The Frame

Zoe Lister-Smith directed “Band Aid,” a hit at this year’s Sundance Film Festival that just got picked up for distribution; Fox's new “24” reboot is being criticized because the villains on the series are from the Middle East; Andrew Lockington talks about his untraditional score for the new movie, “The Space Between Us.”

For bands, landing a song in a Super Bowl ad (or any other televised event) is a HUGE pay day; how 'Jackie' composer Mica Levi created a mesmerizing score for Pablo Larrain's psychological drama; Academy Award-nominated filmmaker Raoul Peck could have made a conventional documentary about James Baldwin, but instead he uses only Baldwin’s words to create his powerful film, “I Am Not Your Negro."

The madcap "Billy on the Street" TV series has added a political edge; arts leaders from Western states visit D.C. to advocate for the National Endowment for the Arts; the latest Hollywood story from USC has more dire news for women in the industry.

Muslim-American writer, producer and author Reza Aslan's family fled the Iranian Revolution when he was 7-years-old — now believes that the best way to change American hearts and minds about Islam is through entertainment; Sony Pictures is reporting a $1 billion loss in its third quarter alone. The report comes as the company embarks on a new head for the studio, which executives in Japan maintain is not for sale.

How SAG Award winners used the platform to comment on Trump's executive order barring refugees from select Muslim-majority countries; one L.A.-based concert promoter had to cancel shows with Iranian musicians planning to play in the U.S.; "Cries from Syria" filmmaker wants to generate understanding and empathy for Syrian refugees with his new doc, airing on HBO in March.

"Nobody Speak" looks at free press issues through the Hulk Hogan lawsuit and the presidential election; "The Salesman" is the latest from Iranian filmmaker Asghar Farhadi; the Wallis Youth Theater Company is breaking new ground.

How Late Night host Seth Meyers is seizing the Trump era for political commentary and comedy; rapper Roxanne Shanté's life is the basis of a new Sundance biopic "Roxanne Roxanne;" Bryan Fogel is a cyclist who set out to document his experiments with performance-enhancing drugs only to find himself making a movie that uncovers a massive doping scandal inside Russia.

Director David O. Russell remembers working with Mary Tyler Moore in his 1996 dysfunctional family comedy "Flirting with Disaster," then the married couple Kumail Nanjiani and Emily V. Gordon turned their real-life love story into the new romantic comedy "The Big Sick" which just sold to Amazon at the Sundance Film Festival.

The Frame host John Horn reports from Sundance where he interviews Lakeith Stanfield (“Atlanta” and "Crown Heights"), and talks Oscars nominations with Vulture's Kyle Buchanan.

The Frame host John Horn reports from Sundance where he interviews Jessica Williams (“The Incredible Jessica James”), and documentary director Peter Bratt ("Dolores") and the subject of his film, activist Dolores Huerta.

The filmmaker describes his new movie as a “spiritual sequel” to “Dazed and Confused," this time with college baseball players sowing their wild oats.

The young actress got a huge break when she was cast on the HBO series, but fans often give her grief about her unlikeable character.

The veteran actor talks about playing the attorney who was both loved and loathed as he turned Simpson’s murder trial into a debate on race in America.

Actor Cliff Curtis is familiar to TV audiences from “Fear the Walking Dead,” but in the new film “The Dark Horse" he transforms himself to play a toothless, bipolar chess genius. Miles Davis’ son and nephew recount how Don Cheadle’s biopic of the late trumpeter, "Miles Ahead" came to be. Virtual Reality is now a reality for consumers, we test drive some content made by Wevr.

Irish actress Lisa Dwan goes solo for a trilogy of works by her homeland's great playwright, Samuel Beckett; the band Songhoy Blues perseveres after extremists took over Mali; bad reviews didn't deter moviegoers who came out in droves for the superhero action film.

Garry Shandling's death has resulted in an outpouring of fond memories, including from former "Larry Sanders" writer Maya Forbes and filmmaker Mark Duplass; Daniel Clowes' new book, "Patience," is described as a "time-travel love story."

Playwright-turned-TV writer Jessica Goldberg explores a religious cult in "The Path"; comedian Garry Shandling dies at the age of 66; studios threaten to leave Georgia if its governor signs a bill that is considered anti-gay; the music from "Star Trek" is featured in a concert tour.

Ethan Hawke plays jazz singer and trumpeter Chet Baker in the biopic, "Born to Be Blue"; Lyle Workman added Latin sounds to the score for the set-in-L.A. Netflix series, "Love"; rapper Phife Dawg was a key member of A Tribe Called Quest.

Charles Roven was a producer on Christopher Nolan’s “Batman” trilogy and now he’s working with Zack Snyder on “Batman v. Superman: Dawn of Justice”; Jesse Eisenberg on playing Lex Luthor; Rostam Batmanglij leaves Vampire Weekend for a solo career.

Producer DeVon Franklin's "Miracles from Heaven" is a new style of faith-based film; Aofie O'Donovan's latest album was inspired by childhood trips to visit her family in Ireland; there's a high failure rate for for film festivals as they struggle to find a place in the crowded marketplace.

"Midnight Special" filmmaker Jeff Nichols shares how being a father of a young son influenced his new movie and why his next film is about the Supreme Court case of Loving v. Virginia. The UK trio Haelos won the music industry lottery when it got into the Coachella Music Festival. How are changes in the TV biz impacting pilot season?

Co-creator and star Jerrod Carmichael tells The Frame why the NBC comedy "The Carmichael Show" tackles social issues like sexual identity and the Bill Cosby controversy; The Police's drummer Stewart Copeland gets the 1925 silent film "Ben-Hur" out of cold storage to write its score; Teenage classical music students learn to improvise.