The Frame

The director presents a gritty version of the city in the movie about a former undercover cop confronted with her past; Producers Guild of America co-president Lucy Fisher on how the organization is operating in the #MeToo era.

The future Supreme Court Justice endured a lot of sexism in her career, and so has the director of the biopic, "On the Basis of Sex"; writer/director Adam McKay takes on Dick Cheney in the darkly comedic "Vice."

The actor has two movies debuting in the coming days, and another that opened earlier this fall, "Beautiful Boy," is still in theaters; the annual so-called "Black List" of exceptional un-produced scripts has been released.

The "Big Bang Theory" actor stars in a radio play production of "It's a Wonderful Life" at the Pasadena Playhouse.

The late night host takes aim at the U.S. Immigration and Customs Enforcement agency in her version of a holiday special; the top five Latin albums you may have missed in 2018.

New York Times theater critic Jesse Green reviews the year on the major stages; "Caparnaum" is a heart-breaking film from Lebanon about a neglected street urchin; Lindsay Buckingham dissects Fleetwood Mac's "Go Your Own Way" for Song Exploder.

The prolific producer has created shows for Nickelodeon, Cartoon Network and, now, PBS Kids; a media expert on the problem with Kidz Bop.

The director follows up the Academy Award Best Picture-winning "Moonlight" with "If Beale Street Could Talk," an adaptation of the Baldwin novel that plays like a tone poem; composer Nicholas Britell collaborates with Jenkins once again.

The virtuoso specializes in Bartók and her recording of his Piano Concerto No. 2 is nominated in the Classical Instrumental Solo category; Kristen Anderson-Lopez and Robert Lopez won an Academy Award for their song from "Coco," "Remember Me," and now it's up for a Grammy; “La Bohème” gets a hipster twist in L.A.

The musical revisits the story of the passengers from 38 airplanes who were stranded in Canada on that fateful day; Taylor Mac turns the Christmas pageant on its head with "Holiday Sauce."

Lena Dunham's love-it-or-hate-it HBO series is ending its six-season run; Icelandic music is more than just Björk and Sigur Rós. Composers Valgeir Sigurdsson, Nico Muhly and other members of their music collective are also part of an ongoing showcase at Disney Hall.

The 14th Factory is a massive warehouse filled with installations by artists from around the world; major life changes contributed to the latest album by Tift Merritt; the Cannes Film Festival lineup is short on blockbusters, but brimming with politics.

Ever wonder what musicians hear during a concert? We sit onstage at Disney Hall during a rehearsal to find out; comic book artist Dash Shaw has made his first animated feature, “My Entire High School Sinking Into The Sea”; we help you sort through the conflicts on the Coachella Music Festival schedule.

After almost 40 years as front man of the band T.S.O.L., Jack Grisham retains his punk spirit; "The Encounter" is Simon McBurney's tour de force about an explorer of the Amazon jungle; 'Finding Oscar' looks at fallout from Guatemala's civil war.

Photographer and filmmaker Lauren Greenfield spent years documenting wealth throughout the world. Now her work is featured in a multimedia exhibit titled “Generation Wealth"; We get an update on the Writer’s Guild contract negotiations, which resumed today; With its third album, the L.A. band Jungle Fire is solidifying its tropical funk sound.

We visit a rehearsal for the CW show "Crazy Ex-Girlfriend" and meet choreographer Kat Burns, the woman behind the comedic dance routines on the show; Two correspondents for Vice on HBO talk about what it's like to cover such dangerous and emotional stories; A Middle East scholar reflects on changes "Homeland" has made to respond to criticism of the show's depiction of Muslims.

Gina Prince-Bythewood and Reggie Rock Bythewood reveal that it was a conversation with their sons about Trayvon Martin and Emmett Till that gave them the idea for the Fox event series "Shots Fired." And Andrew McCarthy found his true calling as an actor when he was a teenager, but later in life he's found that writing is his preferred form of creative expression.

Mandolin virtuoso Chris Thile balances a busy recording career with his new role as host of "A Prairie Home Companion"; How can a big company like Pepsi make such a tone-deaf ad?; The storm clouds at Disney Hall have nothing to do with the orchestra's emotional state.

Aimee Mann happily talks about her new album, "Mental Illness"; revenue was up in 2016 for record companies, but it's still half what it was at its peak; in a new episode of "Song Exploder," Norah Jones breaks down the title song from her latest album, "Day Breaks."

“Building the Wall" is a new Robert Schenkkan play that imagines the effects of President Donald Trump's immigration policies; in the era of Instagram and Snapchat, art museums are harnessing the power of their visitors' social media feeds; the Emmys are not until September, but award campaigning is underway.

The new Hulu series, co-created by Moira Buffini, has been likened to Sofia Coppola’s "Marie Antoinette" and the sharply modern feminist commentary of “Orange Is the New Black.”

Danger Mouse is an adventurous music producer whose 2004 project, “The Grey Album,” put him on the map. Since then he’s won six Grammy Awards and worked with some of the biggest names in pop. Now he has a collection of songs he imagined would be heard on the radio station on Amazon’s dystopian WWII series, “The Man in the High Castle.”