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  • All 94 categories for the 66th Grammy Awards
    SZA, seen here at The Webby Awards, was nominated for nine Grammy Awards, including album, record and song of the year.
    SZA, seen here at The Webby Awards, was nominated for nine Grammy Awards, including album, record and song of the year.

    Topline:

    R&B singer-songwriter SZA leads the pack of nominees for the 66th annual Grammy Awards, with nine nods, the Recording Academy announced Friday.

    Also notable: SZA's competition in those categories includes pop stars Miley Cyrus ("Flowers"), Olivia Rodrigo ("Vampire"), Taylor Swift ("Anti-Hero"), Billie Eilish ("What Was I Made For?") and singer-musician-composer Jon Batiste ("Worship" in record of the year and "Butterfly" in song of the year).

    Keep reading... for the nominees in all 94 categories.

    R&B singer-songwriter SZA leads the pack of nominees for the 66th annual Grammy Awards, with nine nods, the Recording Academy announced Friday. Her sophomore album, SOS, is a contender for album of the year, with her hit "Kill Bill" up for record and song of the year.

    SZA's competition in those categories includes pop stars Miley Cyrus ("Flowers"), Olivia Rodrigo ("Vampire"), Taylor Swift ("Anti-Hero"), Billie Eilish ("What Was I Made For?") and singer-musician-composer Jon Batiste ("Worship" in record of the year and "Butterfly" in song of the year). They each racked up six nominations — Cyrus, Rodrigo, Swift and Batiste are all nominated in album, song and record of the year categories.

    Among the other top nominees announced by The Recording Academy are the indie rock star Phoebe Bridgers, who received several nominations with her group boygenius as well as one for a collaboration with SZA, as well as R&B singer and songwriter Victoria Monet and audio engineer and mixer Serban Ghenea, who each received seven nominations. In addition, producer Jack Antonoff, country singer Brandy Clark and boygenius (the supergroup trio of Bridgers, Lucy Dacus and Julien Baker) earned six nominations each.

    Billie Eilish, who swept the four general categories in 2020 following the release of her debut album, When We All Fall Asleep, Where Do We Go?, also received six nominations, five of them for her song from the soundtrack to the summer's megahit Barbie movie, "What Was I Made For." In addition to Eilish's nominations, the Barbie soundtrack also picked up seven more, most in the categories celebrating music made for visual media. If you bundled those nominations, Barbie: The Album would have a strong argument for being the most celebrated album of the year.

    "From breakthrough acts to legacy artists, we are amazed by all the musicians recognized for their outstanding contributions to music today," Recording Academy CEO Harvey Mason Jr. said in a statement. The awards will be held at the Crytpo.com Arena in Los Angeles on Feb. 4, 2024.

    Read the complete list of nominees below:

    Record Of The Year

    • "Worship" by Jon Batiste
    • "Not Strong Enough" by boygenius
    • "Flowers" by Miley Cyrus
    • "What Was I Made For?" by Billie Eilish
    • "On My Mama" by Victoria Monét
    • "Vampire" by Olivia Rodrigo
    • "Anti-Hero" by Taylor Swift
    • "Kill Bill" by SZA

    Album Of The Year

    • World Music Radio by Jon Batiste
    • the record by boygenius
    • Endless Summer Vacation by Miley Cyrus
    • Did You Know That There's A Tunnel Under Ocean Blvd by Lana Del Rey
    • The Age Of Pleasure by Janelle Monáe
    • GUTS by Olivia Rodrigo
    • Midnights by Taylor Swift
    • SOS by SZA

    Song Of The Year

    • "A&W" – Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
    • "Anti-Hero" – Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
    • "Butterfly" – Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
    • "Dance The Night" – Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
    • "Flowers" – Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
    • "Kill Bill" – Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA)
    • "Vampire" – Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
    • "What Was I Made For?" – Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)

    Best New Artist

    • Gracie Abrams
    • Fred again..
    • Ice Spice
    • Jelly Roll
    • Coco Jones
    • Noah Kahan
    • Victoria Monét
    • The War And Treaty

    Producer Of The Year, Non-Classical

    • Jack Antonoff
    • Dernst "D'Mile" Emile II
    • Hit-Boy
    • Metro Boomin
    • Daniel Nigro

    Songwriter of the Year, Non-Classical

    • Edgar Barrera
    • Jessie Jo Dillon
    • Shane McAnally
    • Theron Thomas
    • Justin Tranter

    Best Pop Solo Performance

    • "Flowers" by Miley Cyrus
    • "Paint The Town Red" by Red Doja Cat
    • "What Was I Made For?" by Billie Eilish
    • "Vampire" by Olivia Rodrigo
    • "Anti-Hero" by Taylor Swift

    Best Pop Duo/Group Performance

    • "Thousand Miles" by Miley Cyrus featuring Brandi Carlile
    • "Candy Necklace" by Lana Del Rey featuring Jon Batiste
    • "Never Felt So Alone" by Labrinth featuring Billie Eilish
    • "Karma" by Taylor Swift featuring Ice Spice
    • "Ghost In The Machine" by SZA featuring Phoebe Bridgers

    Best Pop Vocal Album

    • Chemistry by Kelly Clarkson
    • Endless Summer Vacation by Miley Cyrus
    • GUTS by Olivia Rodrigo
    • - by Ed Sheeran
    • Midnights by Taylor Swift

    And more ...

    Best Dance/Electronic Recording

    • Blackbox Life Recorder 21F" by Aphex Twin
    • "Loading" by James Blake
    • "Higher Than Ever" by Before Disclosure
    • "Strong" by Romy & Fred again..
    • "Rumble" by Skrillex, Fred again.. & Flowdan

    Best Pop Dance Recording

    • "Baby Don't Hurt Me" by David Guetta, Anne-Marie & Coi Leray
    • "Miracle" by Calvin Harris Featuring Ellie Goulding
    • "Padam Padam" by Kylie Minogue
    • "One In A Million" by Bebe Rexha & David Guetta
    • "Rush" by Troye Sivan

    Best Dance/Electronic Music Album

    • Playing Robots Into Heaven by James Blake
    • For That Beautiful Feeling by The Chemical Brothers
    • Actual Life 3 (January 1 - September 9 2022) by Fred again..
    • Kx5 by Kx5
    • Quest For Fire by Skrillex

    Best Rock Performance

    • "Sculptures Of Anything Goes" by Arctic Monkeys
    • "More Than A Love Song" by Black Pumas
    • "Not Strong Enough"  by boygenius
    • "Rescued" by Foo Fighters
    • "Lux Æterna" by Metallica

     Best Metal Performance

    • "Bad Man" by Disturbed
    • "Phantom Of The Opera" by Ghost
    • "72 Seasons" by Metallica
    • "Hive Mind" by Slipknot
    • "Jaded" by Spiritbox

    Best Rock Song

    • "Angry" – Mick Jagger, Keith Richards & Andrew Watt, songwriters (The Rolling Stones)
    • "Ballad Of A Homeschooled Girl" – Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
    • "Emotion Sickness" – Dean Fertita, Joshua Homme, Michael Shuman, Jon Theodore & Troy Van Leeuwen, songwriters (Queens Of The Stone Age)
    • "Not Strong Enough" – Julien Baker, Phoebe Bridgers & Lucy Dacus, songwriters (boygenius)
    • "Rescued" – Dave Grohl, Rami Jaffee, Nate Mendel, Chris Shiflett & Pat Smear, songwriters (Foo Fighters)

    Best Rock Album

    • But Here We Are by Foo Fighters
    • Starcatcher by Greta Van Fleet
    • 72 Seasons by Metallica
    • This Is Why by Paramore
    • In Times New Roman... by Queens Of The Stone Age

    Best Alternative Music Performance

    • "Belinda Says" by Alvvays
    • "Body Paint" by Arctic Monkeys
    • "Cool About It" by boygenius
    • "A&W" by Lana Del Rey
    • "This Is Why" by Paramore

    Best Alternative Music Album

    • The Car by Arctic Monkeys
    • The Record by boygenius
    • Did You Know That There's A Tunnel Under Ocean Blvd by Lana Del Rey
    • Cracker Island by Gorillaz
    • I Inside The Old Year Dying by PJ Harvey

    Best R&B Performance

    • "Summer Too Hot" by Chris Brown
    • "Back To Love" by Robert Glasper featuring SiR & Alex Isley
    • "ICU" by Coco Jones
    • "How Does It Make You Feel" by Victoria Monét
    • "Kill Bill" by SZA

    Best Traditional R&B Performance

    • "Simple" by Babyface featuring Coco Jones
    • "Lucky" by Kenyon Dixon
    • "Hollywood" by Victoria Monét featuring Earth, Wind & Fire & Hazel Monét
    • "Good Morning" by PJ Morton featuring Susan Carol
    • "Love Language" by SZA

    Best R&B Song

    • "Angel" – Halle Bailey, Theron Feemster & Coleridge Tillman, songwriters (Halle)
    • "Back To Love" – Darryl Andrew Farris, Robert Glasper & Alexandra Isley, songwriters (Robert Glasper Featuring SiR & Alex Isley)
    • "ICU" – Darhyl Camper Jr., Courtney Jones, Raymond Komba & Roy Keisha Rockette, songwriters (Coco Jones)
    • "On My Mama" – Dernst Emile II, Jeff Gitelman, Victoria Monét, Kyla Moscovich, Jamil Pierre & Charles Williams, songwriters (Victoria Monét)
    • "Snooze" – Kenny B. Edmonds, Blair Ferguson, Khris Riddick-Tynes, Solána Rowe & Leon Thomas, songwriters (SZA)

    Best Progressive R&B Album

    • Since I Have A Lover by 6LACK
    • The Love Album: Off The Grid by Diddy
    • Nova by Terrace Martin And James Fauntleroy
    • The Age Of Pleasure by Janelle Monáe
    • SOS by SZA

    Best R&B Album

    • Girls Night Out by Babyface
    • What I Didn't Tell You (Deluxe) by Coco Jones
    • Special Occasion by Emily King
    • JAGUAR II by Victoria Monét
    • CLEAR 2: SOFT LIFE EP by Summer Walker

    Best Rap Performance

    • "The Hillbillies" by Baby Keem featuring Kendrick Lamar
    • "Love Letter" by Black Thought
    • "Rich Flex" by Drake & 21 Savage 
    • "SCIENTISTS & ENGINEERS" by Killer Mike featuring André 3000, Future And Eryn Allen Kane
    • "Players" by Coi Leray

    Best Melodic Rap Performance

    • "Sittin' On Top Of The World" by Burna Boy Featuring 21 Savage
    • "Attention" by Doja Cat
    • "Spin Bout U" by Drake & 21 Savage
    • "All My Life" by Lil Durk featuring J. Cole
    • "Low" by SZA

    Best Rap Song

    • "Attention" – Rogét Chahayed, Amala Zandile Dlamini & Ari Starace, songwriters (Doja Cat)
    • "Barbie World" – Isis Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)
    • "Just Wanna Rock" – Mohamad Camara, Symere Woods & Javier Mercado, songwriters (Lil Uzi Vert)
    • "Rich Flex" – Brytavious Chambers, Isaac "Zac" De Boni, Aubrey Graham, J. Gwin, Anderson Hernandez, Michael "Finatik" Mule & Shéyaa Bin Abraham-Joseph, songwriters (Drake & 21 Savage)
    • "SCIENTISTS & ENGINEERS" – Andre Benjamin, Paul Beauregard, James Blake, Michael Render, Tim Moore & Dion Wilson, songwriters (Killer Mike Featuring André 3000, Future And Eryn Allen Kane)

    Best Rap Album

    • Her Loss by Drake & 21 Savage
    • MICHAEL by Killer Mike
    • HEROES & VILLAINS by Metro Boomin
    • King's Disease III by Nas
    • UTOPIA by Travis Scott

    Best Spoken Word Poetry Album

    • A-You're Not Wrong B-They're Not Either: The Fukc-It Pill Revisited by Queen Sheba
    • For Your Consideration'24 -The Album by Prentice Powell and Shawn William
    • Grocery Shopping With My Mother by Kevin Powell
    • The Light Inside by J. Ivy
    • When The Poems Do What They Do by Aja Monet

    Best Jazz Performance

    • "Movement 18' (Heroes)" by Jon Batiste
    • "Basquiat" by Lakecia Benjamin
    • "Vulnerable (Live)" by Adam Blackstone Featuring The Baylor Project & Russell Ferranté
    • "But Not For Me" by Fred Hersch & Esperanza Spalding
    • "Tight" by Samara Joy

    Best Jazz Vocal Album

    • For Ella 2 by Patti Austin featuring Gordon Goodwin's Big Phat Band
    • Alive At The Village Vanguard by Fred Hersch & Esperanza Spalding
    • Lean In by Gretchen Parlato & Lionel Loueke
    • Mélusine by Cécile McLorin Salvant
    • How Love Begins by Nicole Zuraitis

    Best Jazz Instrumental Album

    • The Source by Kenny Barron
    • Phoenix by Lakecia Benjamin
    • Legacy: The Instrumental Jawn by Adam Blackstone
    • The Winds Of Change by Billy Childs
    • Dream Box by Pat Metheny

    Best Large Jazz Ensemble Album

    • The Chick Corea Symphony Tribute - Ritmo by ADDA Simfònica, Josep Vicent, Emilio Solla
    • Dynamic Maximum Tension by Darcy James Argue's Secret Society
    • Basie Swings The Blues by The Count Basie Orchestra Directed By Scotty Barnhart
    • Olympians by Vince Mendoza & Metropole Orkest
    • The Charles Mingus Centennial Sessions by Mingus Big Band

    Best Latin Jazz Album

    • Quietude by Eliane Elias
    • My Heart Speaks by Ivan Lins With The Tblisi Symphony Orchestra
    • Vox Humana by Bobby Sanabria Multiverse Big Band
    • Cometa by Luciana Souza & Trio Corrente
    • El Arte Del Bolero Vol. 2 by Miguel Zenón & Luis Perdomo

    Best Alternative Jazz Album

    • Love In Exile by Arooj Aftab, Vijay Iyer, Shahzad Ismaily
    • Quality Over Opinion by Louis Cole
    • SuperBlue: The Iridescent Spree by Kurt Elling, Charlie Hunter, SuperBlue
    • Live At The Piano by Cory Henry
    • The Omnichord Real Book by Meshell Ndegeocello

    Best Traditional Pop Vocal Album

    • To Steve With Love: Liz Callaway Celebrates Sondheim by Liz Callaway
    • Pieces Of Treasure by Rickie Lee Jones
    • Bewitched by Laufey
    • Holidays Around The World by Pentatonix
    • Only The Strong Survive by Bruce Springsteen
    • Sondheim Unplugged (The NYC Sessions), Vol. 3

    Best Contemporary Instrumental Album

    • As We Speak by Béla Fleck, Zakir Hussain, Edgar Meyer, Featuring Rakesh Chaurasia
    • On Becoming by House Of Waters
    • Jazz Hands by Bob James
    • The Layers by Julian Lage
    • All One by Ben Wendel

    Best Musical Theater Album

    • Kimberly Akimbo – John Clancy, David Stone & Jeanine Tesori, producers; Jeanine Tesori, composer; David Lindsay-Abaire, lyricist (Original Broadway Cast)
    • Parade – Micaela Diamond, Alex Joseph Grayson, Jake Pedersen & Ben Platt, principal vocalists; Jason Robert Brown & Jeffrey Lesser, producers; Jason Robert Brown, composer & lyricist (2023 Broadway Cast)
    • Shucked – Brandy Clark, Jason Howland, Shane McAnally & Billy Jay Stein, producers; Brandy Clark & Shane McAnally, composers/lyricists (Original Broadway Cast)
    • Some Like It Hot – Christian Borle, J. Harrison Ghee, Adrianna Hicks & NaTasha Yvette Williams, principal vocalists; Mary-Mitchell Campbell, Bryan Carter, Scott M. Riesett, Charlie Rosen & Marc Shaiman, producers; Scott Wittman, lyricist; Marc Shaiman, composer & lyricist (Original Broadway Cast)
    • Sweeney Todd: The Demon Barber Of Fleet Street – Annaleigh Ashford & Josh Groban, principal vocalists; Thomas Kail & Alex Lacamoire, producers (Stephen Sondheim, composer & lyricist) (2023 Broadway Cast)

    Best Country Solo Performance

    • "In Your Love" by Tyler Childers
    • "Buried" by Brandy Clark
    • "Fast Car" by Luke Combs
    • "The Last Thing On My Mind" by Dolly Parton
    • "White Horse" by Chris Stapleton

    Best Country Duo/Group Performance

    • "High Note" by Dierks Bentley featuring Billy Strings
    • "Nobody's Nobody" by Brothers Osborne
    • "I Remember Everything" by Zach Bryan featuring Kacey Musgraves
    • "Kissing Your Picture (Is So Cold)" by Vince Gill & Paul Franklin
    • "Save Me" by Jelly Roll with Lainey Wilson
    • "We Don't Fight Anymore" by Carly Pearce featuring Chris Stapleton

    Best Country Song

    • "Buried" – Brandy Clark & Jessie Jo Dillon, songwriters (Brandy Clark)
    • "I Remember Everything" – Zach Bryan & Kacey Musgraves, songwriters (Zach Bryan Featuring Kacey Musgraves)
    • "In Your Love" – Tyler Childers & Geno Seale, songwriters (Tyler Childers)
    • "Last Night" – John Byron, Ashley Gorley, Jacob Kasher Hindlin & Ryan Vojtesak, songwriters (Morgan Wallen)
    • "White Horse" – Chris Stapleton & Dan Wilson, songwriters (Chris Stapleton)

    Best Country Album

    • Rolling Up The Welcome Mat by Kelsea Ballerini
    • Brothers Osborne by Brothers Osborne
    • Zach Bryan by Zach Bryan
    • Rustin' In The Rain by Tyler Childers
    • Bell Bottom Country by Lainey Wilson

    Best American Roots Performance

    • "Butterfly" by Jon Batiste
    • "Heaven Help Us All" by Blind Boys Of Alabama
    • "Inventing The Wheel" by Madison Cunningham
    • "You Louisiana Man" by Rhiannon Giddens
    • "Eve Was Black" by Allison Russell

    Best Americana Performance

    • "Friendship" by Blind Boys Of Alabama
    • "Help Me Make It Through The Night" by Tyler Childers
    • "Dear Insecurity" by Brandy Clark featuring Brandi Carlile
    • "King Of Oklahoma" by Jason Isbell And The 400 Unit
    • "The Returner" by Allison Russell

    Best American Roots Song

    • "Blank Page" – Michael Trotter Jr. & Tanya Trotter, songwriters (The War And Treaty)
    • "California Sober" – Aaron Allen, William Apostol & Jon Weisberger, songwriters (Billy Strings Featuring Willie Nelson)
    • "Cast Iron Skillet" – Jason Isbell, songwriter (Jason Isbell And The 400 Unit)
    • "Dear Insecurity" – Brandy Clark & Michael Pollack, songwriters (Brandy Clark Featuring Brandi Carlile)
    • "The Returner" – Drew Lindsay, JT Nero & Allison Russell, songwriters (Allison Russell)

    Best Americana Album

    • Brandy Clark by Brandy Clark
    • The Chicago Sessions by Rodney Crowell
    • You're The One by Rhiannon Giddens
    • Weathervanes by Jason Isbell And The 400 Unit
    • The Returner by Allison Russell

    Best Bluegrass Album

    • Radio John: Songs of John Hartford by Sam Bush
    • Lovin' Of The Game by Michael Cleveland
    • Mighty Poplar by Mighty Poplar
    • Bluegrass by Willie Nelson
    • Me/And/Dad by Billy Strings
    • City Of Gold by Molly Tuttle & Golden Highway

    Best Traditional Blues Album

    • Ridin' by Eric Bibb
    • The Soul Side Of Sipp by Mr. Sipp
    • Life Don't Miss Nobody by Tracy Nelson
    • Teardrops For Magic Slim Live At Rosa's Lounge by John Primer
    • All My Love For You by Bobby Rush

    Best Contemporary Blues Album

    • Death Wish Blues by Samantha Fish And Jesse Dayton
    • Healing Time by Ruthie Foster
    • Live In London by Christone "Kingfish" Ingram
    • Blood Harmony by Larkin Poe
    • LaVette! By Bettye LaVette

    Best Folk Album

    • Traveling Wildfire by Dom Flemons
    • I Only See The Moon by The Milk Carton Kids
    • Joni Mitchell At Newport [Live] by Joni Mitchell
    • Celebrants by Nickel Creek
    • Jubilee by Old Crow Medicine Show
    • Seven Psalms by Paul Simon
    • Folkocracy by Rufus Wainwright

    Best Regional Roots Music Album

    • New Beginnings by Buckwheat Zydeco Jr. & The Legendary Ils Sont Partis Band
    • Live At The 2023 New Orleans Jazz & Heritage Festival by Dwayne Dopsie & The Zydeco Hellraisers
    • Live: Orpheum Theater Nola by Lost Bayou Ramblers & Louisiana Philharmonic Orchestra
    • Made In New Orleans by New Breed Brass Band
    • Too Much To Hold by New Orleans Nightcrawlers
    • Live At The Maple Leaf by The Rumble Featuring Chief Joseph Boudreaux Jr.

    Best Gospel Performance/Song

    • "God Is Good" – Stanley Brown Featuring Hezekiah Walker, Kierra Sheard & Karen Clark Sheard; Stanley Brown, Karen V Clark Sheard, Kaylah Jiavanni Harvey, Rodney Jerkins, Elyse Victoria Johnson, J Drew Sheard II, Kierra Valencia Sheard & Hezekiah Walker, songwriters
    • "Feel Alright (Blessed)" – Erica Campbell; Erica Campbell, Warryn Campbell, William Weatherspoon, Juan Winans & Marvin L. Winans, songwriters
    • "Lord Do It For Me (Live)" – Zacardi Cortez; Marcus Calyen, Zacardi Cortez & Kerry Douglas, songwriters
    • "God Is" – Melvin Crispell III
    • "All Things" – Kirk Franklin; Kirk Franklin, songwriter

    Best Contemporary Christian Music Performance/Song

    • "Believe" by Blessing Offor; Hank Bentley & Blessing Offor, songwriters
    • "Firm Foundation (He Won't) [Live]" by Cody Carnes
    • "Thank God I Do" by Lauren Daigle; Lauren Daigle & Jason Ingram, songwriters
    • "Love Me Like I Am" by for KING & COUNTRY featuring Jordin Sparks
    • "Your Power" by Lecrae & Tasha Cobbs Leonard
    • "God Problems" by Maverick City Music, Chandler Moore & Naomi Raine; Daniel Bashta, Chris Davenport, Ryan Ellis & Naomi Raine, songwriters

    Best Gospel Album

    • I Love You by Erica Campbell
    • Hymns (Live) by Tasha Cobbs Leonard
    • The Maverick Way by Maverick City Music
    • My Truth by Jonathan McReynolds
    • All Things New: Live In Orlando by Tye Tribbett

    Best Contemporary Christian Music Album

    • My Tribe by Blessing Offor
    • Emanuel by Da' T.R.U.T.H.
    • Lauren Daigle by Lauren Daigle
    • Church Clothes 4 by Lecrae
    • I Believe by Phil Wickham

    Best Roots Gospel Album

    • Tribute To The King by The Blackwood Brothers Quartet
    • Echoes Of The South by Blind Boys Of Alabama
    • Songs That Pulled Me Through The Tough Times by Becky Isaacs Bowman
    • Meet Me At The Cross by Brian Free & Assurance
    • Shine: The Darker The Night The Brighter The Light by Gaither Vocal Band

    Best Latin Pop Album

    • La Cuarta Hoja by Pablo Alborán
    • Beautiful Humans, Vol. 1 by AleMor
    • A Ciegas by Paula Arenas
    • La Neta by Pedro Capó
    • Don Juan by Maluma
    • X Mí (Vol. 1) by Gaby Moreno

    Best Música Urbana Album

    • SATURNO by Rauw Alejandro
    • MAÑANA SERÁ BONITO by Karol G
    • DATA by Tainy

    Best Latin Rock or Alternative Album

    • MARTÍNEZ by Cabra
    • Leche De Tigre by Diamante Eléctrico
    • Vida Cotidiana by Juanes
    • De Todas Las Flores by Natalia Lafourcade
    • EADDA9223 by Fito Paez

    Best Música Mexicana Album

    • Bordado A Mano by Ana Bárbara
    • La Sánchez by Lila Downs
    • Motherflower by Flor De Toloache
    • Amor Como En Las Películas De Antes by Lupita Infante
    • GÉNESIS by Peso Pluma

    Best Tropical Latin Album

    • Siembra: 45º Aniversario (En Vivo en el Coliseo de Puerto Rico, 14 de Mayo 2022) by Rubén Blades Con Roberto Delgado & Orquesta
    • Voy A Ti by Luis Figueroa
    • Niche Sinfónico by Grupo Niche Y Orquesta Sinfónica Nacional de Colombia
    • VIDA by Omara Portuondo
    • MIMY & TONY by Tony Succar, Mimy Succar
    • Escalona Nunca Se Había Grabado Así by Carlos Vives

    Best Global Music Performance

    • "Shadow Forces" by Arooj Aftab, Vijay Iyer & Shahzad Ismaily
    • "Alone" by Burna Boy
    • "FEEL" by Davido
    • "Milagro Y Disastre" by Silvana Estrada
    • "Abundance In Millets" by Falu & Gaurav Shah (Featuring PM Narendra Modi)
    • "Pashto" by Béla Fleck, Edgar Meyer & Zakir Hussain Featuring Rakesh Chaurasia
    • "Todo Colores" by Ibrahim Maalouf Featuring Cimafunk & Tank And The Bangas

    Best African Music Performance

    • "Amapiano" by ASAKE & Olamide
    • "City Boys" by Burna Boy
    • "UNAVAILABLE" by Davido Featuring Musa Keys
    • "Rush" by Ayra Starr
    • "Water" by Tyla

    Best Global Music Album

    • Epifanías by Susana Baca
    • History by Bokanté
    • I Told Them... by Burna Boy
    • Timeless by Davido
    • This Moment by Shakti

    Best Reggae Album

    • Born For Greatness by Buju Banton
    • Simma by Beenie Man
    • Cali Roots Riddim 2023 by Collie Buddz
    • No Destroyer by Burning Spear
    • Colors Of Royal by Julian Marley & Antaeus

    Best New Age, Ambient, or Chant Album

    • Aquamarine by Kirsten Agresta-Copely
    • Moments Of Beauty by Omar Akram
    • Some Kind Of Peace (Piano Reworks) by Ólafur Arnalds
    • Ocean Dreaming Ocean by David Darling & Hans Christian
    • So She Howls by Carla Patullo Featuring Tonality And The Scorchio Quartet

    Best Children's Music Album

    • Ahhhhh! by Andrew & Polly
    • Ancestars by Pierce Freelon & Nnenna Freelon
    • Hip Hope For Kids! by DJ Willy Wow!
    • Taste The Sky by Uncle Jumbo
    • We Grow Together Preschool Songs by 123 Andrés

    Best Comedy Album

    • I Wish You Would by Trevor Noah
    • I'm An Entertainer by Wanda Sykes
    • Selective Outrage by Chris Rock
    • Someone You Love by Sarah Silverman
    • What's In A Name? by Dave Chappelle

    Best Audio Book, Narration, and Storytelling Recording

    • Big Tree by Meryl Streep
    • Boldly Go: Reflections On A Life Of Awe And Wonder by William Shatner
    • The Creative Act: A Way Of Being by Rick Rubin
    • It's Ok To Be Angry About Capitalism by Sen. Bernie Sanders
    • The Light We Carry: Overcoming In Uncertain Times by Michelle Obama

    Best Compilation Soundtrack For Visual Media

    • AURORA – Daisy Jones & The Six
    • Barbie The Album 
    • Black Panther: Wakanda Forever - Music From And Inspired By
    • Guardians of the Galaxy, Vol. 3: Awesome Mix, Vol. 3 
    • Weird: The Al Yankovic Story – Weird Al Yankovic

    Best Score Soundtrack For Visual Media (Includes Film And Television)

    • Barbie – Mark Ronson & Andrew Wyatt, composers
    • Black Panther: Wakanda Forever – Ludwig Göransson, composer
    • The Fabelmans – John Williams, composer
    • Indiana Jones And The Dial Of Destiny – John Williams, composer
    • Oppenheimer – Ludwig Göransson, composer

    Best Score Soundtrack for Video Games and Other Interactive Media

    • Call Of Duty®: Modern Warfare II – Sarah Schachner, composer
    • God Of War Ragnarök – Bear McCreary, composer
    • Hogwarts Legacy – Peter Murray, J Scott Rakozy & Chuck E. Myers "Sea", composers
    • Star Wars Jedi: Survivor – Stephen Barton & Gordy Haab, composers
    • Stray Gods: The Roleplaying Musical – Jess Serro, Tripod & Austin Wintory, composers

    Best Song Written For Visual Media

    • "Barbie World" [From Barbie The Album] – Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)
    • "Dance The Night" [From Barbie The Album] – Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
    • "I'm Just Ken" [From Barbie The Album] – Mark Ronson & Andrew Wyatt, songwriters (Ryan Gosling)
    • "Lift Me Up" [From Black Panther: Wakanda Forever - Music From And Inspired By] – Ryan Coogler, Ludwig Göransson, Robyn Fenty & Temilade Openiyi, songwriters (Rihanna)
    • "What Was I Made For?" [From Barbie The Album] – Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)

    Best Music Video

    • "I'm Only Sleeping" by The Beatles – Em Cooper, video director; Jonathan Clyde, Sophie Hilton, Sue Loughlin & Laura Thomas, video producers
    • "In Your Love" by Tyler Childers – Bryan Schlam, video director; Kacie Barton, Silas House, Nicholas Robespierre, Ian Thornton & Whitney Wolanin, video producers
    • "What Was I Made For" by Billie Eilish – Billie Eilish, video director; Michelle An, Chelsea Dodson & David Moore, video producers
    • "Count Me Out" by Kendrick Lamar – Dave Free & Kendrick Lamar, video directors; Jason Baum & Jamie Rabineau, video producers
    • "Rush" by Troye Sivan – Gordon Von Steiner, video director; Kelly McGee, video producer

    Best Music Film

    • Moonage Daydream (David Bowie) – Brett Morgen, video director; Brett Morgen, video producer
    • How I'm Feeling Now by Lewis Capaldi – Joe Pearlman, video director; Sam Bridger, Isabel Davis & Alice Rhodes, video producers
    • Live From Paris, The Big Steppers Tour by Kendrick Lamar – Mike Carson, Dave Free & Mark Ritchie, video directors; Cornell Brown, Debra Davis, Jared Heinke & Jamie Rabineau, video producers
    • I Am Everything (Little Richard) – Lisa Cortés, video director; Caryn Capotosto, Lisa Cortés, Robert Friedman & Liz Yale Marsh, video producers
    • Dear Mama (Tupac Shakur) – Allen Hughes, video director; Joshua Garcia, Loren Gomez, James Jenkins & Stef Smith, video producers

    Best Recording Package

    • The Art Of Forgetting – Caroline Rose, art director (Caroline Rose)
    • Cadenza 21' – Hsing-Hui Cheng, art director (Ensemble Cadenza 21')
    • Electrophonic Chronic – Perry Shall, art director (The Arcs)
    • Gravity Falls – Iam8bit, art director (Brad Breeck)
    • Migration – Yu Wei, art director (Leaf Yeh)
    • Stumpwork – Luke Brooks & James Theseus Buck, art directors (Dry Cleaning)

    Best Boxed Or Special Limited Edition Package

    • The Collected Works Of Neutral Milk Hotel – Jeff Mangum, Daniel Murphy & Mark Ohe, art directors (Neutral Milk Hotel)
    • For The Birds: The Birdsong Project – Jeri Heiden & John Heiden, art directors (Various Artists)
    • Gieo – Duy Dao, art director (Ngot)
    • Inside: Deluxe Box Set – Bo Burnham & Daniel Calderwood, art directors (Bo Burnham)
    • Words & Music, May 1965 - Deluxe Edition – Masaki Koike, art director (Lou Reed)

    Best Album Notes

    • Evenings At The Village Gate: John Coltrane With Eric Dolphy (Live) – Ashley Kahn, album notes writer (John Coltrane & Eric Dolphy)
    • I Can Almost See Houston: The Complete Howdy Glenn – Scott B. Bomar, album notes writer (Howdy Glenn)
    • Mogadishu's Finest: The Al Uruba Sessions – Vik Sohonie, album notes writer (Iftin Band)
    • Playing For The Man At The Door: Field Recordings From The Collection Of Mack McCormick, 1958–1971 – Jeff Place & John Troutman, album notes writers 
    • Written In Their Soul: The Stax Songwriter Demos – Robert Gordon & Deanie Parker, album notes writers 

    Best Historical Album

    • Fragments – Time Out Of Mind Sessions (1996-1997): The Bootleg Series, Vol. 17 – Steve Berkowitz & Jeff Rosen, compilation producers; Steve Addabbo, Greg Calbi, Steve Fallone, Chris Shaw & Mark Wilder, mastering engineers (Bob Dylan)
    • The Moaninest Moan Of Them All: The Jazz Saxophone of Loren McMurray, 1920-1922 – Colin Hancock, Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer; Richard Martin, restoration engineer 
    • Playing For The Man At The Door: Field Recordings From The Collection Of Mack McCormick, 1958–1971 – Jeff Place & John Troutman, compilation producers; Randy LeRoy & Charlie Pilzer, mastering engineers; Mike Petillo & Charlie Pilzer, restoration engineers 
    • Words & Music, May 1965 - Deluxe Edition – Laurie Anderson, Don Fleming, Jason Stern, Matt Sulllivan & Hal Willner, compilation producers; John Baldwin, mastering engineer; John Baldwin, restoration engineer (Lou Reed)
    • Written In Their Soul: The Stax Songwriter Demos – Robert Gordon, Deanie Parker, Cheryl Pawelski, Michele Smith & Mason Williams, compilation producers; Michael Graves, mastering engineer; Michael Graves, restoration engineer 

    Best Engineered Album, Non-Classical

    • Desire, I Want To Turn Into You – Macks Faulkron, Daniel Harle, Caroline Polachek & Geoff Swan, engineers; Mike Bozzi & Chris Gehringer, mastering engineers (Caroline Polachek)
    • History – Nic Hard, engineer; Dave McNair, mastering engineer (Bokanté)
    • JAGUAR II – John Kercy, Kyle Mann, Victoria Monét, Patrizio "Teezio" Pigliapoco, Neal H Pogue & Todd Robinson, engineers; Colin Leonard, mastering engineer (Victoria Monét)
    • Multitudes – Michael Harris, Robbie Lackritz, Joseph Lorge & Blake Mills, engineers (Feist)
    • The Record – Owen Lantz, Will Maclellan, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh "Garry" Purohit & Sarah Tudzin, engineers; Pat Sullivan, mastering engineer (boygenius)

    Best Engineered Album, Classical

    • The Blue Hour – Patrick Dillett, Mitchell Graham, Jesse Lewis, Kyle Pyke, Andrew Scheps & John Weston, engineers; Helge Sten, mastering engineer (Shara Nova & A Far Cry)
    • Contemporary American Composers – David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)
    • Fandango – Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Anne Akiko Meyers, Gustavo Castillo & Los Angeles Philharmonic)
    • Sanlikol: A Gentleman Of Istanbul - Symphony For Strings, Percussion, Piano, Oud, Ney & Tenor – Christopher Moretti & John Weston, engineers; Shauna Barravecchio & Jesse Lewis, mastering engineers (Mehmet Ali Sanlikol, George Lernis & A Far Cry)
    • Tchaikovsky: Symphony No. 5 & Schulhoff: Five Pieces – Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)

    Producer Of The Year, Classical

    • David Frost
    • Morten Lindberg
    • Dmitriy Lipay
    • Elaine Martone
    • Brian Pidgeon

    Best Remixed Recording

    • "Alien Love Call" – BADBADNOTGOOD, remixers (Turnstile & BADBADNOTGOOD Featuring Blood Orange)
    • "New Gold (Dom Dolla Remix)" – Dom Dolla, remixer (Gorillaz Featuring Tame Impala & Bootie Brown)
    • "Reviver (Totally Enormous Extinct Dinosaurs Remix)" – Totally Enormous Extinct Dinosaurs, remixer (Lane 8)
    • "Wagging Tongue (Wet Leg Remix)" – Wet Leg, remixers (Depeche Mode)
    • "Workin' Hard (Terry Hunter Remix)" – Terry Hunter, remixer (Mariah Carey)

    Best Immersive Audio Album

    • Act 3 (Immersive Edition) – Ryan Ulyate, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Ryan Ulyate, immersive producer (Ryan Ulyate)
    • Blue Clear Sky – Chuck Ainlay, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Chuck Ainlay, immersive producer (George Strait)
    • The Diary Of Alicia Keys – George Massenburg & Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Alicia Keys & Ann Mincieli, immersive producers (Alicia Keys)
    • God Of War Ragnarök (Original Soundtrack) – Eric Schilling, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Kellogg Boynton, Peter Scaturro & Herbert Waltl, immersive producers (Bear McCreary)
    • Silence Between Songs – Aaron Short, immersive mastering engineer (Madison Beer)

    Best Instrumental Composition

    • "Amerikkan Skin" – Lakecia Benjamin, composer (Lakecia Benjamin featuring Angela Davis)
    • "Can You Hear The Music" – Ludwig Göransson, composer (Ludwig Göransson)
    • "Cutey And The Dragon" – Gordon Goodwin & Raymond Scott, composers (Quartet San Francisco Featuring Gordon Goodwin's Big Phat Band)
    • "Helena's Theme" – John Williams, composer (John Williams)
    • "Motion" – Edgar Meyer, composer (Béla Fleck, Edgar Meyer & Zakir Hussain featuring Rakesh Chaurasia)

    Best Arrangement, Instrumental or A Cappella

    • "Angels We Have Heard On High" – Nkosilathi Emmanuel Sibanda, arranger (Just 6)
    • "Can You Hear The Music" – Ludwig Göransson, arranger (Ludwig Göransson)
    • "Folsom Prison Blues" – John Carter Cash, Tommy Emmanuel, Markus Illko, Janet Robin & Roberto Luis Rodriguez, arrangers (The String Revolution featuring Tommy Emmanuel)
    • "I Remember Mingus" – Hilario Duran, arranger (Hilario Duran And His Latin Jazz Big Band featuring Paquito D'Rivera)
    • "Paint It Black" – Esin Aydingoz, Chris Bacon & Alana Da Fonseca, arrangers (Wednesday Addams)

    Best Arrangement, Instruments and Vocals

    • "April In Paris" – Gordon Goodwin, arranger (Patti Austin Featuring Gordon Goodwin's Big Phat Band)
    • "Com Que Voz (Live)" – John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Metropole Orkest)
    • "Fenestra" – Godwin Louis, arranger (Cécile McLorin Salvant)
    • "In The Wee Small Hours Of The Morning" – Erin Bentlage, Jacob Collier, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje Featuring Jacob Collier)
    • "Lush Life" – Kendric McCallister, arranger (Samara Joy)

    Best Orchestral Performance

    • Adès: Dante – Gustavo Dudamel, conductor (Los Angeles Philharmonic)
    • Bartók: Concerto For Orchestra; Four Pieces – Karina Canellakis, conductor (Netherlands Radio Philharmonic Orchestra)
    • Price: Symphony No. 4; Dawson: Negro Folk Symphony – Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
    • Scriabin: Symphony No. 2; The Poem Of Ecstasy – JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)
    • Stravinsky: The Rite Of Spring – Esa-Pekka Salonen, conductor (San Francisco Symphony)

    Best Opera Recording

    • Blanchard: Champion – Yannick Nézet-Séguin, conductor; Ryan Speedo Green, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
    • Corigliano: The Lord Of Cries – Gil Rose, conductor; Anthony Roth Costanzo, Kathryn Henry, Jarrett Ott & David Portillo; Gil Rose, producer (Boston Modern Orchestra Project & Odyssey Opera Chorus)
    • Little: Black Lodge – Timur; Andrew McKenna Lee & David T. Little, producers (The Dime Museum; Isaura String Quartet)

    Best Choral Performance

    • Carols After A Plague – Donald Nally, conductor (The Crossing)
    • The House Of Belonging – Craig Hella Johnson, conductor (Miró Quartet; Conspirare)
    • Ligeti: Lux Aeterna – Esa-Pekka Salonen, conductor (San Francisco Symphony Chorus)
    • Rachmaninoff: All-Night Vigil – Steven Fox, conductor (The Clarion Choir)
    • Saariaho: Reconnaissance – Nils Schweckendiek, conductor (Uusinta Ensemble; Helsinki Chamber Choir)

    Best Chamber Music/Small Ensemble Performance

    • American Stories by Anthony McGill & Pacifica Quartet
    • Beethoven For Three: Symphony No. 6, 'Pastorale' And Op. 1, No. 3 by Yo-Yo Ma, Emanuel Ax & Leonidas Kavakos
    • Between Breaths by Third Coast Percussion
    • Rough Magic by Roomful Of Teeth
    • Uncovered, Vol. 3: Coleridge-Taylor Perkinson, William Grant Still & George Walker by Catalyst Quartet

    Best Classical Instrumental Solo

    • Adams, John Luther: Darkness And Scattered Light by Robert Black
    • Akiho: Cylinders by Andy Akiho
    • The American Project by Yuja Wang; Teddy Abrams, conductor (Louisville Orchestra)
    • Difficult Grace by Seth Parker Woods
    • Of Love by Curtis Stewart

    Best Classical Solo Vocal Album

    • Because – Reginald Mobley, soloist; Baptiste Trotignon, pianist
    • Broken Branches – Karim Sulayman, soloist; Sean Shibe, accompanist
    • 40@40 – Laura Strickling, soloist; Daniel Schlosberg, pianist
    • Rising – Lawrence Brownlee, soloist; Kevin J. Miller, pianist
    • Walking In The Dark – Julia Bullock, soloist; Christian Reif, conductor (Philharmonia Orchestra)

    Best Classical Compendium

    • Fandango – Anne Akiko Meyers; Gustavo Dudamel, conductor; Dmitriy Lipay, producer
    • Julius Eastman, Vol. 3: If You're So Smart, Why Aren't You Rich? – Christopher Rountree, conductor; Lewis Pesacov, producer
    • Mazzoli: Dark With Excessive Bright – Peter Herresthal; Tim Weiss, conductor; Hans Kipfer, producer
    • Passion For Bach And Coltrane – Alex Brown, Harlem Quartet, Imani Winds, Edward Perez, Neal Smith & A.B. Spellman; Silas Brown & Mark Dover, producers
    • Sardinia – Chick Corea; Chick Corea & Bernie Kirsh, producers
    • Sculptures – Andy Akiho; Andy Akiho & Sean Dixon, producers
    • Zodiac Suite – Aaron Diehl Trio & The Knights; Eric Jacobsen, conductor; Aaron Diehl & Eric Jacobsen, producers

    Best Contemporary Classical Composition

    • Adès: Dante – Thomas Adès, composer (Gustavo Dudamel & Los Angeles Philharmonic)
    • Akiho: In That Space, At That Time – Andy Akiho, composer (Andy Akiho, Ankush Kumar Bahl & Omaha Symphony)
    • Brittelle: Psychedelics – William Brittelle, composer (Roomful Of Teeth)
    • Mazzoli: Dark With Excessive Bright – Missy Mazzoli, composer (Peter Herresthal, James Gaffigan & Bergen Philharmonic)
    • Montgomery: Rounds – Jessie Montgomery, composer (Awadagin Pratt, A Far Cry & Roomful Of Teeth)

    Copyright 2024 NPR. To see more, visit npr.org.

  • Panini sticker collecting growing in popularity
    A pair of hands fans out an array of colorful sticker cards featuring faces and other images
    A sticker enthusiast shows off some of the FIFA World Cup 2026 Panini stickers bought at the Soccer Locker on Tuesday in Miami.

    Topline:

    The hunt for stickers, produced by the Italian company Panini, is a decades-old World Cup tradition that's especially popular in Latin America and Europe. In the U.S., interest has been building steadily over the years, but this summer, the buzz is bigger than ever.

    Why now: Jason Howarth, senior vice president of marketing and athlete relations at Panini America, said retailers reported being sold out of sticker packets within a week of the release in late April — unseen in previous World Cup cycles.

    The surging demand comes as collectors face their toughest challenge yet. This year, they need to track down 980 distinct stickers to put the album to bed — 310 more than at the 2022 World Cup and a record number for the company. It's a reflection of the upcoming tournament's historic scale, which is expanding from 32 teams to 48 across three countries.

    Read on ... for more about the joy and trials of World Cup sticker collecting.

    NEW YORK — In Brian Sanchez's slice of Astoria, the FIFA World Cup doesn't begin with the first match. It starts weeks earlier, with the arrival of a sticker album — and a mission.

    It's a deceptively simple one: Fill the book with all the stickers representing World Cup teams, players, venues and other tournament details. But these stickers are sold in blind packs, similar to baseball or Pokémon cards, which adds to the fun and the headaches.

    Sanchez, 20, has tried to complete the task before but never succeeded. This year, he planned to skip it altogether, but it was hard to ignore the chatter and excitement among his friends and family — both at home and abroad — who were all participating.

    "Honestly it comes down to a little bit of FOMO," he said.

    The hunt for stickers, produced by the Italian company Panini, is a decades-old World Cup tradition that's especially popular in Latin America and Europe. In the U.S., interest has been building steadily over the years, but this summer, the buzz is bigger than ever.

    Jason Howarth, senior vice president of marketing and athlete relations at Panini America, said retailers reported being sold out of sticker packets within a week of the release in late April — unseen in previous World Cup cycles.

    "There's a different energy coming out of it," he said. "Right now, it's outpacing where we were in 2022 by three to five times."

    The surging demand comes as collectors face their toughest challenge yet. This year, they need to track down 980 distinct stickers to put the album to bed — 310 more than at the 2022 World Cup and a record number for the company. It's a reflection of the upcoming tournament's historic scale, which is expanding from 32 teams to 48 across three countries.

    This edition will also be the second to last men's World Cup sticker album produced by Panini — ending a partnership that stretches back over five decades. Last month, FIFA announced that starting in 2031, U.S.-based Fanatics will be the official supplier of FIFA soccer cards, trading cards and stickers.

    On a recent afternoon in Central Park, Sanchez met up with other collectors. Hunched over stacks of stickers, some two dozen people inspected the offerings with laser focus.

    With only four stickers missing, Sanchez was already looking forward to earning bragging rights as the first person in his family across the finish line this year.

    " I'm feeling pretty accomplished," he said. "I've been trying to get a win, and this is gonna be a huge win for me."

    An expensive, labor-intensive but rewarding hobby

    A single pack of seven stickers — available online, at corner stores or drugstore chains like Walgreens and CVS — now cost $2, compared to four years ago when five stickers retailed for around $1. That means simply buying enough packs to accumulate 980 stickers would total $280.

    Given the costs, finishing the book is rarely a solitary pursuit, and aficionados often meet up to spread the wealth, according to Crista Latvis, 26, who organized the recent sticker swap in Central Park.

    "You can't just buy your way into it," she said. "Otherwise,  it's super expensive and you've got to be very lucky."

    For many, these gatherings are part of the pastime's draw.

    "It's great to meet other people who are also doing it and also excited for the World Cup, especially since it's here," Latvis said.

    Sebastian Clavijo, who attended Latvis' swap, said he spent tens of thousands of dollars on his quest this year. Clavijo, 32, has been collecting Panini stickers since he was 4. This year, his goal is to complete the book only with pieces featuring red and purple borders — an even rarer get.

    " I just like soccer and I love collecting," he said. "That's my hobby, you know?"

    In 2022, Panini introduced stickers with different colored borders that vary in rarity. That element has been an especially big hit with the trading card community and contributed to the hobby's appeal in the U.S., according to Howarth from Panini America.

    Panini popularity has grown along with soccer

    Demand has always existed in New York, Texas, Florida, among other big states, but it's also emerging nationwide, in places like Phoenix and the Northwest, according to Howarth.

    " As soccer has grown, so has Panini," he said.

    Howarth believes part of this year's popularity stems from the expanded World Cup format. Teams that have never qualified for the tournament — and therefore never been sticker-fied by Panini — are finally getting their moment.

    For some, completing the sticker album is driven by nostalgia for their childhood, family or home country.

    Linda Lino never heard of the hobby until she was 18, and her grandmother gave her a Panini sticker book. That was in 2014. Lino has completed every World Cup edition since, in part in memory of her late grandmother.

    "It started with my grandma and then it became like a whole family thing," Lino said. "I love the community that it brings together."

    That's especially true with her father, who never had the chance to collect stickers when he was a kid in Peru, Lino said. Now, the two are making up for lost time.

    "My dad is so excited," she said. "He's like 'I want to help you. I want to put the stickers together.'"

    Clemente Lisi, a sports journalist who has written about the Panini sticker phenomenon, said the sticker album serves as a time capsule for the World Cup. With the tournament's return to the U.S. after 32 years, he expects it will produce more first-time collectors looking for a way to remember this summer.

    "This may be the only tangible thing from a World Cup unless you go to a game," he said.

    Lisi, who also runs Planet Soccer on Substack, anticipates that the U.S. company Fanatics will further cater to the market at home.

    " It'll even become more American and more baked into our culture," he said.

    Sanchez, the college student from Astoria, dabbles in collecting other items, like vinyls and trading cards. But what he appreciates most about the Panini sticker scene is its supportive and rarely competitive nature.

    " The community around the World Cup stickers is something like I've never seen before," he said. "The community is just so nice."

    After countless hours of trading and visiting multiple convenience stores, Sanchez found his 980th and final sticker at the swap in Central Park. It was of the Iraqi team. He let out a gasp, followed by a smile that spanned ear to ear. "Let's goooo!"

    With a mountain of duplicates left, Sanchez wasn't ready to move on just yet. His next step was to help his mother finish her album.

    " I'm going to take a break," he said. "I'm going to celebrate today and then get back to it."

  • Sponsored message
  • Experimental audio event in San Pedro
    Image is a man outside sitting with audio equipment in front of him playing sounds.
    Soundpedro's experimental improvisation.

    Topline:

    Soundpedro, the annual sound art festival, returns to the Angels Gate Cultural Center in San Pedro for its tenth year Saturday night.
    Image is a man outside sitting with audio equipment in front of him playing sounds.
    Soundpedro's experimental improvisation.
    (
    Jordan Rodriguez
    /
    soundpedro.art
    )

    The backstory: Once a year, dozens of sound artists converge on the hill with views of the harbor below to perform their audio art, which can range from serene to “beautifully weird.”

    What to expect: This year includes a performer bending a bar of tin with his bare hands to get it to emit what’s called a "tin cry" and synthesizer-based soundscapes that take inspiration from both the ocean and the industrial space below.

    When to go: Soundpedro is free and lasts from 7-10 p.m. Saturday.

    More info at the Soundpedro website.

    Topline:

    Soundpedro, the annual sound art festival, returns to the Angels Gate Cultural Center in San Pedro for its 10th year Saturday night.

    The backstory: Once a year, dozens of sound artists converge on the hill with views of the harbor below to perform their audio art, which can range from serene to “beautifully weird.”

    What to expect: This year includes a performer bending a bar of tin with his bare hands to get it to emit what’s called a "tin cry" and synthesizer-based soundscapes that take inspiration from both the ocean and the industrial space below.

    When to go: Soundpedro is free and lasts from 7-10 p.m. Saturday.

    More info at the Soundpedro website.

  • For this fan, it’s decades of dashed dreams
    Three men are caught mid-action on a soccer field. One is on the ground, wearing a dark blue jersey and white shorts. The other two are standing up, wearing a white jersey with a blue top and blue shorts.
    England plays France during the FIFA World Cup 2022 quarter final match.

    Topline:

    England is the birthplace of soccer..... but the last time the team won the World Cup was 1966. Undeterred, England fans turn up every four years with hope in their hearts, says LAist Senior Editor Suzanne Levy, who grew up in the U.K.

    Why now: As all eyes look to the Americas, English fans are beginning another bruising round of matches. Could this year be the one that brings the trophy home?

    Why it matters: Because Levy would like England to win the cup just once before her time on Earth expires. Just once.

    When I first came to the states many years ago, if I’d mentioned Arsenal, people would have thought I was referring to the U.S. military or something. But all that has changed. You can now watch U.K. premier league games in sports bars, most kids play soccer, and Ted Lasso is must-watch TV.

    To which I say — welcome. We English are proud of the fact that soccer began with us more than 150 years ago. And every World Cup, we think, surely this will be the year that the trophy returns home — the year that we’ll win!

    A large screen a the back of a packed stadium shows black and white footage of Queen Elizabeth and her husband Prince Philip awarding the trophy to the captain of the England team in 1966.
    Queen Elizabeth II awarding the Jules Rimet World Cup Trophy to Bobby Moore after England won the 1966 World Cup final at Wembley.
    (
    Marc Atkins/Getty Images
    /
    Getty Images Europe
    )

    I mean it did happen … once… back in 1966. It’s such a long time ago the game was televised in black and white and shillings were still being used. My mother was nine months pregnant with my brother, and got so excited jumping up and down she went into labor and had him the next day. World Cup Willie they called him. Actually his name is David, but never mind.

    Since then, every four years everyone in the U.K. watches the games with bated breath. And then something stupid will happen, and we’ll lose, like that time in 1998 when David Beckham (who played for England before he came to L.A. Galaxy) lost his temper and was sent off, and we’ll sit there, gloomy and despondent. I know because I was there in my friend’s living room in London, gloomy and despondent, thinking just once, just once, maybe could we please have a win?

    Six men stand in the middle of a soccer field, on two different sides, as the referee holds his hand up with a red card.
    David Beckham's infamous 1998 red card in the England vs. Argentina game.
    (
    Richard Sellers/Allstar/Getty Images
    /
    Getty Images Europe
    )

    The last World Cup, I went to Ye Olde Kings Head in Santa Monica to watch England play. At 7 a.m. it was full of people already on their third pint of beer. And when the team got through to the next round, the gentle men of England ran outside the pub, whipped off their shirts and started weaving through traffic, singing football chants and acting like hooligans. I really couldn’t decide if I was embarrassed or if it felt like home.

    Anyway, this time, since I’m now an American citizen, it’s in my contract that I need to support Team USA. I’m a dual citizen, though, so I’ll also be cheering for England. If by any chance Team USA and England play each other, my two selves will be watching, with a cup of tea in one hand, and a cold brewski in the other, and the polarities will explode, or something. But what will probably happen is that both teams will be eclipsed by Brazil or France playing the beautiful game… beautifully. Cheers.

  • Tours by Metro highlight architecture, history
    UnionStation.jpg
    Union Station's Mission Moderne design.

    Topline:

    This Spring, Metro has been giving tours of Union Station, showing the architecture and history of one of L.A.’s major landmarks.

    Why it matters: The 1939 building mixes art deco and Spanish colonial in a Mission Moderne style and earned a spot in the National Register of Historic Places.

    The backstory: It’s called Union Station because when it opened in 1939, it joined the Southern Pacific and Union Pacific railroads with the Atchison, Topeka and Santa Fe railway.

    The displacement: A thriving Chinese American neighborhood was destroyed to make way for Union Station’s construction. The tour explores this history through an art piece titled include "City of Dreams/River of History," created by artists May Sun and Richard Wyatt in 1995.

    Coming up: Union Station is the site of an official FIFA-sponsored Fan Zone from June 25-28 as the transportation hub becomes a World Cup soccer hub.

    Go deeper: The controversy behind Union Station’s construction

    You may know about Union Station as an L.A. landmark or as a transportation hub — but how much do you know about its rich architectural history?

    To foster that interest and knowledge, Metro created a series of public tours of the station this spring.

    “There's so much that you might just walk by without really having the opportunity to delve deeply into,” said Zipporah Lax Yamamoto, deputy executive officer of Metro’s art program. “[The tours are] a really wonderful opportunity to be able to spend time with the station, learn more about the historic landmark, which belongs to all of us.”

    This is a photo of Union Station. A view looking upward of a cream colored building with large brown arch way. Scenery of four palm trees on the side of the building.
    Union Station in Los Angeles
    (
    Myung J. Chun
    /
    Getty Images
    )

    Architectural style

    It’s called Union Station because when it opened in 1939, it connected the Southern Pacific and Union Pacific railroads with the Atchison, Topeka and Santa Fe railway.

    While it was designed by father-and-son team Donald and John Parkinson, the architects who gave us L.A. City Hall, its style is very different. Union Station’s interior and exterior mixes art deco, Spanish colonial and other styles into a hybrid dubbed Mission Moderne.

    As you begin the tour, entering from Alameda Street, tour guides ask you to look up at the decorative elements in the high ceilings. The beams and geometric patterns may look like wood — but they’re actually just painted to look that way.

    A community destroyed by development

    Along the way, the tour gives background on pieces created more than 30 years ago. These include "City of Dreams/River of History" by artists May Sun and Richard Wyatt in 1995. Sun’s piece uses remnants of the Chinese American homes torn down to build the station, a reference to the high price that community paid for this building’s construction.

    Pieces of glass bottles embedded in an art piece.
    Detail from "City of Dreams/River of History," created by artists May Sun and Richard Wyatt at Union Station.
    (
    Adolfo Guzman-Lopez/LAist
    )

    “It was an enormous price. Chinatown ceased to exist in this area. … The families that lived here during that time are still around and maintain archives of that time period and the original Chinatown here, and we've worked with those families to have those objects on display,” Lax Yamamoto said.

    Meanwhile, Wyatt’s large-scale mural includes the face of a Chinese man, along with nine other people of different races, ethnicities and ages; a nod to the diversity of the city since its founding in the late 1700s.

    There are also stops to see new art installed for the World Cup.

    A mural shows several people of various ages and ethnicities, wearing blue, brown and teal clothes.
    A mural by Richard Wyatt at Union Station
    (
    Adolfo Guzman-Lopez/LAist
    )

    There are three tours left in the series but the RSVPs have reached their maximum; however, Lax Yamamoto said Metro will decide whether to continue them based on what people have thought about the tours.

    Meanwhile, Union Station is set to swell with people in the next couple of months as L.A. hosts World Cup games. The station is the site of an official FIFA-sponsored Fan Zone from June 25-28.