The Frame

John Gerrard’s installation at LACMA is a digital simulation that recreates a Nevada solar thermal power plant and the surrounding desert landscape; how the gender imbalance among film critics can affect female-led movies; the Dodgers organist does more than just play “Take Me Out to the Ballgame.”

The two longtime friends use their boyhood home of Oakland as the setting for their tough-minded film about friendship in a changing city; "Skyscraper" writer/director Rawson Marshall Thurber on his summer blockbuster; "Black Panther" costumer Ruth Carter has tips for Comic-Con cos-players.

The chef and restaurant owner uses his experience as an immigrant to inform his PBS series, "No Passport Required"; former Obama speechwriter and current "Funny or Die" writer/producer David Litt weighs in on Sacha Baron Cohen's "Who Is America?"; the South L.A. band Inner Wave has been together for 10 years, and the members are still in their early 20s.

Gus Van Sant makes a movie about the quadriplegic cartoonist John Callahan's life in AA. And could Sacha Baron Cohen's new TV show land him in legal jeopardy? And the LA Phil brings kids to California for the 2nd annual Take A Stand Festival.

Musicians Bhi Bhiman, Gaby Moreno and Radney Foster – each in their own way – sing about the rights and suffering of immigrants. Also, we unpack the 2018 Emmy noms.

"Won't You Be My Neighbor" filmmaker Morgan Neville reveals why his documentary about Fred Rogers has become a hit movie this summer. And singer-songwriter Mary Gautier partners with veterans to make music and mend wounds.

At the Oregon Shakespeare Festival, the classic Rodgers & Hammerstein musical is re-imagined with same-sex lead couples; Warner Bros. wants to build a gondola from its lot to the Hollywood sign; this year's Smithsonian Folklife Festival featured Armenian-American musicians who are challenging traditional sounds.

On today's show: Comedian Bo Burnham has conflicted feelings about the Internet, so he addresses that angst through a young teen in his feature directing debut, "Eighth Grade"; Congress could soon pass long-overdue updates to music copyright laws that will benefit songwriters; the Filipino-American drama "Bitter Melon" screens at Outfest.

On today's show: Inside the restoration of The Beatles' animated classic from 1968; we revisit a 2013 interview with sci-fi author Harlan Ellison, who died on June 27; an initiative to increase the number of women of color in classical music.

On today's show: director Boots Riley and actress Tessa Thompson talk about one of the buzziest movies of the summer; former soccer player and current stuntman Bobby Holland Hanton talks about bad acting in the World Cup.

We revisit two of our favorite interviews of the year: Jordan Peele on his hit social thriller; and Liz Flahive and Carly Mensch, creators of the Netflix series about women's wrestling in the 1980s.

Anthony McCarten was inspired by Winston Churchill's oratorical skills for his "Darkest Hour" screenplay; Pixar chief John Lasseter is the latest Hollywood figure accused of sexual harassment; two companies led by women are interested in buying all or some of The Weinstein Co.

With Jeffrey Tambor bowing out of the Amazon series, what does that mean for the show's future?; Zoe Kazan, who comes from a show biz family, says she's been dealing with harassment since her teen years.

Fifty years after his L.A. debut, Plácido Domingo is still an operatic force; Jason Bateman and Laura Linney are a married couple who get caught up with the wrong crowd in the Netflix series, “Ozark”; transgender singer Our Lady J left a music career to join the writing staff on "Transparent."

The Irish actress talks about her role as a California teenager, and about the troublesome male behavior she’s seen in Hollywood; Claes Bang plays an art museum director in the offbeat and unpredictable film, "The Square."

Comedian Hari Kondabolu explores his love-hate relationship with “The Simpsons” in a documentary about the show's portrayal of the South Asian store keeper; with The Weinstein Co. out of the picture, Quentin Tarantino is a free agent with his next film; the L.A. band Quetzal explores its musical roots in Veracruz.

Elvis Costello wrote a new ballad for the movie, "Film Stars Don't Die in Liverpool," about the eccentric actress, Gloria Grahame; after leaving Saturday Night Live, Dana Carvey made a sketch show for ABC that was an epic bust. The tale is told in the documentary, "Too Funny to Fail."

Joe Berlinger's film examines how Hollywood has depicted the Armenian Genocide, and how it has been pressured to ignore that story; a new USC study shows teenage girls are more likely to be sexualized in feature films; the Greenway Court Theatre survives through a partnership with Fairfax High School.

If Mel Gibson can revive his career, could Kevin Spacey and Louis C.K.?; Yuval Sharon turns Orson Welles' radio play into a multi-site opera; it's awards season in Hollywood, but there are some familiar names you won't be hearing, e.g., Harvey Weinstein.

The New York Times confirms the long-standing rumors of sexual misconduct by the writer and comedian Louis C.K.; director Ridley Scott will re-shoot Kevin Spacey's scenes in an already finished film; in “What Haunts Us,” director Paige Tolmach explores why so many male former students at her prep school alma mater had died by suicide.

Music industry veteran Bill Bentley pairs his stories with crowdsourced photos in “Smithsonian Rock and Roll: Live and Unseen”; the Weinstein Company is seeking buyers, but may not avoid bankruptcy; Rockabye Baby turns songs by artists like David Bowie, Rihanna and Coldplay into kid-friendly lullabies.

Meet Hong Chau, the actress from Alexander Payne's movie "Downsizing," who will blow you away; LA Times pop music critic Mikael Wood says that some performers use their music as "guilt laundering" for sexual harassment and abuse; and what power do Hollywood's guilds and unions have to shut down sexual predation?