The Frame

With the State of the Union upon us, Bill Pullman recalls his roles as Commander-in-Chief; trans actress Daniela Vega plays a groundbreaking trans role; Rachel Morrison is the first woman nominated for an Academy Award in cinematography.

The Grammys are slammed for under-representing women; a New York Times essay argues that the Time's Up movement is subverted by award shows; Aimee Mann won the Best Folk Album Grammy — one of the few women to take home a trophy.

How did Pati Jinich, the granddaughter of Eastern European immigrants, end up hosting a popular Mexican food show?; the NAMM show is a dizzying array of instruments and gadgets; The Secret Sisters are nominated for best folk album at the Grammys.

The Irish actor traverses big budget movies like "Star Wars" and indie films like “A Futile and Stupid Gesture”; a new USC study shows how women are underrepresented in pop music; Benj Pasek and Justin Paul are nominated for the Broadway musical, “Dear Evan Hansen.”

Best jazz album nominee Billy Childs talks about how L.A. inspired his hybrid style; as the music industry gathers for the Grammys, what are its challenges?; two filmmakers step out from the shadow of the legendary Hayao Miyazaki.

Kyle Buchanan of Vulture.com and film critic Amy Nicholson maintain that younger and more diverse nominees are a result of the academy broadening its membership; "Baby Driver" director is a Grammy nominee for the film's pop-heavy soundtrack.

John Horn chats with Daveed Diggs and Rafael Casal about their ode to Oakland; the SAG Awards put the spotlight on women and the road ahead to gender equality on Hollywood; PJ Morton is nominated for best R&B album (“Gumbo”) and best R&B song (“First Began”).

A report from John Horn at Sundance, where the festival offerings include a film about a certain Supreme Court justice; Pacific Standard Time LA/LA includes a performance festival with Latino/a artists from the U.S., Mexico and South America.

"Small Mouth Sounds" was inspired by the playwright's experience at a three-day silent retreat; the bro-centric Spike TV channel is re-branded as The Paramount Network; composer Gabriel Kahane took a cross-country train trip and the result was a song cycle about Trump-era America.

Matt Ingebretson and Jake Weisman's "Corporate" is a workplace comedy that heads into some very bleak territory; Rachel Morrison was behind the camera for "Mudbound" and "Black Panther"; Harvey and Bob Weinstein are reportedly pushing for their former studio, Miramax, to buy The Weinstein Co.

The writer and stand-up comedian has a new book and a newfound passion for performing; TV networks preview their coming shows, including the next season of "Fargo," starring Chris Rock and Jason Schwartzman; the exhibit "Natural History of Horror" looks at how real events inspired some favorite scary movies.

There aren't many women working as second unit directors on movies, much less African-Americans, but Victoria Mahoney has broken through; Jeffrey Katzenberg and Meg Whitman make their sales pitch for Quibi.

Zahra Noorbakhsh, an Iranian-American comedian who regularly incorporates her identity into her act, now has some new material; actor Yahya Abdul-Mateen II played Doctor Manhattan on "Watchmen" and this year, he’ll star in two high profile movies; the man behind The Daptone Sound.

The pianist has taken full advantage of his role as bandleader for "The Late Show with Stephen Colbert"; breaking down the Directors Guild Award nominations.

Stars and executive producers Kate Moenning and Leisha Hailey talk about the reboot of the Showtime series; Harvey Weinstein's trial gets underway in New York City; the influential L.A.-based artist John Baldessari has died.

"Watchmen" star Yahya Abdul-Mateen II is in high profile movies this year from Jordan Peele and Aaron Sorkin; John Horn reviews the evolution in film, television, pop music and theater over the last decade; we meet the band Mariachi Arcoiris de Los Angeles.

The highlights and lowlights from the 2010s in movies with Manohla Dargis (New York Times) and culture critic Tre'vell Anderson, and pop music with Nate Sloan and Charlie Harding of the podcast, “Switched on Pop.”

The highlights and lowlights from the 2010s in TV with Lorraine Ali (Los Angeles Times) and Daniel Fienberg (The Hollywood Reporter), and theater with Jesse Green (New York Times).

In his memoir, "Acid For The Children," the bass player from the Red Hot Chili Peppers (born Michael Peter Balzary) details his wild days as a child and teen before forming the band in Los Angeles.

The singer/songwriter's memoir reflects on death, sex, motherhood and misogyny.

Yes, a lot of media outlets are currently re-capping the past decade —and we've been here for half of it! Join us for many of our favorite moments.

The veteran actor has lately been starring in some dark roles ("Get Out," The Handmaid's Tale"), but he has switched things up with the sitcom, "Perfect Harmony."