The Frame

"It's Always Sunny in Philadelphia" teams makes an Apple TV+ show; Comedian Maria Bamford masters the impersonation; Alex Newell brings his unique voice to "Zoey's Extraordinary Playlist"; After Weinstein's conviction, what's left to do?

Tamar-kali is a film composer with unique musical roots; Linas Phillips is a rideshare driver/spiritual coach in "The Ride"; what comes next for Hollywood after the Weinstein verdict?

Alex Newell plays a nonbinary character and Mary Steenburgen is Zoey's mother on the new NBC show; Hollywood is bracing for fallout from the coronavirus.

Filmmaker Benh Zeitlin returns to directing for the first time since "Beasts of the Southern Wild" with "Wendy"; Dr. Shari Fink, executive producer of "Pandemic: How to Prevent an Outbreak"; Gabriel Roth, the man behind The Daptone Sound.

Co-creators Rob McElhenney and Megan Ganz, who also work together on "It's Always Sunny in Philadelphia," talk about their new Apple TV+ series; Bob Iger's successor is named at Disney; a report from the the Eurosonic music festival in the Netherlands.

Lauren Greenfield's documentary tracks the rise and fall of the woman who still holds sway in the Philippines; Harvey Weinstein found guilty on two of five charges.

Kerry Washington and the team behind "Weiner" make a documentary about ACLU lawyers taking on the Trump administration; Alfred Molina tackles dementia on stage and in his family; Robbie Robertson reflects on life in The Band.

A new documentary produced by Kerry Washington examines the battle over civil liberties on several fronts; why Harvey Weinstein might escape a conviction; the real science behind horror movies.

The comedian's latest hilarious exploration of mental health is titled “Weakness Is The Brand”; recollections from the engineer who 50 years ago won the only Grammy for The Beatles' "Abbey Road."

The filmmakers of the HBO docu-series talk about how the game was rigged without the knowledge of McDonald's; still no verdict in Weinstein trial; Robbie Robertson on the new documentary about The Band, "Once Were Brothers."

Director Kasi Lemmons and actress Cynthia Erivo talk about bringing Harriet Tubman's story to the big screen; HBO's new streaming service will launch with a vast library; singer, songwriter and producer Ayoni.

Series producer Caroline Dries talks about the responsibility of telling an LGBTQ+ story through the show's heroine; what's at stake for the first batch of shows from Apple Plus?; Josh Homme returns to the desert.

Jocelyn DeBoer and Dawn Luebbe talk about their satirical film, which they wrote, directed, and star in; the legacy of film producer Robert Evans; Song Exploder with Raphael Saadiq.

What Robert Pattinson loves about acting and why he made the surreal film "The Lighthouse"; the buried American history inside HBO's "Watchmen," and "Jojo Rabbit" director Taika Waititi defends his anti-hate satire.

The sound editor turns director for her documentary on "The Art of Cinematic Sound"; pianist Cameron Graves is part of L.A.'s young generation of jazz artists.

The actor has in recent years taken on dark roles in the movie "Get Out" and the TV series, "The Handmaid’s Tale.” So he decided to lighten up with a sitcom.

The filmmaker — who endured an ill-advised screening at a major film festival, followed by The Weinstein Company filing for bankruptcy — is finally seeing the release of “The Current War: Director’s Cut”; is "South Park" worth $500 million on the streaming market?; Morrissey's political leanings may be jeopardizing his large Latino fanbase.

The actor bought the rights to Jonathan Lethem's book in 1999, and finally was able to direct his own adaptation of the novel.

In the singer/songwriter's new memoir, she reflects on death, sex, motherhood and misogyny.

Why Bradley Whitford is following his dark roles in "Get Out" and "The Handmaids Tale" with a new NBC sit-com; "Batwoman" creator says her lead was always going to be gay; The Chambers Brothers recount their musical journey

The actor has two major films this Fall, “Marriage Story” and “The Report.” He spoke with John Horn at the Telluride Film Festival.

The director adapted the screenplay for "JOJO Rabbit," a satire about a young German boy and his imaginary friend, Adolf Hitler; the plight of assistants in Hollywood.