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The Brief

The most important stories for you to know today
  • Beyoncé receives 11 nominations, breaks record

    Topline:

    Beyoncé received 11 Grammy nominations on Friday, breaking a tie to become the most nominated artist in Grammys history as the Recording Academy set the stage for next year's award show.

    The context: The discourse — and controversy — surrounding her exploration of American identity, politics and roots music on Cowboy Carter has, in the Academy’s eyes, paid off; Beyoncé — who now has received 99 career nominations — leads the nominees for the 67th annual Grammy Awards with nods across a multitude of genres, including best solo pop performance, best melodic rap performance, best Americana performance and best country performance in both the solo and group categories.

    The state of play: Beyoncé's competition in the latter reflects a heavy-hitting summer in pop music and includes Charli xcx (“360”), Billie Eilish (“BIRDS OF A FEATHER”), Kendrick Lamar (“Not Like Us”), Taylor Swift ft. Post Malone (“Fortnight”), Sabrina Carpenter (“Espresso”), Chappell Roan (“Good Luck, Babe!”) and, surprisingly, The Beatles (“Now and Then”).

    Read on... for the complete list of nominees.

    Beyoncé received 11 Grammy nominations on Friday, breaking a tie to become the most nominated artist in Grammys history as the Recording Academy set the stage for next year's award show.

    The discourse — and controversy — surrounding her exploration of American identity, politics and roots music on Cowboy Carter has, in the Academy’s eyes, paid off; Beyoncé — who now has received 99 career nominations — leads the nominees for the 67th annual Grammy Awards with nods across a multitude of genres, including best solo pop performance, best melodic rap performance, best Americana performance and best country performance in both the solo and group categories.

    Cowboy Carter and its single “TEXAS HOLD ‘EM” also earned recognition in main categories, including album of the year — a category Bey has infamously never won in the past — song of the year and record of the year.

    Her competition in the latter reflects a heavy-hitting summer in pop music and includes Charli xcx (“360”), Billie Eilish (“BIRDS OF A FEATHER”), Kendrick Lamar (“Not Like Us”), Taylor Swift ft. Post Malone (“Fortnight”), Sabrina Carpenter (“Espresso”), Chappell Roan (“Good Luck, Babe!”) and, surprisingly, The Beatles (“Now and Then”).

    Charli, Billie, Kendrick and Post trail behind Beyoncé with seven nominations each, while Swift, Roan and Carpenter racked up six nods. Notably, Carpenter and Roan are recognized in all four main categories — song of the year, record of the year, album of the year and best new artist — following a critical and commercial victory lap for both this year, bolstered by appearances at Coachella and opening gigs on international tours for Taylor Swift (Carpenter) and Olivia Rodrigo (Roan).

    Other nominees for best new artist include psych-groove trio Khruangbin, rapper Doechii, pop-rock singer Benson Boone and country-rap star Shaboozey, who celebrated a 15-week run at the top of the Billboard Hot 100 with “A Bar Song (Tipsy).”

    Read the complete list of nominees below:

    1. Record Of The Year

    • “Now And Then” by The Beatles
    • “TEXAS HOLD 'EM” by Beyoncé
    • “Espresso” by Sabrina Carpenter
    • “360” by Charli xcx
    • “BIRDS OF A FEATHER” by Billie Eilish
    • “Not Like Us” by Kendrick Lamar
    • “Good Luck, Babe!” by Chappell Roan
    • “Fortnight” by Taylor Swift feat. Post Malone

    2. Album Of The Year

    • New Blue Sun by André 3000
    • COWBOY CARTER by Beyoncé
    • Short n' Sweet by Sabrina Carpenter
    • BRAT by Charli xcx
    • Djesse Vol. 4 by Jacob Collier
    • HIT ME HARD AND SOFT by Billie Eilish
    • The Rise And Fall Of A Midwest Princess by Chappell Roan
    • THE TORTURED POETS DEPARTMENT by Taylor Swift

    3. Song Of The Year

    • "A Bar Song (Tipsy)” – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
    • BIRDS OF A FEATHER” – Billie Eilish O'Connell & FINNEAS, songwriters (Billie Eilish)
    • "Die With A Smile” – Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars & Andrew Watt, songwriters (Lady Gaga & Bruno Mars)
    • “Fortnight” – Jack Antonoff, Austin Post & Taylor Swift, songwriters (Taylor Swift feat. Post Malone)
    • “Good Luck, Babe!” – Kayleigh Rose Amstutz, Daniel Nigro & Justin Tranter, songwriters (Chappell Roan)
    • "Not Like Us” – Kendrick Lamar, songwriter (Kendrick Lamar)
    • “Please Please Please” – Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
    • “TEXAS HOLD 'EM” – Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)

    4. Best New Artist

    • Benson Boone
    • Sabrina Carpenter
    • Doechii
    • Khruangbin
    • RAYE
    • Chappell Roan
    • Shaboozey
    • Teddy Swims

    5. Producer Of The Year, Non-Classical

    • Alissia
    • Dernst “D’Mile” Emile II
    • Ian Fitchuk
    • Mustard
    • Daniel Nigro

    6. Songwriter of the Year, Non-Classical

    • Jessi Alexander
    • Amy Allen
    • Edgar Barrera
    • Jessie Jo Dillon
    • RAYE

    7. Best Pop Solo Performance

    • “BODYGUARD” by Beyoncé
    • “Espresso” by Sabrina Carpenter
    • “Apple” by Charli xcx
    • “BIRDS OF A FEATHER” by Billie Eilish
    • “Good Luck, Babe!” by Chappell Roan

    8. Best Pop Duo/Group Performance

    • “us.” by Gracie Abrams feat. Taylor Swift
    • “LEVII'S JEANS” by Beyoncé feat. Post Malone
    • “Guess” by Charli xcx & Billie Eilish
    • “the boy is mine” by Ariana Grande, Brandy & Monica
    • “Die With A Smile” by Lady Gaga & Bruno Mars

    9. Best Pop Vocal Album

    • Short n' Sweet by Sabrina Carpenter
    • HIT ME HARD AND SOFT by Billie Eilish
    • eternal sunshine by Ariana Grande
    • The Rise And Fall Of A Midwest Princess by Chappell Roan
    • THE TORTURED POETS DEPARTMENT by Taylor Swift

    10. Best Dance/Electronic Recording

    • “She's Gone, Dance On” by Disclosure
    • “Loved” by Four Tet
    • “leavemealone” by Fred Again.. & Baby Keem
    • “Neverender” by Justice & Tame Impala
    • “Witchy” by KAYTRANADA

    11. Best Dance Pop Recording

    • “Make You Mine” by Madison Beer
    • “Von Dutch” by Charli xcx
    • “L’AMOUR DE MA VIE [OVER NOW EXTENDED EDIT]” by Billie Eilish
    • “yes, and?” by Ariana Grande
    • “Got Me Started” by Troye Sivan

    12. Best Dance/Electronic Album

    • BRAT by Charli xcx
    • Three by Four Tet
    • Hyperdrama by Justice
    • Timeless by KAYTRANADA
    • Telos by Zedd

    13. Best Remixed Recording

    • “Alter Ego (KAYTRANADA remix)” – KAYTRANADA, remixer (Doechii)
    • “A Bar Song (Tipsy) (Remix)” – David Guetta, remixer (Shaboozey)
    • “Espresso” (Mark Ronson x FNZ Working Late Remix) – FNZ & Mark Ronson, remixers (Sabrina Carpenter)
    • “Jah Sees Them - Amapiano Remix” – Alexx Antaeus, Footsteps & MrMyish, remixers (Julian Marley & Antaeus)
    • “Von Dutch” – A.G. Cook, remixer (Charli xcx & A.G. Cook feat. Addison Rae)”


    14. Best Rock Performance

    • “Now And Then” by The Beatles
    • “Beautiful People (Stay High)” by The Black Keys
    • “The American Dream Is Killing Me” by Green Day
    • “Gift Horse” by IDLES
    • “Dark Matter” by Pearl Jam
    • “Broken Man” by St. Vincent


    15. Best Metal Performance

    • “Mea Culpa (Ah! Ça ira!)” by Gojira, Marina Viotti & Victor Le Masne
    • “Crown of Horns” by Judas Priest
    • “Suffocate” by Knocked Loose feat. Poppy
    • “Screaming Suicide” by Metallica
    • “Cellar Door” by Spiritbox

    16. Best Rock Song

    • “Beautiful People (Stay High)” – Dan Auerbach, Patrick Carney, Beck Hansen & Daniel Nakamura, songwriters (The Black Keys)
    • “Broken Man” – Annie Clark, songwriter (St. Vincent)
    • “Dark Matter” – Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder & Andrew Watt, songwriters (Pearl Jam)
    • “Dilemma” – Billie Joe Armstrong, Mike Dirnt & Tré Cool, songwriters (Green Day)
    • “Gift Horse” – Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan & Joe Talbot, songwriters (IDLES)


    17. Best Rock Album

    • Happiness Bastards by The Black Crowes
    • Romance by Fontaines D.C.
    • Saviors by Green Day
    • TANGK by IDLES
    • Dark Matter by Pearl Jam
    • Hackney Diamonds by The Rolling Stones
    • No Name by Jack White


    18. Best Alternative Music Performance

    • “Neon Pill” Cage by The Elephant
    • “Song Of The Lake” by Nick Cave & The Bad Seeds
    • “Starburster” by Fontaines D.C.
    • “BYE BYE” by Kim Gordon
    • “Flea” by St. Vincent


    19. Best Alternative Music Album

    • Wild God by Nick Cave & The Bad Seeds
    • Charm by Clairo
    • The Collective by Kim Gordon
    • What Now by Brittany Howard
    • All Born Screaming by St. Vincent


    20. Best R&B Performance

    • “Guidance” by Jhené Aiko
    • “Residuals” by Chris Brown
    • “Here We Go (Uh Oh)” by Coco Jones
    • “Made For Me (Live On BET)” by Muni Long
    • “Saturn” by SZA


    21. Best Traditional R&B Performance

    • “Wet” by Marsha Ambrosius
    • “Can I Have This Groove” by Kenyon Dixon
    • “No Lie” by Lalah Hathaway feat. Michael McDonald
    • “Make Me Forget” by Muni Long
    • “That's You” by Lucky Daye

    22. Best R&B Song

    • “After Hours” – Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes & Daniel Upchurch, songwriters (Kehlani)
    • “Burning” – Ronald Banful & Temilade Openiyi, songwriters (Tems)
    • “Here We Go (Uh Oh)” – Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick & Kelvin Wooten, songwriters (Coco Jones)
    • “Ruined Me” – Jeff Gitelman, Priscilla Renea & Kevin Theodore, songwriters (Muni Long)
    • “Saturn” – Rob Bisel, Carter Lang, Solána Rowe, Jared Solomon & Scott Zhang, songwriters (SZA)


    23. Best Progressive R&B Album

    • So Glad To Know You by Avery*Sunshine
    • En Route by Durand Bernarr
    • Bando Stone And The New World by Childish Gambino
    • Crash by Kehlani
    • Why Lawd? by NxWorries (Anderson .Paak & Knxwledge)


    24. Best R&B Album

    • 11:11 (Deluxe) by Chris Brown
    • Vantablack by Lalah Hathaway
    • Revenge by Muni Long
    • Algorithm by Lucky Daye
    • Coming Home by Usher


    25. Best Rap Performance

    • “Enough (Miami)” by Cardi B
    • “When The Sun Shines Again” by Common & Pete Rock feat. Posdnuos
    • “NISSAN ALTIMA” by Doechii
    • “Houdini” by Eminem
    • “Like That” by Future & Metro Boomin feat. Kendrick Lamar
    • “Yeah Glo!” by GloRilla
    • “Not Like Us” by Kendrick Lamar


    26. Best Melodic Rap Performance

    • “KEHLANI” by Jordan Adetunji feat. Kehlani
    • “SPAGHETTII” by Beyoncé feat. Linda Martell & Shaboozey
    • “We Still Don't Trust You” by Future & Metro Boomin feat. The Weeknd
    • “Big Mama” by Latto
    • “3:AM” by Rapsody feat. Erykah Badu


    27. Best Rap Song

    • “Asteroids” – Marlanna Evans, songwriter (Rapsody feat. Hit-Boy)
    • “Carnival” – Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West & Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West & Ty Dolla $Ign) feat. Rich The Kid & Playboi Carti)
    • “Like That” – Kendrick Lamar Duckworth, Kobe "BbyKobe" Hood, Leland Wayne & Nayvadius Wilburn, songwriters (Future & Metro Boomin feat. Kendrick Lamar)
    • “Not Like Us” – Kendrick Lamar, songwriter (Kendrick Lamar)
    • “Yeah Glo!” – Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III & Gloria Woods, songwriters (GloRilla)


    28. Best Rap Album

    • Might Delete Later by J. Cole
    • The Auditorium, Vol. 1 by Common & Pete Rock
    • Alligator Bites Never Heal by Doechii
    • The Death Of Slim Shady (Coup De Grâce) by Eminem
    • We Don't Trust You by Future & Metro Boomin


    29. Best Spoken Word Poetry Album

    • CIVIL WRITES: The South Got Something To Say by Queen Sheba
    • cOncrete & wHiskey Act II Part 1: A Bourbon 30 Series by Omari Hardwick
    • Good M.U.S.I.C. Universe Sonic Sinema: Episode 1 In The Beginning Was The Word by Malik Yusef
    • The Heart, The Mind, The Soul by Tank And The Bangas
    • The Seven Number Ones by Mad Skillz


    30. Best Jazz Performance

    • “Walk With Me, Lord (SOUND | SPIRIT)” by The Baylor Project
    • “Phoenix Reimagined (Live)” by Lakecia Benjamin feat. Randy Brecker, Jeff "Tain" Watts & John Scofield
    • “Juno” by Chick Corea & Béla Fleck
    • “Twinkle Twinkle Little Me” by Samara Joy feat. Sullivan Fortner
    • “Little Fears” by Dan Pugach Big Band feat. Nicole Zuraitis & Troy Roberts


    31. Best Jazz Vocal Album

    • Journey In Black by Christie Dashiell
    • Wildflowers Vol. 1 by Kurt Elling & Sullivan Fortner
    • A Joyful Holiday by Samara Joy
    • Milton + esperanza by Milton Nascimento & esperanza spalding
    • My Ideal by Catherine Russell & Sean Mason


    32. Best Jazz Instrumental Album

    • Owl Song by Ambrose Akinmusire feat. Bill Frisell & Herlin Riley
    • Beyond This Place by Kenny Barron feat. Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins & Steve Nelson
    • Phoenix Reimagined (Live) by Lakecia Benjamin
    • Remembrance by Chick Corea & Béla Fleck
    • Solo Game by Sullivan Fortner


    33. Best Large Jazz Ensemble Album

    • Returning To Forever by John Beasley & Frankfurt Radio Big Band
    • And So It Goes by The Clayton-Hamilton Jazz Orchestra
    • Walk A Mile In My Shoe by Orrin Evans & The Captain Black Big Band
    • Bianca Reimagined: Music For Paws And Persistence by Dan Pugach Big Band
    • Golden City by Miguel Zenón


    34. Best Latin Jazz Album

    • Spain Forever Again by Michel Camilo & Tomatito
    • Cubop Lives! by Zaccai Curtis
    • COLLAB by Hamilton de Holanda & Gonzalo Rubalcaba
    • Time And Again by Eliane Elias
    • El Trio: Live in Italy by Horacio 'El Negro' Hernández, John Beasley & José Gola
    • Cuba And Beyond by Chucho Valdés & Royal Quartet
    • As I Travel by Donald Vega feat. Lewis Nash, John Patitucci & Luisito Quintero


    35. Best Alternative Jazz Album

    • Night Reign by Arooj Aftab
    • New Blue Sun by André 3000
    • Code Derivation by Robert Glasper
    • Foreverland by Keyon Harrold
    • No More Water: The Gospel Of James Baldwin by Meshell Ndegeocello


    36. Best Traditional Pop Vocal Album

    • À Fleur De Peau by Cyrille Aimée
    • Visions by Norah Jones
    • Good Together by Lake Street Dive
    • Impossible Dream by Aaron Lazar
    • Christmas Wish by Gregory Porter


    37. Best Contemporary Instrumental Album

    • Plot Armor by Taylor Eigsti
    • Rhapsody In Blue by Béla Fleck
    • Orchestras (Live) by Bill Frisell feat. Alexander Hanson, Brussels Philharmonic, Rudy Royston & Thomas Morgan
    • Mark by Mark Guiliana
    • Speak To Me by Julian Lage

    38. Best Musical Theater Album

    • Hell’s Kitchen
    • Merrily We Roll Along
    • The Notebook
    • The Outsiders
    • Suffs
    • The Wiz


    39. Best Country Solo Performance

    • “16 CARRIAGES” by Beyoncé
    • “I Am Not Okay” by Jelly Roll
    • “The Architect” by Kacey Musgraves
    • “A Bar Song (Tipsy)” by Shaboozey
    • “It Takes A Woman” by Chris Stapleton


    40. Best Country Duo/Group Performance

    • “Cowboys Cry Too” by Kelsea Ballerini With Noah Kahan
    • “II MOST WANTED” by Beyoncé feat. Miley Cyrus
    • “Break Mine” by Brothers Osborne
    • “Bigger Houses” by Dan + Shay
    • “I Had Some Help” by Post Malone feat. Morgan Wallen


    41. Best Country Song

    • “The Architect” – Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
    • “A Bar Song (Tipsy)” – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
    • “I Am Not Okay” – Casey Brown, Jason DeFord, Ashley Gorley & Taylor Phillips, songwriters (Jelly Roll)
    • “I Had Some Help” – Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen & Chandler Paul Walters, songwriters (Post Malone feat. Morgan Wallen)
    • “TEXAS HOLD 'EM” – Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)


    42. Best Country Album

    • COWBOY CARTER by Beyoncé
    • F-1 Trillion by Post Malone
    • Deeper Well by Kacey Musgraves
    • Higher by Chris Stapleton
    • Whirlwind by Lainey Wilson


    43. Best American Roots Performance

    • “Blame It On Eve” by Shemekia Copeland
    • “Nothing In Rambling” by The Fabulous Thunderbirds feat. Bonnie Raitt, Keb' Mo', Taj Mahal & Mick Fleetwood
    • “Lighthouse” by Sierra Ferrell
    • “The Ballad Of Sally Anne” by Rhiannon Giddens


    44. Best Americana Performance

    • “YA YA” by Beyoncé
    • “Subtitles” by Madison Cunningham
    • “Don't Do Me Good” by Madi Diaz feat. Kacey Musgraves
    • “American Dreaming” by Sierra Ferrell
    • “Runaway Train” by Sarah Jarosz
    • “Empty Trainload Of Sky” by Gillian Welch & David Rawlings


    45. Best American Roots Song

    • “Ahead Of The Game” – Mark Knopfler, songwriter (Mark Knopfler)
    • “All In Good Time” – Sam Beam, songwriter (Iron & Wine feat. Fiona Apple)
    • “All My Friends” – Aoife O'Donovan, songwriter (Aoife O'Donovan)
    • “American Dreaming” – Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell)
    • “Blame It On Eve” – John Hahn & Will Kimbrough, songwriters (Shemekia Copeland)


    46. Best Americana Album

    • The Other Side by T Bone Burnett
    • $10 Cowboy by Charley Crockett
    • Trail Of Flowers by Sierra Ferrell
    • Polaroid Lovers by Sarah Jarosz
    • No One Gets Out Alive by Maggie Rose
    • Tigers Blood by Waxahatchee


    47. Best Bluegrass Album

    • I Built A World by Bronwyn Keith-Hynes
    • Songs Of Love And Life by The Del McCoury Band
    • No Fear by Sister Sadie
    • Live Vol. 1 by Billy Strings
    • Earl Jam by Tony Trischka
    • Dan Tyminski: Live From The Ryman by Dan Tyminski


    48. Best Traditional Blues Album

    • Hill Country Love by Cedric Burnside
    • Struck Down by The Fabulous Thunderbirds
    • One Guitar Woman by Sue Foley
    • Sam's Place by Little Feat
    • Swingin' Live At The Church In Tulsa by The Taj Mahal Sextet


    49. Best Contemporary Blues Album

    • Blues Deluxe Vol. 2 by Joe Bonamassa
    • Blame It On Eve by Shemekia Copeland
    • Friendlytown by Steve Cropper & The Midnight Hour
    • Mileage by Ruthie Foster
    • The Fury by Antonio Vergara


    50. Best Folk Album

    • American Patchwork Quartet by American Patchwork Quartet
    • Weird Faith by Madi Diaz
    • Bright Future by Adrianne Lenker
    • All My Friends by Aoife O'Donovan
    • Woodland by Gillian Welch & David Rawlings


    51. Best Regional Roots Music Album

    • 25 Back To My Roots by Sean Ardoin And Kreole Rock And Soul
    • Live At The 2024 New Orleans Jazz & Heritage Festival by Big Chief Monk Boudreaux & The Golden Eagles feat. J'Wan Boudreaux
    • Live At The 2024 New Orleans Jazz & Heritage Festival by New Breed Brass Band feat. Trombone Shorty
    • Kuini by Kalani Pe'a
    • Stories From The Battlefield by The Rumble feat. Chief Joseph Boudreaux Jr.


    52. Best Gospel Performance/Song

    • “Church Doors” by Yolanda Adams; Donald Lawrence & Sir William James Baptist, songwriters
    • “Yesterday” by Melvin Crispell III
    • “Hold On (Live)” by Ricky Dillard
    • “Holy Hands” by DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord & Juan Winans, songwriters
    • “One Hallelujah” by Tasha Cobbs Leonard, Erica Campbell & Israel Houghton feat. Jonathan McReynolds & Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Naomi Raine, songwriters


    53. Best Contemporary Christian Music Performance/Song

    • “Holy Forever (Live)” by Bethel Music, Jenn Johnson feat. CeCe Winans
    • “Praise” by Elevation Worship feat. Brandon Lake, Chris Brown & Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake & Chandler Moore, songwriters
    • “Firm Foundation (He Won't)” by Honor & Glory feat. Disciple
    • “In The Name Of Jesus” by JWLKRS Worship & Maverick City Music feat. Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky & Ilya Toshinskiy, songwriters
    • “In The Room” by Maverick City Music, Naomi Raine & Chandler Moore feat. Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard & Naomi Raine, songwriters
    • That's My King CeCe Winans; Taylor Agan, Kellie Gamble, Lloyd Nicks & Jess Russ, songwriters


    54. Best Gospel Album

    • Covered Vol. 1 by Melvin Crispell III
    • Choirmaster II (Live) by Ricky Dillard
    • Father's Day by Kirk Franklin
    • Still Karen by Karen Clark Sheard
    • More Than This by CeCe Winans


    55. Best Contemporary Christian Music Album

    • Heart Of A Human by DOE
    • When Wind Meets Fire by Elevation Worship
    • Child Of God by Forrest Frank
    • Coat Of Many Colors by Brandon Lake
    • The Maverick Way Complete by Maverick City Music, Naomi Raine & Chandler Moore


    56. Best Roots Gospel Album

    • The Gospel Sessions, Vol 2 by Authentic Unlimited
    • The Gospel According To Mark by Mark D. Conklin
    • Rhapsody by The Harlem Gospel Travelers
    • Church by Cory Henry
    • Loving You by The Nelons


    57. Best Latin Pop Album

    • Funk Generation by Anitta
    • El Viaje by Luis Fonsi
    • GARCÍA by Kany García
    • Las Mujeres Ya No Lloran by Shakira
    • ORQUÍDEAS by Kali Uchis


    58. Best Música Urbana Album

    • nadie sabe lo que va a pasar mañana by Bad Bunny
    • Rayo by J Balvin
    • FERXXOCALIPSIS by Feid
    • LAS LETRAS YA NO IMPORTAN by Residente
    • att. by Young Miko


    59. Best Latin Rock or Alternative Album

    • Compita del Destino by El David Aguilar
    • Pa' Tu Cuerpa by Cimafunk
    • Autopoiética by Mon Laferte
    • GRASA by NATHY PELUSO
    • ¿Quién trae las cornetas? by Rawayana


    60. Best Música Mexicana Album (Including Tejano)

    • Diamantes by Chiquis
    • Boca Chueca, Vol. 1 by Carín León
    • ÉXODO by Peso Pluma
    • De Lejitos by Jessi Uribe


    61. Best Tropical Latin Album

    • MUEVENSE by Marc Anthony
    • Bailar by Sheila E.
    • Radio Güira by Juan Luis Guerra 4.40
    • Alma, Corazón y Salsa (Live at Gran Teatro Nacional) by Tony Succar, Mimy Succar
    • Vacilón Santiaguero by Kiki Valera


    62. Best Global Music Performance

    • “Raat Ki Rani” by Arooj Aftab
    • “A Rock Somewhere” by Jacob Collier feat. Anoushka Shankar & Varijashree Venugopal
    • “Rise” by Rocky Dawuni
    • “Bemba Colorá” by Sheila E. feat. Gloria Estefan & Mimy Succar
    • “Sunlight To My Soul” by Angélique Kidjo feat. Soweto Gospel Choir
    • “Kashira” by Masa Takumi feat. Ron Korb, Noshir Mody & Dale Edward Chung


    63. Best African Music Performance

    • “Tomorrow” by Yemi Alade
    • “MMS” by Asake & Wizkid
    • “Sensational” by Chris Brown feat. Davido & Lojay
    • “Higher” by Burna Boy
    • “Love Me JeJe” by Tems


    64. Best Global Music Album

    • Alkebulan II by Matt B feat. Royal Philharmonic Orchestra
    • Paisajes by Ciro Hurtado
    • Heis by Rema
    • Historias De Un Flamenco by Antonio Rey
    • Born In The Wild by Tems


    65. Best Reggae Album

    • Take It Easy by Collie Buddz
    • Party With Me by Vybz Kartel
    • Never Gets Late Here by Shenseea
    • Bob Marley: One Love - Music Inspired By The Film (Deluxe) (Various Artists)
    • Evolution by The Wailers


    66. Best New Age, Ambient, or Chant Album

    • Break Of Dawn by Ricky Kej
    • Triveni by Wouter Kellerman, Éru Matsumoto & Chandrika Tandon
    • Visions Of Sounds De Luxe by Chris Redding
    • Opus by Ryuichi Sakamoto
    • Chapter II: How Dark It Is Before Dawn by Anoushka Shankar
    • Warriors Of Light by Radhika Vekaria


    67. Best Children's Music Album

    • Brillo, Brillo! by Lucky Diaz And The Family Jam Band
    • Creciendo by Lucy Kalantari & The Jazz Cats
    • My Favorite Dream by John Legend
    • Solid Rock Revival by Rock For ChildrenWorld Wide Playdate by Divinity Roxx and Divi Roxx Kids


    68. Best Comedy Album

    • Armageddon by Ricky Gervais
    • The Dreamer by Dave Chappelle
    • The Prisoner by Jim Gaffigan
    • Someday You'll Die by Nikki Glaser
    • Where Was I by Trevor Noah


    69. Best Audio Book, Narration, and Storytelling Recording

    • All You Need Is Love: The Beatles In Their Own Words – Guy Oldfield, producer
    • …And Your Ass Will Follow – George Clinton
    • Behind The Seams: My Life In Rhinestones – Dolly Parton
    • Last Sundays In Plains: A Centennial Celebration – Jimmy Carter
    • My Name Is Barbra – Barbra Streisand


    70. Best Compilation Soundtrack For Visual Media

    • The Color Purple (Various Artists)
    • Deadpool & Wolverine (Various Artists)
    • Maestro: Music by Leonard Bernstein –London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper
    • Saltburn (Various Artists)
    • Twisters: The Album (Various Artists)


    71. Best Score Soundtrack For Visual Media (Includes Film And Television)

    • American Fiction – Laura Karpman, composer
    • Challengers – Trent Reznor & Atticus Ross, composers
    • The Color Purple – Kris Bowers, composer
    • Dune: Part Two – Hans Zimmer, composer
    • Shōgun – Nick Chuba, Atticus Ross & Leopold Ross, composers


    72. Best Score Soundtrack for Video Games and Other Interactive Media

    • Avatar: Frontiers of Pandora – Pinar Toprak, composer
    • God of War Ragnarök: Valhalla – Bear McCreary, composer
    • Marvel's Spider-Man 2 – John Paesano, composer
    • Star Wars Outlaws – Wilbert Roget, II, composer
    • Wizardry: Proving Grounds of the Mad Overlord – Winifred Phillips, composer


    73. Best Song Written For Visual Media

    • “Ain't No Love In Oklahoma” [from Twisters: The Album] – Jessi Alexander, Luke Combs & Jonathan Singleton, songwriters (Luke Combs)
    • “Better Place” [from TROLLS Band Together] – Amy Allen, Shellback & Justin Timberlake, songwriters (*NSYNC & Justin Timberlake)
    • “Can't Catch Me Now” [from The Hunger Games: The Ballad of Songbirds & Snakes] – Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
    • “It Never Went Away” [from American Symphony] – Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
    • “Love Will Survive” [from The Tattooist of Auschwitz] – Walter Afanasieff, Charlie Midnight, Kara Talve & Hans Zimmer, songwriters (Barbra Streisand)


    74. Best Music Video

    • “Tailor Swif” by A$AP Rocky; Vania Heymann & Gal Muggia, video directors
    • “360” by Charli xcx; Aidan Zamiri, video director; Jami Arceo & Evan Thicke, video producers
    • “Houdini” by Eminem; Rich Lee, video director; Kathy Angstadt, Lisa Arianna & Justin Diener, video producers
    • “Not Like Us” by Kendrick Lamar; Dave Free & Kendrick Lamar, video directors; Jack Begert, Sam Canter & Jamie Rabineau, video producers
    • “Fortnight” by Taylor Swift feat. Post Malone; Taylor Swift, video director; Jil Hardin, video producer


    75. Best Music Film

    • American Symphony (Jon Batiste) – Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers
    • June (June Carter Cash) – Kristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson & Kristen Vaurio, video producers
    • Kings From Queens (Run DMC) – Kirk Fraser, video director; William H. Masterson III, video producer
    • Stevie Van Zandt: Disciple (Steven Van Zandt) – Bill Teck, video director; Robert Cotto, David Fisher & Bill Teck, video producers
    • The Greatest Night In Pop (Various Artists) – Bao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie & Harriet Sternberg, video producers


    76. Best Recording Package

    • The Avett Brothers – Jonny Black & Giorgia Sage, art directors (The Avett Brothers)
    • Baker Hotel – Sarah Dodds & Shauna Dodds, art directors (William Clark Green)
    • BRAT – Brent David Freaney & Imogene Strauss, art directors (Charli xcx)
    • F-1 Trillion – Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon & Ana Cecilia Thompson Motta, art directors (Post Malone)
    • Hounds Of Love The Baskerville Edition – Kate Bush & Albert McIntosh, art directors (Kate Bush)
    • Jug Band Millionaire – Andrew Wong & Julie Yeh, art directors (The Muddy Basin Ramblers)
    • Pregnancy, Breakdown, And Disease – Lee Pei-Tzu, art director (iWhoiWhoo)


    77. Best Boxed Or Special Limited Edition Package

    • Half Living Things – Patrick Galvin, art director (Alpha Wolf)
    • Hounds Of Love The Boxes Of Lost At Sea – Kate Bush & Albert McIntosh, art directors (Kate Bush)
    • In Utero – Doug Cunningham & Jason Noto, art directors (Nirvana)
    • Mind Games – Simon Hilton & Sean Ono Lennon, art directors (John Lennon)
    • Unsuk Chin – Takahiro Kurashima & Marek Polewski, art directors (Unsuk Chin & Berliner Philharmoniker)
    • We Blame Chicago – Rebeka Arce & Farbod Kokabi, art directors (90 Day Men)


    78. Best Album Notes

    • After Midnight – Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)
    • The Carnegie Hall Concert – Lauren Du Graf, album notes writer (Alice Coltrane)
    • Centennial – Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band & Various Artists)
    • John Culshaw - The Art Of The Producer - The Early Years 1948-55 Dominic Fyfe, album notes writer (John Culshaw)
    • SONtrack Original De La Película "Al Son De Beno" – Josh Kun, album notes writer (Various Artists)


    79. Best Historical Album

    • Centennial – Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists)
    • Diamonds And Pearls: Super Deluxe Edition – Charles F. Spicer, Jr. & Duane Tudahl, compilation producers; Brad Blackwood & Bernie Grundman, mastering engineers (Prince & The New Power Generation)
    • Paul Robeson – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings – Tom Laskey & Robert Russ, compilation producers; Nancy Conforti & Andreas K. Meyer, mastering engineers (Paul Robeson)
    • Pepito Y Paquito – Pepe De Lucía & Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)
    • The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition) – Mike Matessino & Mark Piro, compilation producers; Steve Genewick & Mike Matessino, mastering engineers (Rodgers & Hammerstein & Julie Andrews)


    80. Best Engineered Album, Non-Classical

    • Algorithm – Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz & Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)
    • Cyan Blue – Jack Emblem, Jack Rochon & Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)
    • Deeper Well – Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder & Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)
    • empathogen – Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti & Mitch McCarthy, engineers; Joe La Porta, mastering engineer (WILLOW)i/o – Tchad Blake, Oli Jacobs, Katie May & Dom Shaw, engineers; Matt Colton, mastering engineer (Peter Gabriel)
    • Short n' Sweet – Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan & Laura Sisk, engineers; Nathan Dantzler & Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)


    81. Best Engineered Album, Classical

    • Adams: Girls Of The Golden West – Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic & Los Angeles Master Chorale)
    • Andres: The Blind Banister – Silas Brown, Doron Schachter & Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev & Metropolis Ensemble)
    • Bruckner: Symphony No. 7; Bates: Resurrexit – Mark Donahue & John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
    • Clear Voices In The Dark – Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard & Skylark Vocal Ensemble)
    • Ortiz: Revolución Diamantina – Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic & Los Angeles Master Chorale)


    82. Producer Of The Year, Classical

    • Erica Brenner
    • Christoph Franke
    • Morten Lindberg
    • Dmitriy Lipay
    • Elaine Martone
    • Dirk Sobotka


    83. Best Immersive Audio Album

    • Avalon – Bob Clearmountain, immersive mix engineer; Rhett Davies & Bryan Ferry, immersive producers (Roxy Music)
    • Genius Loves Company – Michael Romanowski, Eric Schilling & Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)
    • Henning Sommerro: Borders – Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)
    • i/o (In-Side Mix) – Hans-Martin Buff, immersive mix engineer; Brian Eno, Peter Gabriel & Richard Russell, immersive producers (Peter Gabriel)
    • Pax – Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 & Current Saxophone Quartet)


    84. Best Instrumental Composition

    • At Last – Shelton G. Berg, composer (Shelly Berg)
    • Communion – Christopher Zuar, composer (Christopher Zuar Orchestra)
    • “I Swear, I Really Wanted To Make A "Rap" Album But This Is Literally The Way The Wind Blew Me This Time” – André 3000, Surya Botofasina, Nate Mercereau & Carlos Niño, composers (André 3000)
    • “Remembrance” – Chick Corea, composer (Chick Corea & Béla Fleck)
    • Strands – Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman)


    85. Best Arrangement, Instrumental or A Cappella

    • “Baby Elephant Walk – Encore” – Michael League, arranger (Snarky Puppy)
    • “Bridge Over Troubled Water” – Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier feat. John Legend & Tori Kelly)
    • “Rhapsody In Blue(Grass)” – Béla Fleck & Ferde Grofé, arrangers (Béla Fleck feat. Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz & Bryan Sutton)
    • “Rose Without The Thorns” – Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy & Amanda Taylor, arrangers (Scott Hoying feat. säje & Tonality)
    • “Silent Night” – Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje)


    86. Best Arrangement, Instruments and Vocals

    • “Alma” – Erin Bentlage, Sara Gazarek, Johanye Kendrick & Amanda Taylor, arrangers (säje feat. Regina Carter)
    • “Always Come Back” – Matt Jones, arranger (John Legend)
    • “b i g f e e l i n g s” – Willow, arranger (WILLOW)
    • “Last Surprise” (from Persona 5) – Charlie Rosen & Jake Silverman, arrangers (The 8-Bit Big Band feat. Jonah Nilsson & Button Masher)
    • “The Sound Of Silence” – Cody Fry, arranger (Cody Fry feat. Sleeping At Last)


    87. Best Orchestral Performance

    • Adams: City Noir, Fearful Symmetries & Lola Montez Does The Spider Dance – Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)
    • Kodály: Háry János Suite; Summer Evening & Symphony In C Major – JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)
    • Ortiz: Revolución Diamantina – Gustavo Dudamel, conductor (Los Angeles Philharmonic)
    • Sibelius: Karelia Suite, Rakastava, & Lemminkäinen – Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)
    • Stravinsky: The Firebird – Esa-Pekka Salonen, conductor (San Francisco Symphony)


    88. Best Opera Recording

    • Adams: Girls Of The Golden West – John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny & Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)
    • Catán: Florencia En El Amazonas – Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez & Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
    • Moravec: The Shining – Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce & Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)
    • Puts: The Hours – Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming & Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)
    • Saariaho: Adriana Mater – Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan & Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)


    89. Best Choral Performance

    • Clear Voices In The Dark – Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski & Clare McNamara; Skylark Vocal Ensemble)
    • A Dream So Bright - Choral Music Of Jake Runestad – Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)
    • Handel: Israel In Egypt – Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry & Edward Vogel; Apollo's Fire; Apollo's Singers)
    • Ochre – Donald Nally, conductor (The Crossing)
    • Sheehan: Akathist – Elaine Kelly, conductor; Melissa Attebury, Stephen Sands & Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan & Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices & Trinity Youth Chorus)


    90. Best Chamber Music/Small Ensemble Performance

    • Adams, J.L.: Waves & Particles by JACK Quartet
    • Beethoven For Three: Symphony No. 4 And Op. 97, 'Archduke’ by Yo-Yo Ma, Leonidas Kavakos & Emanuel Ax
    • Cerrone: Beaufort Scales by Beth Willer, Christopher Cerrone & Lorelei EnsembleHome by Miró Quartet
    • Rectangles And Circumstance by Caroline Shaw & Sō Percussion


    91. Best Classical Instrumental Solo

    • Akiho: Longing by Andy Akiho
    • Bach: Goldberg Variations by Víkingur Ólafsson
    • Eastman: The Holy Presence Of Joan D'Arc by Seth Parker Woods; Christopher Rountree, conductor (Wild Up)
    • Entourer by Mak Grgić (Ensemble Dissonance)
    • Perry: Concerto For Violin & Orchestra by Curtis Stewart; James Blachly, conductor (Experiential Orchestra)


    92. Best Classical Solo Vocal Album

    • Beyond The Years - Unpublished Songs Of Florence Price – Karen Slack, soloist; Michelle Cann, pianist
    • A Change Is Gonna Come – Nicholas Phan, soloist; Palaver Strings, ensembles
    • Newman: Bespoke Songs – Fotina Naumenko, soloist; Marika Bournaki, pianist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña & Garrick Zoeter)
    • Show Me The Way – Will Liverman, soloist; Jonathan King, pianist
    • Wagner: Wesendonck Lieder – Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)


    93. Best Classical Compendium

    • Akiho: BeLonging – Andy Akiho & Imani Winds; Andy Akiho, Sean Dixon & Mark Dover, producers
    • American Counterpoints – Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer
    • Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode – JoAnn Falletta, conductor; Bernd Gottinger, producer
    • Mythologies II – Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies & Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse & Kitt Wakeley, producers
    • Ortiz: Revolución Diamantina – Gustavo Dudamel, conductor; Dmitriy Lipay, producer


    94. Best Contemporary Classical Composition

    • Casarrubios: Seven For Solo Cello – Andrea Casarrubios, composer (Andrea Casarrubios)
    • Coleman: Revelry – Valerie Coleman, composer (Decoda)
    • Lang: Composition As Explanation – David Lang, composer (Eighth Blackbird)
    • Ortiz: Revolución Diamantina – Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale)
    • Saariaho: Adriana Mater – Kaija Saariaho, composer (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus & Orchestra)

    Copyright 2024 NPR

  • Iranians debate whether the war is worth it


    Topline:

    It's been more than one month since the U.S. and Israel began bombing Iran. The war has widened bitter ideological divides among Iranians in and outside the country over whether the conflict has been justified.

    Lost opportunities: The commonality among most Iranians NPR spoke with is that they feel they have lost opportunities — to make a living, to voice their opinions, simply to live — under the current government, which they say must go. One man said, "Iran's security forces … took everything from us. They only give pain." However, another man said "There is no such thing as hardship in Iran. Everyone lives freely, woman or man."

    Some remain hopeful: Nearly all the Iranians traveling in Turkey who spoke to NPR said they are hopeful about Iran. They have immediate plans to return to their country and stressed that they are not leaving it. Bout as one Iranian university students said, "The war should never have started. But now that it has, the U.S. and Israel should finish it," meaning toppling Iran's regime.

    VAN, Turkey — It has been more than one month since the U.S. and Israel began bombing Iran. The U.S. says it has hit more than 10,000 targets. But U.S.- and Norway-based human rights groups estimate that at least hundreds of Iranian civilians have also been killed.

    The war has also widened bitter ideological divides among Iranians in and outside the country over whether the conflict has been justified.

    "There is difficulty [with the bombing], but we are not that weak," says one Iranian woman from Tehran, traveling to Turkey for a short break, given that her work has stopped due to the U.S. and Israeli bombing of the capital city. "In the past few years, the Islamic Republic [of Iran] has proved to us that we cannot trust them. But we were in war with Israel in the summer [during the 12-day war], and we saw how precise their targeting was, so we trust them."

    "We are going to build a nuclear bomb now, because there's no fatwa against it anymore," interjects an Iranian man, overhearing her remarks, referring to a rumored religious ban on nuclear weapons issued by Iran's former supreme leader, whom Israel assassinated with U.S. help at the beginning of the war in late February.

    Like all the Iranians in this story, the two people asked to remain anonymous. They have received texts from the Iranian government and have seen signs coming out of Iran warning them not to speak to foreign media on pain of arrest.

    A microcosm of divergent opinions

    Just across the border with Iran, in eastern Turkey, the Turkish city of Van is just as full as during prewar times, with thousands of Iranian workers, consulate employees, students and tourists, who are traveling despite the war in their home country. Van has also become a microcosm of the full range of divergent opinions that Iranians have about the war.

    "There is no such thing as hardship in Iran," says one Iranian man, who crossed into Turkey for his job last week. "Everyone lives freely, woman or man."

    Next to him, a second Iranian man looks at him, wide-eyed and shaking.

    "In two days, the government killed 40,000 people," the man says, referring to a government crackdown in January on protesters. A U.S.-based human rights group has confirmed over 7,000 deaths, but many Iranians believe the death toll is far higher.

    NPR has not been able to travel and report inside Iran, so it has been interviewing Iranians traveling through border areas, including in eastern Turkey.

    The dozens of Iranians NPR has interviewed transiting through Van may not be representative of all Iranians in the country. Many Iranians in Van are those wealthy enough to travel. But there are also poorer Iranians working, often under the table, in Turkey. A few Iranians I met and interviewed say they are heading off to study abroad.

    The commonality among most Iranians NPR spoke with is that they feel they have lost opportunities — to make a living, to voice their opinions, simply to live — under the current government, which they say must go.

    "Our pain is something you have to feel for yourself [to understand]," says one Iranian man who has been working in Turkey for the last year. He spent the previous seven years in prison, he says, after being accused of being an anti-Islamic heretic. "Iran's security forces … took everything from us. They only give pain. They are pain incarnate," he says, so much so, he is willing to lose all he has, even his family in Iran, for his government to be wiped out.

    "The war should never have started," says one Iranian university student. "But now that it has, the U.S. and Israel should finish it," she says, meaning toppling Iran's regime.

    "Met with bullets"

    Some Iranians who support the war against their own country say their perspectives are indelibly shaped by that government crackdown in early January. This year's killings of demonstrators finally made them realize, they say, that decades of popular resistance would never change their government.

    "Three of my own friends were killed" in the crackdown, says one Iranian man. He crossed into Turkey last week to earn money, more than he could make in Iran. "My friends were all young. I knew them all my life. Yet the government killed them so easily."

    "Every two years, there is a big protest," he says. Research from Stanford University published this year found thousands of instances of dissent over the last decade and a half, averaging to one protest every three days inside Iran.

    But this time, his hometown, in Iran's western Kermanshah province, was brutally punished by government paramilitary groups for people in his town participating in January's protests.

    "It is as if my town has been burned down. Nothing is left of it," he says. "I see no future for my children in Iran." His only hope now, he says, is a foreign intervention. "Our only hope is Trump. Our only hope is that Trump and Bibi [Israel's prime minister] make the right moves."

    "We are scared of the bombing," an Iranian woman says. "But we are happy thinking that there might be a light at the end of this darkness. When our young people went out and protested this January, they were met with bullets. With slaughter. With executions."

    Nearly all the Iranians traveling in Turkey who spoke to NPR said they are hopeful about Iran. They have immediate plans to return to their country and stressed that they are not leaving it. Migration data from the United Nations shows fewer Iranians are leaving Iran for Turkey than before the war.

    "We are not fleeing," says one young Tehran resident. Even though she almost lost an eye in the anti-government demonstrations this winter, she says she is going back to Tehran in a few days. "We are determined to rebuild our country, and if the government changes, I will work, for free if needed."
    Copyright 2026 NPR

  • Sponsored message
  • How to watch Wednesday's historic launch

    Topline:

    As early as Wednesday at 6:24 p.m., an Orion capsule seated atop a 322-foot rocket will blast off from the Kennedy Space Center in Florida. If all goes according to plan, the capsule will carry four astronauts around the moon and back — sending humans the farthest they've ever been from our home planet.

    About the mission: The mission will be the first launch in the Artemis moon program to include a crew. It follows the uncrewed Artemis I test flight in 2022, which sent an empty Orion capsule on a three-week ride around the moon before splashing down in the Pacific Ocean. This time, the Artemis II astronauts will first orbit Earth to check out key systems on the spacecraft, and then trace a figure-eight path around our lunar neighbor and back. The entire journey is expected to take just under 10 days.

    Why it matters: This mission is a crucial step toward NASA's goal of once again setting foot on lunar soil, and eventually establishing a permanent lunar presence — including a moon base — with the help of international partners.

    Read on . . . for information on how to watch Artemis II's Wednesday morning launch.

    Before taking his last steps on the moon, NASA astronaut Gene Cernan made sure to scratch his young daughter's initials into the lunar dust.

    He had some parting thoughts for the rest of humanity, too.

    "We leave as we came and, God willing, as we shall return, with peace and hope for all mankind," the Apollo 17 commander said before departing for Earth.

    That was December 1972. Now, more than half a century later, NASA may be about to fulfill Cernan's wishes.

    Watch the launch live stream, set to start at 12:50 p.m. ET, here.

    As early as Wednesday at 6:24 p.m., an Orion capsule seated atop a 322-foot rocket will blast off from the Kennedy Space Center in Florida. If all goes according to plan, the capsule will carry four astronauts around the moon and back — sending humans the farthest they've ever been from our home planet.

    The mission will be the first launch in the Artemis moon program to include a crew. It follows the uncrewed Artemis I test flight in 2022, which sent an empty Orion capsule on a three-week ride around the moon before splashing down in the Pacific Ocean.

    This time, the Artemis II astronauts will first orbit Earth to check out key systems on the spacecraft, and then trace a figure-eight path around our lunar neighbor and back. The entire journey is expected to take just under 10 days.

    This mission is a crucial step toward NASA's goal of once again setting foot on lunar soil, and eventually establishing a permanent lunar presence — including a moon base — with the help of international partners.

    At a press briefing on Tuesday, Mark Burger, launch weather officer with the Space Force's 45th Weather Squadron, said there was an 80% chance of favorable conditions for launch day, though they were keeping a close eye on the weather.

    Jeff Spaulding, senior NASA test director, is a veteran of many launches. He said that for his part, the reality that humans would soon be flying to the moon would probably set in during the final minute before ignition.

    "That's when it really starts to hit home that, you know, we really got a shot at making it today," Spaulding said at the briefing. "And I know a lot of people are thinking the same thing, because you can hear a pin drop in that firing room as you count from 10 down to T-zero."

    "After that, though," he said with a smile, "it may get a little bit noisier."

    Copyright 2026 NPR

  • President scheduled to speak tonight at 6 p.m. PT

    Topline:

    President Donald Trump is set to address the nation on the Iran war at 6 p.m. Pacific time tonight, with White House press secretary Karoline Leavitt saying he would be providing "an important update," without providing further details.

    Why now: On Tuesday, Trump said he expected the conflict to be over in two to three weeks, adding, "we'll be leaving very soon," and promising gas prices would then "come tumbling down."

    Keep reading... for updates on where the war now stands more than a month into the conflict.

    President Trump is set to address the nation on the Iran war at 9 p.m. Eastern time on Wednesday night, with White House press secretary Karoline Leavitt saying he would be providing "an important update," without providing further details.

    On Tuesday, Trump said he expected the conflict to be over in two to three weeks, adding, "we'll be leaving very soon," and promising gas prices would then "come tumbling down."

    Trump shrugged off what would happen to the blockaded Strait of Hormuz – which has cut off one fifth of the world's oil supply – saying, "we're not going to have anything to do with it." He said that it wouldn't affect the U.S. and would be something for other countries to deal with.

    "They'll be able to fend for themselves," he said, having previously told European allies who have refused to enter the war to "go get your own oil!"

    The assertion to wrap up the war quickly comes just days after Trump threatened to up the ante if there was no deal and Tehran didn't reopen the strait. He said he could seize Iran's oil and blow up all of their Electric Generating Plants and desalinization plants. He also said he was considering an invasion of Iran's key oil export terminal, Kharg Island.

    But on Tuesday, Secretary of State Marco Rubio echoed his boss's latest comments on the war being over in a matter of weeks, saying the main goal of preventing Iran from being able to build a nuclear weapon had been achieved.

    Rubio has expressed frustration in recent days over news reports accusing the administration of lacking clear objectives in Iran.

    He said the objectives were: the destruction of Iran's air force, the destruction of its navy, the "severe diminishing" of its capability to launch missiles, and the destruction of its factories.

    Regime change, previously touted by the administration as a goal, was not mentioned. Earlier this week Trump said he considered regime change had been achieved, despite the fact that it remains a hardline theocracy led by the son of the previous ayatollah.

    Here are more updates on day 33 of the Iran war:

    Fighting overnight | World leaders | Iran | American journalist kidnapped| Hegseth visits troops | Aid hold up | Peace plan


    Regional Fighting overnight

    The Israel Defense Forces said they hit 230 targets in Tehran while also widening an invasion into Lebanon. Meanwhile, Iran is striking back at Gulf neighbors, especially military bases used by the U.S. this week. One of those attacks injured as many as 20 U.S. service members in Saudi Arabia.

    Since the war began over a month ago, 13 U.S. service members have been killed. Iran says more than 1,700 people have been killed in Iran.

    Children and others are in a concrete bunker with dim light.
    People take cover in a bomb shelter as air raid sirens warn of incoming Iranian missile strikes in Bnei Brak, Israel, Wednesday, April 1, 2026.
    (
    Oded Balilty
    /
    AP
    )

    Also overnight Yemen's Iran-backed Houthi rebels claimed missile attacks on Israel, which the Israeli military intercepted. The Houthis have vowed an "escalation" in attacks.

    Israel's emergency services reported Iranian missiles fired at central Israel had injured 14 people, including children.

    At Kuwait's international airport, Iranian drones hit fuel depots, causing a huge fire, a day after a Kuwaiti oil tanker off Dubai was hit.

    In Qatar on Wednesday, a missile launched by Iran hit an oil tanker leased to QatarEnergies, which said no one was injured and reported no environmental impact.


    UK, Australia leaders speak

    British Prime Minister Keir Starmer addressed the nation on Wednesday about how the rising cost of living caused by the conflict will affect British citizens and what his government is doing to try to mitigate that.

    He repeated a previous vow that the U.K. will only take "defensive" action against Iranian attacks in the Middle East and would not get drawn into the war. He also announced his foreign secretary would organize an international summit on the Strait of Hormuz aimed at restoring freedom of navigation.

    Australian Prime Minister Anthony Albanese also gave a national address on the war on Wednesday.

    Earlier this week Albanese announced his government would halve the fuel tax for three months to give Australians some respite from the rising costs.

    He urged Australians to use public transport and not to hoard fuel. He also warned that "the reality is, the economic shocks caused by this war will be with us for months."


    'Hospitality' is over, says Iran

    Ebrahim Azizi, the head of Iranian Parliament's National Security Committee, said on X in a message to Trump that the Strait of Hormuz would reopen "but not for you."

    People stand in rubble.
    People sift through rubble in the aftermath of a drone attack on a residential building in which one civilian was killed on March 31, 2026 in eastern Tehran, Iran.
    (
    Majid Saeedi
    /
    Getty Images Europe
    )

    Referring to the period since Iran's 1979 revolution, he added: "47 years of hospitality are over forever."

    Iran this week approved a bill to charge vessels for crossing the vital economic waterway.

    "Trump has finally achieved his dream of 'regime change' — but in the region's maritime regime!" Azizi said.

    It's not just vessels that are now trapped near the Strait of Hormuz.

    An estimated twenty thousand seafarers are onboard — in an active warzone — and the U.N. is trying to extricate them.

    Most seafarers are from the Philippines, Bangladesh and India and some vessels are reportedly running low on food and water.

    The U.N.'s International Maritime Organization is negotiating with all sides to try to evacuate them.


    American journalist kidnapped in Iraq

    American freelance reporter Shelly Kittleson was kidnapped in Baghdad Tuesday, according to Al-Monitor, a Middle Eastern news site for which she has written.

    Iraqi security forces said they intercepted a vehicle that crashed and arrested one of the suspected kidnappers, but are still searching for the kidnapped journalist and other suspects.

    U.S. officials say they're working to get her released.

    "The State Department previously fulfilled our duty to warn this individual of threats against them and we will continue to coordinate with the FBI to ensure their release as quickly as possible," Dylan Johnson, the assistant secretary of state for global public affairs, said on social media.

    He said Americans, including media workers, have been advised not to travel to Iraq and should leave the country. The statement did not condemn the kidnapping or express concern.

    Johnson said Iraqi authorities apprehended a suspect associated with Iran-backed Iraqi militia Kataib Hezbollah, believed to be involved in the kidnapping.

    Press freedom organizations expressed deep concern. The Committee to Protect Journalists called on "Iraqi authorities to do everything in their power to locate Shelley Kittleson, ensure her immediate and safe release, and hold those responsible to account."

    Based in Rome, Kittleson has reported on Iraq, as well as Syria and Afghanistan, for years, according to Al-Monitor.

    Reporters Without Borders said she is "very familiar with Iraq, where she stays for extended periods."

    "RSF stands alongside her loved ones and colleagues during this painful wait," the organization said.

    Al-Monitor said in a statement it is "deeply alarmed" by her kidnapping. "We stand by her vital reporting from the region and call for her swift return to continue her important work," it said.


    U.S. defense secretary visits troops

    U.S. Defense Secretary Pete Hegseth made an undisclosed trip to the Middle East to visit troops on military bases over the weekend. He did not divulge the location for the troops' safety.

    A man with slicked back hair gestures in front of a U.S. flag.
    Defense Secretary Pete Hegseth speaks to members of the media during a press briefing at the Pentagon in Washington, Tuesday, March 31, 2026.
    (
    Manuel Balce Ceneta
    /
    AP
    )

    "I spoke to Air Force and Navy pilots on the flight line who every day both deliver bombs deep into Iran, but also shoot down drones defending their base. Many had just returned from the skies of Iran and Tehran," he told reporters in a briefing Tuesday.

    He said he "witnessed an urgency to finish the job" and tried to draw a comparison with America's earlier drawn-out wars in Iraq and Afghanistan.

    He said the U.S. is improving bunkers and layered air defenses as a priority to protect troops and aircraft.

    This comes after more than a dozen U.S. service members were injured, several severely, and U.S. aircraft were damaged in Iranian strikes on a base in Saudi Arabia last Friday. The Pentagon says 13 U.S. service members have been killed and 300 wounded in what it calls Operation Epic Fury.

    He repeated the administration's assertion that the U.S. is negotiating with Iran, despite Iranian officials' denial that talks are happening.


    Aid hold up

    The World Food Program says tens of thousands of tons of food aid are stuck in ports as a consequence of the U.S.-Israeli war on Iran.

    The WFP says there is a whole disruption in the global supply chain with carriers not able to use the Strait of Hormuz and choosing not to use the Suez Canal through Egypt out of concerns of attacks there, too.

    The agency says this is adding a month to shipping time and costing more because of spikes in fuel prices from the war. It noted that as people around the world pay more for fuel, more families will struggle to put food on the table.

    Some 45 million additional people will fall into acute hunger around the world if current conditions continue through June- reaching 363 million globally, the WFP said.


    Pakistan, China release statement

    Pakistan's and China's foreign ministers issued a joint statement on Tuesday calling for talks to the war on Iran as part of a broader peace plan. The statement called for a halt to fire, an end to attacks on civilian infrastructure, and reopening of the State of Hormuz.

    For days Pakistani officials had said they hope to help mediate talks to end a war that has seized up the global economy, pushed up the price of fossil fuels, and key commodities like fertilizer — and that has killed thousands of people, mostly Iranians and Lebanese.

    The joint statement with China came after high-ranking Pakistani officials led a flurry of meetings with regional powers. China is Iran's biggest customer for oil — and it's seen as sympathetic to the country.

    Jane Arraf in Amman, Jordan, Diaa Hadid in Mumbai, Quil Lawrence in New York, Giles Snyder, Michele Kelemen in Washington, Emily Feng in Van, Turkey, Aya Batrawy in Dubai, and Kate Bartlett in Johannesburg contributed to reporting.
    Copyright 2026 NPR

  • U.S. Supreme Court hears arguments today

    Topline:

    The Supreme Court chamber will be packed today, as the justices hear arguments in a case that almost certainly will result in a historic ruling.

    Why now: At issue is President Trump's challenge to a constitutional provision that has long been interpreted to guarantee American citizenship to every child born in the United States.

    When does it start? Live NPR coverage begins at 7 a.m. PT. Keep reading for a link to that stream.

    Stay up to date with our Politics newsletter, sent weekly.


    The Supreme Court chamber will be packed on Wednesday, as the justices hear arguments in a case that almost certainly will result in a historic ruling. At issue is President Trump's challenge to a constitutional provision that has long been interpreted to guarantee American citizenship to every child born in the United States.


    Listen to arguments and live NPR special coverage beginning at 10 a.m. ET:

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    Trump has long maintained that the Constitution does not guarantee birthright citizenship. So, on Day 1 of his second term, he issued an executive order barring automatic citizenship for any baby born in the U.S. whose parents entered the country illegally or who were here legally, but on a temporary, or even a long-term visa.

    "We are the only country in the world that does this with birthright," Trump said as he signed the executive order. "And it's absolutely ridiculous."

    That actually is not true. There are nearly 33 countries, mainly in North and South America, that have birthright citizenship — including, among others, Canada, Mexico, Brazil and Argentina.

    Can't see the video above? Watch it here.


    D-Day for Trump's attack on birthright citizenship

    But Trump has long been determined to rid this country of its longstanding protection for birthright citizenship. Wednesday is D-Day in that effort, and to understand the issues, it's worth taking a stroll through American history.

    While citizenship was not defined at the nation's founding, the colonists were largely pro-immigrant, according to University of Virginia law professor Amanda Frost, author of American Birthright: How the Citizenship Clause made America American, due out in September.

    The founders "wanted to populate this mostly empty continent," she observes, adding that, in fact, one of the complaints against the British king in the Declaration of Independence was that the British "were discouraging immigration."

    Indeed, she notes, after the Revolutionary War, even those who had been loyal to the king but wanted to stay in America were granted U.S. citizenship.

    Trump's view of the 14th Amendment

    Birthright citizenship didn't make it into the Constitution, though, until after the Civil War, when the nation enacted the 14th Amendment to reverse the Supreme Court's infamous Dred Scott decision — a ruling that in 1857 declared that Black people, enslaved or free, could not be citizens of the United States.

    To undo that decision, the post-Civil War Congress passed a constitutional amendment that defines citizenship in broad terms. It says, "All persons born or naturalized in the United States and subject to the jurisdiction thereof, are citizens of the United States."

    President Trump, however, maintains that the constitutional amendment was intended to be more limited than it has been in practice. "This was meant for the slaves … for the children of slaves," Trump said last January. "I'm in favor of that. But it wasn't meant for the entire world to occupy the United States." 

    But as the University of Virginia's Frost notes, the framers of the 14th Amendment had more than one explicit purpose. They wanted a clear, bright line definition of citizenship; they wanted the former slaves and their children to be citizens, and they wanted to include immigrants, many of whom were the targets of great hostility.

    "I like to remind my students that between 1845 and 1855, approximately 2 million people from Ireland fled to the United States," Frost observes. They were fleeing from famine and harsh British rule. And while "there certainly was some prejudice and discrimination and xenophobia," she says, "their children soon would automatically become American citizens" when born on U.S. soil after enactment of the 14th Amendment.

    Trump's interpretation of the 14th Amendment is avowedly far more restricted. What's more, it has not been embraced by the courts or the legal norms of the country for 160 years.

    The counterargument

    "The president's executive order is attempting a radical rewriting of that 14th Amendment guarantee to all of us," says Cecillia Wang, legal director of the American Civil Liberties Union.

    Indeed, even as both Republican and Democratic administrations have sought in modern times to deport large numbers of individuals who have entered the country illegally, the notion of birthright citizenship has remained so entrenched that during World War II when Japanese citizens were held as enemy aliens in U.S. detention camps, their newborn children were automatically granted American citizenship because they were born on U.S. soil. And Congress later codified that understanding in the 1940s, '50s and '60s.

    At the Supreme Court on Wednesday, the justices are likely to focus on some of the key court decisions that have protected birthright citizenship during the past century and a half. Perhaps most important among these is the case of Wong Kim Ark, born in San Francisco in 1873 to Chinese immigrants who ran a small business in the city. Back then, immigrants like Wong's parents were largely free to enter the U.S. without any documentation, but his parents eventually returned to China. And after their son visited them in 1895, officers at the port in San Francisco refused to allow him back into the United States, contending that he was not a qualified citizen.

    Wong challenged the denial and, in 1898, the Supreme Court ruled in his favor. By a 6-2 vote, the justices interpreted the words "subject to the jurisdiction thereof" to mean that all children born in the U.S. were automatically granted citizenship. The court noted that only three exceptions were specified in the amendment: The children of diplomats were not deemed to be U.S. citizens because their allegiance was to another country; the children of occupying armies were similarly excepted, as were the children of Native American tribes. Of these three exceptions, the only one that still applies is to the children of diplomats, as there are no invading armies, and Native Americans were granted automatic citizenship in 1924.

    The Trump administration, however, argues that Wong Kim Ark's situation was very different from many of the children who become automatic American citizens today, because Wong's parents, though undocumented, were here legally, by virtue of having a permanent residence in the U.S. And the Trump administration points to language in the 1898 Supreme Court opinion that assumes the parents had legal status in the country because they had a permanent residence in San Francisco.

    The Trump administration makes an even broader argument. "An individual who is naturally born in the United States is only considered a citizen if their parents have allegiance to the nation," says Daniel Epstein, vice president of America First Legal, the organization founded by the architect of Trump's immigration policies, Stephen Miller, White House deputy chief of staff. "It is a misdemeanor to come into the United States without authorization. That is a crime," he says. "That is strong evidence that you don't kind of meet the traditional notion of allegiance."

    "We do not punish children for the sins of their parents"

    Countering that argument, the ACLU's Wang will tell the Supreme Court that the men who wrote the 14th Amendment deliberately chose to confer automatic citizenship on the child, not the parent.

    "And the idea — that actually goes back to the founding — is that in America we do not punish children for the sins of their fathers, but instead we wipe the slate clean. When you're born in this country, we're all Americans, all the same," Wang says.

    Texas Sen. Ted Cruz is supporting the president's position, along with 11 other GOP senators, and 16 House members, who signed on to the America First brief.

    "As a policy matter, birthright citizenship is stupid," Cruz says, "because it incentivizes illegal immigration. It makes absolutely no sense that someone breaks the law and they get rewarded with a very, very, precious gift, which is American citizenship."

    Can an executive order trump a constitutional amendment?

    The ACLU's Wang counters that Trump is trying, by executive order, to change the meaning of the 14th Amendment to the Constitution, a measure that was approved overwhelmingly by the Congress in 1866 and, after a great public debate, ratified by more than three-quarters of the states. She argues that the consequences of such a dramatic change by executive fiat would have untold consequences.

    "What will immediately happen is that every month, tens of thousands of U.S.-born babies will be stripped of their citizenship. They may be stateless because their parents' country of nationality may not consider them to be citizens. And so you'll see a permanent underclass of people who have no nationality, who are living in the United States, who can't pass on their nationality to their children born in the U.S.

    In a separate brief, the U.S. Conference of Catholic Bishops stresses the problems that would be created by generation after generation of children who are stateless, with no country to call home, and no citizenship to pass on to their children.

    "The children … would be the ones to bear the brunt of this," says Bishop Daniel Flores, vice president of the bishops conference. "I have people asking this now in my diocese. 'Bishop, am I going to get into trouble if I give food to somebody that I'm not sure of their documentation? … Can we help these people? Because we think we need to, because they're people and they were born here."

    The Trump administration counters that birthright citizenship raises two other problems: a generic potential threat to national security and the problem of so-called "birth tourism."

    In fact, even birthright defenders concede that a cottage industry has long existed in which women pay money to come to the U.S. and have their children here. But the numbers are consistently very small. Even the Center for Immigration Studies, a think tank that favors limited immigration, estimates only 20,000 to 26,000 birth tourism children are born in the U.S. each year, compared to the overall birth count of 3.6 million babies born each year.

    Daniel Epstein of America First Legal contends that numbers are not important. "I view just one illegal act as illegal, and birth tourism is illegal and it's against the law, and the law matters."

    Population experts say that if automatic birthright citizenship were to be voided, the consequences would be profound — and counterintuitive. The Population Research Institute at Penn State, for instance, estimates that a repeal of birthright citizenship would result in 2.7 million more people living here illegally by 2045, people who previously would have been entitled to birthright citizenship, but now have no such citizenship for themselves or to pass on to their children or the generations thereafter.

    Also likely to come up at today's Supreme Court argument are practical questions, like those raised by Justice Brett Kavanaugh last year in a related case. How would a hospital know that the parents of a child are illegally in the country? What would hospitals do with a newborn? What would states do? The answer from Trump's solicitor general, D. John Sauer, was "Federal officials will have to figure that out."

    Copyright 2026 NPR