The Frame

As the second season of HBO's "Westworld" approaches, we revisit our interview with actress Thandie Newton; according to the Hollywood Reporter, there's a battle going on to control the 95-year-old Lee's estate; the N.Y.-based Bedlam company performs "Hamlet" and "Saint Joan" in repertory.

“Stealing The Show: How Women are Revolutionizing Television" is a new book from journalist Joy Press that tracks 30 years in the TV business and the women who've transformed it; Facebook is in hot water over data sharing but among their new critics are viral video creators who once made money off the site.

Writer-director Lynn Shelton's latest film is a drama that stars Jay Duplass and Edie Falco; filmmaker Haifaa al-Mansour talks about the cultural changes coming to her Saudi homeland; a non-profit offers financial planning workshops for women artists.

What can we learn about Hollywood from the way female characters are described in movie screenplays? Vulture.com analyzed 50 iconic female roles to find out; in her directing debut, Kay Cannon puts a fresh spin on the teen sex comedy genre.

Production designer Paul Harrod helped oversee the design and building of Wes Anderson's fantasy version of Japan; domestic receipts were down in 2017, but foreign box office continued to grow for Hollywood movies; the L.A. version of Switzerland's Locarno Festival readies its second local event.

“First Match” is a new coming-of-age movie about a girl who tries out for her high school's boys wrestling team; the U.S. Dept. of Justice is reportedly examining Live Nation's business practices; Pinar Toprak is the rare female composer who works in the superhero genre.

"Jessica Jones" creator Melissa Rosenberg talks about her career and the show’s second season; prolific TV producer Steven Bochco died Sunday at the age of 74. Among his many hits were “Hill Street Blues,” “L.A. Law" and NYPD Blue; Song Exploder takes apart the theme song for "The Daily" podcast.

The actress and stand-up comedian draws on her experience with anxiety and depression to make audiences laugh.

The screenwriter adapted Ernest Cline's popular novel and was able to attract a filmmaker who goes by the name of Steven Spielberg.

David Collins is creator of the original "Queer Eye for the Straight Guy" and executive producer of the Netflix reboot, "Queer Eye." The new incarnation is set in the South and addresses more serious topics; Sara Holdren, theater critic at New York Magazine, reviews the revival of “Angels in America” and Disney’s new “Frozen” musical.

From Stephen Colbert's late-night foray to Kim Jeong's new sitcom, we recap the news from the Television Critics Association press tour; Thundercat breaks down his song "Them Changes" in the latest Song Exploder podcast; Cheating death and finding love while making the documentary 'Meru'. The Log Lady is ready for the new "Twin Peaks."

F. Gary Gray dealt with drama both on and off set to get his vision right for "Straight Outta Compton"; comedian Jen Kirkman takes us backstage at Outside Lands Fest; it's got an Emmy nomination but what the hell is Acorn TV?

The new Broad Museum is getting ready for its close-up. We get a sneak peek at the work it takes to curate and install hundreds of piece of art; The spectacular demise of “Fantastic Four” offers a case study in what can go wrong when a studio rushes a film into production and clashes with its director; John Ridley and actor Richard Cabral on how life imitated art in the ABC series "American Crime."

The hip-hop producer hasn't released an album in 16 years, but he's back with a collection inspired by the movie, "Straight Outta Compton"; Roberto and Kim Benabib combine comedy with global conflict in HBO's “The Brink”; MuseIque makes orchestral music more accessible with eclectic programs.

Kacee Clanton is one of two performers who play rock icon Janis Joplin in a classic jukebox musical; Vice's content tends to skew male, so it's targeting women with a new online channel; Will Geer started producing theater in Topanga Canyon more than 60 years ago, and his family is keeping up the tradition.

Before he landed on "The Daily Show," Jon Stewart was the host of several short-lived shows; a lifelong fascination with Kahlil Gibran's "The Prophet" led to Salma Hayek turning the book into an animated film; composer Reinhold Heil provides the tense score for the Sundance Channel's "Deutschland 83"

British actress Bel Powley is decidedly American in "The Diary of a Teenage Girl"; the Eagle Rock Gospel Choir is not a church-based group, but they've got the spirit; LA's theater community mourns the passing of playwright Lynn Manning.

The musician (Meryl Streep) at the heart of screenwriter Diablo Cody's "Ricki and the Flash" represents the common female struggle to balance family and work; an electronic dance festival in L.A. County is marred by two suspected drug-related deaths; Jon Stewart has inspired a group of Iraqi comedians to create a "Daily Show"-like web series.

Bob Thiele leads The Forest Rangers, a band that was spawned by the "Sons of Anarchy" TV series; comedian Andy Kindler takes no prisoners when he gives his annual State of the Industry speech; a filmmaker is challenging the copyright claim to "Happy Birthday to You," which keeps the song out of many TV shows and movies.

When Marlon Brando died, he left hundreds of hours of himself on tape, which were culled for the documentary, "Listen to Me Marlon"; a 1965 gospel concert at L.A.'s Shrine Auditorium was special not only for its stars, but also because it was recorded — a rarity for its day; NBC Universal will reportedly invest $250 million in BuzzFeed's growing digital empire.

Five finalists were chosen to develop pilot scripts for a TV series that calls for a female engineer protagonist; Summer can be a great time to watch TV, if you know where to look; the singer Little Boots was once signed to Atlantic Records, but she decided having her own label is a better fit.

A comedy writer has sued Conan O'Brien, claiming his show stole jokes that were first posted on Twitter; on "Song Exploder," Ben Gibbard of Death Cab for Cutie dissects "El Dorado"; director James Ponsoldt was initially skeptical that a book about being on tour with writer David Foster Wallace could be a movie.