The Frame

John Gerrard’s installation at LACMA is a digital simulation that recreates a Nevada solar thermal power plant and the surrounding desert landscape; how the gender imbalance among film critics can affect female-led movies; the Dodgers organist does more than just play “Take Me Out to the Ballgame.”

The two longtime friends use their boyhood home of Oakland as the setting for their tough-minded film about friendship in a changing city; "Skyscraper" writer/director Rawson Marshall Thurber on his summer blockbuster; "Black Panther" costumer Ruth Carter has tips for Comic-Con cos-players.

The chef and restaurant owner uses his experience as an immigrant to inform his PBS series, "No Passport Required"; former Obama speechwriter and current "Funny or Die" writer/producer David Litt weighs in on Sacha Baron Cohen's "Who Is America?"; the South L.A. band Inner Wave has been together for 10 years, and the members are still in their early 20s.

Gus Van Sant makes a movie about the quadriplegic cartoonist John Callahan's life in AA. And could Sacha Baron Cohen's new TV show land him in legal jeopardy? And the LA Phil brings kids to California for the 2nd annual Take A Stand Festival.

Musicians Bhi Bhiman, Gaby Moreno and Radney Foster – each in their own way – sing about the rights and suffering of immigrants. Also, we unpack the 2018 Emmy noms.

"Won't You Be My Neighbor" filmmaker Morgan Neville reveals why his documentary about Fred Rogers has become a hit movie this summer. And singer-songwriter Mary Gautier partners with veterans to make music and mend wounds.

At the Oregon Shakespeare Festival, the classic Rodgers & Hammerstein musical is re-imagined with same-sex lead couples; Warner Bros. wants to build a gondola from its lot to the Hollywood sign; this year's Smithsonian Folklife Festival featured Armenian-American musicians who are challenging traditional sounds.

On today's show: Comedian Bo Burnham has conflicted feelings about the Internet, so he addresses that angst through a young teen in his feature directing debut, "Eighth Grade"; Congress could soon pass long-overdue updates to music copyright laws that will benefit songwriters; the Filipino-American drama "Bitter Melon" screens at Outfest.

On today's show: Inside the restoration of The Beatles' animated classic from 1968; we revisit a 2013 interview with sci-fi author Harlan Ellison, who died on June 27; an initiative to increase the number of women of color in classical music.

On today's show: director Boots Riley and actress Tessa Thompson talk about one of the buzziest movies of the summer; former soccer player and current stuntman Bobby Holland Hanton talks about bad acting in the World Cup.

Salim Akil, creator of the CW series, "Black Lightning," says black superheroes are needed more than ever; after Uma Thurman accused Tarantino of abusing her and putting her at risk on a movie set, will his next film proceed as planned?; hardcore movie fans now have a fantasy league of their own.

Justin Timberlake is back at the Super Bowl, but why isn't Janet Jackson?; Jennifer Fox's "The Tale" is the true story of the sexual abuse inflicted by her riding coach when she was a teen; women in the music industry are calling for Grammy president Neil Portnow to resign.

2017 was a breakout year for writer/actress Lena Waithe and she's already off to bigger things in the new year; the Producers Guild of America has developed a code of conduct for its members, who wield a lot of power in the industry.

The latest show from Cirque looks to Mexican history and culture for inspiration; the L.A. Phil marks Leonard Bernstein's centennial with his sprawling 'Mass'; the National Gallery of Art indefinitely postponed a show by Chuck Close because of allegations of inappropriate behavior against the artist.

With the State of the Union upon us, Bill Pullman recalls his roles as Commander-in-Chief; trans actress Daniela Vega plays a groundbreaking trans role; Rachel Morrison is the first woman nominated for an Academy Award in cinematography.

The Grammys are slammed for under-representing women; a New York Times essay argues that the Time's Up movement is subverted by award shows; Aimee Mann won the Best Folk Album Grammy — one of the few women to take home a trophy.

How did Pati Jinich, the granddaughter of Eastern European immigrants, end up hosting a popular Mexican food show?; the NAMM show is a dizzying array of instruments and gadgets; The Secret Sisters are nominated for best folk album at the Grammys.

The Irish actor traverses big budget movies like "Star Wars" and indie films like “A Futile and Stupid Gesture”; a new USC study shows how women are underrepresented in pop music; Benj Pasek and Justin Paul are nominated for the Broadway musical, “Dear Evan Hansen.”

Best jazz album nominee Billy Childs talks about how L.A. inspired his hybrid style; as the music industry gathers for the Grammys, what are its challenges?; two filmmakers step out from the shadow of the legendary Hayao Miyazaki.

Kyle Buchanan of Vulture.com and film critic Amy Nicholson maintain that younger and more diverse nominees are a result of the academy broadening its membership; "Baby Driver" director is a Grammy nominee for the film's pop-heavy soundtrack.

John Horn chats with Daveed Diggs and Rafael Casal about their ode to Oakland; the SAG Awards put the spotlight on women and the road ahead to gender equality on Hollywood; PJ Morton is nominated for best R&B album (“Gumbo”) and best R&B song (“First Began”).

A report from John Horn at Sundance, where the festival offerings include a film about a certain Supreme Court justice; Pacific Standard Time LA/LA includes a performance festival with Latino/a artists from the U.S., Mexico and South America.