The Frame

Veteran music producer Harvey Mason, Jr. produced dozens of songs for the animated film, "Sing"; Sandra Hüller is a standout in the likely Oscar nominee, "Toni Erdmann"; a N.Y. judge rules that pre-1972 songs don't have copyright protection.

When Dennis Lehane's novel "Live By Night" was adapted by Ben Affleck into a feature film, it was just the latest gritty, crime-filled book of his to get the movie treatment; voice actor Rob Paulsen has been going strong in the business since the early 1980s, but a recent bout with throat cancer almost derailed his career.

Gibney's documentary about cyber warfare all but predicted the hacking of the Democratic National Committee; the operator of an illegal venue says the city should not take a blanket approach to its crackdown; life as a voiceover actor (part 1).

The 2016 election has ignited Beau Willimon to action. The creator of "House of Cards" has formed the Action Group Network to embark on a new form of advocacy; singer-songwriter Angelica Garcia opens up about how moving from L.A. to a small colonial-era Virginia town gave rise to her debut album, “Medicine For Birds."

Actress Brit Marling and director Zal Batmanglij talk about their mysterious new Netflix series, "The OA"; comedian Chonda Pierce has built a huge career outside the show biz mainstream; Hollywood and the gun industry have a mutually beneficial relationship.

Mills' movie is a tribute to his mother, a unconventional woman who raised him in '70s Santa Barbara; "The Joy Luck Club," released in 1993, was supposed to usher in a new era for Asian-American storytelling in Hollywood. That hasn't been the case.

The song cycle, "Notes of a Native Song," by the duo Stew & Heidi, plays like a love letter to James Baldwin; SAG Award noms are out! Alex Jung of Vulture.com discusses the TV categories; We visit members of the L.A. theater troupe, Impro, as they rehearse their improvised holiday play that spoofs those 1960's variety shows;

Tori Amos discusses "Flicker" the song she wrote for the documentary "Audrie & Daisy," a film about sexual assault, an issue that is close to Amos' heart; Franklin Leonard, founder of The Black List, discusses the topics and trends of his 2016 list of the best unproduced screenplays, and screenwriter Cat Vasko shares what getting on the list has meant for her career.

Gael García Bernal discusses his most recent movies, "Neruda" and "Desierto," provoking a dynamic conversation about poetry, politics, and migration; musician Kim Gordon opens up about her life after Sonic Youth with her new band, Body/Head; with awards season in full swing, we check in with Vulture.com's Kyle Buchanan for an update on the race.

While Denis Villeneuve awaits awards news for "Arrival," he's busy editing "Bladerunner 2049"; what does it mean that Donald J. Trump will remain as executive producer on NBC's "The Celebrity Apprentice"?; there's a particular glass ceiling for women who work in animation.

The writer and actor is the son of Eugene Levy, and they are the co-creators and co-stars of the series, "Schitt's Creek"; John Horn reports from the Sundance Film Festival; a new dance performance inspired by horticulture.

Could Linda Perry be the first woman to win a Grammy for Producer of the Year?; a preview of the 2019 Sundance Film Festival; the host and executive producer of KPCC's podcast "The Big One."

Film critic Claudia Puig talks about the odds for Alfonso Cuarón's biopic about his childhood in Mexico City; the actresses from "Roma" — Yalitza Aparicio and Marina de Tavira; Hannah Beachler ("Black Panther") is the first African-American to be nominated for production design.

The pianist and composer talks about and performs music from the movie about Don Shirley; what were the most streamed songs and albums of 2018?

"The Apprentice" creator Mark Burnett is the subject of a riveting, comprehensive story in The New Yorker; Sony Music is reportedly dropping R. Kelly; Isabella Rossellini is the ringleader of an animal circus!

The playwright talks about his latest production, which revolves around a man going through a divorce and an epic mid-life crisis; the band Los Texmaniacs has a timely remake of a Woody Guthrie song about farmworkers.

The much-hyped Fyre Festival seemed to good to be true —and, as a new Netflix documentary shows, that was sadly the case; YouTube's struggles to police user-generated content; the influential artist and critic Manny Farber.

The 21-year-old singer who prefers to remain anonymous is nominated for Album of the Year and Best New Artist; NBC Universal joins the crowded field of streaming services; the Spanish singer Rosalía is putting a fresh spin on flamenco.

The company led by Benjamin Millepied is presenting its first full season in its new home in L.A.'s Arts District; a former Weinstein Company film, "The Upside," won the box office this weekend. What has become of all the former Weinstein properties?; generations of African-American harpists bond over their connection to a pioneer of the genre.

The remake with Bradley Cooper and Lady Gaga is the only movie nominated in all 11 guild and film society award competitions; Merrill Markoe and Megan Koester chat about their audiobook, "The Indignities of Being a Woman"; the venerable country-swing band Asleep at the Wheel is still rollin' along.

Series creator Michael Schur and one of the show's key writers, Jen Statsky, talk about the ways that the cast and crew take their own research and turn it into a hit show; John Lasseter was ousted from Pixar over inappropriate behavior, and his hiring at another studio has created a furor.

In 2018, for the first time in the 90-year history of the Academy Awards, a woman was nominated for cinematography. Why did this recognition take so long?; L.A.-based singer/songwriters recently gathered in Topanga Canyon to share their works; on Song Exploder, Yo-Yo Ma deconstructs one of his signature Bach performances.