The Frame

It's a rarity for a woman to direct a big budget, comic superhero movie, but Jenkins has torn down the walls with her critically-acclaimed box office smash.

Broadway will honor the best in theater on Sunday night at the 71st annual Tony Awards. But there's one group of performers who will not be recognized, despite the fact that they often make up the majority of the cast in a musical. The Ojai Music Festival highlights an arts collective from the South Side of Chicago that launched 50 years ago by giving the west coast premiere of an opera about the collective titled "Afterward."

“Beatriz at Dinner” is set at a dinner party in a Southern California mansion. The filmmakers and long-time collaborators open up about how they sought to use the setting as a means to unpack "casual racism," and comparisons between John Lithgow's character and Donald Trump.

Movie trailers are both art and advertising. A co-founder of the annual Golden Trailer Awards breaks down what goes into the making of a trailer and why they honor the best and the worst each year. And filmmaker Trey Edward Shults says that dealing with his father's death and his own fear of dying informed his new thriller "It Comes At Night."

Bill Maher’s use of a racial epithet on his HBO show has led to calls for Maher's firing and ignited debate over who can say the N-word. We get reaction from NPR's Karen Grigsby Bates and "Dear White People" filmmaker Justin Simien; Brett Haley's new movie, “The Hero," looks at our admiration of cinematic heroes through the life of an aging actor whose public persona is defined by a role he played on screen.

Artist Jeff Koons has his detractors, but he is an undeniable force in contemporary art; blues veterans Taj Mahal and Keb' Mo' have finally made an album together; George Pérez is the DC Comics writer and artist who revived "Wonder Woman" in the 1980s.

Between the White House Correspondents Dinner, his "Daily Show" gig and Netflix special, comedian Hasan Minjaj is having a good year; a playwriting workshop tries to help veterans re-connect with civilian life; Spotify settles a class action lawsuit that was filed by songwriters claiming they weren’t being properly compensated.

Sheila Nevins talks about how she navigated the workforce early in her career as assumptions about women were changing in America; Now that the DGA and WGA contracts are signed, it’s time for SAG-AFTRA to step to the negotiating table; Mexican-American singer Lila Downs has a new album that takes the romantic ballad genre known as bolero and pairs it with topical lyrics.

After a performance in blackface at an inaugural gala for President Ronald Reagan in 1981, Ben Vereen's career suffered. Artist Edgar Arceneaux has written an experimental play that explores the Broadway legend's intent; Vulture.com's Kyle Buchanan gives a recap on the most striking moments of this year's Cannes Film Festival.

Reed Morano talks about being executive producer and director for the first three episodes of "The Handmaid's Tale"; Zoe Lister-Jones' directed "Band Aid" with marriage and music in mind.

Liz Feldman talks about her series that stars Christina Applegate and Linda Cardellini and walks a fine line between comedy and tragedy.

The novelist and comic book creator co-wrote the novel with Terry Pratchett, but they couldn't get a production going before Pratchett's death in 2015. The current Amazon series fulfills their dream.

The actress stars as a harsh talk show host in the new movie written by Mindy Kaling.

Craig Mazin talks about his HBO miniseries that challenges our knowledge of the 1986 nuclear meltdown in Russia; record labels are in for a windfall, but how much will artists see?; "Godzilla" lives to romp and stomp again.

Her book is the basis for the Hulu series that stars Aidy Bryant as a young woman who defies being defined by her weight; a stringent abortion law in Louisiana could threaten TV and film production there; veteran pop music critic recounts Elton John's 1970 U.S. debut.

Randall Park and Ali Wong had been talking about making a romantic comedy for years and it's finally come to pass; with William Morris/Endeavor going public, the talent agency's finances are under scrutiny.

The former Texas Congressman's run for the U.S. Senate is documented in an HBO documentary that provides insight into his current presidential campaign; a recap of the Cannes Film Festival; "Echo in the Canyon" owes a lot to "California Dreamin'."

John Horn and Los Angeles Times film writer Jen Yamato are your guides to the Summer movie season. Guests include Kumail Nanjiani ("Stuber"), Olivia Wilde (director of "Booksmart") and Emma Thompson ("Late Night"). With the Elton John biopic coming up ("Rocketman"), we'll hear from the pop music critic who covered Elton's 1970 U.S. debut in L.A. And John reports from the trade floor at CinemaCon where vendors pitch the food and drinks they're trying to get into concession stands.

Why Icelandic artist Ragnar Kjartansson made a 12-hour version of the final aria of Mozart's beloved "The Marriage of Figaro"; Harvey Weinstein and his former studio's board members reach a tentative $44 million settlement with the women who've accused him of sexual misconduct; and art writer Jori Finkel on what inspires artists.

The most lucrative season for studios and cineplexes is usually filled with action films and sequels, but scary movies are making big inroads; a new study indicates that LGTBQ representation in movies improved in 2018; the guitar duo Rodrigo y Gabriela in their element.

The actress went behind the camera for the teen girl comedy, which marks her directing debut; an Amazon TV series and a movie starring Kristen Wiig have canceled plans to shoot in Georgia because of the state's new abortion law; singer, songwriter and guitarist Steve Gunn.

The TV series co-creators, Sarah Schneider and Chris Kelly, talk about their offbeat family comedy; can the video app TikTok take over music streaming?; recreating 1969 in "Once Upon a Time in Hollywood."