The Frame

The actress makes her directing debut with a film about two young girls on a journey to avenge their mother's death; the National Hispanic Media Coalition is targeting movie studios over lack of Latino representation; teenaged jazz bassist Anna Abondolo is going places.

The company that revolutionized moviegoing is floundering as movie theater chains launch similar pass programs; first-time novelist Elizabeth Klehfoth sold her book to Hollywood before she even had a publisher; Taj Mahal and Keb' Mo' bring their blues collaboration to the Hollywood Bowl.

The director and co-writer of "The Spy Who Dumped Me" turns the action-comedy genre on its head; what's the fate of CBS chief Les Moonves?; Netflix and Amazon preview their coming attractions at the TV Critics Assn. press tour.

The Texas native shot her indie feature in her home state, with a script based on her own teenage years there; the Idyllwild Arts Academy appears to have escaped the fire that's ravaging the area; the use of "white voice" by black characters in current films is a comment on white privilege.

On her latest album, the French singer and actress pays tribute to her family legacy and also mourns her sister's death; Spotify is paying advances to some artists, but says it's not actually signing artists the way record labels do. But if it walks like a duck and quacks like a duck ...

The photographer has shot virtually every famous face for Rolling Stone, Vanity Fair and other magazines; the Venice and Toronto film festivals have released their schedules — let the award campaigning begin!; streaming services aren't as encyclopedic as you might think.

The veteran singer/guitarist's lifelong passion for the genre is evident on his new album, "Out of the Blues"; playwright Young Jean Lee's provocative "Straight White Men" opens on Broadway; composer Max Richter plans to put Grand Park campers to "Sleep."

"Guardians of the Galaxy" director James Gunn is the latest figure to come under fire in an industry that no longer tolerates an "anything goes" culture; the documentary, "Far From the Tree," examines what happens to a family when one child has a difference that sets them apart; Naia Izumi, winner of NPR's Tiny Desk Concert competition.

The annual pop culture extravaganza in San Diego is nirvana for movie, TV and comic book fans; the documentary "Game Girls" follow a lesbian couple trying to escape life on L.A.'s Skid Row; what have been the best depictions of Russian spies in movies and TV shows?

The British musician and composer Anna Meredith dips into movies with her score for "Eighth Grade"; voiceover actors are threatening a strike against streaming services that would affect all TV animation production; Liz Phair marks the 25th anniversary of "Exit to Guyville."

Gigi Saul Guerrero, who was born in Mexico, directed the episode that's part of the Hulu horror anthology series, “Into the Dark”; Variety's Todd Spangler on Netflix losing subscribers in the U.S.; composer Bobby Krlic (aka The Haxan Cloak) on writing the score for “Midsommar.”

Writer/director Riley Stearns and stunt coordinator Mindy Kelly talk about their film that's set in a sexist karate school; is Disney having buyer’s remorse over its purchase of Fox's film studio?; behind the appeal of the band Durand Jones & The Indications.

The acclaimed visual artist and musician walks through his retrospective with his wife and frequent collaborator, Jo Harvey Allen; breaking down the Emmy nominations; in the studio with singer-songwriter J.S. Ondara.

The singer is the subject of a warts-and-all documentary, "David Crosby: Remember My Name"; The Hollywood Reporter's Scott Johnson talks about his story on the so-called "Con Queen of Hollywood"; catching up with Linda Ronstadt.

Kumail Nanjiani's "Stuber" and writer/director Lulu Wang's "The Farewell" just opened in theaters, as did the documentary "Sea of Shadows," about drug cartels invading a fishing village in Baja California. Morgan Neville's four-part documentary about music producer Rick Rubin debuts on Showtime. And we also visit with the French piano duo Katia and Marielle Lebeque.

The director and actor talk about their new film, "Sword of Trust"; The Hollywood Reporter's Eriq Gardner on so-called "deep fakes" in Hollywood — ultra-realistic manipulation of digital imagery; a profile of the singer and pianist Rhye.

Academy Award-winning documentary filmmaker Morgan Neville examines the career of the idiosyncratic record producer; the dilemma faced by cultural instititutions when they have received donations from alleged sexual predators; Black artists make a statement in "Soul of a Nation."

The comedian and actor wanted to go in a different direction after "The Big Sick," so he signed on for an atypical buddy-cop comedy; the latest battle in the video streaming wars; "Sea of Shadows" chronicles a marine life disaster in the Gulf of Mexico.

The piano-playing sisters perform everything from the classics to contemporary works by the likes of Thom Yorke and Bryce Dessner; will Jeffrey Katzenberg's big idea for short content fly?; the long-running Tuesday Night Café in Little Tokyo.

The film is based on a true story from the writer/director's own family about refusing to tell their grandmother that she is gravely ill; an appreciation of Brazilian songwriter João Gilberto, who has died at the age of 88.

"Midsommar" filmmaker says it's a horror film about co-dependency and the showrunner of the new ABC comedy "Mixed-ish" wants to inspire nuanced conversations about race. Given the massive TV audience for the World Cup why hasn't Hollywood tapped soccer fever for a great movie? All that and more on The Frame Weekend.

The play "Good Boys," written by "Riverdale" creator Roberto Aguirre-Sacasa, is updated in light of the Kavanaugh hearings; LA's Rogue Machine Theatre company tackles racism and gun violence with "Gunshot Medley: Part 1"; why are there so few movies about soccer?