The Frame

Franco directs and stars (with his brother, Dave) in a film about the making of "The Room" — considered one of the worst movies ever made; Amy Adrion directed a documentary that examines the long history of systemic discrimination against women filmmakers

The director's WWII film returns to theaters as awards season heats up in Hollywood; "The Today Show" co-host Matt Lauer was fired amid allegations of sexual misconduct; the group Women in Film is launching a help line to support victims of harassment.

Jay-Z led the pack with 8 nominations, including his first ever Album of the Year nod, in a year when rap and R&B dominate the major categories; Mary Harron talks about directing the TV adaptation of another Margaret Atwood book.

Lee Unkrich and Adrian Molina co-wrote and co-directed the latest hit from Pixar Animation; Kyle Buchanan of Vulture.com looks at the early contenders for the Academy Awards.

We revisit two of our favorite interviews of the year: Jordan Peele on his hit social thriller; and Liz Flahive and Carly Mensch, creators of the Netflix series about women's wrestling in the 1980s.

Anthony McCarten was inspired by Winston Churchill's oratorical skills for his "Darkest Hour" screenplay; Pixar chief John Lasseter is the latest Hollywood figure accused of sexual harassment; two companies led by women are interested in buying all or some of The Weinstein Co.

With Jeffrey Tambor bowing out of the Amazon series, what does that mean for the show's future?; Zoe Kazan, who comes from a show biz family, says she's been dealing with harassment since her teen years.

Fifty years after his L.A. debut, Plácido Domingo is still an operatic force; Jason Bateman and Laura Linney are a married couple who get caught up with the wrong crowd in the Netflix series, “Ozark”; transgender singer Our Lady J left a music career to join the writing staff on "Transparent."

The Irish actress talks about her role as a California teenager, and about the troublesome male behavior she’s seen in Hollywood; Claes Bang plays an art museum director in the offbeat and unpredictable film, "The Square."

Comedian Hari Kondabolu explores his love-hate relationship with “The Simpsons” in a documentary about the show's portrayal of the South Asian store keeper; with The Weinstein Co. out of the picture, Quentin Tarantino is a free agent with his next film; the L.A. band Quetzal explores its musical roots in Veracruz.

The Academy of Motion Picture Arts and Sciences makes changes to its board in an effort to diversify. We talk with two members of the Academy about what's to come. Then composer Laura Karpman talks about her Grammy-winning composition "Ask Your Mama" and how she's working to get more women into the scoring stage.

Producer Janet Yang (The Joy Luck Club, The People v. Larry Flynt) was among the Asian American professionals in Hollywood who sent a letter to the Academy of Motion Pictures Arts and Sciences protesting offensive jokes told at the Oscars. Touring LACMA'S Mapplethorpe exhibit and finding unexpected art. We meet a young African American filmmaker undeterred by Hollywood's diversity problem.

Robert Mapplethorpe gets a massive retrospective at two L.A. museums courtesy of the Mapplethorpe Foundation. Can a set top box that streams first run films the day they're in theaters disrupt the movie business as we know it? Closing the gender gap one women artist at a time.

The massive Hauser Wirth & Schimmel gallery is the newest addition to L.A.'s bustling downtown arts district; singer and bass player Esperanza Spalding adds some theatrical touches to her live show; the South by Southwest film festival kicks off today in Austin.

Actress Ellen Page and Ian Daniel are co-hosts of a new Viceland channel show that documents LGBTQ communities around the world; a Marine's experience in Iraq is dramatized by the adventurous Long Beach Opera.

Actress Sarah Paulson is getting rave reviews for her performance as prosecutor Marcia Clark in "The People v. O.J. Simpson"; the music collective known as Dublab partnered with Metro to create an ambient music experience at L.A.'s Union Station.

Writer-producer Terence Winter creates an HBO drama out of the 1970's music business in "Vinyl"; SNL alumnus Seth Meyers injects politics into his "Late Night" humor; Swedish-Argentine musician José González redefines "global music."

Nahnatchka Khan's experience as a daughter of immigrants helped shape the outsider perspective of "Fresh Off the Boat"; the box office success of "Zootopia" is due to Disney's embrace of Pixar's ethic; KT Tunstall deconstructs the song that launched her career, "Suddenly I See."

David Litt was President Obama's funniest speechwriter and now he's mining Washington for Funny or Die; Robert Carlock talks about adapting "Whiskey Tango Foxtrot" for his longtime writing partner, Tina Fey; Kendrick Lamar drops a surprise album.

Series creator Beau Willimon tees up the fourth season of "House of Cards" on Netflix; the trailer for the remake of "Ghostbusters" depicts a very different New York City; Pulitzer Prize-winning composer Julia Wolfe readies the West Coast premiere of her oratorio.

Over the past 25 years, Jon Brion has quietly become a go-to producer and composer for musicians and filmmakers; L.A. County tightens the rules for raves on public property; the Colburn School teaches its students how to audition for orchestra jobs.

Roger Guenveur Smith on directing "The Mountaintop," a play set in a Memphis motel on the eve of Martin Luther King Jr.'s assassination; criticism mounts over Chris Rock's treatment of diversity and Asian-Americans; high school students perform August Wilson monologues.