The Frame

The writer-director called on some of her own experiences for the semi-autobiographical film about a troubled standup comic; diversity in Hollywood is depicted as writers are asked to #ShowUsYourRoom; the soundtrack for 'The House with a Clock in its Walls' makes use of a vintage instrument.

A dying man is hired to deliver a message to a recent suicide victim in "The Untranslatable Secrets of Nikki Corona"; Latino Vietnam veterans share their experiences in the play, “Ring Of Red: A Barrio Story;” at age 38, violinist Hilary Hahn's already had a long career.

Alex Honnold's daring climb of Yosemite's famous rock formation is chronicled in a new National Geographic documentary; with Bill Cosby's sentencing hearing this week, and other disgraced entertainment figures re-entering the arena, culture critic Megan Garber examines the “familiarity fallacy” and “accountability theater.”

The Prince archive releases songs that the artist may not have wanted the public to hear; Director Tom Shadyac once made movies with Jim Carrey and Eddie Murphy but his new film is no joke; Spotify's co-dependent relationship with the music biz gets tense.

"Monsters and Men," director Reinaldo Marcus Green's feature debut, examines the complicated fallout of a fatal police shooting of an unarmed black man; the LA Film Festival kicks off today.

The site-specific show at the Huntington's Chinese Garden weaves a story that merges Latino and Chinese elements; the U.S. Senate passes the long-awaited Music Modernization Act; the Los Angeles legacy of jazz musician Alice Coltrane.

HBO and the streaming services dominated the night as the broadcast networks face an increasingly daunting future.

Bekah Brunstetter's play is about a conservative Christian baker who is asked to make a cake for a lesbian wedding — and one of the women is an old friend; yes, the Emmys are tonight, but who might win next year's trophies?; looking back with punk pioneer Ana da Silva.

Hear what it takes to get an Emmy nomination from 13 people who have one (or more). Guests include: Brian Tyree Henry, Sarah Paulson, Bill Hader, Carrie Brownstein and Nikolaj Coster-Waldau. Plus, the creators of "Glow" and "Black-ish." This Emmy special is co-hosted by The Frame's John Horn and LA Times TV critic Lorraine Ali who discuss the social and political relevance of television in this 2017-18 season.

Jim Stern shot his documentary during the 2016 presidential campaign, seeking insights into the support for Donald Trump; the advent of smart phones has changed the world of fashion photography; why is it suddenly more difficult for foreign artists to obtain visas to the U.S.?

"Mystery Science Theater 3000" went off the air 17 years ago, but the cult TV show is having a reunion; Gary Ross has never been happier as a filmmaker than when doing research for the Civil War drama, “Free State of Jones.”; a federal judge dismissed another lawsuit filed against the Cinemark theater chain in relation to the 2012 mass shooting in Colorado.

Jennifer Lopez joins us from the set of her NBC show "Shades of Blue." She reflects on her life as an actress, singer, producer and mother and how she refuses to be "put in one box;" What does Brexit mean for the film, TV and music industries? We check in to see how the UK's exit from the European Union could impact the creative world.

New Zealand filmmaker Taiki Waititi went from HBO's "Flight of the Concords" to the next "Thor" but along the way he made the sweet indie comedy "Hunt for The Wilderpeople;" Musician Mike Hadreas aka Perfume Genius opens up about being bullied and embracing his queer identity; Big name musicians take on Youtube and the DMCA

A.D. Miles says "The Tonight Show" will take its audience wherever — on the air or online; the copyright infringement suit against Robert Plant and Jimmy Page over "Stairway to Heaven" goes to the jury; Stephen Lieberman is one of the leading production designers on the electronic music circuit.

Ayad Akhtar discusses his Pulitzer Prize-winning play, "Disgraced," and how he explores issues of Muslim identity in post-9/11 America; Reggae icon Burning Spear and his wife and manager Sonia Rodney prepare for his final appearance in California.

Chilean musician Alex Anwandter has branched out to filmmaking to extend his message of tolerance for the LGBT community; Long Beach Opera makes another foray into experimentation with a work stripped from the headlines; Ticketmaster customers who were part of a class action suit are learning how they will benefit.

As CEO of The Jim Henson Company, she's focused on new technologies and improving the gender, racial and ethnic diversity of the people behind the characters.

Comedian, podcaster and actor Chris Gethard has a talk show on the Fusion cable network after years on public access TV. He also hosts the podcast, "Beautiful Stories from Anonymous People." He sits down with The Frame for an in-depth conversation about failure, success, depression and comedy.

Shanghai Disney is the company's $5.5 billion entrance into mainland China with a resort that includes hotels and shopping areas in addition to the 123-acre park; "Tickled" is a documentary about the odd world of competitive endurance tickling.

Derek DelGaudio uses "magic, moments of wonder and mystery" in his hit stage show, “In & Of Itself"; the opera “Anatomy Theater" explores the nature of evil on a visceral level; a new initiative from the Berklee College of Music seeks to resolve compensation issues between musicians, streaming services and record labels.

Director Thomas Kail and production designer David Korins helped bring the Broadway hit “Hamilton” to life, but in 2016 they also collaborated on the production of “Grease: Live!” — the TV event for Fox; New York Magazine theater critic Jesse Green says diversity was the big winner at this year's Tony awards.

Musician Joe Henry produced what turned out to be the final album by the New Orleans legend, who died last Fall; will a crackdown by New York's attorney general help rein in the re-sale market for concert and stage tickets?; Muhammad Ali even sang about being "The Greatest."