The Frame

"Twilight" actor Robert Pattinson hopes to shake-off his heartthrob rep with the new movie "Good Time"; filmmaker Alejandro Iñárritu uses virtual reality to replicate a border crossing through the desert; "Whose Streets?" documents how the shooting death of Michael Brown inspired grassroots activism in Ferguson, Missouri.

The band Spoon formed in Austin, TX 25 years ago. Lead singer Britt Daniel talks about the band’s new album, “Hot Thoughts," and the many changes in the music industry; YouTube has created a new breed of reviewer: TV and movie superfans; We all gravitate toward different kinds of music, but there is one album we found with sounds that are literally out of this world.

The filmmakers of 'Brigsby Bear' discuss their off-beat comedy and their rise from youtube stars, to SNL, to feature film. The Television Critics Association summer press tour (aka TCA's) continues this week where the subject of who is included in the TV universe – on and off screen– was debated and discussed. And the fallout continues from the cyber attack on HBO which could be larger that the one that hit Sony in 2014.

In the new documentary "Step", filmmaker Amanda Lipitz shows the power of sisterhood, school and stepping in a Baltimore girls inner city school. She and the subjects of her movie tell The Frame what they hope people take away from their story. The French band Phoenix breaks down a song off their new album.

Filmmaker Bryan Fogel set out to make a documentary about performance enhancing drugs and cycling. But once a prominent Russian doping expert got involved, things got really weird; HBO is the latest Hollywood victim of a cyber crime.

The actor and Pulitzer Prize-winning playwright is remembered by longtime collaborators, Ed Harris and Peter Coyote; USC researchers watched 900 movies and found women are often sidelined, sexualized or outright invisible; La Cuneta puts its small country on the musical map.

Filmmaker Joshua Weinstein used non-professional actors for his film set inside an insular Jewish community; TV journalists gather to get the lowdown on shows premiering in the coming months; a new opera digs into the life story of the Apple icon.

The former vice president is back with the timely “An Inconvenient Sequel: Truth to Power"; American Ballet Theater dancer Tiler Peck has curated a showcase called BalletNow; June Foray voiced Rocky the Flying Squirrel and the Russian spy Natasha on the Bullwinkle cartoons.

Mary-Louise Parker and Denis Arndt on the spare staging of "Heisenberg" at the Mark Taper Forum; inside a rehearsal with Nancy Keystone – a theater artist from L.A. whose new production will open the REDCAT's New Original Works Festival; Hollywood Reporter film writer Tatiana Siegel discusses the rocky relationship between Hollywood studios and outside financiers.

“Atomic Blonde" director David Leitch is a former stunt man and coordinator, but this is his first solo directing effort; Musician Flying Lotus called on British animator David Firth to help him make his debut film, "Kuso"; Film composer Michael Giacchino has written scores for every reboot and remake from his childhood, including “Star Trek,” “Star Wars” and “Mission Impossible."

Between "Portlandia," "Documentary Now" and "Seth Meyers: Late Night," Fred Armisen may be the hardest working man in show business; since its release in May, Ezra Edelman's "O.J.: Made in America" continues to resonate as a chronicle of the relationship between African-Americans and law enforcement.

Google announced a slew of new products today, including the Pixel phone, Chromecast Ultra and the Daydream VR headset; Willie Bobo was a Latin music legend from the '60s-'80s. His son, Eric, has assembled an album of his father's previously unreleased music; for 40 years, filmmaker Terrence Malick has been working on a documentary about the origins of the universe. We talk to the producers who shepherded the project into existence.

We debate the issues surrounding the film, "The Birth of a Nation," and its writer-director-star, Nate Parker; remembering two L.A. cultural icons: Gordon Davidson of the Center Theatre Group and conductor Sir Neville Marriner, the first music director of the Los Angeles Chamber Orchestra.

The creators of “For the Record” build cabaret-like stage shows around classic pop songs used by top filmmakers; "Saturday Night Live" returns in the heat of the presidential campaign; L.A. singer-songwriter Devendra Banhart uses the city as inspiration on his latest album.

Bell says the title of his new comedy album refers to his being called on as a news show commentator only after more prominent people are unavailable; Kirsten Johnson is an award-winning documentary cinematographer who has woven footage from her 25-year career into a documentary memoir called “Cameraperson."

Filmmaker Andrea Arnold cast “American Honey” with amateur actors, including Sasha Lane, who was discovered on a beach in Florida; the Wanda Group's purchase of American movie theaters and production companies has some members of Congress worried; there's an effort to make vinyl copies of a recording of life on earth that was sent into outer space.

The success of "Between Two Ferns" with Hillary Clinton explains why Funny or Die opened a bureau in the nation's capitol; a new state bill aims to prevent websites like IMDb from publishing the age of actors and actresses; Grammy nominee Austin Wintory composed the music for the new video game, "Abzu."

Director Mira Nair's new movie, "Queen of Katwe," tells an inspirational story that's set in Uganda, showing a side of Africa not often seen in big studio movies; TV producers are high on reboots and remakes, with no sign of slowing; photographer Phil Toledano's bizarre attempt to deal with his death anxiety is documented in the film, "The Many Sad Fates of Mr. Toledano"

Rankine, whose poetry has examined everyday racism in America, and Wolfe, whose music addresses issues of the American worker, were both named MacArthur Foundation fellows; as the Fall TV season launches, we visit with producer Betsy Beers at Shondaland, one of the most successful companies in the industry.

Diavolo Dance Theatre is reinventing modern dance by combing architecture and wildly physical choreography; media critics have been piling on NBC for going soft on the GOP nominee, and now late night host Samantha Bee has joined the fray; Richard Nelson keeps his election-themed plays current by writing until the last minute.

The new documentary, “The Lovers and the Despot,” tells the true story of what happened in 1978 when Kim Jong-il ordered the kidnapping of a filmmaking couple from South Korea to jumpstart North Korea's movie industry; William Bell has revived the classic Stax sound; a new report shows that the music business is actually making money in the streaming age.

Playwright and performer Lucy Alibar draws on her Southern childhood for “Throw Me on the Burnpile and Light Me Up"; Aziz Ansari and Alan Yang, who won a writing Emmy for "Master of None," talk about their approach to diversity; the Toronto International Film Festival kicked off a lot of Academy Award talk.