The Frame

Errol Morris' documentary miniseries examines the mysterious death of a government biochemist who was given LSD by the CIA; Kira Kelly is a Hollywood rarity: an African-American female cinematographer. She got an Emmy nomination for shooting Ava DuVernay's documentary, "13th," which led to her working on the filmmaker's drama series, "Queen Sugar."

The filmmaker says the roots of his latest movie, "The Shape of Water," go back to his childhood when he saw "Creature from the Black Lagoon."

From The Frame's vaults: actress and writer Zoe Kazan was speaking about rampant sexual harassment in Hollywood months before the Harvey Weinstein floodgates broke; singer and performer Lizzo on her wild year that started with a fateful appearance on Samantha Bee's show.

“The Post" screenwriters Elizabeth Hannah and Josh Singer talk about writing a movie with a woman— Washington Post publisher Katharine Graham — as the hero; Los Angeles Times pop music critic Mikael Wood shares some of his picks for the best music of 2017.

The film “Hostiles,” written and directed by Scott Cooper, both indulges in and overturns some of the familiar tropes of the Western genre; Rotten Tomatoes senior editor Grae Drake looks back on the year in film reviews and addresses some of the controversy surrounding the movie review aggregation site.

Writer/director Dee Rees on her film "Mudbound," about the harsh reality of life in the Jim Crow South, and its new resonance in 2017; Pasadena Playhouse brings the 1947 'Miracle on 34th Street' radio play to the stage; Facebook makes a play for YouTube's hold on music videos.

Questlove, drummer and leader of "The Tonight Show's" house band The Roots, talks about the emotional ballad he wrote for the movie "Detroit"; Actor/tax attorney Sandra Karas explains Actors' Equity Association's opposition to the tax overhaul that Congress passed today.

For his role in "The Florida Project" Willem Dafoe immersed himself into the world of the "hidden homeless;" A new website called Rotten Apples allows users to search TV shows and movies to see if anyone on the projects was accused of sexual misconduct; Italian filmmaker Marta Savina revisits a landmark rape case from 1965 in her short film “Viola, Franca."

Meet Hong Chau, the actress from Alexander Payne's movie "Downsizing," who's grabbing attention even before the film opens; how the radio drama version of "Star Wars" helped put NPR on the map; and three film critics (who happen to be under the age of 10) weigh in on "The Last Jedi."

DeLappe's play about high school girl soccer players was a Pulitzer Prize finalist for drama; what effect will the Net Neutrality vote have on content creators and distributors?; an old fashioned marquee gives a theater company a new identity.

The Academy of Motion Picture Arts and Sciences makes changes to its board in an effort to diversify. We talk with two members of the Academy about what's to come. Then composer Laura Karpman talks about her Grammy-winning composition "Ask Your Mama" and how she's working to get more women into the scoring stage.

Producer Janet Yang (The Joy Luck Club, The People v. Larry Flynt) was among the Asian American professionals in Hollywood who sent a letter to the Academy of Motion Pictures Arts and Sciences protesting offensive jokes told at the Oscars. Touring LACMA'S Mapplethorpe exhibit and finding unexpected art. We meet a young African American filmmaker undeterred by Hollywood's diversity problem.

Robert Mapplethorpe gets a massive retrospective at two L.A. museums courtesy of the Mapplethorpe Foundation. Can a set top box that streams first run films the day they're in theaters disrupt the movie business as we know it? Closing the gender gap one women artist at a time.

The massive Hauser Wirth & Schimmel gallery is the newest addition to L.A.'s bustling downtown arts district; singer and bass player Esperanza Spalding adds some theatrical touches to her live show; the South by Southwest film festival kicks off today in Austin.

Actress Ellen Page and Ian Daniel are co-hosts of a new Viceland channel show that documents LGBTQ communities around the world; a Marine's experience in Iraq is dramatized by the adventurous Long Beach Opera.

Actress Sarah Paulson is getting rave reviews for her performance as prosecutor Marcia Clark in "The People v. O.J. Simpson"; the music collective known as Dublab partnered with Metro to create an ambient music experience at L.A.'s Union Station.

Writer-producer Terence Winter creates an HBO drama out of the 1970's music business in "Vinyl"; SNL alumnus Seth Meyers injects politics into his "Late Night" humor; Swedish-Argentine musician José González redefines "global music."

Nahnatchka Khan's experience as a daughter of immigrants helped shape the outsider perspective of "Fresh Off the Boat"; the box office success of "Zootopia" is due to Disney's embrace of Pixar's ethic; KT Tunstall deconstructs the song that launched her career, "Suddenly I See."

David Litt was President Obama's funniest speechwriter and now he's mining Washington for Funny or Die; Robert Carlock talks about adapting "Whiskey Tango Foxtrot" for his longtime writing partner, Tina Fey; Kendrick Lamar drops a surprise album.

Series creator Beau Willimon tees up the fourth season of "House of Cards" on Netflix; the trailer for the remake of "Ghostbusters" depicts a very different New York City; Pulitzer Prize-winning composer Julia Wolfe readies the West Coast premiere of her oratorio.

Over the past 25 years, Jon Brion has quietly become a go-to producer and composer for musicians and filmmakers; L.A. County tightens the rules for raves on public property; the Colburn School teaches its students how to audition for orchestra jobs.

Roger Guenveur Smith on directing "The Mountaintop," a play set in a Memphis motel on the eve of Martin Luther King Jr.'s assassination; criticism mounts over Chris Rock's treatment of diversity and Asian-Americans; high school students perform August Wilson monologues.