The Frame

The film, which opened in theaters in early February, has been rushed onto on demand platforms, which is just fine with director Cathy Yan; with the summer Olympics postponed, where does that leave NBC?; how are stand-up comedians faring in the Covid era?

The story of a camp for disabled teens that was established in the early 1970s in upstate New York is told in a new Netflix documentary; what issues are facing movie exhibitors now that they've been shut down?; and now, they've even closed drive-ins!

With COVID-19 shutting down venues, stand-up comics are left without a platform and Hollywood assistants are struggling to make it; "The Climb" gets delayed; plus M. Ward is releasing a new album; Why Amy Ryan made the Netflix movie 'Lost Girls;' and singer/songwriter Sudan Archives finds inspiration in youtube videos; Plus The Frame team has some recommendations for you.

The film was supposed to open today, but now co-writers, co-stars and best friends Michael Angelo Covino and Kyle Marvin face an uncertain future; who gets paid in Hollywood in the Covid era?; singer-songwriter and violinist Sudan Archives shares her influences.

The veteran French photographer has been creating iconic images since the 1960s; performing artists who rely on touring are taking hit in the Covid era; an Armenian-American guitarist who fell for flamenco.

Akiko Stehrenberger has made a career out of designing posters for feature films; what happens now that most TV production has shut down?; a farewell to KISS as the band tours for the final time.

The singer/songwriter's latest album was inspired by headlines and conversations about immigration; the #PayUpHollywood movement is rallying behind assistants as production is virtually halted; smart dance music by French Vanilla.

Based on a true story, the actress plays a woman whose daughter is among several sex workers who went missing in Long Island and then were found murdered; with movie theaters closed in L.A. and N.Y., what does that mean for exhibitors and streaming services?; 50 years ago, "Abbey Road" won only one Grammy —and it wasn't a major prize.

The violent satire 'The Hunt' finally comes to theaters; 'Pandemic' docuseries in production years before COVID-19; and how loss of Dan Scanlon's dad inspired Pixar's 'Onward' and more...

In the documentary, "Siempre, Luis," the famous father leads hurricane relief efforts on behalf of his native Puerto Rico; how are movie theaters coping with Covid-19?; Europe's version of South-by-Southwest.

Mark Landsman's documentary looks at the roots and the modern history of the notorious tabloid; Anna Waronker and the revival of the band That Dog; Song Exploder with Raphael Saadiq.

Daniel J. Jones, the Senate investigator who uncovered the CIA's use of torture in the wake of 9/11, talks about the movie based on his work, in which he's played by Adam Driver; Disney's new streaming service got off to a shaky start because of tech issues; Sam Beam of Iron & Wine and Joey Burns from Calexico have teamed up for another album.

The director and co-writer talks about making a movie that's more than just racing scenes; the Congressional Hispanic Caucus meets with Hollywood execs about representation; veterans turn to ancient Greek dramas to tell their own stories.

Mark Ruffalo wants to make movies that make a difference and make Marvel films too; "Honey Boy" director Alma Har'el on how she and Shia LaBeouf bonded; Nell Scovell confronts David Letterman; How "Moonface" was made; Writer Nell Scovell confronts her old boss, David Letterman.

After her longtime stint in Sonic Youth, followed by a two-person band called Body/Head, the singer and bassist has her first solo album, "No Home Record"; writer Nell Scovell mends fences (sort of) with David Letterman; Mati Diop's Senegalese film, "Atlantics."

The author's latest deep dive into pop culture is about his love for cinema; why did the Marciano Art Foundation suddenly shut its doors?; "The Red Thread" magic show.

The director wrote the script based on conversations with friends about marriage and divorce; Adam Driver talks about "Marriage Story," his fourth collaboration with Baumbach; Mexican composer Gabriela Ortiz on her ongoing relationship with the L.A. Philharmonic.

Alma Har'el talks about making her narrative feature directing debut in the film that stars Shia LaBeouf in his first feature-length screenplay; an oral history of "Blade Runner."

The former first lady of the Philippines gave access to filmmaker Lauren Greenfield for a new documentary; why are same-sex love scenes being edited out of films on Delta Airlines?; the new podcast "Moonface" examines homosexuality and cultural barriers.

Ed Norton brings "Motherless Brooklyn" to theaters 20 years after he first had the idea; star Cynthia Erivo and director Kasi Lemons tell the story of telling the story of Harriet Tubman on screen; Should arts orgs partner with Saudi Arabia?; Josh Homme of Queens of the Ston

On his new double album, the mixmaster works with other prominent hip hop artists, but he also composed instrumentals for an orchestra; why isn't Martin Scorsese's "The Irishman" in more theaters?

Over more than a half-century, George Rodriguez has taken countless photos of celebrities, but also of social movements such as farmworker strikes and student protests; after a high-profile departure, what's next for the "Star Wars" franchise?; singer San Cha