The Frame

The writer-director called on some of her own experiences for the semi-autobiographical film about a troubled standup comic; diversity in Hollywood is depicted as writers are asked to #ShowUsYourRoom; the soundtrack for 'The House with a Clock in its Walls' makes use of a vintage instrument.

A dying man is hired to deliver a message to a recent suicide victim in "The Untranslatable Secrets of Nikki Corona"; Latino Vietnam veterans share their experiences in the play, “Ring Of Red: A Barrio Story;” at age 38, violinist Hilary Hahn's already had a long career.

Alex Honnold's daring climb of Yosemite's famous rock formation is chronicled in a new National Geographic documentary; with Bill Cosby's sentencing hearing this week, and other disgraced entertainment figures re-entering the arena, culture critic Megan Garber examines the “familiarity fallacy” and “accountability theater.”

The Prince archive releases songs that the artist may not have wanted the public to hear; Director Tom Shadyac once made movies with Jim Carrey and Eddie Murphy but his new film is no joke; Spotify's co-dependent relationship with the music biz gets tense.

"Monsters and Men," director Reinaldo Marcus Green's feature debut, examines the complicated fallout of a fatal police shooting of an unarmed black man; the LA Film Festival kicks off today.

The site-specific show at the Huntington's Chinese Garden weaves a story that merges Latino and Chinese elements; the U.S. Senate passes the long-awaited Music Modernization Act; the Los Angeles legacy of jazz musician Alice Coltrane.

HBO and the streaming services dominated the night as the broadcast networks face an increasingly daunting future.

Bekah Brunstetter's play is about a conservative Christian baker who is asked to make a cake for a lesbian wedding — and one of the women is an old friend; yes, the Emmys are tonight, but who might win next year's trophies?; looking back with punk pioneer Ana da Silva.

Hear what it takes to get an Emmy nomination from 13 people who have one (or more). Guests include: Brian Tyree Henry, Sarah Paulson, Bill Hader, Carrie Brownstein and Nikolaj Coster-Waldau. Plus, the creators of "Glow" and "Black-ish." This Emmy special is co-hosted by The Frame's John Horn and LA Times TV critic Lorraine Ali who discuss the social and political relevance of television in this 2017-18 season.

Jim Stern shot his documentary during the 2016 presidential campaign, seeking insights into the support for Donald Trump; the advent of smart phones has changed the world of fashion photography; why is it suddenly more difficult for foreign artists to obtain visas to the U.S.?

Don Randi recalls his days as a pianist with the legendary studio band The Wrecking Crew in his memoir, "You've Heard These Hands"; the documentary "Song of Lahore" tells the unlikely story of how a group of Pakistani musicians found worldwide acclaim; YouTube enters the streaming biz with an app.

The actor goes behind the camera to direct his first feature, "Shelter," starring his wife, Jennifer Connelly; Katie Theroux is the sole L.A. semi-finalist in the Thelonious Monk Jazz Competition; the Hollywood Reporter will still name the industry's 100 most powerful women, but they won't be ranked.

Director Patricia Riggen and cinematographer Checco Varese — her husband — were partners above and below ground on the mining disaster film, "The 33"; Boston Globe reporter Mike Rezendes is played by Mark Ruffalo in "Spotlight"; Song Exploder dissects a song by Dan Auerbach's side project, The Arcs.

One year out from the 2016 Presidential election, we hear from Beau Willimon, an executive producer of "House of Cards," and Jay Roach, director of an HBO film about Lyndon Johnson.

Ewan McGregor and filmmaker Rodrigo Garcia share stories of making their movie about Jesus wandering the desert; Leon Bridges' quick rise to soul stardom; Do box office results impact Oscar voting?

Michael Keaton leads the cast in "Spotlight," about the Boston archdiocese cover-up of sexual abuse cases; NBC and "Saturday Night Live" have resisted calls to remove Donald Trump as host of the show; Performance artist and composer Laurie Anderson examines love and loss in the documentary, "Heart of a Dog."

Director Catherine Hardwicke's new movie is written by and about women. As an advocate for women in Hollywood she practices what she preaches; Flailing TV shows remain on the air in this new era; Two Chicago institutions bring dance and sketch comedy together.

The actor says the experience of Dalton Trumbo and other blacklist victims still resonates today; Quentin Tarantino is facing a boycott of his films because of comments he made at a protest against police brutality; the German classic film, "M," was remade for American audiences but never released.

Disney is delaying publication of a companion book to "The Force Awakens" in hopes of keeping the story line under wraps; Jason Segel's performance as David Foster Wallace is another example of a cult figure on the big screen; Women wrote just 22 percent of the plays produced last year in the U.S.

The Irish actress plays a young immigrant in a story that mirrors what her own parents experienced; Kyle Buchanan of Vulture.com assembled a list of women directors who Hollywood studios should be hiring; "Songs from Suicide Bridge" is another excavation project from Light In the Attic records.

The Walking Dead's Greg Nicotero's zombie lesson; LACMA brings rain to a drought-riddled city with The Rain Room; 'Saw' composer and former Nine Inch Nails keyboardist Charlie Clouser on how to score a scary movie.

LA-based opera company “The Industry” has created an experimental opera that takes place in 24 cars around the city. Starz CEO Chris Albrecht wants his channel to reach a diverse audience. LA taco place partners with bands.