The Frame

Andrew Form and Bradley Fuller, producers of the hit horror movie, "A Quiet Place," talk about the film's surprising box office success; movie studios at CinemaCon tout sequels, more sequels, and a Tarantino movie; meet poet and singer-songwriter Jamila Woods.

Married comedians Natasha Leggero and Moshe Kasher turned their honeymoon into a comedy tour a three-part series for Netflix; Harry Potter mania arrives on Broadway with the opening of the two-part play, “Harry Potter and the Cursed Child.”

Former "Daily Show" correspondent Wyatt Cenac has a new, weekly HBO show that examines pressing social issues; movie theater owners are trying to fight the popularity of streaming services; Hasan Minhaj's "Homecoming King" wins a Peabody Award.

Prince died two years ago without leaving behind a will and now his estate is in disarray. Washington Post reporter Karen Heller fills us in on where things stand with Prince’s estate; In the podcast “Dear Franklin Jones,” producer Jonathan Hirsch revisits his childhood and how it was dominated by his parents’ guru; A play by Tim Robbins' Actors’ Gang forces audience members to ask themselves if America is still a welcome place for immigrants.

With Earth Day approaching, "FernGully" director Bill Kroyer and KPCC environment reporter Emily Guerin talk about the 1992 film's impact; Barry Avrich made a second documentary about Harvey Weinstein after a struggle with the mogul thwarted his first.

How director Joshua Marston and screenwriter Marcus Hinchey made "Come Sunday"– a movie about a Pentecostal bishop's spiritual epiphany first documented by This American Life; could MoviePass be the next film industry disruptor?; Moses Sumney dissects his song, "Quarrel."

Queen Bey's performance at Coachella set a new standard; The HBO documentary "I Am Evidence" examines the backlog of untested rape kits around the country; Kendrick Lamar is the first winner of the Pulitzer Prize for music who is not a classical or jazz artist.

Zhao takes stories and events from her untrained actors’ real lives and writes them into a fictionalized script; Hari Kondabolu’s documentary, “The Problem with Apu,” gets a response from "The Simpsons"; “Will & Grace” and “Roseanne” are hits again, but how strong is the appetite for reunion shows?

"Still Dreaming" follows a group of retired actors who mount a Shakespeare play; Netflix pulls its movies from the Cannes Film Festival in a disagreement over screening policy; composer and producer Gustavo Santaolalla returns to the concert stage.

Al Madrigal, who got his break from Mitzi Shore at The Comedy Store, pays tribute to the late patron; actor Michael K. Williams digs into the juvenile justice system; Canadian singer & songwriter Lindi Ortega on her new album, "Liberty."

Ira Sachs' latest is a coming-of-age film with a gentrification angle set in Brooklyn; a dinner theater in Hollywood is combining Shakespeare with '80s pop music and a chef-driven menu; screenwriter Mark Boal is trying to avoid turning over all his taped interviews with Bowe Bergdahl.

Patricia Rozema, the writer-director of "Into the Forest," says it was hard to get a film with two female leads off the ground; Stephen Colbert could face a legal challenge over the use of his former "Colbert Report" persona; the Hollywood Bowl's production of "A Chorus Line" is directed by a member of the show's original cast.

Rock the Vote, the non-profit founded by music industry pros doing PSAs on MTV, is still rockin'. The organization has hired a former Bernie Sanders operative to do marketing and was present at both the GOP and Democratic conventions; Bonnie Raitt opens up about a life in music.

Filmmaker Paul Greengrass returns to make a new Jason Bourne movie, this time with cyber security on his mind; Now that Verizon is buying Yahoo!, what will become of the search engine's streaming TV shows?; A Sophocles play gets a modern update with veterans in the cast; Bill Clinton, binge watcher.

What happens when an aspiring filmmaker works as a nanny for wealthy L.A. mothers? Naturally, she comes up with a movie idea. Writer-director Sian Heder talks motherhood, movie-making and "Tallulah;" and a “Star Wars” movie set accident that could have killed Harrison Ford ends with a guilty plea.

The Congressman and civil rights icon was at Comic-Con to introduce the third part of his graphic novel memoir, "March"; there was plenty of news and previews at Comic-Con to keep the fanboys (and fangirls) happy.

The filmmaker leads a tour of the dwelling that houses his extensive collection of horror memorabilia and serves as his retreat; the Republican Convention had plenty of drama, but how much of it was scripted?

The annual pop culture extravaganza is underway in San Diego, with more than 100,000 fans expected to attend; CURRENT: LA chose 16 artists to make water-themed site-specific artwork around the city; "Lights Out" producer Lawrence Grey on why every big Hollywood director secretly wants to do a horror film.

Comedian Mike Birbiglia's new film is about improv, friendship and the struggles that go along with striving for your big break; "The Wolf of Wall Street" producer Red Granite Pictures is at the center of a federal complaint alleging that the film was financed with embezzled funds from Malaysia; We look into the history of pop song usage at political conventions.

R&B singer Irma Thomas never got the acclaim of Aretha Franklin or Etta James, but she is still the undisputed Soul Queen of New Orleans; actor LeVar Burton narrates the kids audio tour of The Broad museum because he's compelled to teach; after tragic shootings of police officers, the USA Network postpones its new series, "Shooter," to the fall.

Singer/songwriter Perla Batalla and playwright Oliver Mayer are collaborating on a new project about the iconic Mexican artist; California Light and Space artist Robert Irwin debuts a new work in West Texas; artists are going public with work at the Republican National Convention.

Betty Buckley offers a feminist take on Edie Bouvier in the musical "Grey Gardens," adapted from the Maysles brothers documentary of the same name; musician Rubén Guevera recounts a life in rock and roll; movie marketing in a time when real violence is all too prevalent.