The Frame

Comedian Abby McEnany is at the festival debuting her TV pilot, in which she co-stars with Julia Sweeney; John Horn reports from Sundance on the festival's final weekend; Lynell George reviews the new project by musician Anthony Wilson that combines his songs and photography.

The director becomes the rare woman to helm an action thriller; GLAAD puts the spotlight on LGBTQ-inclusive film scripts; the documentary "Of Fathers and Sons" is nominated for an Academy Award.

The singer/songwriters put their talents together for the album, “Better Oblivion Community Center”; an artificial intelligence company has an algorithm that writes movie scripts; cinematographer and Academy Award nominee Matthew Libatique ("A Star Is Born").

Rachel Lears on her documentary about a quartet of progressive women who ran for Congress, "Knock Down the House"; L.A. Times reporter Jen Yamato recaps her time at Sundance; Richard Ladkani's documentary, "Sea of Shadows," is about the tragic and illegal harvesting of fish in Mexico's Sea of Cortez.

The actor re-teams with writer/director Dan Gilroy ("Nightcrawler") for a horror film set in L.A.'s contemporary art world; film critic Claudia Puig assesses the first few days of Sundance; Alexandre O. Philippe, writer/director of the documentary, “Memory: The Origins of Alien.”

John Horn and a couple of producers are at the Sundance Film Festival where they will provide a daily recap of which films are getting the most buzz; also today: the director of "Untouchable," a documentary about Harvey Weinstein that is premiering at the very festival where he once ruled the roost.

The writer and actor is the son of Eugene Levy, and they are the co-creators and co-stars of the series, "Schitt's Creek"; John Horn reports from the Sundance Film Festival; a new dance performance inspired by horticulture.

Could Linda Perry be the first woman to win a Grammy for Producer of the Year?; a preview of the 2019 Sundance Film Festival; the host and executive producer of KPCC's podcast "The Big One."

Film critic Claudia Puig talks about the odds for Alfonso Cuarón's biopic about his childhood in Mexico City; the actresses from "Roma" — Yalitza Aparicio and Marina de Tavira; Hannah Beachler ("Black Panther") is the first African-American to be nominated for production design.

The pianist and composer talks about and performs music from the movie about Don Shirley; what were the most streamed songs and albums of 2018?

Julius Onah directed the movie about a former child soldier in Africa who seems to fully adapt to his new life in America; how and why YouTube became the world's most popular music streaming site; a new documentary tells the story of the Bay Area's thrash metal scene.

Writers and comedians Diallo Riddle and Bashir Salahuddin talk about their new IFC series that's a fake documentary about a fake "Soul Train"-like music show; N.Y. Times co-theater critic Jesse Green on the legacy of Broadway legend Harold Prince, who died at the age of 91.

Anna Konkle and Maya Erskine get a writing nomination for their comedy series set in middle school; Lucas Shaw of Bloomberg News on musicians seeking representation in Washington; Cristina Ibarra and Alex Rivera talk about their film, "The Infiltrators," which tells the true story of two undocumented immigrants who go inside America’s for-profit, immigrant detention system.

Inara George and Greg Kurstin previously released an album of Hall & Oates covers, and now they've turned to songs made famous by Eddie Van Halen and David Lee Roth; is there a rift in the Writers Guild leadership?; do faith-based movies need film critics?

How Quentin Tarantino and his team recreated 1969 Hollywood. Director Gigi Saul Guererro tells an immigration story as a horror film and the Alamo Drafthouse (finally) opens in DTLA. All that plus documentaries about Mike Wallace and Cambridge Analytica. Plus, we remember New Orleans music legends.

Veteran cinematographer Robert Richardson talks about shooting "Once Upon a Time In Hollywood"; the documentary "For Sama" is an unflinching look at the war in Syria; Michael McDonald on being the ultimate backup singer.

The Texas-based theater chain has been working on a complex here for six years and the owners are hoping audiences will connect with the in-seat food service and bar; film festival season is upon us; re-creating the streets of L.A. circa 1969 for “Once Upon a Time in Hollywood.”

The documentary by Ari Belkin examines the life and career of the famed journalist; Daniel Fienberg of The Hollywood Reporter previews Television Critics Association press tour; the indie video game market.

Writer and director Pippa Bianco talks about her first feature film, which was adapted from her 2015 short; why are artists pulling their work from the Whitney Biennial?; the host of the "Mueller, She Wrote" podcast preps for the big day.

Karim Amer and Jehane Noujaim co-directed the documentary about the Cambridge Analytica/Facebook controversy; all the news from Comic-Con; Rodrigo y Gabriel have guitars, will travel.

Marc Maron shines in a new improvised film from Lynn Shelton. Linda Ronstadt gets celebrated for a life in music. David Crosby makes a mea culpa documentary with Cameron Crowe and "Apollo 11" reveals a hidden side to the moon landing.

We mark the 50th anniversary of the moon landing by revisiting our interviews with "First Man" director Damien Chazelle and screenwriter Josh Singer, and with the film's sound editors, Ai-Ling Lee and Mildred Iatrou Morgan, who were nominated for an Academy Award; Todd Douglas Miller, director of the groundbreaking documentary, "Apollo 11."