The Frame

Actor Jeffrey Wright produced the HBO film about a group of veterans using art to help heal their psychic wounds; L.A. Times TV critic Lorraine Ali looks at the late-night shows on election day; an exiled Iranian film composer makes his presence felt back home.

"They'll Love Me When I'm Dead" is Morgan Neville's insightful documentary about the ambitious film that Welles was unable to finish; taking a motorcycle ride with cast members from "Mayans M.C."

The story of the Colorado senator's ill-fated campaign to become the Democrats' 1988 presidential candidate is dramatized by director/co-writer Jason Reitman; NBC is being criticized for its decision to air an inflammatory anti-immigration ad.

The actor talks about his transformation into Queen's flamboyant singer in the new biopic; Netflix is amending its policy and will now release films in theaters before they hit the streaming service.

Comedy writers Merrill Markoe and Megan Koester talk about the making of their audiobook; Claire Warden on being an "intimacy director" on TV and movie sets; music veterans Dave Alvin and Jimmie Dale Gilmore celebrate their roots on the album, "Downey to Lubbock."

The filmmaker no longer sits in the director's chair, but he still composes the music for his frightful franchise; the scary voice of a four-year-old in "It"; and is the TV content boom leading to more stunt performer injuries and deaths?

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Los Lobos' Louie Pérez offers insights into the band's new album, "Gates of Gold"; Margaret Cho has become a role model for a new generation of Asian-American comedians; J.A. Micheline is glad Ta-Nehisi Coates will write some Black Panther comic books, but she says the industry has more work to do regarding diversity.

Playwright Rolin Jones reimagines Shakespeare's "Much Ado About Nothing," setting it in London's swingin' 1960s; Prince and the publishing house claiming a copyright to "Happy Birthday to You" both lose in court; Heidi Duckler Dance Theatre moves its soap opera dance-drama around L.A.

Box office hits such as "Bridesmaids" are being cited as part of an effort to push for more movies and TV shows by, for and about women; The Budos Band makes do as a part-time group; The new TV season is chock-full of new shows that were once feature films.

Emily Mortimer, Dolly Wells and their husbands and kids star in HBO's "Dolly & Em," but it's not about them; Diversity and gender equity were top of mind at the Emmy Awards; The Toronto International Film Festival supplied its annual dose of Oscar buzz.

How director Denis Villeneuve created the suspense of 'Sicario' and why he's remaking 'Blade Runner'; The Broad is about to open its doors and art critics are critical; Harry Nilsson fans lobby the Rock & Roll Hall of Fame.

Go inside The Broad museum's galleries, art storage and hidden corners with the Chief Curator as our guide; What we watch when we watch the Emmys; The LA Phil has turned itself and its conductor Gustavo Dudamel into a roving virtual reality experience.

Working in Visitor Services at the new museum means being part-concierge, part-docent, and part-guard; Director Scott Walker and actor Joel Edgerton were challenged in making the Bulger story, "Black Mass"; ABC News partners with the virtual reality company Jaunt to make VR more accessible.

As creator of the TV series "Transparent," Jill Soloway is a rarity, according to a new report from the Center for the Study of Women in Television and Film; Joe Adalian of Vulture.com handicaps the new TV season; Jay Duplass went from being a reluctant actor to a vey happy one.

Film composer Atticus Ross took Brian Wilson's music and created sound collages for the score to "Love and Mercy"; the Academy Museum of Motion Pictures has settled differences with a neighborhood group over the new facility planned for Wilshire and Fairfax; for composer Derrick Spiva, music is all about movement.

Author Emma Donoghue adapted her best-selling novel into a screenplay about a mother and son being held captive; National Geographic Society CEO Gary Knell says it will maintain its mission even though 21st Century Fox now owns a controlling interest; The Toronto International Film Festival is huge, and hugely influential.

The actor plays a homeless man in the new feature film, "Time Out of Mind," which he also produced; Aretha Franklin's objection to the screening of the documentary "Amazing Grace" has now affected the Toronto and Chicago film festivals; In our latest installment of "Song Exploder," Hrishikesh Hirway breaks down "Feeling OK" with the band Best Coast.

Producer Jessica Elbaum and writer-director Leslye Headland team up for "Sleeping With Other People" (starring Alison Brie and Jason Sudeikis); Apple introduces new products, but you still can't stream Amazon shows through Apple TV; "The Princes of Kings Road" is a new play that examines the complicated relationship between iconic L.A. architects Rudolph Schindler and Richard Neutra.