporters from that era, Morris’s friend brought up reporter Ted Poston, who was the first Black reporter for The New York Post (and only the third Black reporter to work for a major daily New York City newspaper) and was with the paper for more than three decades, from 1936 to 1972.

    After finding out about Poston’s life and work, Morris said,  ”uncovering truths and breaking down walls [...]  it was one of those things where I said, ‘Man. I know I'm doing research on Robbie Robertson, but I would love to shed more light on Ted Poston just because he meant so much to culture and he meant so much to the profession of journalism.”

    Another inspiration was the 1995 film Devil in a Blue Dress, starring Denzel Washington and Don Cheadle, and based on Walter Mosley’s novel set in post-WWII Los Angeles.

    When showrunner Oren Uziel encouraged Morris to lean into an “old-timey” texture and tone for the character’s way of speaking,  paying homage to “the noir of it all, to the black-and-white of it all” (all of the episodes of the series are available in both color and black-and-white) Morris looked for a character from around that time period who wouldn’t sound “too cartoony” or “over the top.”

    So he watched Devil in a Blue Dress and studied Washington and Cheadle’s approaches: “They came at it from two different energies. And I thought if I can watch two master actors make two completely different choices, but they both work brilliantly for the film, then [it was] dealer's choice for myself.”

    Getting past his own fandom, with Nicolas Cage

    When it came to working with Nicolas Cage, Morris said he had to work past his own fandom to get to a place where he could work comfortably.

    To do that, Morris said, he tried to get his “million” questions out of his system as quickly as possible — like “What’s it like being Nic Cage?” and “What do you eat for lunch?”

    When he went on a weekend trip with friends to New Orleans, Morris said he texted Cage, who he’d heard “bought a haunted hotel or something in New Orleans” — a mansion, it turns out — and asked Cage what they should do.

    “The messages I got back in return were insane,” Morris said. “He broke down every restaurant, who to talk to when I got there, where to get the best drinks, where to get this, where to get that.”

    Beyond being a lesson that meeting your heroes isn’t always a bad idea, Morris said it also served a purpose for the work they were doing.

     ”What you're doing is you're breaking down those walls so you can remove those nerves,” Morris explained. “When you don't know someone personally and you have to jump right into something where you're best friends, you need to build that chemistry quickly. So for me, that's what it was. It was just being silly, asking him everything.”