The Frame

The film is an attempt to understand the motives behind the horrific 2011 attack at a teen camp in Norway; Taylor Swift showed her political leanings this week, but can she make a difference?

The Academy Award-winning director takes on a biopic of astronaut Neil Armstrong; "American Saga: Gunshot Medley: Part 1" is a new play about the struggle against systemic racism.

Cinematographer Matthew Libatique talks about shooting the film's live concert scenes at Coachella and other venues; New York Times culture critic Amanda Hess on how the new TV season is addressing the #MeToo movement; Chan Marshall, aka Cat Power, breaks down her song, "Woman."

It's been 11 years since the writer/director's last film, and she returns with a personal movie about infertility; singer Luciana Souza has a new album based on Leonard Cohen's poetry.

The man who made crucial contributions to the music of Duke Ellington gets a tribute in David Rousséve's "Halfway to Dawn"; a dozen years after his death, James Brown's estate remains a muddled mess; Icelandic artist Ragnar Kjartansson has a riveting video installation at The Broad.

The dissident Chinese artist has three current exhibitions in Los Angeles; the Kavanaugh-Ford hearing gets a theatrical treatment with the gender roles reversed; Manhattan's High Line is the setting for "The Mile Long Opera."

He's currently in the films "The Sisters Brothers" and "Venom," he's about to perform in the title role of "Hamlet" for Netflix, while also furthering his career as a rapper; Donald Trump's presidency is the ultimate reality show, but will it get renewed in 2020?

Robert Redford, Sissy Spacek and the film's writer/director talk about what may or may not be the actor's final role; actress Chantal Cousineau on California's new sexual harassment laws; New Yorker magazine cartoonist Liana Finck.

The primary lyricist for Los Lobos is also a visual artist and he has paired his lyrics and drawings and paintings in a new book, "Good Morning Aztlán"; Sarah Jones' "Sell/Buy/Date" is a one-woman play with many views of the sex industry.

The iconic L.A. artist leads John Horn on a tour of his vast workspace and talks about his past and current work; media scholar Robert Thompson talks about the historic nature of Judge Brett Kavanaugh's televised confirmation hearings; Cuban pianist Dayramir Gonzalez is a rising star in jazz.

Choreographer Kenny Ortega talks about his long-time love of musicals and his dream to make a musical about a gay teenager who comes out; Soundcloud was on the brink of shutting down until new investors surfaced; in "Morningside 5," filmmaker Mike Tollin revisits the subjects of "Hardwood Dreams," his film about high school NBA hopefuls.

In part 2 of our chat Steven Soderbergh, he talks about why "Logan Lucky" was the movie to bring him back to filmmaking. Then, we go behind the scenes at the Hollywood Bowl to find out what exactly goes into making that music sound so good out there, and with the TCA press tour over we find out what's to be learned about the state of the TV business.

With "Logan Lucky," Soderbergh returns to the big screen with a new strategy for indie filmmaking; Disney decides to go its own way with plans to launch two streaming services; a new virtual reality experience puts you into flatline mode.

Aubrey Plaza is changing things up with her role in the FX show, “Legion,” and in two movie parts this summer, including the mentally unbalanced title character in “Ingrid Goes West”; When actor Algee Smith auditioned for “Detroit,” director Kathryn Bigelow did not give him the script or tell him much about the film. Smith chats with John about Bigelow’s unusual process.

"Twilight" actor Robert Pattinson hopes to shake-off his heartthrob rep with the new movie "Good Time"; filmmaker Alejandro Iñárritu uses virtual reality to replicate a border crossing through the desert; "Whose Streets?" documents how the shooting death of Michael Brown inspired grassroots activism in Ferguson, Missouri.

The band Spoon formed in Austin, TX 25 years ago. Lead singer Britt Daniel talks about the band’s new album, “Hot Thoughts," and the many changes in the music industry; YouTube has created a new breed of reviewer: TV and movie superfans; We all gravitate toward different kinds of music, but there is one album we found with sounds that are literally out of this world.

The filmmakers of 'Brigsby Bear' discuss their off-beat comedy and their rise from youtube stars, to SNL, to feature film. The Television Critics Association summer press tour (aka TCA's) continues this week where the subject of who is included in the TV universe – on and off screen– was debated and discussed. And the fallout continues from the cyber attack on HBO which could be larger that the one that hit Sony in 2014.

In the new documentary "Step", filmmaker Amanda Lipitz shows the power of sisterhood, school and stepping in a Baltimore girls inner city school. She and the subjects of her movie tell The Frame what they hope people take away from their story. The French band Phoenix breaks down a song off their new album.

Filmmaker Bryan Fogel set out to make a documentary about performance enhancing drugs and cycling. But once a prominent Russian doping expert got involved, things got really weird; HBO is the latest Hollywood victim of a cyber crime.

The actor and Pulitzer Prize-winning playwright is remembered by longtime collaborators, Ed Harris and Peter Coyote; USC researchers watched 900 movies and found women are often sidelined, sexualized or outright invisible; La Cuneta puts its small country on the musical map.

Filmmaker Joshua Weinstein used non-professional actors for his film set inside an insular Jewish community; TV journalists gather to get the lowdown on shows premiering in the coming months; a new opera digs into the life story of the Apple icon.

The former vice president is back with the timely “An Inconvenient Sequel: Truth to Power"; American Ballet Theater dancer Tiler Peck has curated a showcase called BalletNow; June Foray voiced Rocky the Flying Squirrel and the Russian spy Natasha on the Bullwinkle cartoons.