The Frame

Actress and "Daily Show" veteran Jessica Williams is now starring in "The Incredible Jessica James," her first feature film; the California Film Commission announced tax incentives for eight movies, including titles with budgets over $75 million; and Hollywood Reporter film writer Borys Kit talks about the winners and losers at Comic-Con.

Thomas Wilkins wears many musical hats, including being the principal conductor for the Hollywood Bowl Orchestra; Trent Reznor and Atticus Ross have collaborated on film scores and Nine Inch Nails albums, and now they're bandmates; Jeffrey Katzenberg is seeking backers for his idea to create high-quality content for mobile devices.

Edie Falco has gone from “The Sopranos” to “Nurse Jackie,” and now her latest is the indie film, “Landline”; “Hansel & Gretel” at New York's Park Avenue Armory is an installation by the Chinese artist Ai Weiwei and architects Jacques Herzog and Pierre de Meuron that explores the meaning of public space in our surveillance-laden world.

The filmmakers behind "Chasing Coral" hope to show the world how dire things are under the sea; the annual pop culture nerd-fest known as Comic-Con prepares to welcome huge crowds to the San Diego Convention Center.

The virtuoso bass player Stephen Bruner, aka Thundercat, is a key part of a jazz and R&B renaissance in L.A.; there's more to "Baby Driver" than the hip soundtrack; Netflix is growing fast, but can it make the economics work in the long run?

We look at the legacy of horror movie director George Romero and the work he left behind; veteran stunt coordinator Conrad Palmisano talks about how safety has improved on TV and film sets; real-life married couple Francesa Delbanco and Nick Stoller collaborated on the new Netflix series, "Friends from College.”

Filmmaker Marti Noxon drew on her own experience with eating disorders for her movie, “To the Bone”; Universal Music has exited its $31 million deal to acquire the distribution rights to much of Prince’s music; With “Game of Thrones” returning, one of the show’s sound designers talks about how she creates those dragon sounds. (Hint: think giant tortoises having sex. Really.)

What do the nominations tell us about today's television landscape? And how does our social-political climate affect what's been nominated?; "The Cake" is a new play about a conservative Christian baker who's deeply conflicted when she gets asked to make a cake for a lesbian wedding.

The Broadway production of “1984" is a chilling adaptation of George Orwell’s dystopian novel whose graphic torture scenes are eliciting intense reactions from audience members; After “Lady Macbeth” opens this weekend, young actress Florence Pugh will likely surface on Hollywood's radar.

Filmmaker Matthew Heineman's timely new documentary, “City of Ghosts,” follows a group of Syrian citizen journalists who have been reporting on the battle for the city of Raqqa; The New York Musical Festival is underway is an annual showcase of works-in-progress whose creators have Broadway dreams.

The Academy of Motion Picture Arts and Sciences makes changes to its board in an effort to diversify. We talk with two members of the Academy about what's to come. Then composer Laura Karpman talks about her Grammy-winning composition "Ask Your Mama" and how she's working to get more women into the scoring stage.

Producer Janet Yang (The Joy Luck Club, The People v. Larry Flynt) was among the Asian American professionals in Hollywood who sent a letter to the Academy of Motion Pictures Arts and Sciences protesting offensive jokes told at the Oscars. Touring LACMA'S Mapplethorpe exhibit and finding unexpected art. We meet a young African American filmmaker undeterred by Hollywood's diversity problem.

Robert Mapplethorpe gets a massive retrospective at two L.A. museums courtesy of the Mapplethorpe Foundation. Can a set top box that streams first run films the day they're in theaters disrupt the movie business as we know it? Closing the gender gap one women artist at a time.

The massive Hauser Wirth & Schimmel gallery is the newest addition to L.A.'s bustling downtown arts district; singer and bass player Esperanza Spalding adds some theatrical touches to her live show; the South by Southwest film festival kicks off today in Austin.

Actress Ellen Page and Ian Daniel are co-hosts of a new Viceland channel show that documents LGBTQ communities around the world; a Marine's experience in Iraq is dramatized by the adventurous Long Beach Opera.

Actress Sarah Paulson is getting rave reviews for her performance as prosecutor Marcia Clark in "The People v. O.J. Simpson"; the music collective known as Dublab partnered with Metro to create an ambient music experience at L.A.'s Union Station.

Writer-producer Terence Winter creates an HBO drama out of the 1970's music business in "Vinyl"; SNL alumnus Seth Meyers injects politics into his "Late Night" humor; Swedish-Argentine musician José González redefines "global music."

Nahnatchka Khan's experience as a daughter of immigrants helped shape the outsider perspective of "Fresh Off the Boat"; the box office success of "Zootopia" is due to Disney's embrace of Pixar's ethic; KT Tunstall deconstructs the song that launched her career, "Suddenly I See."

David Litt was President Obama's funniest speechwriter and now he's mining Washington for Funny or Die; Robert Carlock talks about adapting "Whiskey Tango Foxtrot" for his longtime writing partner, Tina Fey; Kendrick Lamar drops a surprise album.

Series creator Beau Willimon tees up the fourth season of "House of Cards" on Netflix; the trailer for the remake of "Ghostbusters" depicts a very different New York City; Pulitzer Prize-winning composer Julia Wolfe readies the West Coast premiere of her oratorio.

Over the past 25 years, Jon Brion has quietly become a go-to producer and composer for musicians and filmmakers; L.A. County tightens the rules for raves on public property; the Colburn School teaches its students how to audition for orchestra jobs.

Roger Guenveur Smith on directing "The Mountaintop," a play set in a Memphis motel on the eve of Martin Luther King Jr.'s assassination; criticism mounts over Chris Rock's treatment of diversity and Asian-Americans; high school students perform August Wilson monologues.